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195:(civic guards) of Amsterdam. In this composition Badens created a sense of space by providing a through view. A striking figure is the drummer in the centre. Occupying a low rank, he would likely not have had enough money to pay for his portrait. Probably the drummer and the many lances and hats in the background were included to create the impression that the whole guard was present in the painting.
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50:, before 17 November 1618) was a Flemish-born painter who was active in Amsterdam where he was known for his mythological and biblical scenes, genre scenes, portraits and still lifes. In his lifetime he was regarded as one of the most important painters who had moved to Amsterdam and was admired for his realistic treatment of the skin.
92:. It has been suggested that this studio located on the Oude Turfmarkt in Amsterdam was known as a place where local citizens could buy paintings in the Italian manner. By acquiring this studio Badens likely could rely on the status of that area of Amsterdam where paintings in a certain style and of a certain quality were sold.
132:(Effigies of some celebrated painters, chiefly of Lower Germany), which was a collection of 69 portraits of prominent, chiefly Netherlandish artists published in 1610. The accompanying Latin verse underneath the portrait begins with the line "
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in 1571 as the son of an obscure artist. His brother was Jan Badens. The family left
Antwerp and moved to Amsterdam shortly after 18 November 1576. It is not clear with whom he trained. The early 17th century art historian and biographer
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158:(portraits), paintings of horses and large history paintings. Van Mander reported that Badens painted in the Italian style. His body of work is not firmly established and some works attributed to
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363:, in: Amy Golahny, Mia M. Mochizuki, Lisa Vergara. 'In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias', Amsterdam University Press, 2006, p. 93
311:, Koenraad Jonckheere, 'Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries', Amsterdam University Press, 2008, p. 92
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reported that Badens trained with his father who died in 1604. It is believed that he studied in Italy between 1591 and 1597 where he had travelled with
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Badens is recorded back in
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lauded Badens as an accomplished painter of history and portraits, and reported that he excelled in painting
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The contemporary reputation of Badens is evidenced by the inclusion of an engraved portrait of the artist in
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decided to try his hand at painting in 1600, Frans Badens was likely his first master.
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Also known as: Francesco Badens, Francisco Badens, Francois Badens, François II Badens
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Supply and Demand: Some Notes on the
Economy of Seventeenth-Century Connoisseurship
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The
Mysterious Landscape Painter Govert Janszn called Mijnheer (1577-c.1619)
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The
Mysterious Landscape Painter Govert Janszn called Mijnheer (1577-c.1619)
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The artist is believed to have died in
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Pictorum aliquot celebrium praecipue
Germaniae inferioris Effigies
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have been tentatively reattributed to Badens. This includes a
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Les regards dards: Werner van den
Valckert's Venus and Cupid
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Het leven van
Francesco Badens Schilder van Antwerpen, in:
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auctioned at
Sotheby's on 29 October 2009, London, lot 14.
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Civic Guardsmen from a company of the Crossbow Civic Guard
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Civic Guardsmen from a company of the Crossbow Civic Guard
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Civic Guardsmen from a company of the Crossbow Civic Guard
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191:and represents one of the
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341:. Cortauld Institute
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