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Frances Brundage

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but Brundage was chosen by Tuck, London, and Hagelberg, Berlin, international art publishers, for their American market publication. As a result, Brundage had extensive early Euro and UK international postcard publication, more than any other children artist except Ellen Clapsaddle and Harriett M. Bennett, as well as with Tuck's and Hagelberg's large lines of U.S. postcards. Those postcards and the Tuck and the Hagelberg lines of fancy diecut valentines made Brundage the largest presence in U.S. art paper 1899-1910. By 1910, she was working for New York publisher, Samuel Gabriel Company (S. Gabriel had been manager of Tuck's U.S. publishing operations and was responsible for Tuck's use of Brundage for book illustration and postcards), and later,
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valentine and postcard images where the intent is not ridicule but rather positive dramatization. For example, an 1892 Cincinnati merchant's greeting card image shows pugnacious Irish girl in rags, black girl in rags, well-dressed white girl, dignified oriental girl, and sober American Indian girl with bow and arrows—all smiling and holding hands (except the sober American Indian girl), the point being friendship and human worth regardless of ethnicity and social status...not quite the stereotypical attitude of the time and very much an expression of the American social ideal as we think of it today.
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education from her father, and, at the age of seventeen, was forced to earn a living from her art after Lockwood abandoned his family. However, NY State census for 1875 shows him living with his family, not abandoning them, and in 1875, Frances was 21, and not employed. Another site states that Rembrandt Lockwood disappeared mysteriously in 1875, but he apparently was found as evidenced by letters he wrote in 1884.
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Brundage was notable for ethnic illustrations as early as 1886 for Louis Prang, 1890 and 1892 for W. Hagelberg, and for Tuck valentines and postcards in the early 1900s. While "stereotypical" in form, they were not negative and might be compared to her "comical" treatment of romance with Tuck diecut
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with an emphasis on attractive and endearing Victorian children. At the same time she was also published by Wolff Hagelberg, Berlin, in near equal amount, except no book illustration and quite different subject and style. Maud Humphrey was the preferred artist with American publishers in the 1890s,
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Brundage was born Frances Isabelle Lockwood on June 28, 1854 in Newark, New Jersey, to Rembrandt Lockwood (Dec 13th 1815-188?) and Sarah Ursula Despeaux. Her father was an architect, a wood engraver, and an artist who painted church murals, portraits, and miniatures. Brundage received her art
341: 240: 279:. She received an education in art at an early age from her father, Rembrandt Lockwood. Her professional career in illustration began at seventeen when her father abandoned his family and she was forced to seek a livelihood. 322: â€“ to the author. She illustrated books and ephemera such as paper dolls, postcards, valentines, prints, trade cards, and calendars. Her book illustrations were sometimes published as postcards. 101: 523: 361:—and work for Hayes & Koerner. later Hayes Co.. During her late 60s, she produced as many as 20 books per year (exaggeration!). Brundage died on March 28, 1937, aged 82 years. 357:
publisher, Saalfield. She also did illustrated books for Stecher Lithographic Company, DeWolfe, Fiske & Company, Fred A. Stokes, Charles E. Graham & Company, and
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In 1886, she married the artist, William Tyson Brundage, and gave birth to one child, Mary Frances Brundage, who died in 1891 aged 17 months. The Brundages resided in
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In addition to ephemera, Brundage illustrated children's classics such as the novels of
