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Frans Badens

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159: 19: 104: 64: 184:(civic guards) of Amsterdam. In this composition Badens created a sense of space by providing a through view. A striking figure is the drummer in the centre. Occupying a low rank, he would likely not have had enough money to pay for his portrait. Probably the drummer and the many lances and hats in the background were included to create the impression that the whole guard was present in the painting. 398: 39:, before 17 November 1618) was a Flemish-born painter who was active in Amsterdam where he was known for his mythological and biblical scenes, genre scenes, portraits and still lifes. In his lifetime he was regarded as one of the most important painters who had moved to Amsterdam and was admired for his realistic treatment of the skin. 81:. It has been suggested that this studio located on the Oude Turfmarkt in Amsterdam was known as a place where local citizens could buy paintings in the Italian manner. By acquiring this studio Badens likely could rely on the status of that area of Amsterdam where paintings in a certain style and of a certain quality were sold. 121:(Effigies of some celebrated painters, chiefly of Lower Germany), which was a collection of 69 portraits of prominent, chiefly Netherlandish artists published in 1610. The accompanying Latin verse underneath the portrait begins with the line " 51:
in 1571 as the son of an obscure artist. His brother was Jan Badens. The family left Antwerp and moved to Amsterdam shortly after 18 November 1576. It is not clear with whom he trained. The early 17th century art historian and biographer
158: 147:(portraits), paintings of horses and large history paintings. Van Mander reported that Badens painted in the Italian style. His body of work is not firmly established and some works attributed to 313:, in: Amy Golahny, Mia M. Mochizuki, Lisa Vergara. 'In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias', Amsterdam University Press, 2006, p. 437 352:, in: Amy Golahny, Mia M. Mochizuki, Lisa Vergara. 'In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias', Amsterdam University Press, 2006, p. 93 300:, Koenraad Jonckheere, 'Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries', Amsterdam University Press, 2008, p. 92 56:
reported that Badens trained with his father who died in 1604. It is believed that he studied in Italy between 1591 and 1597 where he had travelled with
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Badens is recorded back in Amsterdam in 1598 when he bought a house in the Kalverstraat. Badens took over the studio previously owned by first
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lauded Badens as an accomplished painter of history and portraits, and reported that he excelled in painting
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The contemporary reputation of Badens is evidenced by the inclusion of an engraved portrait of the artist in
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decided to try his hand at painting in 1600, Frans Badens was likely his first master.
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Also known as: Francesco Badens, Francisco Badens, Francois Badens, François II Badens
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Supply and Demand: Some Notes on the Economy of Seventeenth-Century Connoisseurship
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The Mysterious Landscape Painter Govert Janszn called Mijnheer (1577-c.1619)
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The Mysterious Landscape Painter Govert Janszn called Mijnheer (1577-c.1619)
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The artist is believed to have died in Amsterdam before 17 November 1618.
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Pictorum aliquot celebrium praecipue Germaniae inferioris Effigies
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have been tentatively reattributed to Badens. This includes a
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Les regards dards: Werner van den Valckert's Venus and Cupid
