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1168:), but most of the works were created in successive layers, as was customary at that time. Sometimes a drawing was made with chalk or paint on top of a grey or pink undercoat, and was then more or less filled in, in stages. It does seem that Hals usually applied his underpainting very loosely: he was a virtuoso from the beginning. This applies, of course, particularly to his genre works and his somewhat later, mature works. Hals displayed tremendous daring, great courage and virtuosity, and had a great capacity to pull back his hands from the canvas, or panel, at the moment of the most telling statement. He didn't 'paint them to death', as many of his contemporaries did, in their great accuracy and diligence whether requested by their clients or not.
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scale of color and with mastery over every form of expression. He became so clever that exact tone, light and shade, and modeling were obtained with a few marked and fluid strokes of the brush. He became a popular portrait painter and painted the wealthy of
Haarlem on special occasions. He won many commissions for wedding portraits (the husband is traditionally situated on the left, and the wife situated on the right). His double portrait of the newly married Olycans hang side by side in the
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1532:(1723–1792) lectured on Hals in 1774, praising his handling of faces and the consequent remarkable individuality of his portraits. Reynolds was less enthusiastic about Hals's characteristic loose finish, which he thought betrayed impatience. Subsequently, in 1781 Reynolds visited the Hals collection then at
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Hals was a master of a technique that utilized something previously seen as a flaw in painting, the visible brushstroke. The soft curling lines of Hals's brush are always clear upon the surface: "materially just lying there, flat, while conjuring substance and space in the eye." In this way his style
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It is not known whether Hals ever painted landscapes, still lifes or narrative pieces, but it is unlikely. His debut for
Haarlem society in 1616 with his large group portrait for the St George militia shows all three disciplines, but if that painting was his signboard for future commissions, it seems
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style at which Frans Hals excelled. Some of Hals's portrait work is characterised by a subdued palette, reflecting the politely serious tones of his fashionable clients' wardrobe. In contrast, the personalities he paints are full of life, typically with a friendly glint in the eye or the glimmer of a
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was also a student, according to his diary with notes left by his son
Laurens Vincentsz van der Vinne. Roestraten was not only a student (the Haarlem archives contain a notarised document, which supports this fact), but he also became a son-in-law of Hals when he married his daughter Adriaentje. The
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His style changed throughout his life. Paintings of vivid color were gradually replaced by pieces where mostly black came to dominate. This was probably due to the sober dress of his
Protestant sitters, more than any personal preference. One simple way to observe this change is to look at all of the
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Frans Hals married his first wife Anneke
Harmensdochter around 1610. Frans was of Catholic birth, however, so their marriage was recorded in the city hall and not in church. Unfortunately, the exact date is unknown because the older marriage records of the Haarlem city hall before 1688 have not been
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Hals was fond of daylight and silvery sheen, while
Rembrandt used golden glow effects based upon artificial contrasts of low light in immeasurable gloom. Hals seized a moment in the life of his subjects with rare intuition. What nature displayed in that moment he reproduced thoroughly in a delicate
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Hals's work remains admired, particularly with young painters who can find many lessons about practical technique from his unconcealed brushstrokes. Hals's works have found their way to countless cities all over the world and into museum collections. From the late 19th century, they were collected
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In the 17th century his first biographer, Schrevelius wrote: "An unusual manner of painting, all his own, surpassing almost everyone," on Hals's painting methods. For that matter, schematic painting was not Hals's own idea (the approach already existed in 16th century Italy), and Hals was probably
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paintings, he reveals a searching analysis of character which has little in common with the instantaneous expression of his character portraits. In these, he generally sets upon the canvas the fleeting aspect of the various stages of merriment, from the subtle, half ironic smile that quivers round
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wrote to his brother Theo: 'What a joy it is to see a Frans Hals, how different it is from the paintings – so many of them – where everything is carefully smoothed out in the same manner.' Hals chose not to give a smooth finish to his painting, as most of his contemporaries did, but mimicked the
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Though most of his sons became portrait painters, some of them took up still-life painting or architectural studies and landscapes. Still-lifes formerly attributed to his son Frans II have since been re-attributed to other painters, however. Hals painted a young woman reaching into a basket in a
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has pointed out, older stories of Hals abusing his first wife were confused with another
Haarlem resident of the same name. Indeed, at the time of these charges, the artist had no wife to mistreat, as Anneke had died in May 1615. Similarly, historical accounts of Hals's propensity for drink were
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This tendency coincides with the period when Hals gained fewer commissions from the wealthy, and some historians have suggested that a reason for his predilection for black and white pigment was the low price of these colors as compared with the costly lakes and carmines. Both conclusions are
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probably correct, however, because Hals did not travel to his sitters, unlike his contemporaries, but let them come to him. This was good for business because he was exceptionally quick and efficient in his own well-fitted studio, but it was bad for business when
Haarlem fell on hard times.
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Later in his life, his brush strokes became looser, fine detail becoming less important than the overall impression. His earlier pieces radiated gaiety and liveliness, while his later portraits emphasized the stature and dignity of the people portrayed. This austerity is displayed in
3233:, Amsterdam/Gent (in Dutch, English and French), in which various chapters are devoted to Hals's life, his predecessors, portrait painting in the Golden Age, Hals's painting technique and other subjects. Many pictures with close-ups in this book show Hals's works in great detail.
1465:, who observes: Hals's reputation waned after his death and for two centuries he was held in such poor esteem that some of his paintings, which are now among the proudest possessions of public galleries, were sold at auction for a few pounds or even shillings. The portrait of
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with a radically free approach. His pictures illustrate the various strata of society: banquets or meetings of officers, guildsmen, local councilmen from mayors to clerks, itinerant players and singers, gentlemen, fishwives, and tavern heroes. In his group portraits, such as
513:, according to its 19th-century painting frame. (It has not been possible to confirm this.) It was not common for ordinary members to be painted, as that privilege was reserved for the officers. Hals painted the company three times. He was also a member of a local
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because Hals refused to paint in
Amsterdam, insisting that the militiamen come to Haarlem to sit for their portraits. For this reason, we can be sure that all sitters were either from Haarlem or were visiting Haarlem when they had their portraits made.
