Knowledge (XXG)

Francesco Menzio

Source đź“ť

482: 90: 25: 326:. In the following months he participated in all of the exhibitions of the "Gruppo dei Sei" (at “Circolo della Stampa” in Genoa and Galleria Bardi in Milan in 1929). After the showcase at the Venice Biennale in 1930, in which Menzio was personally attacked by the fascist establishment, and following a series of international exhibitions at Bloomsbury Gallery in London in 1930, at the Galerie Jeune Europe in Paris and at the Quadriennale in Rome in 1931, the Gruppo dei Sei was dissolved. 493: 505: 333:
and "Cappello blu", exhibited at the Royal Palace in Milan in 1929, works that showed soft brush strokes and "forms that vanished in the light". Other works such as "Nudo Rosa" or "Figura (con cappello)" (1929; now in private collections, Turin) or "Corridore podista" (1930) show the influence of
203:
In 1926 he was invited for the first time to show in the Venice Biennale and soon after at the First "Mostra del Novecento" and at the "Esposizione delle vedute di Torino" ("The Exhibition of Landscapes of Turin"). In 1927 he displayed 18 paintings in the "Exposition d’artistes italiens
322:" ("Group of the Six") looking for an intellectual freedom and independence criticizing the rising fascist ideology. The group first exhibited at Galleria d'Arte Guglielmi in Turin in January 1929, and soon Menzio had there his first personal exhibition, introduced by 416:
the "Unione Culturale" ("Cultural Union") of which he was the first President. He took an active role in the civil and cultural reconstruction of the postwar city, organizing art initiatives and promoting film and theatre events. In 1946 he designed the set for
361:. Together they had three more: Paolo, Silvia (who died in infancy in 1942), and Eva. In 1937 he had a solo show in 1937 at the Galleria del Milione in Milan; in 1938, at the Galleria della Cometa in Rome and at the 21st Biennale in Venice. 346:), where the rigorous and essential composition is substituted by objects that had restless and defined colors and outlines. Between 1934 and 1935 he created the frescos in the Psychiatric Hospital of Collegno and inside the Church. 268:
that expanded his vision above the marginality of the Italian art of those years. Gualino's patronage allowed Menzio to visit Paris in 1927, where he established his studio in rue Falguière. He was influenced by
342:. Between 1930 and 1931 Menzio continued his personal investigation, marked by experimentalism and restlessness, elements that were present in some paintings such as "Natura morta con ciliegie" (1931; in the 373:'s house in San Domenico di Fiesole when the bombardment of the town began. Because of that, the poor health of the newborn Silvia, and of his anti-fascist feelings, he moved the family to the town of 139:, after which he completed his art training by himself. He served in the Army in the Infantry Battalion during the first World War, among the last young men drafted in combat, the so-called 381:, for whom he designed covers for the series of "Narratori Stranieri Tradotti" NST and the "Universale Economica" UE series until 1946. The year ended with Menzio winning the prestigious 544: 377:, near Turin where Ottavia's family was from. Soon after, Silvia died of pulmonary tuberculosis. The same year he started a collaboration as an illustrator with the publisher 54: 618: 598: 623: 533: 568: 459:
in Turin, and the same year he was awarded the Prize of the Italian Republic given personally by the President of the Italian Republic and friend
172:. In 1922 he was invited to show at the "Esposizione Artistica Piemontese-Sarda" in the town of Alessandria, where he exhibited a self-portrait ( 603: 613: 542: 343: 558: 136: 76: 553: 464: 481: 608: 329:
In the following years, Menzio's work developed a personal expression; some examples are "Interno" ("Interior"), now at the
330: 197: 176:, 1922, now in the Civic Museum). In the year that follows he showed extensively in local and national venues such as the 37: 165: 140: 47: 41: 33: 522: 249: 124:. He and his five siblings spent their childhood following the father in his frequent work moves. They moved to 563: 382: 58: 282: 527: 444: 89: 285:. In 1928 he participated in the "Exposition of Italian painters", at the "XIVème Salon de L'escalier". 204:
contemporains" ("Exhibition of Contemporary Italian Artists") in Geneva with an introduction written by
451:
and in 1958 with the help of his student Piero Martina he painted the ceiling of the Great Hall of the
160:
who would help him greatly in the years to come. In 1921, he participated in an exhibition held at the
593: 588: 573: 188:
at Galleria Pesaro in Milan in 1924 and in 1925 at the “Promotrice” in Turin, where he exhibited the
388:
In 1945, right after the liberation, Menzio moved back to Turin where he established, together with
307: 456: 452: 205: 169: 358: 397: 463:("Premio del Presidente della Repubblica"). In 1960 he was elected National Academician by the 409: 339: 161: 424: 413: 261: 245: 241: 213: 504: 492: 548: 537: 436: 401: 323: 315: 257: 233: 209: 157: 156:
Upon his return home, he dedicated himself entirely to painting, entering in contact with
113: 120:, to Pietro Angelo Menzio, a high school teacher, and Augusta Pic, both originally from 378: 319: 299: 274: 265: 237: 217: 582: 460: 405: 389: 370: 335: 289: 270: 229: 221: 435:
In the succeeding years Menzio immersed himself in painting. In 1956, together with
393: 225: 298:. In 1929 Menzio resolved to break with the traditional poetics and together with 244:(who would help the painter economically until the advent of fascism). Thanks to 354: 350: 303: 253: 125: 288:
At the end of 1928 he was invited again to participate in the Venice Biennale.
475: 374: 311: 278: 135:
In Turin, Francesco completed his high school and enrolled for a year at the
294: 349:
In 1936 he installed a room at the Venice Biennale dedicated to his friend
208:. During this period, he cultivated relationships with individuals such as 448: 121: 117: 101: 523:
Francesco Menzio. La qualitĂ  sensibile della pittura | Palazzo Mazzetti
419: 357:’s widow, Ottavia Cabutti, who already had two children: Luciana and 132:
in 1912, where Pietro Angelo married his second wife Argia Avetrani.
474:
on 28 November 1979, and is buried with his wife Ottavia Cabutti in
503: 491: 480: 471: 129: 128:, when Augusta, the mother, died in 1902. They finally settled in 88: 353:, who had died the year before of phthisis. In 1938 he married 256:
who designed sets, Menzio got to know foreign artists such as
18: 164:, organized against the more conservative show of the " 439:, he was commissioned to paint a fresco depicting the 385:
award with the painting "La famiglia" ("The Family").
292:
reviewed his work in a September 4, 1928, article in
427:, the first theatre event in Turin after the war. 196:, 1925, now in the Gallery of Modern Art in Turin 46:but its sources remain unclear because it lacks 569:Francesco Menzio, una pittura di luci e colori 455:. In 1951 he started teaching painting at the 554:www.fondazioneferrero.it (Article in Italian) 344:Galleria d'Arte Moderna della cittá di Torino 8: 564:MENZIO, Francesco in "Dizionario Biografico" 93:Francesco Menzio in his studio, late 1950s 100:(3 April 1899 – 28 November 1979) was an 77:Learn how and when to remove this message 369:In 1942, Menzio's family was staying at 224:(who would die soon after) and his wife 559:web.tiscalinet.it (Article in Italian) 619:Academic staff of Accademia Albertina 7: 496:Drawing for the cover of the volume 186:Exhibition of Twenty Italian Artists 599:People from the Province of Sassari 500:by Eugenio Montale, Einaudi, Torino 166:Societá Promotrice delle Belle Arti 14: 624:20th-century Italian male artists 331:Galleria d'Arte Moderna di Torino 198:Galleria d'Arte Moderna di Torino 137:Accademia Albertina di Belle Arti 23: 465:Accademia Nazionale di San Luca 1: 604:20th-century Italian painters 529:Landscape with Yellow House 486:Nudo disteso su fondo rosso 168:" on display yearly at the 16:Italian painter (1899–1979) 640: 614:Accademia Albertina alumni 470:Francesco Menzio died in 283:post-Impressionist style 143:("The boys from 1899"). 32:This article includes a 61:more precise citations. 