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Het leven van Francesco Badens Schilder van Antwerpen, in:
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auctioned at Sotheby's on 29 October 2009, London, lot 14.
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Civic Guardsmen from a company of the Crossbow Civic Guard
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Civic Guardsmen from a company of the Crossbow Civic Guard
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Civic Guardsmen from a company of the Crossbow Civic Guard
187:Frans Badens is known to have collaborated on a 379:Marten Jan Bok and Sebastien Dudok van Heel, 348:Marten Jan Bok and Sebastien Dudok van Heel, 8: 176:). The painting falls in the genre of the 268: 266: 264: 102: 17: 202: 369:Netherlands Institute for Art History 245: 243: 236:Netherlands Institute for Art History 227: 225: 223: 221: 219: 217: 215: 7: 123:addit picturae meliús nemo colores 14: 328:Picturing the Netherlandish Canon 396: 168:To Badens has been attributed a 96:. When the prominent engraver 1: 143:. He was also known for his 470: 180:and represents one of the 454:Flemish portrait painters 47:Frans Badens was born in 449:Flemish history painters 439:Flemish Baroque painters 23:Portrait of Frans Badens 434:Painters from Amsterdam 165: 110: 70: 25: 429:Painters from Antwerp 292:Koenraad Jonckheere, 161: 106: 90:Adriaen van Nieulandt 66: 21: 405:at Wikimedia Commons 330:. Cortauld Institute 84:His pupils included 444:Dutch male painters 309:Eric Jan Sluijter, 141:conversation pieces 94:Jeremias van Winghe 324:"139 Frans Badens" 166: 111: 71: 26: 401:Media related to 278:Het Schilderboeck 461: 400: 384: 377: 371: 359: 353: 346: 340: 339: 337: 335: 320: 314: 307: 301: 290: 284: 283: 274:Karel van Mander 270: 259: 257:Amsterdam Museum 247: 238: 229: 210: 207: 174:Amsterdam Museum 137:Karel van Mander 115:Hendrick Hondius 98:Hendrick Hondius 86:Gerbrand Bredero 77:and later on by 54:Karel van Mander 469: 468: 464: 463: 462: 460: 459: 458: 409: 408: 393: 388: 387: 378: 374: 364:Venus and Cupid 360: 356: 347: 343: 333: 331: 322: 321: 317: 308: 304: 291: 287: 281: 271: 262: 248: 241: 230: 213: 208: 204: 199: 178:schutterstukken 153:Venus and Cupid 134: 108:Venus and Cupid 68:Saint Sebastian 45: 12: 11: 5: 467: 465: 457: 456: 451: 446: 441: 436: 431: 426: 421: 411: 410: 407: 406: 392: 391:External links 389: 386: 385: 372: 362:Frans Badens, 354: 341: 315: 302: 285: 260: 250:Frans Badens, 239: 211: 201: 200: 198: 195: 172:(1603 - 1618, 149:Pieter Isaacsz 133: 130: 79:Pieter Isaacsz 75:Dirck Barendsz 44: 41: 13: 10: 9: 6: 4: 3: 2: 466: 455: 452: 450: 447: 445: 442: 440: 437: 435: 432: 430: 427: 425: 422: 420: 417: 416: 414: 404: 399: 395: 394: 390: 382: 376: 373: 370: 366: 365: 358: 355: 351: 345: 342: 329: 325: 319: 316: 312: 306: 303: 299: 295: 289: 286: 279: 275: 269: 267: 265: 261: 258: 254: 253: 246: 244: 240: 237: 233: 228: 226: 224: 222: 220: 218: 216: 212: 206: 203: 196: 194: 192: 191: 185: 183: 179: 175: 171: 164: 160: 156: 154: 150: 146: 142: 138: 131: 129: 126: 124: 120: 116: 109: 105: 101: 99: 95: 91: 87: 82: 80: 76: 69: 65: 61: 59: 55: 50: 42: 40: 38: 34: 30: 24: 20: 16: 403:Frans Badens 380: 375: 363: 357: 349: 344: 332:. Retrieved 327: 318: 310: 305: 298:Anna Tummers 293: 288: 277: 251: 232:Frans Badens 205: 188: 186: 182:schutterijen 169: 167: 162: 152: 135: 127: 122: 118: 112: 107: 83: 72: 67: 58:Jacob Matham 46: 29:Frans Badens 28: 27: 22: 15: 424:1618 deaths 419:1571 births 413:Categories 282:(in Dutch) 197:References 255:, at the 190:Ganymedes 37:Amsterdam 35:, 1571 – 367:at the 280:, 1604 234:at the 145:tronies 49:Antwerp 33:Antwerp 334:4 June 296:, in: 336:2014 132:Work 92:and 43:Life 415:: 326:. 276:, 263:^ 242:^ 214:^ 117:' 88:, 60:. 338:. 31:(

Index


Antwerp
Amsterdam
Antwerp
Karel van Mander
Jacob Matham

Dirck Barendsz
Pieter Isaacsz
Gerbrand Bredero
Adriaen van Nieulandt
Jeremias van Winghe
Hendrick Hondius

Hendrick Hondius
Karel van Mander
conversation pieces
tronies
Pieter Isaacsz

Amsterdam Museum
schutterstukken
schutterijen
Ganymedes





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