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181:(1728) and the fourth volume of harpsichord pieces (1730). The composer died in 1733. The building where Couperin and his family lived since 1724 still stands and is located at the corner of the rue Radziwill and the rue des Petits Champs. The composer was survived by at least three of his children: Marguerite-Antoinette, who continued working as court harpsichordist until 1741, Marie-Madeleine (Marie-Cécile), who became a nun and may have worked as organist at the
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137:, a collection of organ masses praised by Delalande, who may have assisted with the project. In three more years Couperin succeeded Thomelin at Louis XIV's court. The appointment brought him in touch with some of the finest composers of the day as well as the aristocracy. His earliest chamber music dates from this time. Couperin met his court duties in tandem with those he now had as organist at Saint-Gervais, while also composing.
570:, who wrote that the music was "very beautiful and worthy of being given to the public." The two masses were intended for different audiences: the first for parishes or secular churches ("paroisses pour les fêtes solemnelles"), and the second for convents or abbey churches ("couvents de religieux et religieuses"). These masses are divided into many movements in accordance with the traditional structure of the Latin Mass:
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467:("The Art of Harpsichord Playing", published in 1716), contains suggestions for fingerings, touch, ornamentation and other features of keyboard technique, as well as eight preludes in the keys of the pieces in his first two books of harpsichord music and an Allemande to illustrate the Italianate style.
566:("Pieces for Organ Consisting of Two Masses"), which were published in November 1690. At the age of 21, Couperin probably had neither the funds nor the reputation to obtain widespread publication and the masses were released as manuscripts, with a printed title page and approbation by his teacher,
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with a similar form, but this Mass is not considered as masterly as the first: Apel wrote, "In general, did not expend the same care for this Mass, which was written for modest abbey churches, as for the other one, which he himself certainly presented on important holidays on the organ of
97:, the esteemed keyboard virtuoso and composer whose career was cut short by an early death. As a boy François must have received his first music lessons from his father, but Charles died in 1679 leaving the position at Saint-Gervais to his son, a common practice known as
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has written that
Couperin was the "poet musician par excellence", who believed in "the ability of Music to express itself in prose and poetry", and that "if we enter into the poetry of music we discover that it carries grace that is more beautiful than beauty itself".
482:, containing traditional dances as well as pieces with descriptive titles. They are notable for Couperin's detailed indication of ornaments, which in most harpsichord music of the period was left to the discretion of the player. The first and last pieces in an
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Couperin est le musicien-poète par excellence, qui croit en la capacité de la
Musique à s'exprimer avec «sa prose et ses vers»...si on entre dans sa profonde dimension poétique, on découvre qu'ils sont porteurs d'une grâce qui est, «plus belle encore que la
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At twenty-one
Couperin also lost his mother, Marie (née Guérin), but otherwise his life and career were accompanied by good fortune. In 1689 he married Marie-Anne Ansault, daughter of a prosperous family. The next year saw the publication of his
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in 1713 to allow him to publish 'plusiers pieces de musique de sa composition, tant pour la vocale que l'instrumental, conjointement ou séparément' and used it immediately to issue the first volume (out of four) of his harpsichord works,
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wrote that
Thomelin treated the boy extremely well, becoming a second father to him. François' talent must have shown itself early on because by 1685 the church council began providing him a salary, although he had no contract.
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Couperin's health declined steadily throughout the 1720s. The services of a cousin were required by 1723 at Saint
Gervais, and in 1730 Couperin's position as court harpsichordist was taken up by his daughter
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contains no plainchant, as each convent and monastery maintained its own, non-standard body of chant. Couperin departs from his predecessors in many ways. For example, the melodies of the
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followed in 1716 (though this was immediately recalled and republished the following year), as well as other collections of keyboard and chamber music. In 1717 Couperin became
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to serve as new organist on the understanding that François would replace him at age 18. However, it is likely
Couperin began these duties much earlier: a stipend of 100
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Couperin's four volumes of harpsichord music, published in Paris in 1713, 1717, 1722, and 1730, contain over 230 individual pieces, and he also published a book of
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521:") and express a mood through key choices, adventurous harmonies and (resolved) discords. They have been likened to miniature tone poems. These features attracted
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was published, Couperin published a set of ten pieces, "Nouveaux concerts, ou Les goûts réunis", that also combined these two different styles of
Baroque music.
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531:'s piano music was influenced by the keyboard music of Couperin. Brahms performed Couperin's music in public and contributed to an edition of Couperin's
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wrote, "this music shows a sense of natural order, a vitality, and an immediacy of feeling that breaks into French organ music like a fresh wind."
