406:, and that this guarantee is necessary to support Masse's crazy vision of contemporary science. According to him, Masse demonstrates the underlying scientific truth, since he points out that science progresses by freeing from common sense. He adds that admiring science must not prevent from amusing oneself and that there is room for a merry knowledge. He ends by saying that Masse brings opening thanks to a new scenography which releases from both flat illustration and dubious metaphor.
33:
572:
It is written in La lettre des Sables d'Olonne that Masse is unique, his universe is dark and fantastic, the author points out that Masse is the first, and still the only one, having dealt with scientific problems in the comic strip with seriousness and fantasy, he describes the style as intelligent
87:
After high school, Francis Masse studied at the art school of Nancy and then
Grenoble, he made himself known first of all with his sculptures, it is an unknown aspect of his work, which nevertheless became his main activity again since the early 1990s. From the early 1970s, he made his first comics,
496:
In a discussion reported by
Gabrielle Lefevre, Masse defined his approach and his humor saying the work of the artist is to give a representation of reality, as the scientist does, and the two approaches complement each other and clarifying: Obviously, I am freer than the scientist! I am only bound
557:
Although Masse has published in numerous magazines and produced about twenty albums, it has never aroused the enthusiasm of the public usually fond of comics, nevertheless his work is often acclaimed by the critic and by artists who quote him as a reference.
323:
Masse's work is often compared to Goya's one, caricature, causticity and satire are staged in nightmarish universes where fantasy reigns. According to Ducat, Masse's "cucurbitish" character recalls the satirical portraits published by
390:, welcomes Masse's desire to disseminate scientific knowledge in an absolutely new form from a science amateur, in the noblest sense of the term and explains that Masse pulls his inspiration from references and authorities such as
123:, a short film combining animated papercutting and cartoons on cellulo, integrated with the previous films in the program Dessins Animés et Cie screened for several weeks in 1974 at the Ciné-Halles in Paris.
262:, two socially very different characters discourse on the great scientific theories that Masse distorts in order to propose his vision where poetry, fantasy, humor and nonsense mix with scientific rigor.
549:
by saying that what he did was incredible, his work is important and very much underestimated. In this paper, Masse's style is described as strips stripped with the steel wool of a funny cynicism.
134:
tells the story of a man sitting on the window side in a train compartment and who lets himself go to a fantasized vision of an appearance in the scrolling landscape... up to a "apotheosis".
277:), is his level of culture. The scientific references he uses are unusual in the world of comics and are reserved for an informed readership. Ducat adds that innovative authors such as
508:(Les dingues du Nonsense, Baland, 1984), who considers nonsense to be the logic extrapolated up to absurdity, while the French term of "non-sens" translates the absence of logic.
602:
In 2007, the museum of Sainte-Croix Abbey in Sables d'Olonne organizes a retrospective of Masse's comics and animated films as well as an exhibition of his sculptures. The
270:
In order to construct his premonitory, dark, wrecked universe, Masse parses his erudite work of allusions, nods and pastiches with which he cheerfully massacre the doxa.
312:
in Masse's work, they share the nonsense, the satire of society, the wry and biting humor. Masse draws on heavyweight coated paper and then scrubs out material, while
530:, the American underground comics and French comics, with a rare admiration for Masse: Fabulous ! I would love to make a film with him, and he still amazes me.
511:
The term "nonsense" is the most suitable for defining the work of Masse, this is why he is more appreciated by a readership open to the Anglo-Saxon culture.
501:. According to him, the description of the reality can only pass through humor, because humor is the grammar of what means several things at the same time.
658:
is reissued, with more than fifty entirely new strips, humor drawings and never-reissued strips, the artist redrawn many strips and rewrote the dialogs.
79:(born 21 August 1948), is a French artist. In the early 1970s, he first became acquainted with his sculptures, then turned to animation and cartoons.