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was similar to Édouard Manet; in fact, Hals was described by author
Raymond Cogniat as "the Manet of his day." Lively and exciting, the technique can appear "ostensibly slapdash" – people often think that Hals 'threw' his works 'in one toss' (
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church. He had been receiving a city pension, which was highly unusual and a sign of the esteem with which he was regarded. After his death, his widow applied for aid and was admitted to the local almshouse, where she later died.
482:, art dealer, and art tax expert for the city councilors. His creditors took him to court several times, and he sold his belongings to settle his debt with a baker in 1652. The inventory of the property seized mentions only three
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450:; there is no direct evidence that Hals did drink heavily. After his first wife died, Hals took on the young daughter of a fishmonger to look after his children and, in 1617, he married Lysbeth Reyniers. They married in
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From 1620 till 1640, he painted many double portraits of married couples on separate panels, the man on the left panel and his wife on the right panel. Only once did Hals portray a couple on a single canvas:
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Hals's work was in demand through much of his life, but he lived so long that he eventually went out of style as a painter and experienced financial difficulties. In addition to his painting, he worked as a
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282:, a city in which the local authority of the day frowned on religious painting in places of worship but citizens liked to decorate their homes with works of art. Hals was highly sought after by wealthy
396:, a fellow guild member, on condition that he remove it from Haarlem. It was in this cultural context that Hals began his career in portraiture, since the market had disappeared for religious themes.
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761:(1616). The flesh that he painted is pastose and burnished, less clear than it subsequently became. Later, he became more effective, displayed more freedom of hand and a greater command of effect.
581:, Hals captures each character in a different manner. The faces are not idealized and are clearly distinguishable, with their personalities revealed in a variety of poses and facial expressions.
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1544:(1736–1831), who was a fellow portraitist, remarked that Hals could have caught a bird in flight, grasping it, as it were, from life – something he said Titian would not have been capable of.
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at the Louvre show a similar tendency. Far less scattered in arrangement than this Beresteyn group, and in every respect one of the most masterly of Hals's achievements is the group called
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Hals had a large workshop in Haarlem and many students, though 19th century biographers questioned some of his pupils, since their painting styles were so dissimilar to Hals. In his
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preserved. Anneke was born 2 January 1590 as the daughter of bleacher Harmen Dircksz and Pietertje Claesdr Ghijblant, and her maternal grandfather, linen producer Claes Ghijblant of
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2435:, by M. Thierry de Bye Dolleman working from research by C.A. de Goederen-van Hees, pp. 249-257, Haerlem: jaarboek 1973, ISSN 0927-0728, on the website of the North Holland Archives
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moved their households according to the caprices of their patrons, but Hals remained in Haarlem and insisted that his customers come to him. According to the Haarlem archives, a
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he was subsequently only hired for portraits. Many artists in the 17th century in Holland opted to specialise, and Hals also appears to have been a pure portrait specialist.
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1500:("... are painted so powerfully and naturally, they seem to want to talk to us"). Dutch artists known to have admired Hals enough to make copies of his paintings include
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where both are buried, though Frans took over 40 years to join his first wife there. Anneke died in 1615, shortly after the birth of their third child and, of the three,
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Quite in another form, and with much of the freedom of the elder Hals, Dirk Hals, his brother (born at Haarlem, died 1656), is a painter of festivals and ball-rooms...
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Of the master's numerous family none has left a name except Frans Hals the Younger, born about 1622, who died in 1669. His pictures represent cottages and poultry...
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in 1970−1974 who also wrote an exhibition catalogue in 1989 and produced an update to his catalogue raisonné work in 2014. In 1989, another authority on Hals,
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364:, and he started to earn money as an art restorer for the town council. He worked on their large art collection, which Karel van Mander had described in his
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3226:) (Haarlem Amsterdam 1988). This work gives an account of restorations of the riflemen's pieces, but it also gives a picture of Hals's life and work.
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was struck by the vitality of Hals's portraits which reflected 'such power and life' that the painter 'seems to challenge nature with his brush'.
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of Haarlem, because she was already eight months pregnant. Hals was a devoted father, and they went on to have eight children.
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everywhere—from Antwerp to Toronto, and from London to New York. Many of his paintings were then sold to American collectors.
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in Haarlem. The restoration work was paid for by the council. The council had confiscated all Catholic religious art in the
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Nevertheless, Hals's art did not go altogether unappreciated in the time between his death in 1666 and the 1860s. In his
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There were two quite distinct schools of portraiture in 17th-century Haarlem: the neat (represented, for example, by
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2781:. Vol. 12 (11th ed.). Cambridge University Press. pp. 865–867, see page 867, last but one para.
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with the date of 1639 suggests some study of Rembrandt masterpieces, and a similar influence is apparent in a
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1516:(1732–1806) visited the Alte Pinakothek to copy Hals's work, and Hals's influence is apparent in Fragonard's
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Other contemporary painters who took inspiration from Hals were, with the main cities they were based in:
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recorded Hals's life and praised his style, adding that the figures in one of the large group portraits:
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2748:. Vol. 12 (11th ed.). Cambridge University Press. pp. 865–867, see page 867, last para.
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and bolsters, an armoire, a table, and five pictures (these were by himself, his sons, van Mander, and
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vitality of his subject by using smears, lines, spots, large patches of color and hardly any details.
1232:(born at Haarlem, 1591–1656), who was also a painter. Additionally, five of his sons became painters:
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Willem van Heythuysen by Frans Hals (1634, one of two portraits of Van Heythuysen attributed to Hals).
