Knowledge (XXG)

Frank Towers

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He first came to public attention in Australia in 1866 as an actor/producer from New Zealand who had leased the Royal Victoria Theatre with a cast he had picked up in Sydney: J. L. Byers, C. Miran, J. Clifford, Miss Young, Miss Kate Corcoran, J. B. Holland. and shortly thereafter at the
102:, written by Towers, opened on 19 October 1874, as a starring vehicle for his daughter Rosa (billed as "The greatest juvenile actress in the world") as "Miggs", her mother as "Melinda Mentap", and Towers himself as "Props the Footman". 299:
Frank Towers (1835–1886) married Ann Jane Glogoski or Glogowsky, née Buckingham (7 October 1835 – 19 November 1887) in 1882. The actor George Buckingham (6 November 1839 – 19 August 1864 ) was a brother. They had two daughters:
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Having lost money on several Australian ventures, Towers undertook a tour of India. He died there early in 1886, virtually destitute. His wife, seriously incapacitated and bedridden, died on 19 November 1887 in Whoro, India.
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with Towers as "Dick Deadeye", Rosa as "Josephine", and Kate as "Midshipman Mite". Their overseas tour had been lucrative, and Towers returned to Australia several thousand pounds the richer.
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He emigrated to New Zealand (perhaps via Australia) where he partnered with Ann Jane "Annie" Glogowski, née Buckingham, who adopted the surname Towers. They had a daughter, Rosa Towers, in
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was identified as that of Mrs Towers, but proved to be mistaken identity. Rosa left the theatre to play vaudeville, and her parents found occasional work. Towers made progress on adapting
419: 249:. Her early promise of great talent was not fulfilled. She had secretly married an actor named Woods and left her father's troupe, but no further information has been found. 974: 884: 856: 136:
was staged for the first time. As was their custom when playing a new town, one performance was set aside where children were admitted free. Brisbane followed, where
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was judged a "somewhat thrilling drama" In 1876 Towers made a return to Adelaide, where he appeared in various comic roles and undertook production duties for
969: 164:. The company made a successful tour of England and, especially, Ireland. There was some concern for their safety when a body from the wreck of the ship 357: 469: 525: 304:
Rosa Towers (18 November 1864 – ) was a notable juvenile lead. Rosa was his step daughter, her biological father was Samuel Glogoski.
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was first performed in South Africa on 17 December 1879, which may have been its last. They toured South Africa in 1880, taking the
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theatre, who may have been of Jewish extraction, and Catharine Towers, née Woolf. The son was also an actor, and given a
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This placename has not been found elsewhere, and may be a typographical error, but no alternative has been found.
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at the Theatre Royal; his wife found some congenial roles and the two children made occasional appearances.
129: 226: 205: 166: 827: 125: 62:, goldfield. He early discovered in Rosa an actress of some ability. With the permission of its author, 442: 989: 984: 609: 84: 55: 59: 35: 245: 391: 364:. Alexander Turnbull Library, National Library of New Zealand (Eph-E-WEBSTER-Theatre-1859-01) 128:, the latter being judged the better play. Launceston and Ballarat followed. They played the 749: 665: 585:. Vol. XVII, no. 1277. Victoria, Australia. 28 April 1880. p. 2 (Edition 3) 557:. Vol. LXX, no. 11, 359. New South Wales, Australia. 13 October 1874. p. 10 214: 152:
In January 1877 the family left for a tour of England, where he picked up a cast to play
944:. Vol. XXVI, no. 12. New South Wales, Australia. 5 September 1889. p. 31 176: 423:. Vol. XVI, no. 1515. New South Wales, Australia. 6 February 1858. p. 3 963: 581: 529:. Vol. XXII, no. 493. New South Wales, Australia. 11 August 1866. p. 3 181: 171: 63: 43: 473:. Vol. X, no. 249. New South Wales, Australia. 17 October 1874. p. 36 497: 243:
Nothing was heard from Rosa Towers after 1889, when she appeared in a restaging of
141: 888:. Vol. XI, no. 8426. New South Wales, Australia. 3 April 1884. p. 3 860:. Vol. X, no. 3656. New South Wales, Australia. 2 August 1883. p. 2 753:. Vol. XXVII, no. 715. Victoria, Australia. 13 December 1879. p. 19 188:, first performed at the Princess Theatre, London, in 1879, also an adaptation of 229:, with Kate playing the waif and Rosa (now too old for that role) as an actress. 395:. Vol. XLIII, no. 2345. South Australia. 11 September 1886. p. 26 31: 879: 851: 822: 744: 669:. Vol. X, no. 13. Queensland, Australia. 13 November 1875. p. 6 576: 492: 386: 30:
Towers was born in London, son of Joseph Johnson Towers, actor and manager of
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for the stage, and with Rosa in the title role, the play was a "hit" at the
916:. No. 15, 541. New South Wales, Australia. 16 January 1888. p. 1 341: 774:"What Oh Tonight: The Methodology Factor and Pre-1930s' Variety Theatre" 697:. Vol. XLII, no. 9532. South Australia. 2 June 1877. p. 1 831:. No. 2248. New South Wales, Australia. 24 October 1874. p. 2 641:. Vol. XL, no. 8917. South Australia. 14 June 1875. p. 5 46:, concerning an English emigrant to Australia during the gold rush. 22:(1835–1886) was an English actor, playwright and stage producer. 291:
He was also the author of several, perhaps many, pantomimes.
