44:
416:, introduced a Hollywood type of narrative and cosmopolitan appearance to 1950s Slovene cinema. Though struggling with negative criticism in his own time, today Čáp is praised as a craftsman who helped the undeveloped Slovene and Yugoslav cinema – at the time infected with dilettante technical standards, problematic focus on local issues and stiff literary adaptations – to rise to the level of an exquisite craft with universal intelligibility.
436:
were not specific enough and could be set anywhere in
Central Europe. These reviews seem traditionalist and xenophobic from contemporary point of view. Contemporary Slovene film theorists have largely praised Čáp's "foreignness" or "otherness", reasoning that his ignorance for regional values and conflicts has actually helped him to maintain the necessary objective distance and his particular sense of film direction and storytelling.
445:
regional accents. The dialogues from Čap's comedies came into general usage and became items of universal joking across generations and nation. Whereas
Slovene in pre-Čap cinema had not functioned well, Čáp invented a slang liberated from constraints of purism and theatricality. Thus the director, while being attacked for directing un-Slovene films by many reviewers, in fact enriched Slovene language and culture.
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423:
The negative reviews of Čáp's work occurred mostly during the times of 1960s, 70s and 80s
Yugoslavian film criticism. The orthodox communist reviewers saw in it a bourgeois threat to socialist values, and a conservative return to the middle class phantom concepts (e.g. The idea of innocent romantic
376:, 1962), Čáp was unable to find work in Yugoslavia and he turned to direct for television. He was engaged in directing a TV series and two TV films for German and Austrian televisions. In Slovenia where he lived, though, he was only able to participate in one more production, directing a short film
444:
Contrary to complaints regarding the generic nature of the films, it is well recognized that Čáp contributed drastically to the adaptation of the
Slovene language for cinematic use. The dialogues were fluent and had substance, there was plenty of wordplays, verbal comedy, urban slang and authentic
435:
The name object of early criticism, however, was the misrepresentation (or lack of representation) of
Slovene culture in Čáp's cinema, especially in the hugely popular comedies. A number of reviewers saw Čáp as a foreigner who has never assimilated to Slovene culture. They resented that the films
419:
Some critics viewed it as "genre cinema" — as Čáp mostly directed comedies, thrillers, and melodramas — though these do not correspond strictly to genre rules. "Mainstream cinema" is a term that more accurately describes its aim to attract the audience by means of a classical, easily intelligible
268:
remains one of the most popular
Slovene classics. It took the place of the first commercial film—and the first comedy—in Slovene cinema, and was precisely the urban, modern and technically exquisite film that Triglav film had hoped for when it employed Čap.
234:, his personal favorite, put him in conflict with the communist authorities. After the criticism his film received by workers jury at Zlín film festival, Čáp called the jury "morons who don't understand films". This didn't go well in
244:
which was distributed to many countries. He arrived in
Yugoslavia by invitation of the director of a Slovene film production company Branimir Tuma, to help in the development of the Slovene film industry in the 1950s.
215:
Prior to his arrival in
Yugoslavia, Čáp was praised as the young star of Czech cinema. During World War II he directed a dozen light romantic dramas and melodramas, among them the internationally acclaimed
43:
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278:(Moments of Decision, 1955) about the urgency of reconciliation between partisans and white guards, a topic with which he produced the first censored film in Slovenia.
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In the 1950s and 1960s, Čap directed five films for
Triglav film and another six co-productions and non-Slovene productions. Čáp's first Yugoslav film, romantic comedy
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During his "Yugoslav era", Čap did not only engage in
Slovene productions, but in various other acclaimed productions and co-productions. He directed
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and pre-World War II Czech and Austrian melodrama, and proved highly successful both artistically and commercially, as did its sequel
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Krečič, Jela (2013), “Vesna in Ne čakaj na maj: kako smo v sivini realsocialističnega vsakdana prišli do komičnega duha”,
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narrative, and by emphasizing the story and dramatic structure, not so much qualities of cinema as an art form.