1973:
484:. He describes the Masse's universe rather confusing at first, but advises that we are largely rewarded for efforts when diving into and adds that
2082:
647:
497:
to poetry. He points out that, when a scientist makes an effort to popularize, he is obliged to use parables, it sometimes becomes just as in
1760:
316:
engraved on metal and then printed it. The
Englishman confined his characters in a box to experiment on them, playing on space-time as in
458:
1649:
1754:
1622:
504:
Vincent
Baudoux speaks of the apparent "non-sens" (i.e. no sense) of Masse and prefers the English term "nonsense" by referring to
111:
Between 1970 and 72, he tackles animation in the association aaa (Atelier d'Animation d'Annecy) with the free jazz delirium of the
724:), 1974. Rushes of 20 minutes exist for this film produced by Cinémation and broadcast in the 1970s in a Michel Lancelot's show.
2087:
573:
popularization, and it is a rather entertaining and rather underestimated genre, while explaining that his writing is close to
142:
In parallel with his animations, Masse continues to make comic strips, first of all he participated to the fanzine of
Poussin:
1943:
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472:) quotes his reference comics authors and named Masse in his personal four aces of great founding authors still alive with
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364:(1890), a work in which unnecessary experiments are illustrated with engravings at the limit of surrealism which inspired
217:
1223:, SĂ©rie OR #80 dated 20 September 2017, #81 dated 21 December 2017, #82 dated 21 March 2018, #85 dated 20 December 2018.
317:
119:. In 1973–74 with Pink Splash Production (created by Paul Dopff) known for his rather underground spirit, he directed
883:
341:
329:
103:
Masse presents a graphic universe that embodies the post-1968 trend in the avant-garde press of the early 1970s.
2077:
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383:
714:), 1973. Originally made for a film based on exquisite corpse principle and realized by a collective of authors.
851:
744:), 2002. Original script (graphical and show bible) for 26 episodes created by Masse for an animated TV show.
588:
584:
Benoît Gilles says that Masse is recognized as one of the precursors of the new freedoms of the comic strip.
1362:
228:
1941:
Groensteen, Thierry (April–May 1984). "Introduction text for a section about Masse by
Thierry Groensteen".
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2013:
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Willem (9 March 1982). "Masse, oĂą que tu peux ĂŞtre, reviens ! Tu es le plus grand !".
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as an innovative "pataphore" and he proposes to symbolically award Masse the title of Doctor of
189:), a quite long black and white story that tells the bursting in of a small bright pink detail.
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evokes in 1984 the "massolatry" reigning within the team of the
Cahiers de la Bande Dessinée.
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a snakes and ladders limited edition game. From
February to April 2009, he appeared with
126:
In his report of the 1974 Grenoble festival, a critic of Art Vivant defined the style of
1820:
Lefevre, Gabrielle (3 December 1985). "Francis Masse (interview by
Gabrielle Lefèvre)".
425:
draws a parallel between the work of Masse and the popularization work of the phycician
1452:
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presents Masse as one of the prominent figures in his now-legendary New Yorker journal
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in Lyon. Since 2011, he begins to reissue his albums as well as original works at
441:
pays tribute to him at the conference "La
Cosmologie en Bande Dessinée" (English:
360:(1985). Philippe Ducat evokes a logical connection with the "Science Amusante" of
415:
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146:(1973-1974). Since then, the important magazines at that time solicited him:
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1398:
1149:
983:
337:
240:
1698:
Ducat, Philippe (December 2007). "Francis Masse : l'encyclopédique".
1519:, "With English Subtitles", Le Chant des muses, coll. "Zorro Zébré", 2012.
1840:
704:), 1973. Broadcast at the show Pop2 of ORTF on Saturday 3 November 1973.
1668:
La Dame Blanche (October 1974). "Spécial Festival d'Automne à Paris".
368:, and according to Ducat, confines to the absurd, and compares him to
32:
1983:(in French). No. 87. March–April 2007. p. 9. Archived from
1236:
328:
in the satirical press of the Second Empire, his page layouts recall
298:
1839:(ed.). "Les Maîtres de la bande dessinées européenne" (in French).
526:, he told to Libération that amongst his stated influences figure
433:, explains with a whimsical humour the great scientific theories.
386:, physicist and director of the "Science Ouverte" collection at
273:
Philippe Ducat points out that Masse's "drame sombre" (English:
185:
He published in Charlie #84 "Le Complot chromatique" (English:
2039:
468:
for the release of his album "Les RĂŞveurs lunaires" (English:
352:
Masse, largely covers the scientific fields, especially since
344:(source claimed by Masse), he adds: This is simply a miracle.