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portraits that he painted through the years with his trademark pose leaning over the back of a chair:
751:. Early works by Hals show him as a careful draughtsman capable of great finish yet spirited, such as
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1542–1610) and his second wife Adriaentje van Geertenryck. Like many, Hals's parents fled during the
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Several of his most important works are owned by the town council of Haarlem. They are now at the
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1498:... zoo kragtig en natuurlyk geschildert zyn, dat zy de aanschouwers schynen te willen aanspreken
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In terms of style, the closest to Hals's work is the handful of paintings that are ascribed to
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The only record of his work in the first decade of his independent activity is an engraving by
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The Signature Style of Frans Hals: Painting, Subjectivity, and the Market in Early Modernity
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One or more of the preceding sentences incorporates text from a publication now in the
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Starting at the middle of the 1860s his prestige rose again thanks to the efforts of critic
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The Signature Style of Frans Hals Painting, Subjectivity, and the Market in Early Modernity
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2584:'Review of: Frans Hals portraits: A family reunion', Oud Holland Reviews, December 2020.
1551:. With his rehabilitation in public esteem came the enormous rise in value, and, at the
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Couple in a garden: Wedding portrait of Isaac Abrahamsz. Massa and Beatrix van der Laan
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370:("Painter's Book") published in Haarlem in 1604. The most notable works were those of
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Nieuwe gegevens betreffende Anneke Harmansdr., de eerste echtegonte van Frans Hals
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in the Groot Heiligland, Haarlem. Before 1913 they hung in the Town Hall, where
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3262:, Hybrid Publishers, Melbourne, Australia Chapter 9: Frans Hals, pages 108-126.
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survived infancy and one had died before Hals's second marriage. As biographer
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in the north, where he lived for the remainder of his life. Hals studied under
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commissioners of individual, married-couple, family, and institutional-group
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2700:"Frans Hals Biography | Life, Paintings, Influence on Art | frans-hals.org"
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Web Gallery of Art (large collection of pictures and extensive biography)
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1099:, 222 known paintings can be ascribed to Hals. This list was compiled by
562:, whom he painted three times. He also painted large group portraits for
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Hals is best known for his portraits, mainly of wealthy citizens such as
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As a portrait painter, Hals had scarcely the psychological insight of a
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Hals was born in the Spanish-occupied southern Netherlands (probably at
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
1154:. This impression is not correct. Hals did occasionally paint without
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1453:. Oil on canvas, 75 cm by 64 cm. Staatliche Museen, Berlin.
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largely based on embellished anecdotes of his early biographers like
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The Banquet of the Officers of the St George Militia Company in 1627
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The Banquet of the Officers of the St Adrian Militia Company in 1627
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The Banquet of the Officers of the St George Militia Company in 1616
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The Banquet of the Officers of the St George Militia Company in 1627
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The Banquet of the Officers of the St George Militia Company in 1616
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The Banquet of the Officers of the St Adrian Militia Company in 1627
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The Banquet of the Officers of the St George Militia Company in 1616
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in 1989 (Stuttgart/Zürich; also translated into Dutch and English).
405:(1611). His 'breakthrough' came with the life-sized group portrait
333:, as the son of cloth merchant Franchois Fransz Hals van Mechelen (
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1512:(reigned 1762–1796) acquired ten Hals works for her collection.
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There is also an English edition: ISBN 978-9462081680, titled
2816:
Lovis Corinth A Feast of Painting, p17, Prestel, Vienna, 2009
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1540:) and soon after bought two Hals works. Reynolds's biographer
704:(1593–1684), wife of Joseph Coymans, 1644, Private Collection.
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The earliest known example of Hals's art is the portrait of
3244:, pp. 281–309). Parts of this article are excerpts of
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During this period, he painted the full-length portrait of
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In the 19th century, his technique influenced the work of
1201:, 1624, canvas, relined, (H) 83 cm x (W) 67 cm,
517:, and in 1644 he became chairman of the Guild of St Luke.
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Portrait of Stephan Geraedts, Husband of Isabella Coymans
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Marriage Portrait of Isaac Massa and Beatrix van der Laen
2855:] (in Dutch). Published by Arnold Houbraken himself.
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Marriage Portrait of Isaac Massa and Beatrix van der Laen
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Portrait of Stephan Geraedts, husband of Isabella Coymans
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Frans Hals died in Haarlem in 1666 and was buried in the
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influence, however, is barely noticeable in Hals's work.
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The American Heritage Dictionary of the English Language
632:(1606–1653), bride of Jacob Olycan, 1625, Mauritshuis.
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The Officers of the St George Militia Company in 1639
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The Officers of the St Adrian Militia Company in 1633
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The Officers of the St Adrian Militia Company in 1633
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sold in 1800 for £4: 5s (£4.25 in decimal notation).
738:, wife of Stephan Geraedts, 1652, Private Collection.
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Slive, Seymour, Frans Hals, and P. Biesboer (1989).
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Slive, Seymour, Frans Hals, and P. Biesboer (1989).
1288:(wife of Molenaer, 1609–1660), Haarlem and Amsterdam
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The Dutch nation fought for independence during the
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232:
217:
188:
16:
Painter from the Northern Netherlands (c. 1582–1666)
4057:
4041:
3973:
3954:
3408:
2853:
The Great Theatre of Dutch Painters and Paintresses
2070:
1524:(1684–1721) made study sketches after Hals. At the
241:
226:
211:
182:
147:
107:
97:
75:
48:
23:
3218:N. Middelkoop and A. van Grevenstein, Frans Hals.
2795:Young woman with a display of fruit and vegetables
685:(1591–1660), the husband of Dorothea Berck, 1644,
3248:by Antoon Erftemeijer, Frans Hals Museum curator.
806:Banquet of the Officers of the St Hadrian Militia
566:and for the regents of local hospitals. He was a
341:(1584–1585) from the south to Haarlem in the new
2882:. Haarlem: Frans Hals Museum. pp. 148–150.