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Contemporary Slovene film criticism widely accepts that the 5 films that František Čap directed in Slovene,
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and he was banned from directing movies. He fled to West Germany, where he directed three films, including
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love). They also minded Čáp's comedies' prevailing themes of spoiled youth and their sexual awakening in
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which won a prize for Best Director in Cannes. His last Czechoslovak film
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Richard Taylor, Nancy Wood, Julian Graffy, Dina Iordanova (2019).
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362:("X-25 Reports", 1960), a World War II spy thriller set in
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The BFI Companion to Eastern European and Russian Cinema
191:). As an already established professional, he moved to
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145:(7 December 1913 – 12 January 1972), also known as
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876:(in Slovenian). Zgodovina.si. 6 December 2016.
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851:: CS1 maint: multiple names: authors list (
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972:Štefančič, Marcel (2005): Na svoji zemlji.
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48:Čáp with Metka Gabrijelčič in 1953 at the
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872:[František Čap – the Director].
791:- The Critics' Choice Award at the 1954
1000:"Festival de Cannes: Men Without Wings"
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2027:Golden Arena for Best Director winners
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195:in 1952, following an invitation by
1962:People from Mladá Boleslav District
957:Čapovi slovenski igrani celovečerci
732:Mafia – Die ehrenwerte Gesellschaft
1967:People from the Kingdom of Bohemia
25:
1319:
765:- Targa di segnalazione at 1941
2022:Directors of Palme d'Or winners
1138:The Girl from Beskydy Mountains
545:The Girl from Beskydy Mountains
27:Czech film director (1913–1972)
2037:20th-century Czech LGBT people
2002:German-language film directors
1502:Golden Arena for Best Director
1395:Sečovlje Salina Landscape Park
804:Big Golden Arena for Best Film
1:
935:Zgodovina filma na slovenskem
831:. Bloomsbury. p. 1964.
476:) (1937) - screenwriter only
464:) (1937) - screenwriter only
1977:Czechoslovak film directors
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955:Stanković, Peter (2013),
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870:"František Čap – režiser"
782:1946 Cannes Film Festival
350:), based on the novel by
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2017:Czech LGBT screenwriters
2007:Slovenian film directors
1987:Czech male screenwriters
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609:All Clues Lead to Berlin
457:A Step into the Darkness
440:Čáp and Slovene language
309:, 1957), which featured
254:(1953), had elements of
241:All Clues Lead to Berlin
236:communist Czechoslovakia
134:1950–1970 (West Germany)
1992:Yugoslav film directors
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298:La ragazza della salina
203:. In 1957, he moved to
2042:Czechoslovak emigrants
1997:Yugoslav screenwriters
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1390:Sečovlje Parish Church
1385:Portorož Parish Church
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352:Wilhelmine von Hillern
284:Am Anfang war es Sünde
136:1953–1965 (Yugoslavia)
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1186:The Beginning Was Sin
734:(1966, TV miniseries)
694:Vrata ostaju otvorena
689:The Door Remains Open
629:The Beginning Was Sin
323:, 1959), introducing
321:The Door Remains Open
316:Vrata ostaju otvorena
54:premiere in Belgrade.
1972:Czech film directors
1932:Juraj Lerotić (2023)
1350:Lucija Parish Church
767:Venice Film Festival
449:Selected filmography
311:Marcello Mastroianni
2012:LGBT film directors
1982:Czech screenwriters
1839:Arsen Anton Ostojić
1636:Zdravko Velimirović
1624:Aleksandar Petrović
1590:Aleksandar Petrović
1578:Aleksandar Petrović
1380:Portorož Auditorium
1370:Piran Parish Church
1202:Sand, Love and Salt
1114:Nocturnal Butterfly
1004:festival-cannes.com
874:Zgodovinski portal
799:Moments of Decision
762:Nocturnal Butterfly
718:Srešćemo se večeras
677:Sand, Love and Salt
641:Moments of Decision
513:Nocturnal Butterfly
330:Srešćemo se večeras
303:Sand, Love and Salt
219:Nocturnal Butterfly
1909:Dana Budisavljević
1708:Vladimir Blaževski
1400:Sečovlje Saltworks
1355:Minorite Monastery
1154:Sign of the Anchor
1076:Films directed by
976:, Ljubljana: UMco.