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The Maitland Mercury and Hunter River General Advertiser
501:. New South Wales, Australia. 11 August 1866. p. 8 58:, in 1864 and another, Kate Towers, in 1870 at the 980:19th-century Australian dramatists and playwrights 106:was held in reserve against a decline in demand. 38:at that theatre on 17 March 1859, the play being 381: 379: 16:Australian actor, playwright, and stage producer 196:) when it played in Melbourne in 1888. Towers' 180:to the English stage. This was around the time 797:Roslyn Atkinson; Richard Fotheringham (2006). 885:Newcastle Morning Herald and Miners' Advocate 857:Newcastle Morning Herald and Miners' Advocate 8: 526:Bell's Life In Sydney and Sporting Chronicle 952:– via National Library of Australia. 924:– via National Library of Australia. 896:– via National Library of Australia. 868:– via National Library of Australia. 839:– via National Library of Australia. 761:– via National Library of Australia. 733:– via National Library of Australia. 705:– via National Library of Australia. 677:– via National Library of Australia. 649:– via National Library of Australia. 621:– via National Library of Australia. 593:– via National Library of Australia. 565:– via National Library of Australia. 537:– via National Library of Australia. 509:– via National Library of Australia. 481:– via National Library of Australia. 431:– via National Library of Australia. 403:– via National Library of Australia. 975:Australian theatre managers and producers 799:"Dramatic Copyright in Australia to 1912" 332: 317: 995:19th-century Australian businesspeople 116:on 13 February 1875. They next played 577:"Amusements at the Cape of Good Hope" 7: 717:"Total Wreck of the "James Service"" 970:19th-century Australian male actors 745:"Theatre Royal, Newcastle, England" 470:Australian Town and Country Journal 307:Kate Towers (1870– ) was an actress 132:in June 1875, during which Towers' 360:For the benefit of Mr Frank Towers 14: 236:, for a period around 1883–1884. 261:(1874), adaptation of the novel 493:"Punch's Playgoing Experiences" 192:, and mercilessly parodied (as 96:Royal Victoria Theatre, Sydney 1: 841:Includes outline of the plot. 346:. London: Treherne & Co. 89:It Is Never Too Late to Mend 343:Charles Reade As I Knew Him 275:Grateful, or Maggie's Dream 234:Victoria Theatre, Newcastle 134:Grateful, or Maggie's Dream 1011: 936:"Round About the Theatres" 913:The Sydney Morning Herald 823:""A Waif of the Streets"" 722:South Australian Register 694:South Australian Register 638:South Australian Register 554:The Sydney Morning Herald 232:Towers was lessee of the 210:Theatre Royal, Kimberley 202:Theatre Royal, Cape Town 114:Theatre Royal, Melbourne 72:Queen's Theatre, Dunedin 941:Illustrated Sydney News 130:Theatre Royal, Adelaide 445:. University of Sydney 283:(1879), adaptation of 227:Gaiety Theatre, Sydney 206:Captain Disney-Roebuck 40:Never Too Late to Mend 828:Evening News (Sydney) 340:John Coleman (1903). 