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which can be played as solo harpsichord pieces or as small chamber works. The four collections for harpsichord alone are grouped into
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Sonade from Quatrième Ordre: La Piémontaise “L'Astrée” from Les
Nations: Sonades et Suites de Simphonies en Trio (Paris, 1726)
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were of the same tonality, but the middle pieces could be in other closely related tonalities. These volumes were admired by
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450:. It used both French and Italian styles of Baroque music, to reconcile the very different styles in what Couperin called a
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took three pieces from different sets of
Couperin suites and orchestrated them in his work "Three Studies from Couperin".
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169:. However, his involvement in the musical activities at the court may have lessened after Louis XIV's death in 1715.
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has called the movement a "stunning masterpiece of the French classic repertory." The second Mass also contains an
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Couperin was born in Paris, into a prominent musical family. His father
Charles was organist at the
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of Corelli"), was written to show his great debt to Corelli and published in 1724. The other,
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one of the highest possible appointments for a court musician, and a position once held by
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that few churches ignored. With their hands tied, the churchwardens at Saint-Gervais hired
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per year, which had been provided the Couperin on Charles's death slowly increased to 400
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Five Centuries of Keyboard Music: An historical survey of music for harpsichord and piano
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714:"François Couperin | French composer [1668-1733] | Britannica"
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are strictly rhythmic and more directional than previous examples of the genre.
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Many of Couperin's keyboard pieces have evocative, picturesque titles (such as "
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Performed by the Advent Chamber Orchestra with Stephen Balderston, cello solo
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Mélodies urbaines: la musique dans les villes d'Europe (XVIe-XIXe siécles)
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Higginbottom, Edward (2001). "Couperin: (4) François Couperin (ii) ". In
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in three large sections: a prelude, a chromatic fugue in minor, and a
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The 11-year-old was taken care of and taught, meanwhile, by organist
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in two Kyrie movements and in the first Sanctus movement; the Kyrie
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form to France. Couperin wrote two grand trio sonatas. The first,
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Gustafson, Bruce (2004). "France". In Alexander Silbiger (ed.).
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966:, London UK: Faber & Faber; 1950, 2nd edition October 1987
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François Couperin; translated from the French by Alexandra Land
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ordinaire de la musique de la chambre du roi pour le clavecin––
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François Couperin in the timeline of French Baroque composers.
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Only one collection of organ music by Couperin survives, the
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in the city, a position previously held by Charles's brother
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subject is also derived from a chant incipit. The Mass for
269:", which could have been used in France at Couperin's time
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MP3 files of Kyrie movements of "Mass for the Convents":
241:, performed by Robert Schröter on a harpsichord tuned in
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Couperin acknowledged his debt to the Italian composer
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Pièces en concert – prelude, la tromba et air de diable
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composer, organist and harpsichordist. He was known as
446:, was published a year later and composed in honor of
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The same work performed in a reconstructed tuning of "
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53:; 10 November 1668 – 11 September 1733) was a French
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Francois Couperin and the French Classical Tradition
490:, who exchanged letters with Couperin, and later by
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865:(in French). Presses Paris Sorbonne. p. 256.
831:. Bloomington: Indiana University Press. pp.
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498:, the latter of whom memorialized the composer in
360:Récit de cornet de la messe à l'usage des couvents
339:Petit plein jeu de la messe à l'usage des couvents
650:of the first Mass, which is akin to an expanded
120:, who served both at court and at the church of
938:The New Grove Dictionary of Music and Musicians
889:, New York NY: Dover Publications, Inc., 1965.
599:Couperin followed techniques used in masses by
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318:Plein jeu de la messe à l'usage des couvents
646:The longest piece in the collection is the
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564:Pièces d'orgue consistantes en deux messes
1020:International Music Score Library Project
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684:(1705–1778), Francois Couperin's daughter
203:List of compositions by François Couperin
454:(a reunion of tastes). The same year as
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980:François Couperin: Les Concerts Royaux
735:
430:Le Parnasse, ou L'Apothéose de Corelli
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827:The History of Keyboard Music to 1700
177:. Couperin's final publications were
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7:
998:, London UK: BBC Music Guides, 1982
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34:Couperin (anon.), collection of the
2567:Classical composers of church music
2562:18th-century French male musicians
411:Problems playing these files? See
25:
2314:historically informed performance
525:, who orchestrated some of them.
2592:French composers of sacred music
2547:18th-century classical composers
2532:17th-century classical composers
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1026:Free scores by François Couperin
1016:Free scores by François Couperin
908:. New York: Routledge. pp.
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2617:French male classical organists
2587:French male classical composers
621:Missa cunctipotens genitor Deus
1192:Marguerite-Antoinette Couperin
1047:François Couperin – MIDI files
682:Marguerite-Antoinette Couperin
648:Offertoire sur les grands jeux
290:Performed by New Comma Baroque
1:
2552:18th-century French composers
2542:17th-century French composers
1815:
1617:
1439:
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122:Saint-Jacques-de-la-Boucherie
1129:L'art de toucher le clavecin
1030:Choral Public Domain Library
840:Beaussant, Philippe (1990).