1567:from the collection of Lord Talbot de Malahide.
795:Banquet of the Officers of the St George Militia
793:. Both these pictures are equalled by the other
759:Banquet of the Officers of the St George Militia
2652:"Haarlem Shuffle: The Fast World of Frans Hals"
2143:Koninklijk Museum voor Schone Kunsten Antwerpen
1646:Regents of the St Elizabeth Hospital of Haarlem
1107:, disagreed with Slive and published a shorter
469:that Hals started in Amsterdam was finished by
3204:exhibition catalogue Washington/London/Haarlem
1559:was bid up to 4,420 francs, while in 1908 the
3550:Two Singing Boys with a Lute and a Music Book
3386:
2986:"The Cook, The Thief, His Wife and Her Lover"
2642:
2640:
2638:
1979:Two Singing Boys with a Lute and a Music Book
1611:The Cook, the Thief, His Wife & Her Lover
754:Two singing boys with a lute and a music book
8:
3742:Portrait of a Man in a Yellowish-Gray Jacket
2530:(11th ed.). Cambridge University Press.
2335:Random House Webster's Unabridged Dictionary
494:of 200 florins in 1664 by the municipality.
2609:. Amsterdam University Press. p. 128.
1604:appears on the restaurant wall in the 1989
1180:, in his painting method. Haarlem resident
3393:
3379:
3371:
3084:"Collection Museum Boijmans Van Beuningen"
2953:2013 Standard Catalog of World Paper Money
2499:
2497:
547:. 1637. Oil on canvas, 209 x 429 cm,
424:Statue of Frans Hals in Florapark, Haarlem
31:
20:
3694:Willem van Heythuysen Posing with a Sword
3270:The Portraitist: Frans Hals and His World
3246:The Frans Hals Museum, Haarlem, July 2005
2688:. New York: The Viking Press. p. 26.
2495:
2493:
2491:
2489:
2487:
2485:
2483:
2481:
2479:
2477:
1592:Hals was pictured on the Netherlands' 10-
1137:. 1628–30. Oil on wood, 58 x 52 cm.
791:Willem van Heythuysen posing with a sword
433:, bequeathed the couple the grave in the
4065:Marriage pendant portraits by Frans Hals
2910:, Weidenfeld & Nicolson, 2003, p.369
599:Marriage pendant portraits by Frans Hals
532:
3774:Portrait of a Man in a Wide-Brimmed Hat
2230:
1651:
1076:and the somewhat confused group of the
1052:. To this group of pictures belong the
855:
602:
3944:Regentesses of the Old Men's Almshouse
3750:Portrait of Sara Wolphaerts van Diemen
3120:from the original on 26 September 2022
2662:from the original on 28 September 2013
2623:from the original on 26 September 2022
2417:
2415:
2413:
2411:
2067:
983:Regentesses of the Old Men's Almshouse
3321:Frans Hals Works, Biography and Style
3146:from the original on 3 September 2014
2357:Netherlands Institute for Art History
2348:
2346:
2344:
1417:named Hals as his biggest influence.
511:1639 painting of the St Joris company
509:. He included a self-portrait in his
501:, and Hals was a member of the local
360:In 1610, Hals became a member of the
262:
7:
3606:Two Laughing Boys with a Mug of Beer
3184:Digital library for Dutch literature
2996:from the original on 27 January 2020
2956:. Krause Publications. p. 713.
2710:from the original on 6 February 2021
2565:from the original on 5 February 2021
1172:inspired by Flemish contemporaries,
971:Regents of the St Elizabeth Hospital
3275:Lelia Packer and Ashok Roy (2022):
3242:Nederlands Kunsthistorisch Jaarboek
3231:Frans Hals in het Frans Hals Museum
2925:Gazetteer of Planetary Nomenclature
2373:"Heilbrunn Timeline of Art History"
1589:on Mercury is named in his honour.
1097:Frans Hals catalogue raisonné, 1974
1040:the lips of the curiously misnamed
797:(with different portraits) and the
666:, bride of Paulus Beresteyn, 1629,
490:). Left destitute, he was given an
3936:Regents of the Old Men's Almshouse
3598:Portrait of Isaak Abrahamsz. Massa
3366:(Metropolitan Museum of Art, 2011)
3354:Works and literature on Frans Hals
3306:27 artworks by or after Frans Hals
3272:, The University of Chicago Press.
2931:from the original on 27 March 2017
2383:from the original on 17 April 2021
2002:Portrait of Isaak Abrahamsz. Massa
1282:(1609–1668), Haarlem and Amsterdam
1025:, though in a few works, like the
721:Royal Museum of Fine Arts, Antwerp
570:painter who practiced an intimate
14:
3364:"Frans Hals: Style and Substance"
3251:Christopher D. M. Atkins (2012):
3238:"Frans Hals's Virtuoso Brushwork"
3236:Christopher D. M. Atkins (2003):
3090:from the original on 26 July 2014
3064:from the original on 4 March 2013
3030:from the original on 4 March 2013
2593:Review of exhibition publication.
1828:Portrait of a Man Holding a Skull
1476:Portrait of Willem van Heythuysen
1013:, circa 1630. Private collection.
747:copied from the lost portrait of
325:Hals was born in 1582 or 1583 in
3854:Portrait of a Woman (Marie Larp)
3292:
2603:Atkins, Christopher DM. (2012).
2504:
2444:Slive, Seymour, Frans Hals, and
2101:
2085:
2076:
2045:
2024:
2010:
1993:
1970:
1949:
1928:
1905:
1884:
1869:
1841:
1820:
1805:
1786:
1771:
1754:
1737:
1722:
1701:
1676:
1654:
1461:has an article on Frans Hals by
974:in 1641 and, two decades later,
942:
930:
918:
906:
894:
882:
870:
858:
817:representing the regents of the
789:) and a full-length portrait of
728:
709:
694:
675:
656:
637:
621:
605:
207:
178:
153:
2984:Travers, Peter (6 April 1990).