1449:
Cahier de l'Abbaye Sainte-Croix, les trames sombres de Masse
1505:
in "30x40" with an additional story "Les pommes" (English:
618:, a collection of old strips colorized by Pakito Bolino.
66:
Artist, graphic designer, cartoonist, sculptor, painter
1239:, Spirou vs. Fluide Glacial, #4195 dated 9 May 2018.
718:
La première ascension du Mont Blanc par un Français
130:of "Crumbian" graphics and splendidly black humor.
62:
54:
39:
23:
975:, Françoise Mouly & Art Spiegelman, 1982–1985.
722:The first ascension of Mont Blanc by a Frenchman
409:During his interview with Masse at the festival
753:List extracted from the detailed bibliography.
320:. Masse does the same, but to a higher degree.
1191:, Françoise Mouly & Art Spiegelman, 1991.
533:Similarly, in an interview with the magazine
8:
1613:Finet, Nicolas (2011). Gravett, Paul (ed.).
1555:La Nouvelle Encyclopédie de Masse : N-Z
1541:La Nouvelle Encyclopédie de Masse : A-M
1260:, coll. "L'Écho des Savanes présente", 1976.
488:is certainly a major work of the ninth art.
1724:LĂ©vy-Leblond, Jean-Marc (1 November 1985).
1644:(in French). Le Cavalier Bleu. p. 39.
1581:, Super Loto Éditions, coll. "Banco", 2015.
1423:, coll. "Studio (A Suivre)", 1987. Reissue
1401:, coll. "Studio (A Suivre)", 1985. Reissue
1501:, coll. "1000 feuilles", 2012. Reissue of
31:
20:
1999:
1997:
1968:
1966:
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1962:
1960:
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1956:
1954:
1921:
1919:
1903:
1901:
1899:
1815:
1813:
1811:
1809:
1800:Interview by Tristan Martine for Actua BD
1789:
1787:
1785:
1783:
1753:Uzan, Jean-Philippe (13 September 2011).
1719:
1717:
1715:
1713:
1711:
1663:
1661:
1615:1001 Comics You Must Read Before You Die
1338:On m'appelle l'Avalanche : Volume 2
1332:On m'appelle l'Avalanche : Volume 1
243:brings together in albums the strips of
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2022:
2011:
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461:, with his unanimous congratulations.
7:
1617:. Universe Publishing. p. 469.
1073:, Tryckt hos Vaasa, circa 1984–1986.
2004:Gilles, Benoît (22 November 2000).
1162:, Para Pente publishing, 1987–1988.
819:, Le bourricot magique, circa 1975.
208:the following year, two volumes of
581:: One must read him as an author.
565:, Masse was in 1982 the greatest.
192:His strips are grouped in albums:
14:
1794:Villani, CĂ©dric (23 April 2015).
1761:Institut d'astrophysique de Paris
1755:"La Cosmologie en bande dessinée"
1944:Les Cahiers de la bande dessinée
1595:, coll. "Patte de mouche", 2016.
734:), 1986. A 4 minutes short film.
1908:"Interview of Art Spiegelman".
1278:, coll. "Fluide Glacial", 1977.
829:, Newlife Éditions, circa 1975.
340:, and the Imaginary Prisons of
308:Ducat finds that there is some
2083:French animated film directors
1892:(in French). 20 February 1985.
1888:"Interview of Terry Gilliam".
1561:, coll. "1000 feuilles", 2015.
1547:, coll. "1000 feuilles", 2014.
1487:, coll. "1000 feuilles", 2011.
1427:, coll. "1000 feuilles", 2013.
1405:, coll. "1000 feuilles", 2011.
1343:Reissue in one single volume,
1:
1981:La lettre des Sables d'Olonne
1974:"Les Trames sombres de Masse"
1912:(in French). 21 January 1998.
1105:, SEH (SHIFT Éditions), 1986.
553:Masse and the world of comics
227:in the collection "30x40" of
1095:, SHIFT Éditions, 1985–1986.
1017:, Sinsemilla Éditions, 1984.
