414:, Richard Scott said Coxhill and Frith cover a wide range of musical styles, making generic categorisation impossible. He described the recording as "sometimes expansive, beautiful, lush, sometimes dry, scratchy and obscure". He said the duo "pace around each other, provide contexts for each other, listen and respond in ways that rarely amount to any particular style or approach." Coxhill's saxophone at times sounds like bagpipes, and Frith's guitar like an orchestra, and "s such there is not a lot to go on, and no particular reason why it should work as well as it does". Scott concluded: "It's great: one of the few recordings of improvisation that continues to beguile and seduce after several listens."
2152:
405:, but added that Coxhill often explores contexts beyond that of traditional jazz. Chadbourne said Frith's tabletop guitars add "a magnificent sort of orchestral accompaniment" to Coxhill, and praised Frith's production for avoiding the trap of reducing the collection to "meaningless highlights". Chadbourne looked forward to a CD release of the album where he hoped that additional material would be added.
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in 1981. The album was released on LP by AAA in 1983, on CD by AYAA in 1991, and again on CD by
Klanggalerie in 2020. The 1991 release includes a new track recorded via correspondence in 1991–92 by Coxhill in London and Frith in
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In
October 1978, shortly after Henry Cow split up in August that year, Frith and Coxhill undertook a short tour in France, playing in
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in the early 1970s, which introduced Frith to the London improvised music scene. Coxhill went on to perform as a guest with
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Track 5 – soprano saxophone recorded by Lol
Coxhill; guitar recorded by Benedykt Grodon; mixed by Jean-Maurice Rossel
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263:, France in 1999, the last performance by Coxhill and Frith. The 2020 release was re-mastered by Myles Boison.
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301:. Several years later in 1981, they participated in an unscheduled performance at a concert in
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Musiques de
Traverses festival, Maison de la Culture André Malraux, Reims, France / 1981
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Musiques de
Traverses festival, Maison de la Culture André Malraux, Reims, France / 1981
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Tracks B1, B3 – recorded by Jean Claude "James" Dupron; edited and mixed by Fred Frith
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Photography – Lol
Coxhill by Philippe Taillefer; Fred Frith by Gérard Richard
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that
Coxhill's improvisation technique had a "lasting impact" on Frith.
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93:• Musiques de Traverses festival, Maison de la Culture André Malraux,
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Track B2 – recorded by Michel Demily; edited and mixed by Fred Frith
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Musiques de
Traverses festival, Maison de la Culture André Malraux,
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M.J.C. Aliénor D'Aquitaine, Limoges, France / 26 October 1978
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M.J.C. Aliénor D'Aquitaine, Limoges, France / 26 October 1978
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M.J.C. Aliénor D'Aquitaine, Limoges, France / 26 October 1978
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M.J.C. Aliénor D'Aquitaine, Limoges, France / 26 October 1978
546:
M.J.C. Aliénor D'Aquitaine, Limoges, France / 26 October 1978
988:"Lol Coxhill & Fred Frith – French Gigs [2020]"
954:"Lol Coxhill & Fred Frith – French Gigs [1991]"
738:
Sainte Croix auditorium, Poitiers, France / 25 October 1978
626:
Sainte Croix auditorium, Poitiers, France / 25 October 1978
920:"Lol Coxhill And Fred Frith – French Gigs [1983]"
1242:
Scott, Richard (June 1993). "Lol
Coxhill et Fred Frith:
1133:"'Art is not a mirror, it is a hammer.' ~John Grierson"
2118:
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1075:"Fred Frith interview about Henry Cow & beyond"
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18:1983 live album by Lol Coxhill and Fred Frith
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1897:Live in Trondheim, Berlin & Limoges, Vol. 2
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875:Tracks 1 to 6 – re-mastered by Myles Boison
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872:Tracks 1 to 5 – as for the 1991 CD release
861:Tracks 1 to 4 – as for the 1983 LP release
401:of Coxhill's soprano saxophone to that of
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20:
2076:(with Nicolas Humbert and Marc Parisotto)
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847:Track A1 – recorded by Dominique Diebold
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227:is a 1983 live collaborative album of
1734:All Is Always Now – Live at The Stone
880:Design – Benoît Proust, William Théry
322:
7:
1087:from the original on 2 February 2018
242:. It was recorded live in France in
1933:Dalaba Frith Glick Rieman Kihlstedt
1131:Patterson, Archie (31 March 2019).