2859:from the original on 6 May 2022
2371:Liedtke, Walter (August 2011).
2214:List of paintings by Frans Hals
1709:Three Children with a Goat Cart
1469:realized five shillings at the
616:(1596–1638), 1625, Mauritshuis.
4122:Flemish painters (before 1830)
3878:Portrait of a Man with a Glove
3798:Portrait of Feyntje Steenkiste
3758:Portrait of Catharina Brugmans
3630:Portrait of a Woman in a Chair
3478:Yonker Ramp and His Sweetheart
3196:), New York / London 1970–1974
3016:"Hals' Singing Boy with Flute"
2950:Cuhaj, George S., ed. (2012).
2658:. Condé Nast. pp. 74–75.
2273:Merriam-Webster.com Dictionary
2119:Public collections (selection)
1763:Yonker Ramp and his sweetheart
1352:Vincent Laurensz van der Vinne
1340:Pieter Gerritsz van Roestraten
1223:The Metropolitan Museum of Art
749:The Minister Johannes Bogardus
537:Frans Hals, later finished by
454:, a small village outside the
1:
3277:Frans Hals: The Male Portrait
3255:, Amsterdam University Press.
2878:Erftenmeijer, Antoon (2014).
2304:(5th ed.). HarperCollins
2172:Museum Boijmans Van Beuningen
2035:
1983:
1962:
1939:
1918:
1897:
1854:
1831:
1797:
1712:
1691:
1668:
1447:
1399:James Abbott McNeill Whistler
1304:Johannes Cornelisz Verspronck
1228:Frans influenced his brother
1216:
987:
836:
411:. His most famous sitter was
394:Cornelis Claesz van Wieringen
334:
268:
133:
52:
3590:Portrait of Anna van der Aar
3446:Portrait of a Woman Standing
3422:Portrait of a Woman Standing
3316:Frans Hals Museum in Haarlem
2686:Seventeenth Century Painting
2091:Hals' Singing Boy with Flute
821:and in his 1639 portrait of
3902:Family Group in a Landscape
3566:Boy with a Glass and a Lute
3229:Antoon Erftemeijer (2004):
3224:Life, work and restorations
2182:Museum of Fine Arts, Boston
2057:Museum of Fine Arts, Boston
1316:Cornelis de Bie (1621–1664)
1300:(1605–1638), mostly Antwerp
1268:still life market scene by
417:, whom he painted in 1649.
362:Haarlem Guild of Saint Luke
4178:
3894:Portrait of Dorothea Berck
3814:Portrait of a Dutch Family
3462:Catharina Both-van der Eem
3212:Frans Hals. Das Gesamtwerk
3209:Claus Grimm published his
2841:Houbraken, Arnold (1718).
2544:. Munich: Prestel. p. 406.
2452:. Munich: Prestel. p. 376.
2405:. Munich: Prestel. p. 379.
2166:Metropolitan Museum of Art
2032:Portrait of René Descartes
1779:Married Couple in a Garden
1686:Gijsbert Claesz van Campen
1405:, and in the Netherlands,
1355:Haarlem portrait painter,
1310:Bartholomeus van der Helst
1114:Frans Hals. Das Gesamtwerk
1085:The Painter and his Family
664:Catharina Both van der Eem
596:
4132:Dutch Golden Age painters
4127:Flemish portrait painters
3886:Portrait of Mrs. Bodolphe
3574:Laughing Boy with a Flute
2896:Frans Hals: A Phenomenon.
2800:14 September 2018 at the
2684:Cogniat, Raymond (1964).
2471:in the Web Gallery of Art
2100:
2084:
2075:
1555:in 1889, the portrait of
1391:Charles-François Daubigny
278:. He lived and worked in
161:
152:
143:
30:
3830:Claes Duyst van Voorhout
3220:Leven, werk, restauratie
3140:"Collection Rijksmuseum"
2328:12 February 2015 at the
1111:of 145 paintings in his
294:for the general market.
276:Dutch Golden Age painter
274:– 26 August 1666) was a
4142:Dutch portrait painters
3806:Portrait of Hylck Boner
3558:Laughing Boy with Flute
2880:Het fenomeen Frans Hals
2778:Encyclopædia Britannica
2745:Encyclopædia Britannica
2673:(subscription required)
2527:Encyclopædia Britannica
2427:14 October 2017 at the
2250:Oxford University Press
1459:Encyclopædia Britannica
1011:Portrait of a Gentleman
461:Contemporaries such as
4023:Théophile Thoré-Bürger
3987:Frans Hals the Younger
3862:Maritge Claesdr. Voogt
3838:Maria Pietersdr Olycan
3726:Cornelia Claesdr Voogt
3670:Fisher Boy with Basket
3654:Young Man with a Skull
3341:Frans Hals at zeno.org
3331:The Wallace Collection
2467:1 October 2007 at the
1850:Young Man with a Skull
1649:
1638:
1626:
1557:Pieter van den Broecke
1549:Théophile Thoré-Bürger
1518:portraits de fantaisie
1454:
1312:(1613–1670), Amsterdam
1243:Frans Hals the Younger
1225:
1206:
1142:
1014:
964:
815:group portrait of 1641
778:
556:Pieter van den Broecke
551:
488:Maarten van Heemskerck
425:
372:Geertgen tot Sint Jans
301:); and a looser, more
4157:Painters from Antwerp
4147:Painters from Haarlem
4069:Catalogues raisonnés
3301:at Wikimedia Commons
3258:Henry R. Lew (2018):
3190:Frans Hals, 3 Volumes
2589:22 April 2021 at the
2246:UK English Dictionary
2187:Rijksmuseum Amsterdam
1958:The Rommel Pot Player
1644:
1632:
1620:
1563:paid £25,000 for the
1514:Jean-Honoré Fragonard
1508:(1744–1831). Empress
1440:
1212:
1195:
1182:Theodorus Schrevelius
1132:
1009:
962:
819:St Elisabeth Gasthuis
773:, 1620–1625, canvas,
767:
614:Jacob Pietersz Olycan
549:Rijksmuseum Amsterdam
536:
423:
3955:Possible attribution
3502:Cunera van Baersdorp
3454:The Rommelpot Player
3438:Shrovetide Revellers
3326:The National Gallery
3172:Frans Hals biography
3050:"Hals's Malle Babbe"
1914:Shrovetide Revellers
1324:De Groote Schouburgh
1306:(1597–1662), Haarlem
1294:(1610–1685), Haarlem
800:same militia in 1627
783:Madame van Beresteyn
645:Paulus van Beresteyn
264:[frɑnsˈɦɑls]
168:Frans Hals the Elder
4137:Dutch male painters
3963:The Fingernail Test
3678:Man with a Beer Jug
3114:collections.mfa.org
3110:"Portrait of a Man"
2768:"Hals, Frans"
2763:Konody, Paul George
2735:"Hals, Frans"
2730:Konody, Paul George
1877:Portrait of a Woman
1684:Family Portrait of
1510:Catherine the Great
1502:Cornelis van Noorde
1368:Jan Miense Molenaer
1357:Johannes Verspronck
1280:Jan Miense Molenaer
1046:to the grin of the
1037:Albert van der Meer
544:De Magere Compagnie
515:chamber of rhetoric
331:Spanish Netherlands
306:smile on the lips.