269:A Waif of the Streets 223:A Waif of the Streets 126:Theatre Royal, Hobart 110:A Waif on the Streets 100:A Waif of the Streets 91:with a similar cast. 772:Clay Djubal (2005). 312:Notes and references 56:Dunedin, New Zealand 633:"The Theatre Royal" 225:was revived at the 212:, in 1881, playing 184:published his play 94:He returned to the 87:with the melodrama 60:Thames, New Zealand 36:benefit performance 852:"Victoria Theatre" 689:"Theatrical Notes" 465:"Miss Rosa Towers" 42:, from a novel by 392:Adelaide Observer 204:(sub-leased from 1002: 954: 953: 951: 949: 932: 926: 925: 923: 921: 908:"Family Notices" 904: 898: 897: 895: 893: 876: 870: 869: 867: 865: 848: 842: 840: 838: 836: 819: 813: 812: 810: 808: 803: 794: 788: 787: 785: 783: 778: 769: 763: 762: 760: 758: 750:The Australasian 741: 735: 734: 732: 730: 713: 707: 706: 704: 702: 685: 679: 678: 676: 674: 666:The Queenslander 657: 651: 650: 648: 646: 629: 623: 622: 620: 618: 601: 595: 594: 592: 590: 573: 567: 566: 564: 562: 545: 539: 538: 536: 534: 517: 511: 510: 508: 506: 489: 483: 482: 480: 478: 461: 455: 454: 452: 450: 443:"AustralHarmony" 439: 433: 432: 430: 428: 415:"Family Notices" 411: 405: 404: 402: 400: 387:"Entertainments" 383: 374: 373: 371: 369: 354: 348: 347: 337: 325: 322: 221:In January 1883 1010: 1009: 1005: 1004: 1003: 1001: 1000: 999: 960: 959: 958: 957: 947: 945: 934: 933: 929: 919: 917: 906: 905: 901: 891: 889: 878: 877: 873: 863: 861: 850: 849: 845: 834: 832: 821: 820: 816: 806: 804: 801: 796: 795: 791: 781: 779: 776: 771: 770: 766: 756: 754: 743: 742: 738: 728: 726: 715: 714: 710: 700: 698: 687: 686: 682: 672: 670: 659: 658: 654: 644: 642: 631: 630: 626: 616: 614: 605:"Theatre Royal" 603: 602: 598: 588: 586: 575: 574: 570: 560: 558: 547: 546: 542: 532: 530: 519: 518: 514: 504: 502: 491: 490: 486: 476: 474: 463: 462: 458: 448: 446: 441: 440: 436: 426: 424: 413: 412: 408: 398: 396: 385: 384: 377: 367: 365: 356: 355: 351: 339: 338: 334: 329: 328: 323: 319: 314: 297: 255: 215:H.M.S. Pinafore 150: 80: 52: 28: 17: 12: 11: 5: 1008: 1006: 998: 997: 992: 987: 982: 977: 972: 962: 961: 956: 955: 927: 899: 871: 843: 814: 789: 764: 736: 708: 680: 652: 624: 596: 568: 540: 512: 484: 456: 434: 406: 375: 349: 331: 330: 327: 326: 316: 315: 313: 310: 309: 308: 305: 296: 293: 289: 288: 278: 272: 266: 254: 251: 149: 146: 112:opened at the 79: 76: 51: 48: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1007: 996: 993: 991: 988: 986: 983: 981: 978: 976: 973: 971: 968: 967: 965: 943: 942: 937: 931: 928: 915: 914: 909: 903: 900: 887: 886: 881: 880:"Advertising" 875: 872: 859: 858: 853: 847: 844: 830: 829: 824: 818: 815: 800: 793: 790: 775: 768: 765: 752: 751: 746: 740: 737: 724: 723: 718: 712: 709: 696: 695: 690: 684: 681: 668: 667: 662: 656: 653: 640: 639: 634: 628: 625: 612: 611: 606: 600: 597: 584: 583: 582:The Lorgnette 578: 572: 569: 556: 555: 550: 549:"Advertising" 544: 541: 528: 527: 522: 521:"Advertising" 516: 513: 500: 499: 494: 488: 485: 472: 471: 466: 460: 457: 444: 438: 435: 422: 421: 416: 410: 407: 394: 393: 388: 382: 380: 376: 363: 361: 353: 350: 345: 344: 336: 333: 321: 318: 