654:. At the end of 2014, a new
643:
443:The Cosmology in Comic Strip
1764:(in French). Archived from
1395:The Two Guys on the Balcony
1205:La gazette du Midi Viticole
1172:, Alpha-Comic Verlag, 1987.
655:
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615:
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450:
429:who, through his character
357:
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97:
2104:
2008:(in French). No. 133.
1704:(in French). No. 340.
1533:, coll. "EspĂ´lette", 2014.
1320:They Call Me The Avalanche
330:Little Nemo in Slumberland
305:consider Masse much more.
1947:(in French). No. 57.
1835:Baudoux, Vincent (2000).
1737:(in French). p. 106.
1672:(in French). No. 52.
1638:Mouchart, Benoît (2004).
1571:, Galerie Dock Sud, 2015.
1506:
1480:
1417:The Pond with the Pirates
1416:
1394:
1376:
1319:
1272:Memories of Land Overseas
1271:
1186:
1159:
1132:, parisian supplement to
970:
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449:, he describes the album
442:
356:(1982) and especially in
274:
186:
163:
93:
30:
1365:, coll. "30 x 40", 1985.
1316:On m'appelle l'Avalanche
608:On m'appelle l'Avalanche
492:From reality to nonsense
486:On m'appelle l'Avalanche
251:originally published in
214:On m'appelle l'Avalanche
1866:Cite magazine requires
1726:"Diderert et d'Alembot"
1377:Lower Parts of the City
1373:Les Dessous de la ville
1324:Les Humanoïdes Associés
1290:Les Humanoïdes Associés
1083:, SHIFT Éditions, 1985.
1029:Les Humanoïdes Associés
966:, 1975–1977, 1980–1987.
964:Les Humanoïdes Associés
950:, 1975–1978, 2017–2018.
648:Contemporary Art Museum
589:AngoulĂŞme Festival 2012
445:) (2011), referring to
421:in 2015, the physicist
354:L'Encyclopédie de Masse
233:Les Dessous de la Ville
218:Les Humanoïdes Associés
210:L'Encyclopédie de Masse
2088:French graphic artists
1796:"Les RĂŞveurs lunaires"
1588:
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1268:MĂ©moires d'outre-terre
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678:Le Cagouince Migrateur
459:University of Paris VI
384:Jean-Marc LĂ©vy-Leblond
376:with a humor close to
202:MĂ©moires d'Outre Terre
2073:French comics artists
2040:Detailed Bibliography
1734:Le Nouvel Observateur
1481:(Artist's impression)
1286:Encyclopédie de Masse
1069:, Swedish edition of
656:Encyclopédie de Masse
318:The False Perspective
94:The King of the World
1990:on 12 November 2013.
1579:La Minute de Silence
1127:Le Petit Journal de
1055:, Danish edition of
779:, Le POP, 1973–1974.
670:, 1971. Realised in
541:quotes Masse before
522:, released his film
1413:La Mare aux Pirates
1304:Volume 2 : I-Z
1298:Volume 1 : A-H
1258:Éditions du Fromage
1001:, Dutch edition of
857:Éditions du Fromage
688:Le Jugement Dernier
374:Gaston de Pawlowski
370:Jean-Pierre Brisset
249:La Mare aux Pirates
220:in 1982 and 1983.
212:and two volumes of
198:Éditions du Fromage
117:Cagouince Migrateur
1910:Les Inrockuptibles
1837:Thierry Groensteen
1589:La Dernière Séance
1517:Le Modèle Standard
1391:Les Deux du Balcon
1182:, GEDIT spa, 1989.
932:Éditions du Square
919:Éditions du Square
907:, 1975–1976, 1985.
905:Éditions du Square
889:Éditions du Square
873:Éditions du Square
852:L'Écho des savanes
642:in the exhibition
567:Thierry Groensteen
535:Les Inrockuptibles
514:For example, when
464:The mathematician
439:Jean-Philippe Uzan
358:Les Deux du Balcon
336:, the collages by
260:Les Deux du Balcon
255:in 1985 and 1987.