69:Spanish Netherlands
3686:Smiling Fishergirl
3638:Laughing Fisherboy
3281:Wallace Collection
3182:, courtesy of the
2908:Art: A New History
2704:www.frans-hals.org
2462:See Hals biography
2256:on 26 August 2022.
2198:Wallace Collection
2107:Hals's Malle Babbe
1650:
1639:
1627:
1596:banknote of 1968.
1582:went to see them.
1565:large family group
1473:sale in 1786. The
1455:
1422:Post-Impressionist
1344:Adriaen van Ostade
1292:Adriaen van Ostade
1226:
1207:
1203:Wallace Collection
1143:
1125:Painting technique
1067:Laughing Fisherboy
1015:
965:
811:A similar painting
779:
770:Jester with a Lute
687:Wadsworth Atheneum
564:local civic guards
552:
426:
290:. He also painted
4094:
4093:
4049:Frans Hals Museum
3929:(Jacquemart-André
3927:Portrait of a Man
3918:Portrait of a Man
3766:Portrait of a Man
3718:The Merry Drinker
3494:Laughing Cavalier
3416:List of paintings
3297:Media related to
3260:Imaging the World
2889:97-894-6208-167-3
2830:978-3-7913-4378-5
2822:978-3-901508-64-6
2650:(8 August 2011).
2648:Schjeldahl, Peter
2276:. Merriam-Webster
2125:Frans Hals Museum
2116:
2115:
2053:Portrait of a Man
1893:The Merry Drinker
1730:Portrait of a Man
1576:Frans Hals Museum
1538:Frans Hals Museum
1534:Haarlem Town Hall
1506:Wybrand Hendricks
1489:Groote Schouburgh
1467:Johannes Acronius
1332:Philips Wouwerman
1270:Claes van Heussen
1198:Laughing Cavalier
1095:According to the
1043:Laughing Cavalier
1027:Admiral de Ruyter
593:Wedding portraits
499:Eighty Years' War
435:Grote Kerk church
382:that hung in the
165:
164:
122:Laughing Cavalier
83:(aged 83–84)
4169:
4017:Karel van Mander
3395:
3388:
3381:
3372:
3345:
3296:
3194:oeuvre catalogue
3180:Arnold Houbraken
3170:
3156:
3155:
3153:
3151:
3136:
3130:
3129:
3127:
3125:
3106:
3100:
3099:
3097:
3095:
3080:
3074:
3073:
3071:
3069:
3046:
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3035:
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3001:
2981:
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2970:
2947:
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2917:
2911:
2904:
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2422:Anneke Harmensdr
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2257:
2252:. Archived from
2235:
2219:Han van Meegeren
2134:Frick Collection
2105:
2104:
2089:
2088:
2080:
2068:
2049:
2040:
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2028:
2014:
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1988:
1985:
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1920:
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1888:
1873:
1859:National Gallery
1856:
1845:
1836:
1833:
1824:
1809:
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1775:
1758:
1741:
1726:
1717:
1714:
1705:
1696:
1693:
1680:
1670:
1658:
1561:National Gallery
1504:(1731–1795) and
1494:Arnold Houbraken
1452:
1449:
1426:Vincent van Gogh
1407:Jacobus van Looy
1328:Arnold Houbraken
1221:
1218:
1079:Beresteyn Family
992:
989:
955:Portrait painter
946:
934:
922:
910:
898:
886:
874:
862:
841:
838:
745:Jan van de Velde
736:Isabella Coymans
732:
713:
698:
679:
660:
641:
625:
609:
568:Dutch Golden Age
448:Arnold Houbraken
384:St John's Church
351:Karel van Mander
336:
317:from the South.
273:
270:
266:
261:
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4152:Sibling artists
4097:
4096:
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4090:
4053:
4037:
3969:
3950:
3790:Lucas de Clercq
3710:Peeckelhaeringh
3486:The Lute Player
3404:
3399:
3343:
3290:
3188:Seymour Slive:
3168:
3165:
3163:Further reading
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2918:
2914:
2906:Johnson, Paul.
