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at the age of sixteen. When the quality of his voice deteriorated, he went to study in
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Le magazine de l'opéra baroque by Jean-Claude Brenac (in French)
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Airs sérieux avec accompagnement de violon, flûte et basse
102:for a spoken tragedy by an anonymous author, 1706)
30:, Bouvard began his career as a singer at the
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22:(c. 1684–1760) was a French composer of the
199:International Music Score Library Project
42:and composition. His first opera, the
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126:Le triomphe de l'Hymen et de l'Amour
38:and devoted himself to playing the
255:18th-century French male musicians
172:Sonatas for violin and bass (1723)
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245:18th-century classical composers
88:, written in collaboration with
195:Free scores by François Bouvard
160:Cantata “Le temple de Bacchus”
16:French composer (c. 1684–1760)
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250:18th-century French composers
53:, appeared in Paris in 1702.
260:17th-century male musicians
240:French male opera composers
90:Toussaint Bertin de la Doué
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96:Saül, ou L'ombre de Samuel
230:French Baroque composers
235:French opera composers
69:Médus, roi des Mèdes
225:Musicians from Lyon
86:tragédie en musique
74:tragédie en musique
45:tragédie en musique
167:Instrumental works
26:. Originally from
149:L'amour champêtre
137:Other vocal works
122:, published 1751)
112:, published 1738)
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116:Diane et l'Amour
20:François Bouvard
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32:Paris Opéra
24:Baroque era
209:Categories
145:(oratorio)
100:intermèdes
151:(cantata)
143:Usque quo
81:Cassandre
201:(IMSLP)
197:at the
177:Sources
92:, 1706)
76:, 1702)
162:(1745)
62:Operas
40:violin
57:Works
50:Médus
36:Rome
28:Lyon
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