245:Les Deux du Balcon
187:The Chromatic Plot
156:L'Écho des Savanes
115:and the hilarious
90:Le Roi de le monde
2021:Missing or empty
1768:on 27 August 2016
1641:La bande dessinée
1200:Le Petit Psikopat
884:La Gueule ouverte
803:Le Canard Sauvage
628:Stéphane Blanquet
470:The Moon Dreamers
342:Giovanni Piranese
152:Le Canard Sauvage
113:Judgement Dernier
98:Le Canard Sauvage
70:
69:
47:Gap, Hautes-Alpes
2095:
2078:French sculptors
2068:French animators
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698:Évasion Expresse
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624:Tsunami au musée
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437:The cosmologist
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223:After the album
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132:Évasion Expresse
128:Évasion Expresse
121:Évasion Expresse
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1477:(Vue d'artiste)
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868:Charlie Mensuel
759:
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738:La Loi du chaos
664:
632:Gilbert Shelton
620:The Dernier Cri
575:Raymond Queneau
555:
518:, the American
506:Robert Benayoun
494:
451:(Vue d'artiste)
413:
350:
310:William Hogarth
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160:Charlie Mensuel
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96:) published in
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1495:Contes de Noël
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1463:L'Art attentat
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1453:Le Dernier Cri
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1439:Le Dernier Cri
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1216:Fluide glacial
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1192:
1183:
1173:
1163:
1153:
1137:
1120:
1106:
1096:
1084:
1074:
1060:
1046:
1032:
1018:
1006:
992:
976:
967:
951:
943:Fluide glacial
935:
922:
908:
892:
876:
860:
844:
830:
820:
810:
796:
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770:
758:
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747:
746:
745:
735:
725:
715:
705:
702:Express Escape
695:
685:
675:
663:
660:
616:L'Art Attentat
593:Art Spiegelman
554:
551:
539:Art Spiegelman
493:
490:
466:CĂ©dric Villani
378:Marcel Duchamp
349:
346:
267:
264:
180:Fluide Glacial
139:
136:
108:
105:
88:including the
84:
81:
68:
67:
64:
60:
59:
56:
52:
51:
45:
43:21 August 1948
41:
37:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
2100:
2089:
2086:
2084:
2081:
2079:
2076:
2074:
2071:
2069:
2066:
2064:
2063:Living people
2061:
2059:
2056:
2055:
2053:
2041:
2036:
2033:
2028:
2015:
2014:cite magazine
2007:
2000:
1998:
1994:
1986:
1982:
1975:
1969:
1967:
1965:
1963:
1961:
1959:
1957:
1955:
1951:
1946:
1945:
1937:
1934:
1929:
1922:
1920:
1916:
1911:
1904:
1902:
1900:
1896:
1891:
1884:
1882:
1878:
1873:
1860:
1859:cite magazine
1852:
1846:
1842:
1838:
1831:
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1749:
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1741:
1736:
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1708:
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1664:
1662:
1658:
1653:
1647:
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1634:
1631:
1626:
1624:9780789322715
1620:
1616:
1609:
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1599:
1594:
1593:L'Association
1590:
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1583:
1580:
1576:
1573:
1570:
1566:
1563:
1560:
1556:
1552:
1549:
1546:
1542:
1538:
1535:
1532:
1531:L'Association
1528:
1524:
1521:
1518:
1514:
1511:
1504:
1500:
1496:
1492:
1489:
1486:
1478:
1474:
1471:
1468:
1464:
1460:
1457:
1454:
1450:
1446:
1443:
1440:
1436:
1432:
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1426:
1422:
1414:
1410:
1407:
1404:
1400:
1392:
1388:
1385:
1382:
1374:
1370:
1367:
1364:
1360:
1356:
1353:
1352:
1346:
1345:L'Association
1342:
1341:
1339:
1336:
1333:
1330:
1329:
1325:
1317:
1313:
1310:
1309:
1305:
1302:
1299:
1296:
1295:
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1287:
1283:
1280:
1277:
1269:
1265:
1262:
1259:
1255:
1251:
1248:
1247:
1243:
1238:
1234:
1233:
1228:
1225:
1222:
1218:
1217:
1212:
1209:
1206:
1202:
1201:
1196:
1193:
1189:
1184:
1181:
1177:
1174:
1171:
1167:
1164:
1157:
1154:
1151:
1147:
1146:
1141:
1138:
1135:
1131:
1130:
1124:
1121:
1118:
1114:
1110:
1107:
1104:
1100:
1097:
1094:
1093:
1088:
1085:
1082:
1078:
1075:
1072:
1071:MĂ©tal hurlant
1068:
1064:
1061:
1058:
1057:MĂ©tal hurlant
1054:
1050:
1047:
1044:
1040:
1036:
1033:
1030:
1026:
1022:
1019:
1016:
1015:
1010:
1007:
1004:
1003:MĂ©tal hurlant
1000:
996:
993:
990:
986:
985:
980:
977:
973:
968:
965:
961:
960:
959:MĂ©tal hurlant
955:
952:
949:
945:
944:
939:
936:
933:
930:
926:
923:
920:
916:
912:
909:
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902:
901:
896:
893:
890:
886:
885:
880:
877:
874:
870:
869:
864:
861:
858:
854:
853:
848:
845:
842:
838:
837:Fantasmagorie
834:
831:
828:
824:
821:
818:
814:
811:
808:
804:
800:
797:
794:
790:
789:
784:
781:
778:
774:
771:
768:
764:
761:
760:
756:
754:
748:
742:The Chaos Law
739:
736:
729:
726:
719:
716:
709:
706:
699:
696:
692:Last Judgment
689:
686:
679:
676:
673:
669:
666:
665:
661:
659:
657:
653:
649:
645:
641:
637:
633:
629:
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621:
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585:
582:
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576:
570:
568:
564:
559:
552:
550:
548:
544:
540:
536:
531:
529:
525:
521:
517:
516:Terry Gilliam
512:
509:
507:
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500:
491:
489:
487:
483:
479:
475:
467:
462:
460:
456:
452:
448:
440:
435:
434:
432:
428:
424:
423:Étienne Klein
417:
412:
407:
405:
401:
397:
393:
389:
385:
381:
379:
375:
371:
367:
366:René Magritte
363:
359:
355:
347:
345:
343:
339:
335:
332:(1905–14) by
331:
327:
321:
319:
315:
311:
306:
304:
300:
296:
292:
288:
284:
280:
271:
265:
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256:
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246:
242:
238:
234:
230:
226:
221:
219:
215:
211:
207:
203:
199:
195:
190:
183:
181:
177:
173:
172:MĂ©tal Hurlant
169:
165:
161:
157:
153:
149:
145:
137:
135:
133:
129:
124:
122:
118:
114:
106:
104:
101:
99:
91:
82:
80:
78:
74:
73:Francis Masse
65:
63:Occupation(s)
61:
57:
53:
48:
42:
38:
34:
29:
25:Francis Masse
22:
19:
16:French artist
2035:
2023:|title=
2005:
1985:the original
1980:
1942:
1936:
1930:(in French).
1927:
1909:
1889:
1830:
1824:(in French).
1821:
1802:(in French).
1799:
1770:. Retrieved
1766:the original
1758:
1732:
1699:
1669:
1640:
1633:
1614:
1608:
1502:
1337:
1331:
1303:
1297:
1204:
1152:, 1982–1990.
1136:, 1983–1985.
1133:
1059:, 1984–1986.
1005:, 1982–1983.
891:, 1975–1976.
875:, 1974–1976.
859:, 1974–1977.
843:, 1974–1976.
809:, 1973–1974.
795:, 1973–1974.
769:, 1973–1974.