1957:50th Birthday Celebration Volume 5
14:
1275:Smith, Bill; Lander, Dan (2010).
385:In a review of the LP release of
343:
2151:
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1252:. No. 112. pp. 56–57.
362:
357:
352:
347:
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1713:Stone, Brick, Glass, Wood, Wire
1080:It's Psychedelic Baby! Magazine
1892:(with François-Michel Pesenti)
688:
576:
488:
445:
100:• M.J.C. Aliénor D'Aquitaine,
1:
1809:Live in Prague and Washington
1585:Field Days (The Amanda Loops)
1111:Calyx: The Canterbury Website
288:Music Is Rapid Transportation
186:Live in Prague and Washington
1406:French Frith Kaiser Thompson
510:M.J.C. Aliénor D'Aquitaine,
1578:Nowhere, Sideshow, Thin Air
107:• Sainte Croix auditorium,
2213:
2057:Angels on the Edge of Time
1968:(with Carla Kihlstedt and
532:, France / 25 October 1978
514:, France / 26 October 1978
2192:Free improvisation albums
2187:Experimental music albums
2182:1983 collaborative albums
2146:
1965:The Compass, Log and Lead
1416:Fred Frith Guitar Quartet
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1977:Duo (Victoriaville) 2005
250:in October 1978, and in
1856:(with Bob Ostertag and
1781:With Friends Like These
1543:The Technology of Tears
1476:Cheap at Half the Price
1159:Smith & Lander 2010
422:All tracks composed by
408:Reviewing the album in
2197:Fred Frith live albums
2137:Step Across the Border
2126:Fred Frith discography
1617:Step Across the Border
1107:"Henry Cow Chronology"
2104:Friends & Enemies
2081:Laying Demons to Rest
1925:2 Gentlemen in Verona
1571:The Happy End Problem
1047:Klanggalerie (2020).
766:London (Coxhill) and
654:London (Coxhill) and
2064:, Gianni Gebbia and
2044:(with ARTE Quartett)
2021:The Art of Memory II
2001:The Stone: Issue Two
1677:Freedom in Fragments
1624:Middle of the Moment
1557:The Previous Evening
1525:Guitar Solos / Fifty
318:Professional ratings
2086:Susana Santos Silva
2004:(with Chris Cutler)
1928:(with Chris Cutler)
1900:(with Chris Cutler)
1877:Live Improvisations
1836:(with Henry Kaiser)
1610:The Top of His Head
1281:. Charivari Press.
817:– soprano saxophone
484:
441:
319:
274:began playing with
1833:Who Needs Enemies?
1216:(LP liner notes).
1073:(6 January 2012).
1051:(CD liner notes).
1023:(CD liner notes).
482:
439:
317:
305:. The material on
232:experimental music
204:Who Needs Enemies?
133:free improvisation
128:Experimental music
2164:
2163:
2114:
2113:
2107:with Henry Kaiser
2073:Cut Up the Border
2009:The Sugar Factory
1945:What Leave Behind
1913:Traffic Continues
1905:The Art of Memory
1870:Ferdinand Richard
1768:
1767:
1693:
1692:
1288:978-1-895166-04-0
1071:Breznikar, Klemen
839:Sound and artwork
794:
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770:(Frith) / 1991–92
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658:(Frith) / 1991–92
553:
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395:Eugene Chadbourne
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2177:1983 live albums
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2052:(with John Zorn)
2024:(with John Zorn)
1960:(with John Zorn)
1908:(with John Zorn)
1793:Voice of America
1748:
1638:Rivers and Tides
1532:
1518:Clearing Customs
1511:To Sail, to Sail
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869:2020 CD release
858:1991 CD release
844:1983 LP release
763:"München/London"
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651:"München/London"
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2041:The Big Picture
1989:Ironic Universe
1982:Anthony Braxton
1938:Carla Kihlstedt
1918:Ensemble Modern
1764:
1746:
1689:
1657:
1597:
1535:Music for Dance
1530:
1442:
1381:Fred Frith Trio
1329:
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787:, France / 1999
781:"Aubervilliers"
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680:2020 CD release
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568:1991 CD release
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471:, France / 1981
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434:1983 LP release
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2097:
2090:
2089:
2077:
2069:
2062:Lindsay Cooper
2053:
2045:
2037:
2025:
2017:
2014:Evelyn Glennie
2005:
1997:
1985:
1973:
1970:Stevie Wishart
1961:
1953:
1941:
1929:
1921:
1909:
1901:
1893:
1889:Helter Skelter
1885:
1882:Tim Hodgkinson
1873:
1861:
1853:Attention Span
1849:
1837:
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1805:
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1776:
1774:
1773:Collaborations
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1652:Eye to Ear III
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1602:Music for Film
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1401:Duck and Cover
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1161:, p. 105.