464:L'art de toucher le clavecin
238:L'art de toucher le clavecin
159:l'Art de toucher le clavecin
2612:17th-century male musicians
1122:Les Barricades Mystérieuses
27:French composer (1668–1733)
2633:
2602:French classical organists
1202:Marguerite-Louise Couperin
904:Keyboard Music Before 1700
424:. He introduced Corelli's
374:Premier couplet du Sanctus
200:
156:harpsichord playing manual
2577:Composers for harpsichord
2557:18th-century keyboardists
2537:17th-century keyboardists
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1292:List of Baroque composers
1289:
1231:
1217:Gervais-François Couperin
1104:
518:The mysterious barricades
145:He applied for a blanket
2582:French Baroque composers
2572:Composers for pipe organ
941:(2nd ed.). London:
859:Gauthier, Laure (2008).
568:Michel Richard Delalande
542:Modern English composer
332:Premier couplet du Kyrie
103:Michel Richard Delalande
596:to conclude each mass.
586:(2), and an additional
549:The early-music expert
141:Royal assent to publish
91:Church of Saint-Gervais
77:Couperin, engraving by
50:[fʁɑ̃swakupʁɛ̃]
2597:French harpsichordists
2367:Common practice period
977:Savall, Jordi (2005),
501:Le Tombeau de Couperin
461:His most famous book,
456:L'Apothéose de Corelli
214:
193:
167:Jean-Henri d'Anglebert
126:Évrard Titon du Tillet
118:Jacques-Denis Thomelin
86:
38:
2289:British Baroque music
1212:Pierre-Louis Couperin
1207:Armand-Louis Couperin
488:Johann Sebastian Bach
267:temperament ordinaire
213:
191:
175:Marguerite-Antoinette
76:
36:Château de Versailles
33:
2607:Composers from Paris
1707:Jacquet de La Guerre
1637:Bodin de Boismortier
1155:L'Apothéose de Lully
1107:List of compositions
1039:has compositions by
986:, Alia Vox, AV9840,
943:Macmillan Publishers
823:Apel, Willi (1972).
537:Friedrich Chrysander
513:The little windmills
443:L'Apothéose de Lully
79:Jean Jacques Flipart
2299:early music revival
1870:Frederick the Great
1053:Kyrie 1 (Plein jeu)
716:. 7 September 2023.
677:French organ school
506:Couperin's Memorial
448:Jean-Baptiste Lully
1599:Torrejón y Velasco
1173:Leçons de ténèbres
1061:Kyrie 5 (Dialogue)
960:Mellers, Wilfrid:
726:F-Pn, Ms Fr. 21590
533:Pièces de clavecin
215:
194:
152:Pieces de clavecin
87:
39:
2446:
2445:
2408:Renaissance music
2076:Baroque orchestra
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1248:
1098:François Couperin
1041:François Couperin
1004:978-0-563-17851-4
972:978-0-571-13983-5
952:978-1-56159-239-5
885:Gillespie, John:
872:978-2-84050-563-1
844:. Amadeus Press.
452:réunion des goûts
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382:Le réveille-matin
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251:Cinquième prelude
243:equal temperament
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221:Cinquième prelude
59:Couperin le Grand
42:François Couperin
18:Francois Couperin
16:(Redirected from
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179:Pièces de violes
147:privilège du Roy
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1642:G. B. Bononcini
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1148:Concerts royaux
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1057:Kyrie 2 (Fugue)
1037:Mutopia Project
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660:Bruce Gustafson
652:French overture
574:(5 movements),
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529:Johannes Brahms
523:Richard Strauss
478:, a synonym of
472:Concerts Royaux
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658:-like fugue.
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124:. Biographer
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2377:Architecture
2326:Folk baroque
2321:Figured bass
2294:counterpoint
2270:Other topics
2142:18th-century
2137:17th-century
1762:D. Scarlatti
1656:
1579:A. Scarlatti
1549:J. Pachelbel
1300:Transitional
1171:
1153:
1146:
1127:
1120:
1097:
1032:(ChoralWiki)
995:
987:
979:
962:
936:
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886:
876:. Retrieved
861:
841:
826:
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791:
779:
767:
755:
743:
731:
722:
708:
696:
663:
647:
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551:Jordi Savall
548:
541:
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131:
115:
110:
106:
98:
88:
58:
41:
40:
2527:1733 deaths
2522:1668 births
2346:Style brisé
2282:Chamber pop
2277:Baroque pop
2221:grand motet
2194:passacaglia
2005:lautenwerck
2000:harpsichord
1970:double bass
1937:Instruments
1895:Mondonville
1727:A. Marcello
1657:F. Couperin
1604:Vejvanovský
1554:J. Playford
1534:J.-B. Lully
1499:Charpentier
1454:d'Anglebert
1339:Frescobaldi
1303:and early (
989:beauté...».