752:
749:Publications
737:
727:
717:
707:
697:
687:
677:
667:
636:Joost Swarte
601:
586:
583:
571:
560:
556:
532:
520:Monty Python
513:
510:
503:
495:
463:
447:Alfred Jarry
436:
427:George Gamow
420:
411:Formula Bula
408:
382:
351:
334:Winsor McCay
322:
307:
272:
269:
257:
231:in 1985 and
222:
191:
184:
141:
138:Comic strips
125:
110:
102:
89:
86:
76:
72:
71:
18:
2058:1948 births
1772:9 September
1363:Futuropolis
1092:Hebdogiciel
1053:Total Metal
999:Zwaar Metal
682:Migrant Loo
662:Filmography
604:Association
579:Marcel Aymé
455:Pataphysics
431:Mr Tompkins
414: [
229:Futuropolis
75:, known as
55:Nationality
2052:Categories
2006:Pavé Hebdo
1928:Libération
1890:Libération
1850:2020436574
1670:Art Vivant
1600:References
1507:The Apples
1479:(English:
1415:(English:
1393:(English:
1375:(English:
1318:(English:
1270:(English:
1203:, section
1180:Dolce vita
1160:ΠΑΡΑ ΠΕΝΤΕ
740:(English:
730:(English:
720:(English:
710:(English:
700:(English:
690:(English:
680:(English:
672:pixilation
668:14 juillet
640:Chris Ware
622:publishes
614:publishes
326:André Gill
275:dark hatch
253:(Ă€ suivre)
92:(English:
1701:Art press
1421:Casterman
1399:Casterman
1185:English:
1150:Casterman
1043:Novapress
989:La CĂşpula
984:El Vibora
969:English:
900:Hara-Kiri
793:Novapress
767:Gonocoque
757:Magazines
606:reissues
457:from the
338:Max Ernst
287:Killoffer
283:Trondheim
279:Winshluss
247:and then
241:Casterman
239:in 1985,
200:in 1976,
168:Hara-Kiri
144:Gonocoque
100:in 1973.
83:Biography
1841:Le Seuil
1467:Le Seuil
1340:, 1983.
1254:F. Masse
1145:Ă€ Suivre
1134:Télérama
1129:Télérama
915:Surprise
694:), 1972.
684:), 1971.
612:Le Seuil
478:Bourgeon
388:Le Seuil
380:'s one.
295:Casanave
291:David B.
176:Surprise
107:Cartoons
49:, France
1822:La Cité
1469:, 2007.
1455:, 2007.
1441:, 2007.
1383:, 1985.
1381:Hoëbeke
1347:, 2007.
1334:, 1983.
1326: :
1306:, 1982.
1300:, 1982.
1292: :
1176:Italian
1170:U-Comix
1119:, 1986.
1113:Le Lynx
1081:L'Intox
1063:Swedish
1045:, 1984.
1031:, 1984.
991:, 1982.
979:Spanish
934:, 1978.
921:, 1976.
827:Newlife
732:Chimera
728:Chimère
708:Le Clap
646:at the
644:Quintet
587:At the
499:Prévert
474:Baudoin
362:Tom Tit
348:Science
314:Hogarth
266:Culture
237:Hoëbeke
1847:
1648:
1621:
1585:French
1575:French
1565:French
1559:Glénat
1551:French
1545:Glénat
1537:French
1523:French
1513:French
1499:Glénat
1491:French
1485:Glénat
1473:French
1459:French
1445:French
1431:French
1425:Glénat
1409:French
1403:Glénat
1387:French
1369:French
1355:French
1312:French
1282:French
1264:French
1250:French
1244:Albums
1237:Dupuis
1232:Spirou
1227:French
1211:French
1195:French
1188:RAW V2
1166:German
1140:French
1123:French
1109:French
1103:Marcel
1099:French
1087:French
1077:French
1049:Danish
1039:Zoulou
1035:French
1025:Rigolo
1021:French
1009:French
954:French
938:French
925:French
911:French
895:French
879:French
863:French
847:French
841:Glénat
833:French
823:French
813:French
807:Glénat
799:French
788:Actuel
783:French
773:French
763:French
652:Glénat
563:Willem
524:Brazil
480:, and
404:Aspect
400:Ruelle
392:Jouvet
303:Gerner
299:Blutch
148:Actuel
58:French
1988:(PDF)
1977:(PDF)
1729:(PDF)
1503:Masse
1359:Masse
1276:AUDIE
1221:AUDIE
1156:Greek
1117:AANAL
1014:Viper
995:Dutch
948:AUDIE
547:Tardi
543:Crumb
482:Tardi
418:]
396:Gould
225:Masse
206:AUDIE
194:Masse
77:Masse
2027:help
1872:help
1845:ISBN
1774:2017
1646:ISBN
1619:ISBN
1527:Elle
1067:Epix
817:Zeno
777:Zinc
638:and
561:For
545:and
528:Goya
372:and
178:and
164:Zinc
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