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Children's books and ephemera such as postcards, advertising cards, paper dolls, etc.
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Various publishers: Raphael Tuck & Son; Samuel Gabriel Company; Saalfield
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She sold her first professional work â€“ a sketch illustrating a poem by
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best known for her depictions of attractive and endearing children on
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A Bit of Brundage: The Illustration Art of Frances Brundage
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Art education received from her father, Rembrandt Lockwood
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The Dictionary of 19th Century British Book Illustrators
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Dutton & Ernest Nister 275:, Samuel Gabriel Company, and 1: 780:(Mary Chavelita Dunne Bright) 106: 919:The Case of Rebellious Susan 408:Frances Brundage (1854–1937) 348:Brundage produced works for 1019:American women illustrators 885:The Story of a Modern Woman 1045: 742:Elizabeth Barrett Browning 611:Jennie Augusta Brownscombe 405:Ortakales, Denise (2002), 586:Sophie Gengembre Anderson 540: 473:Works by Frances Brundage 464:Works by Frances Brundage 237: 121:Frances Isabelle Lockwood 98: 957:Mrs. Warren's Profession 656:Wilhelmina Weber Furlong 344:Christmas card, ca. 1910 32:This article includes a 661:Elizabeth Shippen Green 651:Susan Stuart Frackelton 350:Raphael Tuck & Sons 331:Cape Ann, Massachusetts 273:Raphael Tuck & Sons 61:more precise citations. 837:The Portrait of a Lady 636:Alice Brown Chittenden 616:Julia Margaret Cameron 345: 292:Robert Louis Stevenson 1024:American illustrators 945:The Romance of a Shop 696:Elizabeth Okie Paxton 545:19th-century feminism 427:Houfe, Simon (1996), 343: 840:(serialized 1880–81) 813:Alice Freeman Palmer 711:Jessie Willcox Smith 460:at Wikimedia Commons 277:Saalfield Publishing 16:American illustrator 964:George Bernard Shaw 952:George Bernard Shaw 880:Ella Hepworth Dixon 767:Ella Hepworth Dixon 706:Pamela Colman Smith 646:Emma Lampert Cooper 550:First-wave feminism 496:Library of Congress 298:and the stories of 915:Henry Arthur Jones 626:Minerva J. Chapman 535:(born before 1880) 346: 335:Brooklyn, New York 296:The Arabian Nights 128:Newark, New Jersey 34:list of references 991: 990: 936:(serialized 1878) 844:Elizabeth Barrett 830:Isabel Archer in 757:Annie Sophie Cory 468:Project Gutenberg 456:Media related to 320:Louisa May Alcott 284:Louisa May Alcott 246: 245: 175:Years active 87: 86: 79: 1036: 1029:Postcard artists 891:Gustave Flaubert 822:Literature about 781: 716:Annie Swynnerton 681:Elizabeth Nourse 676:Anna Lea Merritt 641:Elizabeth Coffin 581:Nina E. Allender 526: 519: 512: 503: 492:Frances Brundage 487:Internet Archive 458:Frances Brundage 455: 441: 432: 416: 411:, archived from 397: 396: 394: 393: 379: 327:Washington, D.C. 242: 201: 111: 108: 103: 93:Frances Brundage 89: 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 1044: 1043: 1039: 1038: 1037: 1035: 1034: 1033: 994: 993: 992: 987: 823: 817: 799: 795:Olive Schreiner 776: 772:Maria Edgeworth 730: 721:Candace Wheeler 601:Enella Benedict 559: 555:Women's history 536: 530: 448: 435: 426: 423: 421:Further reading 415:on May 11, 2008 404: 401: 400: 391: 389: 381: 380: 376: 371: 312: 199: 130: 125: 123: 122: 112: 109: 94: 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 1042: 1040: 1032: 1031: 1026: 1021: 1016: 1011: 1006: 996: 995: 989: 988: 986: 985: 973: 961: 949: 937: 922: 912: 908:A Doll's House 900: 888: 877: 868:Victoria Cross 865: 853: 841: 827: 825: 819: 818: 816: 815: 809: 807: 801: 800: 798: 797: 792: 787: 782: 778:George Egerton 774: 769: 764: 759: 754: 749: 744: 738: 736: 732: 731: 729: 728: 723: 718: 713: 708: 703: 698: 693: 688: 683: 678: 673: 668: 666:Ellen Day Hale 663: 658: 653: 648: 643: 638: 633: 628: 623: 618: 613: 608: 603: 598: 593: 591:Cornelia Barns 588: 583: 578: 576:Elenore Abbott 573: 567: 565: 561: 560: 558: 557: 552: 547: 541: 538: 537: 