513: 501: 489: 445:church of San Domenico 441:Life of Santa Caterina 194:Ritratto della sorella 190:Portrait of the Sister 180:in Turin in 1923, the 108:Childhood and training 94: 609:Italian male painters 512:, Einaudi Torino 1939 507: 495: 484: 92: 318:, they founded the " 531:by Francesco Menzio 457:Accademia Albertina 453:University of Genoa 264:and members of the 206:Giacomo Debenedetti 170:Parco del Valentino 547:2016-12-02 at the 536:2011-07-21 at the 514: 502: 490: 398:Franco Antonicelli 250:"Teatro di Torino" 248:who sponsored the 95: 34:list of references 508:Eugenio Montale, 410:Ludovico Geymonat 340:Amedeo Modigliani 162:Mole Antonelliana 141:"Ragazzi del '99" 87: 86: 79: 631: 574:Francesco Menzio 414:Natalia Ginzburg 383:"Premio Bergamo" 262:Sergei Diaghilev 246:Riccardo Gualino 242:Riccardo Gualino 184:in Rome and the 98:Francesco Menzio 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 639: 638: 634: 633: 632: 630: 629: 628: 579: 578: 549:Wayback Machine 538:Wayback Machine 519: 437:Felice Casorati 433: 402:Norberto Bobbio 367: 324:Edoardo Persico 316:Enrico Paulucci 258:Igor Stravinsky 234:Alfredo Casella 210:Edoardo Persico 158:Felice Casorati 154: 149: 114:Tempio Pausania 112:He was born in 110: 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 637: 635: 627: 626: 621: 616: 611: 606: 601: 596: 591: 581: 580: 577: 576: 571: 566: 561: 556: 551: 540: 525: 518: 517:External links 515: 510:Ossi di Seppia 498:Ossi di seppia 432: 429: 379:Giulio Einaudi 366: 363: 320:Gruppo dei Sei 308:Nicola Galante 300:Jessie Boswell 281:and adopted a 266:Habima Theater 238:Roberto Longhi 218:Adolfo Venturi 153: 150: 148: 145: 109: 106: 85: 84: 42:external links 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 636: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 586: 584: 575: 572: 570: 567: 565: 562: 560: 557: 555: 552: 550: 546: 543: 541: 539: 535: 532: 530: 526: 524: 521: 520: 516: 511: 506: 499: 494: 487: 483: 479: 477: 473: 468: 466: 462: 461:Luigi Einaudi 458: 454: 450: 446: 442: 438: 430: 428: 426: 425:Georg Büchner 422: 421: 415: 411: 407: 406:Cesare Pavese 403: 399: 395: 391: 390:Luigi Einaudi 386: 384: 380: 376: 372: 371:Felice Carena 364: 362: 360: 356: 352: 347: 345: 341: 337: 336:Henri Matisse 332: 327: 325: 321: 317: 313: 309: 305: 301: 297: 296: 291: 290:Mario Soldati 286: 284: 280: 276: 272: 267: 263: 259: 255: 251: 247: 243: 239: 235: 231: 230:Mario Soldati 227: 223: 222:Piero Gobetti 219: 215: 211: 207: 201: 199: 195: 191: 187: 183: 179: 175: 171: 167: 163: 159: 151: 146: 144: 142: 138: 133: 131: 127: 123: 119: 116:, Sassari in 115: 107: 105: 103: 99: 91: 81: 78: 70: 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 528: 509: 497: 485: 469: 440: 434: 418: 394:Massimo Mila 387: 368: 359:Mauro Chessa 348: 328: 293: 287: 226:Ada Prospero 202: 193: 189: 185: 181: 178:Quadriennale 177: 174:Autoritratto 173: 155: 134: 111: 97: 96: 73: 64: 53:Please help 45: 594:1979 deaths 589:1899 births 431:Later years 365:1930s–1940s 355:Gigi Chessa 351:Gigi Chessa 304:Gigi Chessa 254:Gigi Chessa 182:II Biennale 152:Early years 59:introducing 583:Categories 476:Bossolasco 375:Bossolasco 312:Carlo Levi 467:in Rome. 295:La Stampa 104:painter. 67:June 2023 545:Archived 534:Archived 449:Cagliari 443:for the 214:Lionello 126:L'Aquila 122:Piedmont 118:Sardinia 420:Woyzeck 275:Bonnard 271:Matisse 102:Italian 55:improve 488:, 1928 412:, and 277:, and 240:; and 147:Career 472:Turin 130:Turin 40:, or 338:and 314:and 279:Dufy 252:and 216:and 447:in 423:by 200:). 585:: 478:. 408:, 404:, 400:, 396:, 392:, 310:, 306:, 302:, 273:, 260:, 236:; 232:; 228:; 220:; 212:; 44:, 36:, 192:( 80:) 74:( 69:) 65:( 51:.

Index

list of references
related reading
external links
inline citations
improve
introducing
Learn how and when to remove this message

Italian
Tempio Pausania
Sardinia
Piedmont
L'Aquila
Turin
Accademia Albertina di Belle Arti
"Ragazzi del '99"
Felice Casorati
Mole Antonelliana
Societá Promotrice delle Belle Arti
Parco del Valentino
Galleria d'Arte Moderna di Torino
Giacomo Debenedetti
Edoardo Persico
Lionello
Adolfo Venturi
Piero Gobetti
Ada Prospero
Mario Soldati
Alfredo Casella
Roberto Longhi

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