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2034:ARTE Quartett
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2018:
2015:
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1751:Composer only
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1706:Live in Japan
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1662:Composer only
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1645:Eye to Ear II
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1505:
1504:Eleventh Hour
1501:
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1477:
1473:
1471:
1470:
1466:
1464:
1463:
1459:
1457:
1456:
1452:
1451:
1449:
1447:Studio albums
1445:
1439:
1436:
1434:
1431:
1429:
1426:
1425:
1422:
1419:
1417:
1414:
1412:
1411:Death Ambient
1409:
1407:
1404:
1402:
1399:
1397:
1396:The Orckestra
1394:
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1390:
1389:
1385:
1383:
1382:
1378:
1376:
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1371:
1369:
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1361:
1360:Skeleton Crew
1357:
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1223:
1219:
1215:
1208:
1206:
1204:
1202:
1198:
1186:
1185:
1180:
1179:"French Gigs"
1174:
1172:
1170:
1168:
1164:
1160:
1155:
1152:
1140:
1139:
1134:
1127:
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1050:
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1030:
1026:
1022:
1019:AYAA (1991).
1015:
1013:
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1007:
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989:
983:
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979:
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973:
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834:
830:
822:
819:
816:
813:
812:
808:
806:
804:
800:
789:
786:
785:Aubervilliers
783:
780:
776:
772:
769:
765:
762:
758:
754:
751:
748:
744:
740:
737:
734:
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686:
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433:
431:
429:
425:
418:Track listing
417:
415:
413:
412:
406:
404:
403:Sidney Bechet
400:
397:compared the
396:
392:
388:
378:
376:
375:
371:
370:
340:
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335:
334:
326:
323:Review scores
321:
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310:
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304:
300:
296:
291:
289:
285:
284:Welfare State
281:
277:
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266:
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261:Aubervilliers
258:
253:
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68:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2135:
2131:Fred Records
2102:
2096:Compilations
2079:
2071:
2066:Lars Hollmer
2055:
2047:
2039:
2027:
2019:
2007:
1999:
1987:
1975:
1963:
1955:
1943:
1931:
1923:
1911:
1903:
1895:
1887:
1875:
1863:
1851:
1846:René Lussier
1839:
1831:
1820:
1819:
1814:Chris Cutler
1807:
1798:Bob Ostertag
1791:
1786:Henry Kaiser
1779:
1757:
1739:
1732:
1727:Storytelling
1725:
1718:
1711:
1704:
1684:Back to Life
1682:
1675:
1668:
1650:
1643:
1636:
1629:
1622:
1615:
1608:
1590:
1583:
1576:
1569:
1562:
1555:
1548:
1541:
1523:
1516:
1509:
1502:
1495:
1488:
1481:
1474:
1467:
1460:
1455:Guitar Solos
1453:
1428:Aksak Maboul
1421:Maybe Monday
1386:
1379:
1372:
1367:Keep the Dog
1365:
1358:
1351:
1344:
1337:
1277:
1247:
1243:
1213:
1212:AAA (1983).
