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He was the son of an innkeeper and displayed an early aptitude for drawing. Two of the boarders at his parents' inn were drawing teachers and they encouraged him in his desire to be an artist. Wealthy relatives were won over to the cause and he was soon enrolled at the
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101:. He returned to Vienna in 1832, then moved on to Prague in 1836, when he became the first Czech to be appointed Director of the Art Academy.
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78:, the Count von Chudenitz, which enabled him to continue his studies. From 1817 to 1825, he served as Court Painter to the
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and overseer for their collection of paintings in Vienna. He maintained close contact with many Czech scholars, such as
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in
Bohemia had a decisive influence on his work. On a recommendation by Professor
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After completing his work in Vienna, he received an
Imperial Pension courtesy of
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141:(in German), vol. 14, Leipzig: Duncker & Humblot, pp. 785–794
46:– 16 January 1840, Prague) was a Czech portrait painter and draftsman.
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Biographisches
Lexikon des Kaiserthums Oesterreich: Kadlik, Franz
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178:Österreichisches Biographisches Lexikon 1815–1950
196:Galerie Marold: Brief biography with paintings
90:, which deepened his nationalistic feelings.
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164:, Československé akademie věd, Prague 1960.
109:were among his best-known students there.
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23:Portrait of Otakar, Count Czernin (1823)
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216:Painters from the Austrian Empire
74:, he came under the patronage of
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138:Allgemeine Deutsche Biographie
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183:Austrian Academy of Sciences
185:, Vienna 1965, p. 167.
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246:Charles University alumni
131:Rudolf Müller (1881), "
172:Kadlík (Tkadlík) Franz
95:Klemens von Metternich
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76:Johann Rudolf Czernin
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236:Painters from Prague
181:(ÖBL). Vol. 3,
57:Academy of Fine Arts
42:; 23 November 1786,
59:, later attending
31:Three Angels (1822)
61:Charles University
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221:Portrait painters
201:Leccos: Biography
162:František Tkadlík
99:Nazarene movement
88:František Palacký
36:František Tkadlík
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80:House of Czernin
68:National Revival
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231:1840 deaths
226:1786 births
103:Josef Mánes
210:Categories
113:References
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44:Prague
105:and
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50:Life
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