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Marshall's influence as a pianist and teacher impacted
Catalan piano playing heavily; his approaches to pedaling and voicing helped refine the distinctive style of piano playing from the region. No. 3 of
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When
Granados died in 1916, Marshall became its director; he remained director until his death in 1959, and the institute's name was eventually changed to
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was dedicated to him. His students included Alicia de
Larrocha,
128:, and the Catalan pianist Albert Attenelle, who premiered
41:(November 28, 1883 – May 29, 1959), was a
91:. Among his pupils at the school was the composer
194:Conservatori Superior de Música del Liceu alumni
157:The New Grove Dictionary of Music and Musicians
31: and the second or maternal family name is
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97:Estudio práctico sobre los pedales del piano
83:. Its administrators and faculty included
70:Conservatori Superior de Música del Liceu
49:pianist and pedagogue born to parents of
16:Spanish-Catalan pianist and pedagogue
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95:. He published two pedagogic works,
204:20th-century Spanish male musicians
154:Charles Hopkins, "Frank Marshall".
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214:Spanish people of English descent
199:20th-century classical pianists
189:Spanish male classical pianists
135:Variations on a Theme of Chopin
209:20th-century Spanish musicians
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72:and then began studying with
23:, the first or paternal
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184:Spanish classical pianists
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126:Mercedes Roldós Freixes
89:Mercedes Roldós Freixes
81:Académia Frank Marshall
101:La sonoridad del piano
103:, which attempted to
56:Marshall was born in
99:(Madrid, 1919) and
68:. He attended the
39:Frank Marshall King
145:in 1959, aged 75.
85:Alicia de Larrocha
141:Marshall died in
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121:Cançons i danses
110:more precisely.
74:Enrique Granados
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21:Spanish name
179:1959 deaths
174:1883 births
168:Categories
149:References
53:heritage.
143:Barcelona
62:Catalonia
29:Marshall
19:In this
160:online.
51:English
47:Catalan
43:Spanish
25:surname
105:notate
58:Mataró
66:Spain
87:and
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