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102:'s inventory of the collection of Charles I calls him "ffrancisco the one-eyed Italian". The king had a St George and the Dragon and a Cupid on Horseback in black patination among 36 small bronzes in the cabinet room at
61:— but mostly as a skilled bronze-caster. He made a fountain of sirens astride dolphins, alternating with scallop shells, with putti clasping fish and other figures, for the king at
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349:, a collection catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Fanelli (see index)
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has identified as
Fanelli's a range of bronze statuettes of St. George and the Dragon and other equestrian subjects. The tomb monument to
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No. 796 (July 1969), pp. 444-449, notes the extensive alterations made to the fountain in the Privy Garden by Edward Pierce during
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He received a pension in 1635 as "sculptor of the King". His only signed sculpture is a
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Varie
Architeture di Francesco Fanelli fiorentino Scultore del Re della Gran Bretagna
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was published in Paris, 1661. (John Harris, "The Diana
Fountain at Hampton Court"
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O. Millar, ‘Abraham Van Der Doort’s
Catalogue of the Collections of Charles I’,
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in 1662, and some elements remain, perched on a high rusticated base, as the
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noted that the outstanding horseman and connoisseur of the riding academy,
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in 1609-10 then worked in London from about 1610, as a sculptor in ivory —
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mentions an ivory statuette of
Pygmalion that attracted the attention of
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Among the public collections holding works by
Francesco Fanelli are:
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Statuette, about 1640, Francesco
Fanelli V&A Museum no. A.5-1953
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John Pope-Hennessy, "Some Bronze
Statuettes by Francesco Fanelli"
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at
Welbeck, had a number of Fanelli's horse statuettes.
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He likely had contacts if not training in the studio of
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Pope-Hennessy (p 161) remarks on Le Sueur's "flaccid
208:John Harris, "The Diana Fountain at Hampton Court"
199:(Nuremberg) 1675, noted by Pope-Hennessy 1953:158).
231:seems to have been replaced with a classicising
30:(c. 1590–1653) was an Italian sculptor, born in
167:"FANELLI, Francesco in "Dizionario Biografico""
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34:, who spent most of his career in England.
112:William Cavendish, first Duke of Newcastle
383:Emigrants from the Grand Duchy of Tuscany
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186:No. 602 (May 1953, pp. 156-162) p 158
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313:Whinney, Marcus, and Oliver Millar,
126:church has been attributed to him.
84:as Prince of Wales, dated 1640, at
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271:The Volume of the Walpole Society
347:European sculpture and metalwork
373:17th-century Italian sculptors
273:, vol. 37, (1958-1960), 94, 95
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388:Italian emigrants to England
130:had a cast of his "George".
71:Diana Fountain in Bushy Park
49:. He is recorded at work in
145:"F. Fanelli, Florentine"'s
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247:Pope-Hennessy 1953:158.
210:The Burlington Magazine
181:The Burlington Magazine
151:The Burlington Magazine
41:, then in the hands of
378:Italian male sculptors
317:(1975) pp 115; 121-22.
128:Mary, Countess of Home
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315:English Art 1625-1714
227:, 1689-94. Fanelli's
219:'s alterations under
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217:Sir Christopher Wren
65:. It was noticed by
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59:Charles I of England
55:Joachim von Sandrart
331:Museum de Fundatie
322:Public collections
282:Pope-Hennessy 1953
120:Sir John Bridgeman
116:John Pope-Hennessy
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299:: a brief guide
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221:William III
67:John Evelyn
39:Giambologna
357:Categories
308:References
195:Sandrart,
82:Charles II
258:Mannerism
229:Arethusa
90:Huguenot
32:Florence
225:Mary II
335:Zwolle
301:(2006)
124:Ludlow
233:Diana
134:Notes
51:Genoa
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