531: 529: 528: 521: 514: 506: 500: 499: 489: 480: 470: 461: 447: 446:External links 444: 443: 442: 433: 422: 419: 418: 417: 399: 398: 387:www.aaa.si.edu 373: 372: 370: 367: 329:, summered at 311: 308: 244: 243: 235: 234: 230: 229: 226: 222: 221: 218: 214: 213: 210: 206: 205: 202: 196: 195: 192: 191:Known for 188: 187: 184: 180: 179: 176: 172: 171: 168: 164: 163: 160: 156: 155: 152: 148: 147: 144: 140: 139: 138:March 28, 1937 136: 132: 131: 126: 120: 118: 114: 113: 104: 96: 95: 92: 85: 84: 42:external links 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1041: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1001: 999: 983: 982: 977: 974: 971: 970: 965: 962: 959: 958: 953: 950: 947: 946: 941: 938: 935: 934: 930: 926: 923: 920: 916: 913: 910: 909: 904: 901: 898: 897: 896:Madame Bovary 892: 889: 887: 886: 881: 878: 875: 874: 869: 866: 863: 862: 861:The Awakening 857: 854: 851: 850: 845: 842: 839: 838: 833: 829: 828: 826: 824:the New Woman 820: 814: 811: 810: 808: 806: 802: 796: 793: 791: 788: 786: 783: 779: 775: 773: 770: 768: 765: 763: 760: 758: 755: 753: 750: 748: 745: 743: 740: 739: 737: 733: 727: 724: 722: 719: 717: 714: 712: 709: 707: 704: 702: 701:Emily Sartain 699: 697: 694: 692: 689: 687: 686:Violet Oakley 684: 682: 679: 677: 674: 672: 669: 667: 664: 662: 659: 657: 654: 652: 649: 647: 644: 642: 639: 637: 634: 632: 631:Émilie Charmy 629: 627: 624: 622: 619: 617: 614: 612: 609: 607: 604: 602: 599: 597: 596:Cecilia Beaux 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 571:Louise AbbĂ©ma 569: 568: 566: 562: 556: 553: 551: 548: 546: 543: 542: 539: 534: 527: 522: 520: 515: 513: 508: 507: 504: 497: 493: 490: 488: 484: 481: 478: 474: 471: 469: 465: 462: 459: 454: 450: 449: 445: 439: 434: 430: 425: 424: 420: 414: 410: 409: 403: 402: 388: 384: 378: 375: 368: 366: 362: 360: 356: 351: 342: 338: 336: 332: 328: 323: 321: 316: 309: 307: 305: 301: 297: 293: 289: 288:Johanna Spyri 285: 280: 278: 274: 271:published by 270: 266: 262: 258: 254: 250: 241: 236: 231: 227: 223: 219: 215: 211: 207: 203: 197: 193: 189: 185: 181: 178:ca. 1890–1937 177: 173: 169: 165: 161: 157: 153: 149: 145: 141: 137: 133: 129: 124:June 28, 1854 119: 115: 102: 97: 90: 81: 78: 70: 67:December 2013 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 981:Ann Veronica 979: 967: 955: 943: 933:Daisy Miller 931: 918: 906: 903:Henrik Ibsen 894: 883: 873:Anna Lombard 871: 859: 849:Aurora Leigh 847: 835: 726:Anne Whitney 691:Rose O'Neill 671:Laura Knight 621:Mary Cassatt 606:Rosa Bonheur 437: 428: 413:the original 407: 390:. Retrieved 386: 377: 363: 347: 324: 317: 313: 295: 281: 267:, and other 248: 247: 200:Notable work 73: 64: 53:Please help 45: 1009:1937 deaths 1004:1854 births 976:H. G. Wells 925:Henry James 856:Kate Chopin 832:Henry James 785:Sarah Grand 762:Ella D'Arcy 752:Kate Chopin 355:Akron, Ohio 300:King Arthur 253:illustrator 183:Employer(s) 170:Illustrator 151:Citizenship 143:Nationality 110: 1870 59:introducing 998:Categories 747:Mona Caird 477:Faded Page 392:2023-03-07 369:References 304:Robin Hood 261:valentines 167:Occupation 805:Educators 310:Biography 265:calendars 257:postcards 233:Signature 225:Parent(s) 209:Spouse(s) 159:Education 105:Brundage 940:Amy Levy 790:Amy Levy 479:(Canada) 269:ephemera 217:Children 154:American 146:American 969:Candida 929:novella 735:Writers 564:Artists 485:at the 55:improve 984:(1909) 972:(1898) 960:(1893) 948:(1888) 921:(1894) 911:(1879) 899:(1856) 876:(1901) 864:(1899) 852:(1856) 290:, and 40:, or 302:and 135:Died 117:Born 966:'s 954:'s 942:'s 917:'s 905:'s 893:'s 882:'s 858:'s 846:'s 834:'s 494:at 475:at 466:at 1000:: 978:' 927:' 870:' 385:. 286:, 263:, 259:, 107:c. 44:, 36:, 525:e 518:t 511:v 395:. 80:) 74:( 69:) 65:( 51:.

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A young woman looking to her right
Newark, New Jersey

illustrator
postcards
valentines
calendars
ephemera
Raphael Tuck & Sons
Saalfield Publishing
Louisa May Alcott
Johanna Spyri
Robert Louis Stevenson
King Arthur
Robin Hood
Louisa May Alcott
Washington, D.C.
Cape Ann, Massachusetts
Brooklyn, New York

Raphael Tuck & Sons
Akron, Ohio
E.P. Dutton & Ernest Nister

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