1188:. Retrieved
1182:
1154:
1142:. Retrieved
1136:
1126:
1114:. Retrieved
1110:
1101:
1089:. Retrieved
1078:
1065:
1048:
1020:
997:. Retrieved
991:
963:. Retrieved
957:
929:. Retrieved
923:
886:
826:
796:
696:Venue / date
667:
584:Venue / date
555:
496:Venue / date
453:Venue / date
421:
409:
407:
386:
384:
372:
306:
292:
287:
270:
223:
222:
221:
202:
194:
193:
184:
163:AAA (France)
15:
2029:Still Urban
1994:Janet Feder
1841:Nous Autres
1826:Lol Coxhill
1821:French Gigs
1802:Phil Minton
1698:Live albums
1269:Works cited
1244:French Gigs
1218:Lol Coxhill
1214:French Gigs
1091:24 December
1053:Lol Coxhill
1049:French Gigs
1025:Lol Coxhill
1021:French Gigs
889:Liner notes
829:Liner notes
815:Lol Coxhill
799:Liner notes
749:"Limoges 2"
721:"Limoges 1"
670:Liner notes
637:"Limoges 2"
609:"Limoges 1"
558:Liner notes
543:"Limoges 2"
507:"Limoges 1"
424:Lol Coxhill
387:French Gigs
307:French Gigs
276:Lol Coxhill
236:Lol Coxhill
224:French Gigs
195:French Gigs
44:Lol Coxhill
24:French Gigs
2171:Categories
2049:Late Works
1950:Toychestra
1631:Eye to Ear
1592:Propaganda
1564:Accidental
1469:Speechless
1438:Naked City
1374:Cosa Brava
1327:Fred Frith
1222:Fred Frith
1057:Fred Frith
1029:Fred Frith
899:References
821:Fred Frith
735:"Poitiers"
623:"Poitiers"
525:"Poitiers"
428:Fred Frith
272:Fred Frith
267:Background
240:Fred Frith
229:improvised
175:chronology
173:Fred Frith
48:Fred Frith
39:Live album
1858:John Zorn
1388:Henry Now
1346:Art Bears
1339:Henry Cow
1258:0952-0686
887:Sources:
827:Sources:
809:Personnel
797:Sources:
668:Sources:
556:Sources:
379:Favorable
313:Reception
280:Henry Cow
2156:Category
1741:Woodwork
1720:Impur II
1670:Pacifica
1490:Clearing
1483:Quartets
1433:Material
1353:Massacre
1249:The Wire
1184:AllMusic
1085:Archived
823:– guitar
530:Poitiers
411:The Wire
391:AllMusic
374:The Wire
337:AllMusic
299:Poitiers
248:Poitiers
111:, France
109:Poitiers
104:, France
97:, France
70:Recorded
55:Released
41: by
2119:Related
1865:Dropera
1462:Gravity
1190:15 June
1144:15 June
1116:15 June
999:13 June
993:Discogs
965:15 June
959:Discogs
931:15 June
925:Discogs
893:Discogs
833:Discogs
803:Discogs
707:"Reims"
674:Discogs
595:"Reims"
562:Discogs
512:Limoges
464:"Reims"
295:Limoges
244:Limoges
208:(1983)
199:(1983)
190:(1983)
102:Limoges
60: (
2084:(with
2060:(with
2032:(with
2012:(with
1992:(with
1980:(with
1948:(with
1916:(with
1880:(with
1868:(with
1844:(with
1824:(with
1812:(with
1796:(with
1784:(with
1550:Allies
1497:Prints
1285:
1256:
1138:Medium
768:Munich
699:Length
656:Munich
587:Length
499:Length
483:Side B
456:Length
440:Side A
331:Rating
328:Source
257:Munich
142:Length
1759:Impur
773:11:38
713:25:59
693:Title
661:11:38
601:25:59
581:Title
493:Title
474:25:59
469:Reims
450:Title
303:Reims
252:Reims
159:Label
120:Genre
95:Reims
87:Venue
1800:and
1283:ISBN
1254:ISSN
1220:and
1192:2019
1146:2019
1118:2019
1093:2020
1055:and
1027:and
1001:2020
967:2019
933:2019
790:7:04
755:3:28
741:9:52
727:9:13
643:3:28
629:9:52
615:9:13
549:3:28
535:9:52
517:9:13
426:and
399:tone
297:and
246:and
238:and
79:1981
76:1978
62:1983
58:1983
46:and
1246:".
689:No.
577:No.
489:No.
446:No.
389:at
234:by
2173::
1230:^
1200:^
1181:.
1166:^
1135:.
1109:.
1083:.
1077:.
1037:^
1009:^
990:.
975:^
956:.
941:^
922:.
907:^
895:.
891:,
835:.
831:,
805:.
801:,
778:6.
760:5.
746:4.
732:3.
718:2.
704:1.
676:.
672:,
648:5.
634:4.
620:3.
606:2.
592:1.
564:.
560:,
540:3.
522:2.
504:1.
461:1.
430:.
393:,
151:32
147:48
2088:)
2068:)
2036:)
2016:)
1996:)
1984:)
1972:)
1952:)
1940:)
1920:)
1884:)
1872:)
1860:)
1848:)
1828:)
1816:)
1804:)
1788:)
1319:e
1312:t
1305:v
1291:.
1260:.
1224:.
1194:.
1148:.
1120:.
1095:.
1059:.
1031:.
1003:.
969:.
935:.
149::
64:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