937:, Ljubljana: UMco.
808:Pula Film Festival
793:Pula Film Festival
646:Trenutki odločitve
569:Sign of the Anchor
397:Trenutki odločitve
340:In 1956, Čáp shot
275:Trenutki odločitve
231:The White Darkness
1939:
1938:
1915:Danilo Šerbedžija
1726:Filip Robar Dorin
1702:Lordan Zafranović
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1672:Goran Paskaljević
1648:Goran Paskaljević
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1130:Mist on the Moors
773:Men Without Wings
739:Rinaldo Rinaldini
716:(Serbo-Croatian:
692:(Serbo-Croatian:
653:The Vulture Wally
557:Men Without Wings
533:Mist on the Moors
348:The Vulture Wally
225:Men Without Wings
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129:Years active
16:(Redirected from
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1600:Živojin Pavlović
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905:(5 June 2010).
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1455:Branko Lenart
1453:
1451:
1450:František Čáp
1448:
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1445:Peter Bossman
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1436:
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1078:František Čáp
1071:
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1037:František Čáp
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915:(in Croatian)
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151:film director
148:
144:
143:František Čáp
131:
127:
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119:Film director
117:
115:Occupation(s)
113:
109:
105:
101:
91:
87:
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75:
62:
58:
53:
52:
45:
40:
36:František Čáp
33:
30:
19:
18:František Čap
1827:Antonio Nuić
1809:Vinko Brešan
1767:Vinko Brešan
1755:Davor Žmegač
1666:Fadil Hadžić
1562:Igor Pretnar
1558:Branko Bauer
1528:Branko Bauer
1521:
1449:
1258:
1200:
1192:
1184:
1176:
1170:Crown Jewels
1168:
1160:
1152:
1144:
1136:
1128:
1120:
1112:
1104:
1096:
1090:Fiery Summer
1088:
1077:
1007:. Retrieved
1003:
994:
986:
981:
973:
968:
960:
956:
934:
929:
917:. Retrieved
910:
873:
828:
822:
806:at the 1955
797:
786:
771:
760:
737:
731:
723:
717:
711:
705:
701:X 25 Reports
699:
693:
687:
681:
675:
663:
657:
651:
645:
639:
633:
627:
619:
613:
607:
601:
597:Crown Jewels
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561:
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549:
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531:
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481:Fiery Summer
479:
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407:X 25 Reports
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201:Triglav Film
182:
170:
164:
158:
155:screenwriter
146:
142:
141:
123:Screenwriter
94:(1972-01-12)
49:
29:
1957:1972 deaths
1952:1913 births
1873:Bobo Jelčić
1855:Rajko Grlić
1849:Goran Dević
1779:Krsto Papić
1749:Krsto Papić
1690:Rajko Grlić
1612:Krsto Papić
1311:Sveti Peter
1253:Settlements
1106:Jan Cimbura
1098:Grandmother
919:3 September
742: [
706:X 25 javlja
682:Kruh in sol
602:Kronjuwelen
518:Noční motýl
505:Jan Cimbura
493:Grandmother
486:Ohnivé léto
462:Krok do tmy
360:X-25 javlja
307:Kruh in sol
104:SR Slovenia
1946:Categories
1897:Hana Jušić
1791:Lukas Nola
1546:Jože Babič
1122:The Dancer
814:References
778:Grand Prix
704:(Slovene:
680:(Slovene:
668:(Slovene:
644:(Slovene:
525:The Dancer
256:Heimatfilm
66:1913-12-07
1515:(1955–90)
1329:Landmarks
1009:2 January
882:2463-8315
847:cite book
656:(German:
632:(German:
612:(German:
600:(German:
474:Panenství
469:Virginity
337:, 1962).