736:Savall 2005
594:Deo gratias
544:Thomas Adès
426:trio sonata
353:Deo Gratias
83:André Bouys
2511:Categories
2360:Background
2246:recitative
2154:concertato
2122:canzonetta
1985:fortepiano
1960:clavichord
1910:Sammartini
1890:Mysliveček
1850:Boccherini
1840:W. F. Bach
1835:J. C. Bach
1632:J. S. Bach
1559:H. Purcell
1479:Cabanilles
1394:Monteverdi
1369:Kapsberger
1359:O. Gibbons
1354:C. Gibbons
1349:V. Galilei
1329:J. Dowland
1319:G. Caccini
1132:(treatise)
1059:(2.2 MB),
1055:(1.4 MB),
878:2013-05-27
817:References
664:Offertoire
641:Willi Apel
617:plainchant
589:Offertoire
438:Apotheosis
413:media help
201:See also:
99:survivance
2489:Biography
2392:Sculpture
2309:ensembles
2304:festivals
2199:sarabande
2127:capriccio
2069:Ensembles
1900:L. Mozart
1802:de Zumaya
1737:Pergolesi
1717:Locatelli
1702:Heinichen
1687:Gorczycki
1682:Geminiani
1662:Delalande
1584:Stradella
1539:M. Marais
1519:Froberger
1484:Carissimi
1474:Buxtehude
1429:Sweelinck
808:Apel 1972
784:Apel 1972
760:Apel 1972
619:from the
613:paroisses
436:, or the
434:Parnassus
403:MIDI file
2428:Category
2405: ←
2387:Painting
2251:ricercar
2226:madrigal
2206:fantasia
2174:courante
2159:concerto
2132:chaconne
2025:recorder
1950:carillon
1920:Telemann
1865:Corrette
1860:F. Brixi
1845:F. Benda
1777:Telemann
1742:Pisendel
1692:Graupner
1627:Albinoni
1564:Reincken
1529:Legrenzi
1514:Diletsky
1438:Middle (
1344:Gabrieli
1241:Category
1114:Keyboard
1063:(2.6 MB)
996:Couperin
935:(eds.).
671:See also
633:couvents
2451:Portals
2418:→
2372:Baroque
2241:prelude
2179:gavotte
2149:chorale
2117:canzona
2107:cantata
2060:violone
2040:trumpet
2035:theorbo
2030:sackbut
1965:cornett
1945:bassoon
1935:Musical
1875:Galuppi
1797:Zelenka
1787:Vivaldi
1772:Tartini
1747:Porpora
1732:Pepusch
1672:Fischer
1647:Caldara
1594:Torelli
1589:Strozzi
1509:Corelli
1489:Cavalli
1459:Bassani
1414:Scheidt
1364:d'India
1314:Allegri
1140:Chamber
1028:in the
1022:(IMSLP)
1018:at the
833:736–738
605:Lebègue
580:Sanctus
515:" and "
494:and by
422:Corelli
55:Baroque
46:French:
2501:France
2438:Portal
2331:monody
2189:minuet
2102:ballet
2055:violin
1990:guitar
1905:Quantz
1812:Galant
1767:Seixas
1757:Rameau
1752:Quantz
1697:Handel
1652:Campra
1569:Sabini
1544:Muffat
1504:Clarke
1449:Amodei
1424:Schütz
1419:Schein
1389:Merula
1384:Michna
1334:Franck
1324:Coelho
1002:
970:
949:
916:
912:–116.
893:
869:
848:
637:Récits
609:Boyvin
607:, and
601:Nivers
576:Gloria
492:Brahms
480:suites
476:ordres
111:livres
107:livres
2477:Music
2382:Dance
2261:suite
2236:opera
2216:fugue
2211:folia
2184:gigue
2169:dance
2112:canon
2050:viola
2020:organ
1980:flute
1955:cello
1915:Soler
1880:Hasse
1855:Boyce
1818:1720)
1792:Weiss
1782:Vinci
1722:Lotti
1667:Fasch
1620:1700)
1524:Kerll
1494:Cesti
1442:1650)
1409:Rossi
1379:Lawes
1374:Landi
1307:1600)
1165:Vocal
689:Notes
656:gigue
629:Fugue
623:as a
584:Agnus
582:(3),
578:(9),
572:Kyrie
558:Organ
496:Ravel
484:ordre
235:from
197:Works
2231:mass
2097:aria
2045:viol
2015:oboe
2010:lute
1995:harp
1975:drum
1925:Zach
1825:Arne
1614:Late
1574:Sanz
1469:Blow
1399:Peri
1035:The
1000:ISBN
968:ISBN
947:ISBN
914:ISBN
891:ISBN
867:ISBN
846:ISBN
592:and
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