311: 306: 303: 302: 301: 294: 292: 286: 282: 279: 276: 273: 270: 267: 264: 260: 257: 256: 252: 250: 248: 247: 241: 237: 235: 230: 228: 224: 219: 217: 216: 211: 207: 203: 199: 195: 191: 187: 183: 182:Charles Reade 179: 178: 173: 169: 168: 167:James Service 163: 159: 155: 147: 145: 143: 139: 135: 131: 127: 123: 119: 115: 111: 107: 105: 101: 97: 92: 90: 86: 77: 75: 73: 69: 66:, he adapted 65: 64:B. L. Farjeon 61: 57: 49: 47: 45: 44:Charles Reade 41: 37: 33: 25: 23: 21: 946:. Retrieved 939: 930: 918:. Retrieved 911: 902: 890:. Retrieved 883: 874: 862:. Retrieved 855: 846: 833:. Retrieved 826: 817: 805:. Retrieved 792: 780:. Retrieved 767: 755:. Retrieved 748: 739: 727:. Retrieved 720: 711: 699:. Retrieved 692: 683: 671:. Retrieved 664: 661:"Amusements" 655: 643:. Retrieved 636: 627: 615:. Retrieved 608: 599: 587:. Retrieved 580: 571: 559:. Retrieved 552: 543: 531:. Retrieved 524: 515: 503:. Retrieved 498:Sydney Punch 496: 487: 475:. Retrieved 468: 459: 447:. Retrieved 437: 425:. Retrieved 418: 409: 397:. Retrieved 390: 366:. Retrieved 359: 352: 342: 335: 320: 298: 290: 284: 280: 274: 268: 262: 258: 244: 242: 238: 231: 222: 220: 213: 197: 193: 189: 185: 175: 165: 161: 157: 153: 151: 142:Samuel Lazar 137: 133: 121: 117: 109: 108: 103: 99: 93: 88: 81: 67: 53: 39: 29: 20:Frank Towers 19: 18: 990:1886 deaths 985:1835 births 610:The Mercury 285:L'assommoir 190:L'assommoir 177:L'assommoir 50:New Zealand 32:The Old Vic 964:Categories 208:) and the 172:Émile Zola 85:New Lyceum 358:"Poster: 265:(Farjeon) 78:Australia 281:Drinking 198:Drinking 162:Grateful 148:Overseas 138:Grateful 98:, where 124:at the 26:History 948:3 June 920:3 June 892:3 June 864:3 June 835:3 June 807:6 June 782:6 June 757:5 June 729:5 June 701:5 June 673:5 June 645:5 June 617:5 June 589:3 June 561:4 June 533:4 June 505:3 June 477:3 June 449:4 June 427:5 June 399:2 June 368:4 June 295:Family 287:(Zola) 277:(1875) 271:(1874) 194:Boozed 160:, and 802:(PDF) 777:(PDF) 253:Works 186:Drink 950:2021 922:2021 894:2021 866:2021 837:2021 809:2021 784:2021 759:2021 731:2021 703:2021 675:2021 647:2021 619:2021 591:2021 563:2021 535:2021 507:2021 479:2021 451:2021 429:2021 401:2021 370:2021 263:Grif 259:Grif 246:Grif 158:Waif 154:Grif 122:Waif 120:and 118:Grif 104:Grif 68:Grif 174:'s 966:: 938:. 910:. 882:. 854:. 825:. 747:. 719:. 691:. 663:. 635:. 607:. 579:. 551:. 523:. 495:. 467:. 417:. 389:. 378:^ 156:, 74:. 811:. 786:. 453:. 372:. 362:"

Index

The Old Vic
benefit performance
Charles Reade
Dunedin, New Zealand
Thames, New Zealand
B. L. Farjeon
Queen's Theatre, Dunedin
New Lyceum
Royal Victoria Theatre, Sydney
Theatre Royal, Melbourne
Theatre Royal, Hobart
Theatre Royal, Adelaide
Samuel Lazar
James Service
Émile Zola
L'assommoir
Charles Reade
Theatre Royal, Cape Town
Captain Disney-Roebuck
Theatre Royal, Kimberley
H.M.S. Pinafore
Gaiety Theatre, Sydney
Victoria Theatre, Newcastle
Grif
Charles Reade As I Knew Him
"Poster: For the benefit of Mr Frank Towers"


"Entertainments"
Adelaide Observer

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