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His youthful works were all of a religious nature; primarily images of saints, but they were very derivative. In 1741, he moved to Madrid, and had the opportunity to improve his skills in the workshops of
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Among his other projects, he participated in creating the mortuary for King
Ferdinand VI and provided allegorical figures depicting "Abundance", "Justice" and "Time" for the church of the
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and a court sculptor. In 1765, he was named
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After returning to Madrid in 1761, he focused on creating secular works; notably a statue of
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and, in the last work, a shield bearing the coat-of-arms of the
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191:, De Agostini, Novara, 1965, vol. 5 p.454
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139:"Glory of the Angels" at the church of
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165:and Saint Peter of Alcántara" in the
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262:People from the Province of Ávila
85:in Rome, where he was exposed to
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126:He became a Professor at the
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16:Spanish sculptor (1727-1782)
222:Francisco Gutiérrez Arribas
201:Francisco Gutiérrez Arribas
141:San Antonio de los Alemanes
89:and monumental sculptures.
58:Francisco Gutiérrez Arribas
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100:, numerous figures in the
68:) was a Spanish sculptor.
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145:The sepulcher of Saint
252:Spanish male sculptors
96:for a fountain in the
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23:The Mausoleum of King
224:at Wikimedia Commons
102:Puerta de San Vicente
83:Accademia di San Luca
79:Luis Salvador Carmona
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25:Ferdinand VI of Spain
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257:Religious sculptures
134:Other selected works
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147:Peter of Alcántara
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40:Fountain of Cybele
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29:Francesco Sabatini
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98:Plaza de Cibeles
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242:1782 deaths
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155:"Pietà" in
231:Categories
173:References
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64:- 1782,
189:Le Muse
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94:Cybele
66:Madrid
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