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2901:
2890:
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2876:
2872:
2862:
2860:
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2815:
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2802:Wayback Machine
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2591:Wayback Machine
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2578:
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2553:
2552:
2548:
2539:
2535:
2520:, ed. (1911). "
2516:
2505:
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2502:
2475:
2469:Wayback Machine
2460:
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2446:Pieter Biesboer
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2429:Wayback Machine
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2071:External videos
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2041:
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2020:
2018:Daniel van Aken
2015:
2006:
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1794:Peeckelhaeringh
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1746:Jacobus Zaffius
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1663:Catharina Hooft
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1606:Peter Greenaway
1542:James Northcote
1530:Joshua Reynolds
1522:Antoine Watteau
1481:Alte Pinakothek
1450:
1435:
1403:Gustave Courbet
1348:Dirck van Delen
1336:Adriaen Brouwer
1298:Adriaen Brouwer
1219:
1214:Boy with a lute
1190:
1139:Musée du Louvre
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339:Fall of Antwerp
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3923:
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3913:(c. 1650–1652)
3906:
3905:(c. 1645–1648)
3898:
3890:
3882:
3874:
3866:
3858:
3857:(c. 1635–1638)
3850:
3842:
3834:
3826:
3822:Meagre Company
3818:
3810:
3802:
3794:
3786:
3785:(c. 1633–1635)
3778:
3777:(c. 1625–1635)
3770:
3762:
3754:
3753:(c. 1630–1633)
3746:
3738:
3730:
3722:
3721:(c. 1628–1630)
3714:
3706:
3702:The Gypsy Girl
3698:
3690:
3682:
3674:
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3662:The Fisher Boy
3658:
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3506:
3498:
3490:
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3474:
3466:
3458:
3457:(c. 1618–1620)
3450:
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3441:(c. 1616–1617)
3434:
3426:
3425:(c. 1610–1615)
3418:
3412:
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3398:
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3359:Walter Liedtke
3356:
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3349:Olga's Gallery
3346:
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2656:The New Yorker
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2055:(about 1665),
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2016:
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1688:in a Landscape
1682:
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1665:with her Nurse
1660:
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1580:Impressionists
1434:
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1395:Max Liebermann
1375:impressionists
1364:Judith Leyster
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389:Haarlemse Noon
376:Jan van Scorel
343:Dutch Republic
329:, then in the
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4028:Seymour Slive
4026:
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4009:
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4005:Nicolaes Hals
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2844:"Frans Hals"
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2555:"Artist Info"
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2513:public domain
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1387:Édouard Manet
1384:
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40:Self-portrait
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4112:1580s births
3999:Reynier Hals
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3436:
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3420:
3401:
3363:
3308: at the
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3259:
3252:
3245:
3241:
3230:
3223:
3219:
3210:
3199:
3189:
3175:
3148:. Retrieved
3134:
3122:. Retrieved
3113:
3104:
3092:. Retrieved
3078:
3066:. Retrieved
3058:Khan Academy
3054:Smarthistory
3044:
3032:. Retrieved
3024:Khan Academy
3020:Smarthistory
3010:
2998:. Retrieved
2990:RollingStone
2989:
2979:
2967:. Retrieved
2952:
2945:
2933:. Retrieved
2924:
2915:
2907:
2902:
2895:
2879:
2873:
2861:. Retrieved
2852:
2847:
2843:
2836:
2812:
2790:
2782:
2776:
2757:
2749:
2743:
2724:
2712:. Retrieved
2703:
2694:
2685:
2679:
2664:. Retrieved
2655:
2625:. Retrieved
2605:
2598:
2579:
2567:. Retrieved
2558:
2549:
2541:
2536:
2525:
2457:
2449:
2440:
2432:
2402:
2397:
2385:. Retrieved
2376:
2366:
2333:
2318:
2306:. Retrieved
2299:
2290:
2278:. Retrieved
2271:
2262:
2254:the original
2242:
2233:
2111:Smarthistory
2095:Smarthistory
2052:
2031:
2017:
2000:
1977:
1956:
1935:
1912:
1891:
1876:
1848:
1827:
1812:
1778:
1761:
1744:
1729:
1708:
1683:
1661:
1645:
1633:
1621:
1609:
1599:
1598:
1591:
1584:
1573:
1569:
1546:
1536:(now at the
1517:
1497:
1487:
1485:
1475:
1458:
1456:
1441:
1419:
1383:Claude Monet
1372:
1361:
1323:
1321:
1274:
1266:
1255:Reynier Hals
1227:
1213:
1196:
1170:
1163:
1147:
1144:
1134:
1133:Frans Hals.
