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He was one of the more significant and complex sculptors of the 15th century – complex because of his activities within varying cultural circles and his exposure to differing influences. His best works evolved in the workshop tradition in collaboration with other artists. His portrait
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reveal a creative individuality that was seen as particularly fascinating in the late 19th century. Though it is impossible to chart his stylistic development, his later work made in France shows some assimilation of northern
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de Vrana, giving the surname used by
Francesco Laurana: LA VRANA -> LAVRANA which is read like LAURANA because the letter U is written as V in inscriptions in Latin.
225:(1475–1481), the first structure in France designed entirely in the Renaissance style. His workshop in Marseille created the St. Lazarus marble altar as well as the
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Italian sculptor and medallist. He was one of the most significant and most complex sculptors of the 15th century.
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Laurana
Francesco in: L. Forrer: Biographical Dictionary od Medallists, Volume III, London 1907, S. 339 ff.
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Laurana was first documented in 1453, as
Francesco Adzara (Francesco da Zara).
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in the Sta. Barbara Chapel. From 1474 to 1477 Laura spent three years in
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worked. He then went to
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After an apprenticeship under a sculptor, he began his solo career at
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In 1471 he traveled to Naples where he executed the sculpture of the
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Oxford
University Press, 10/giu/2004. p. 395. Web. 5 November 2013.
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Croatia: Aspects of Art, Architecture and
Cultural Heritage
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Encyclopædia
Britannica. Encyclopædia Britannica Online.
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419:Encyclopædia Britannica, 2011. Web. 16 May. 2011.
92:, and finally in southern France, where he died.
38:showing the stylized oval face typical of Laurana
464:Clarendon P., 1970. p. 57. Web. 5 November 2013.
485:CUP Archive, 1921. p. 12. Web. 5 November 2013.
76:sculptor. Though born in the territory of the
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560:Half-length Bust of the infant Saint Cyricus
340:. Scala - Michigan University. p. 58.
365:. Encyclopaedia Britannic. p. 1056.
57:; c. 1430 – before 12 March 1502) was a
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482:The Renaissance of Roman Architecture.
136:. Under Venetian rule Vrana was named
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499:. Frances Lincoln Ltd. p. 137.
273:Some bear dates 1461, 1463 and 1466.
533:An Outline of European Architecture
388:Grove Art, Oxford University Press.
468:Italian sculptor Francesco Laurana
198:, and a bust allegedly portraying
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522:, London. January 1906:col. 8843f
174:From 1466 to 1471 Laurana was in
562:(Getty Museum); biographic notes
432:Treccani, il portale del sapere.
190:sculptures in the cathedrals of
363:Britannica Concise Encyclopedia
338:Great Smaller Museums of Europe
229:of the Calvary in St. Didier d'
602:15th-century Italian sculptors
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495:Norwich, John Julius (2009).
446:The Oxford Dictionary of Art.
223:Cathedral of S. Marie Majeure
627:16th-century Croatian people
622:15th-century Croatian people
461:The Oxford companion to art.
171:of personages at the court.
118:Enthroned Madonna with Child
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68:. He is considered both a
549:Some works in the Louvre
479:Jackson, Thomas Graham.
336:Stourton, James (2003).
235:Charles, comte du Maine
607:Italian male sculptors
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414:"Francesco Laurana."
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248:or Avignon, in 1502.
217:, where his relative
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47:Francesco de la Vrana
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206:in Palermo, Sicily.
124:Laurana was born in
597:Renaissance artists
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520:Numismatic Circular
361:Britannica (2002).
157:Alfonso V of Aragon
632:Catholic sculptors
617:Italian medallists
592:Croatian sculptors
587:Dalmatian Italians
531:Nikolaus Pevsner.
434:Web. 16 May. 2011.
398:Web. 16 May. 2011.
394:2017-07-26 at the
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78:Republic of Venice
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612:People from Zadar
554:Francesco Laurana
458:Osborne, Harold.
282:Signed and dated.
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200:Eleanor of Aragon
188:Madonna and Child
43:Francesco Laurana
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66:medallist
59:Dalmatian
392:Archived
302:See also
138:La Vrana
134:Dalmatia
120:, Naples
70:Croatian
62:sculptor
51:Croatian
239:Le Mans
231:Avignon
227:retable
192:Palermo
184:Sciacca
180:Palermo
142:romance
140:, from
128:, near
103:realism
74:Italian
72:and an
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215:Urbino
211:Virgin
176:Sicily
169:medals
149:Naples
90:Urbino
88:, and
86:Sicily
82:Naples
36:Louvre
252:Notes
237:, in
132:, in
130:Zadar
126:Vrana
98:busts
501:ISBN
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367:ISBN
342:ISBN
196:Noto
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