193:Ljubljana
185:Čachovice
147:Franz Cap
74:Čachovice
1306:Strunjan
1301:Sečovlje
1291:Portorož
1266:Dragonja
1041:AllMovie
720:) (1962)
708:) (1960)
696:) (1957)
684:) (1957)
672:) (1957)
660:) (1956)
648:) (1955)
636:) (1954)
616:) (1952)
604:) (1950)
581:Muzikant
576:) (1947)
572:(Czech:
564:) (1946)
560:(Czech:
552:) (1944)
548:(Czech:
540:) (1944)
536:(Czech:
520:) (1941)
516:(Czech:
500:) (1940)
496:(Czech:
488:) (1939)
484:(Czech:
472:(Czech:
460:(Czech:
382:(1965).
369:Naš avto
358:, while
264:(1957).
205:Portorož
1286:Parecag
725:Our Car
498:Babička
413:Our Car
374:Our Car
356:Germany
172:Our Car
100:Ankaran
78:Bohemia
1929:(2022)
1923:(2021)
1917:(2020)
1911:(2019)
1905:(2018)
1899:(2017)
1893:(2016)
1887:(2015)
1881:(2014)
1875:(2013)
1869:(2012)
1863:(2011)
1857:(2010)
1851:(2009)
1847:&
1841:(2008)
1835:(2007)
1829:(2006)
1823:(2005)
1817:(2004)
1811:(2003)
1805:(2002)
1799:(2001)
1793:(2000)
1787:(1999)
1781:(1998)
1775:(1997)
1769:(1996)
1763:(1995)
1757:(1993)
1751:(1992)
1740:Awards
1728:(1990)
1722:(1989)
1716:(1988)
1710:(1987)
1704:(1986)
1698:(1985)
1692:(1984)
1686:(1983)
1680:(1982)
1674:(1980)
1668:(1979)
1662:(1978)
1656:(1977)
1650:(1976)
1644:(1975)
1638:(1974)
1632:(1973)
1626:(1972)
1620:(1971)
1614:(1970)
1608:(1969)
1602:(1968)
1596:(1967)
1586:(1966)
1580:(1965)
1574:(1964)
1564:(1963)
1554:(1960)
1548:(1959)
1542:(1958)
1536:(1957)
1530:(1956)
1524:(1955)
1513:Awards
1438:People
1345:Loggia
1271:Lucija
1205:(1957)
1197:(1956)
1189:(1954)
1181:(1952)
1173:(1950)
1165:(1948)
1157:(1947)
1149:(1946)
1141:(1944)
1133:(1943)
1125:(1943)
1117:(1941)
1109:(1941)
1101:(1940)
1093:(1939)
880:
835:
755:Awards
624:(1953)
592:(1948)
584:(1948)
528:(1943)
508:(1941)
364:Zagreb
1281:Padna
1260:Piran
987:KINO!
961:KINO!
788:Vesna
746:]
621:Vesna
426:Vesna
392:Vesna
379:Piran
354:, in
266:Vesna
251:Vesna
160:Vesna
51:Vesna
1296:Seča
1032:IMDb
1011:2009
921:2020
878:ISSN
853:link
833:ISBN
428:and
410:and
293:Greh
211:Work
179:Life
169:and
153:and
89:Died
60:Born
1736:As
1509:As
1039:at
1030:at
989:21.
963:21.
780:at
289:Sin
1948::
1592:/
1570:/
1560:/
1002:.
959:,
942:^
909:.
890:^
861:^
849:}}
845:{{
802:-
776:-
744:de
432:.
404:,
400:,
394:,
305:/
291:/
163:,
106:,
102:,
80:,
76:,
1494:e
1487:t
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1238:e
1231:t
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1069:e
1062:t
1055:v
1013:.
923:.
884:.
855:)
841:.
372:(
346:(
333:(
319:(
301:(
287:(
68:)
64:(
20:)
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