1119:
1112:
1108:
1094:
1083:
1077:
1071:
1065:
1059:
1053:
1047:
1041:
1036:
1032:Jacob Olycan
1030:
1026:
1016:
1010:
1001:
994:
981:
975:
969:
966:
851:
830:
827:
804:
798:
794:
780:
768:
758:
752:
748:
742:
628:Portrait of
612:Portrait of
583:
576:
553:
542:
539:Pieter Codde
519:
496:
476:
471:Pieter Codde
467:schutterstuk
460:
427:
412:
406:
400:
398:
387:
380:Jan Mostaert
365:
359:
324:
308:
296:
167:
166:
129:Laughing Boy
127:
120:
113:
109:Notable work
81:(1666-08-26)
38:
18:
4162:Hals family
4117:1666 deaths
4033:Claus Grimm
3981:Harmen Hals
3825:(1633–1637)
3782:Malle Babbe
3713:(1628–1630)
3705:(1628–1630)
3697:(1625–1630)
3657:(1626–1628)
3518:St. Matthew
3489:(1623–1624)
3449:(1618–1620)
3344:(in German)
3150:1 September
3124:17 December
3094:1 September
3068:12 February
3034:12 February
2935:1 September
2666:26 November
2569:1 September
2559:www.nga.gov
2522:Hals, Frans
2157:Mauritshuis
2039: 1649
1987: 1625
1943: 1625
1922: 1615
1857:1626–1628,
1835: 1615
1813:The Mulatto
1716: 1620
1695: 1620
1587:Hals crater
1528:in London,
1451: 1630
1443:Malle Babbe
1326:(1718–21),
1318:, Amsterdam
1263:(1628–1686)
1257:(1627–1672)
1251:(1620–1654)
1245:(1618–1669)
1239:(1611–1669)
1237:Harmen Hals
1220: 1625
1150:) onto the
1105:Claus Grimm
1055:Lute Player
1049:Malle Babbe
991: 1664
977:The Regents
844:Rijksmuseum
840: 1622
823:Maria Voogt
587:Mauritshuis
560:Isaac Massa
272: 1582
137: 1625
98:Nationality
56: 1582
4107:Frans Hals
4101:Categories
4085:Frans Hals
4011:Dirck Hals
3582:The Smoker
3402:Frans Hals
3299:Frans Hals
3200:Frans Hals
3178:(1718) by
3169:(in Dutch)
3000:27 January
2846:section in
2714:28 January
2542:Frans Hals
2450:Frans Hals
2403:Frans Hals
2360:(in Dutch)
2353:Frans Hals
2225:References
2168:, New York
1936:St Matthew
1381:including
1230:Dirck Hals
1165:alla prima
1135:Gypsy Girl
1061:Gypsy Girl
1035:, and the
522:Grote Kerk
503:schutterij
484:mattresses
431:Spaarne 42
299:Verspronck
37:Copy of a
25:Frans Hals
4019:(teacher)
4013:(brother)
3966:(c. 1626)
3947:(c. 1664)
3931:(c. 1660)
3922:(c. 1660)
3817:(c. 1635)
3689:(c. 1630)
3681:(c. 1630)
3673:(c. 1630)
3665:(c. 1630)
3649:(c. 1628)
3609:(c. 1626)
3561:(c. 1625)
3553:(c. 1625)
3545:(c. 1625)
3473:(c. 1622)
3409:Paintings
2627:11 August
2308:15 August
2280:15 August
2176:Rotterdam
2161:The Hague
1965:1618–1622
1900:1628–1630
1800:1628–1630
1671:1619–1620
1457:The 1911
1330:mentions
1205:, London.
1188:Influence
1092:in 1906.
1023:Velázquez
1019:Rembrandt
847:Amsterdam
809:of 1633.
463:Rembrandt
452:Spaarndam
355:Mannerist
321:Biography
303:painterly
288:portraits
148:Signature
3993:Jan Hals
3534:St. Mark
3526:St. Luke
3510:St. John
3268:(2022):
3144:Archived
3118:Archived
3088:Archived
3062:Archived
3028:Archived
2994:Archived
2929:Archived
2927:. NASA.
2863:2 August
2857:Archived
2798:Archived
2765:(1911).
2732:(1911).
2708:Archived
2660:Archived
2621:Archived
2587:Archived
2563:Archived
2465:Archived
2448:(1989).
2425:Archived
2387:29 March
2381:Archived
2355:iat the
2326:Archived
2208:See also
1471:Enschede
1463:"P.G.K."
1379:realists
1249:Jan Hals
1178:Van Dyck
1141:, Paris.
1064:and the
777:, Paris.
719:, 1652,
647:, 1629,
480:restorer
353:, whose
65:Flanders
4058:Related
4042:Museums
3920:(Frick)
3206:, 1989.
2969:20 July
2804:in the
2775:(ed.).
2742:(ed.).
2515::
2129:Haarlem
2061:66.1054
1594:guilder
1479:at the
1424:artist
572:realism
492:annuity
349:émigré
347:Flemish
327:Antwerp
315:émigrés
311:Antwerp
292:tronies
284:burgher
280:Haarlem
87:Haarlem
61:Antwerp
43:by Hals
4087:(song)
3974:People
3939:(1664)
3897:(1644)
3889:(1643)
3881:(1640)
3873:(1639)
3865:(1639)
3849:(1638)
3841:(1638)
3833:(1638)
3809:(1635)
3801:(1635)
3793:(1635)
3769:(1634)
3761:(1634)
3745:(1633)
3737:(1633)
3729:(1631)
3641:(1628)
3633:(1627)
3625:(1627)
3617:(1627)
3601:(1626)
3593:(1626)
3585:(1626)
3577:(1626)
3569:(1626)
3537:(1625)
3529:(1625)
3521:(1625)
3513:(1625)
3505:(1625)
3497:(1624)
3481:(1623)
3465:(1620)
3433:(1616)
3310:Art UK
3279:, The
2960:
2921:"Hals"
2886:
2828:
2820:
2613:
2509:
2323:"Hals"
2296:"Hals"
2268:"Hals"
2244:Lexico
2202:London
2148:Louvre
2005:, 1626
1879:, 1644
1863:London
1815:, 1627
1781:, 1622
1766:, 1623
1749:, 1611
1732:, 1630
1648:, 1641
1433:Legacy
1174:Rubens
1152:canvas
1058:, the
1029:, the
787:Louvre
668:Louvre
649:Louvre
439:Harmen
378:, and
260:Dutch:
125:(1624)
118:(1628)
4007:(son)
4001:(son)
3995:(son)
3989:(son)
3983:(son)
2851:[
2771:. In
2738:. In
2152:Paris
1608:film
1109:œuvre
507:guild
456:banns
102:Dutch
4078:1989
4073:1974
3312:site
3152:2014
3126:2020
3096:2014
3070:2013
3036:2013
3002:2020
2971:2013
2958:ISBN
2937:2015
2884:ISBN
2865:2022
2826:ISBN
2818:ISBN
2716:2021
2668:2011
2629:2021
2611:ISBN
2571:2020
2389:2020
2310:2019
2282:2019
1585:The
1420:The
1409:and
1377:and
1346:and
1176:and
980:and
949:1665
937:1655
925:1645
913:1645
901:1635
889:1633
877:1631
865:1626
803:and
757:and
558:and
76:Died
49:Born
3174:in
3056:at
3022:at
2806:RKD
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2431:in
1158:or
1021:or
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1984:c.
1982:,
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