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Currently Sazo has more than 50 years of musical career, being one of the references of
Chilean popular music, and especially of quality Chilean music, which has not traded for massive commercial tastes, or for political obstacles or creative limitations during the period of the dictatorship.
300:. The album would become one of the benchmarks for the fusion between rock and folklore, albeit in a superficial way, and would mark a clear antecedent of what would later become Congreso. Francisco Sazo sang in English language, but also played some Andean instruments like the
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that was dedicated to making instrumental covers of songs in
English. Sergio would invite Francisco Sazo to join the group, and in this way the first official formation of the group would be born, which after Sazo's incorporation, would be called
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would be the first album that the group would record. Sazo would be in charge of the lyrics that would be marked by the pacifist cut typical of the hippie subculture that marked the group in its beginnings. With Sazo as lyricist and singer, and
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Between 1995 and 2010, the group led by Tilo would have a slower work rate in terms of studio work, in the same way, Pancho would continue to contribute to the group's legacy with excellent lyrics and passionate interpretations on the records
416:, and the lack of understanding of the society regarding their culture. The second would continue this line but would focus mainly on the rights of the child, with the illustrious participation of Nicanor Parra, and the sponsorship of UNICEF.
436:(2017). In these albums, Congreso consolidates itself with a Latin American fusion sound that incorporates and integrates both indigenous, African-American, and Latin American folk elements, as well as electrical elements from
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that tried to make a beat and psychedelic sound on the local scene and that in turn was more avant-garde by including Latin
American elements. The group was active only from 1966 to 1968 and managed to edit an LP called
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to study a postgraduate degree in philosophy, which together with the departure of
Fernando Hurtado and Renato Vivaldi, would cause the band's first recess. However, in 1981 the band would reorganize with the entry of
340:, the next album would have to go through rigorous censorship filters, which Sazo would evade thanks to resorting to metaphors and rhetorical figures incomprehensible to the military. Finally
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is a
Chilean musician and professor of philosophy. Frontman, singer, instrumentalist and lyricist, he is a founding member of the group
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In 1986 Sazo would return to the band and again they would take a more popular path, although always refined, with the album
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467:"Pancho Sazo y los 50 años de Congreso: "Nuestras canciones son bofetazos que hacemos para levantar la voz""
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In 1992 Congreso would be evoked in the creation of two highly critically acclaimed concept albums;
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In this way Sazo would become the leading voice of the group as well as in charge of the lyrics.
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as composer and drummer, one of the most important creative pairs in the history of
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would go out to the public in 1975 in the middle of the military dictatorship of
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571:"Pancho Sazo, vocalista de Congreso y filósofo: "A Chile le hace falta cariño""
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In 1969 he met the González brothers in Quilpué; Patricio, Fernando and
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as lead singer. Thus the group would have a stylistic turn closer to
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259:(Quilpué, March 22, 1953) better known in the musical industry as
520:"Mi disco favorito: Alturas de Macchu Picchu | por Pancho Sazo"
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and pop, always with refined instrumental touches of jazz and
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from the article and its talk page, especially if potentially
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465:Limonado, Florencia (January 11, 2019).
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233:voice, woodwinds, percussion, trutruca
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577:(in Spanish). January 23, 2019
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399:Los fuegos del hielo
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545:"Congreso"
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471:The Clinic
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392:Aire Puro
386:With the
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428:(2001),
424:(1995),
350:Congreso
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