Knowledge (XXG)

18th-century French art

Source đź“ť

273: 403:
of decoration (although already apparent at the end of the last reign) was lighter: pastels and wood panels, smaller rooms, less gilding and fewer brocades; shells and garlands and occasional Chinese subjects predominated. Rooms were more intimate. After the return to Versailles, many of the
509:
who, mirroring the profiles of Greek vases, emphasized the use of the profile; his subject matter often involved classical history (the death of Socrates, Brutus). The dignity and subject matter of his paintings were greatly inspired by
554:
The Greek and Roman subject matters were also often chosen to promote the values of republicanism. One also finds paintings glorifying the heroes and martyrs of the French revolution, such as David's painting of the assassination of
404:
baroque rooms of Louis XIV were redesigned. The official etiquette was also simplified and the notion of privacy was expanded: the king himself retreated from the official bed at night and conversed in private with his mistress.
573:, would maintain the precision of David's style, while also exploring other mythological (Oedipus and the sphinx, Jupiter and Thetis) and oriental (the Odalesques) subjects in the spirit of 521:
of furniture (once again already present in the previous reign) tended toward circles and ovals in chair backs; chair legs were grooved; Greek inspired iconography was used as decoration.
302: 419:, explored new and increasingly impressionist styles of painting with thick brushwork. Although the hierarchy of genres continued to be respected officially, 656: 254: 168: 543:(1764–1812) which today houses the tombs of great Frenchmen. The rationalism and simplicity of classical architecture was seen — in the 505:
in France, that is to say a conscious use of Greek and Roman forms and iconography. In painting, the greatest representative of this style is
482:'s images of ruins, inspired by Italian capriccio paintings, are typical in this respect. So too the change from the rational and geometrical 494:, which emphasized (artificially) wild and irrational nature. One also finds in some of these gardens curious ruins of temples called 407:
The latter half of the 18th century continued to see French preeminence in Europe, particularly through the arts and sciences, and the
392:. One of the best places in the UK to see examples of French visual and decorative arts of the Rococo and neoclassical periods is in 651: 636: 324: 153: 661: 416: 163: 446:
of the Académie of painting and sculpture and his comments and criticisms are a vital document on the arts of this period.
562: 137: 411:
was the lingua franca of the European courts. The French academic system continued to produce artists, but some, like
285: 591: 247: 240: 295: 289: 281: 373: 132: 128: 306: 123: 412: 586: 349: 119: 98: 93: 83: 596: 532: 158: 114: 462: 544: 487: 450: 616: 506: 389: 361: 228: 47: 611: 393: 369: 223: 78: 17: 632: 528: 466: 606: 556: 518: 511: 474: 408: 385: 381: 202: 63: 377: 601: 458: 400: 645: 502: 479: 439: 424: 218: 184: 570: 536: 68: 574: 540: 457:
by today's standards, his paintings of domestic scenes reveal the importance of
443: 420: 372:, was only 5 years old; for the next seven years France was ruled by the regent 548: 432: 365: 197: 73: 41: 380:", theater settings and the female nude. Painters from this period include 364:
in September 1715 led to a period of licentious freedom commonly called the
428: 376:. Versailles was abandoned from 1715 to 1722. Painting turned toward " 566: 341: 535:
church (begun in 1763 and finished in 1840) which is in the form of a
454: 345: 188: 495: 461:
in the European arts of the period (as also seen in the works of
193: 266: 527:
would greatly contribute to the monumentalism of the
565:, a student of David's who was also influenced by 547:— as the antithesis of the backward-looking 27:18th-century French artistic movement and history 597:List of French artists of the eighteenth century 294:but its sources remain unclear because it lacks 501:The middle of the 18th century saw a turn to 368:. The heir to Louis XIV, his great-grandson 248: 8: 255: 241: 29: 325:Learn how and when to remove this message 472:One also finds in this period a kind of 449:One of Diderot's favorite painters was 210: 176: 145: 106: 55: 32: 630:French Art Vol III: The Ancient RĂ©gime 442:wrote a number of times on the annual 396:, a free national gallery in London. 7: 657:Neoclassical architecture in France 25: 531:, as typified in the structures 271: 18:French Rococo and Neoclassicism 1: 563:Jean Auguste Dominique Ingres 453:. Although often considered 154:Art movements (chronological) 435:were extremely fashionable. 417:Jean-Baptiste-SimĂ©on Chardin 592:French neoclassical theatre 678: 652:History of art in France 360:In France, the death of 280:This article includes a 159:Art movements (category) 587:Neoclassicism in France 338:18th-century French art 309:more precise citations. 115:Artists (chronological) 662:18th century in France 394:the Wallace Collection 374:Philippe II of OrlĂ©ans 514:in the 17th century. 463:Jean-Jacques Rousseau 413:Jean-HonorĂ© Fragonard 340:was dominated by the 545:Age of Enlightenment 525:French neoclassicism 451:Jean-Baptiste Greuze 164:Salons and academies 617:Louis XVI furniture 507:Jacques-Louis David 229:Western art history 612:Louis XV furniture 370:Louis XV of France 282:list of references 224:Visual arts portal 169:French art museums 56:Historical periods 33:French art history 529:French Revolution 467:Samuel Richardson 335: 334: 327: 265: 264: 16:(Redirected from 669: 539:and the mammoth 390:François Boucher 330: 323: 319: 316: 310: 305:this article by 296:inline citations 275: 274: 267: 257: 250: 243: 30: 21: 677: 676: 672: 671: 670: 668: 667: 666: 642: 641: 628:AndrĂ© Chastel. 625: 607:Louis XVI style 583: 557:Jean-Paul Marat 519:Louis XVI style 512:Nicolas Poussin 475:Pre-romanticism 409:French language 386:Nicolas Lancret 382:Antoine Watteau 358: 331: 320: 314: 311: 300: 286:related reading 276: 272: 261: 203:School of Paris 28: 23: 22: 15: 12: 11: 5: 675: 673: 665: 664: 659: 654: 644: 643: 640: 639: 624: 621: 620: 619: 614: 609: 604: 602:Louis XV style 599: 594: 589: 582: 579: 492:English garden 488:AndrĂ© Le NĂ´tre 459:Sentimentalism 421:genre painting 401:Louis XV style 378:fĂŞtes galantes 357: 354: 333: 332: 290:external links 279: 277: 270: 263: 262: 260: 259: 252: 245: 237: 234: 233: 232: 231: 226: 221: 213: 212: 208: 207: 206: 205: 200: 191: 179: 178: 174: 173: 172: 171: 166: 161: 156: 148: 147: 143: 142: 141: 140: 135: 126: 117: 109: 108: 107:French artists 104: 103: 102: 101: 96: 91: 86: 81: 76: 71: 66: 58: 57: 53: 52: 51: 50: 45: 35: 34: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 674: 663: 660: 658: 655: 653: 650: 649: 647: 638: 637:2-08-013617-8 634: 631: 627: 626: 622: 618: 615: 613: 610: 608: 605: 603: 600: 598: 595: 593: 590: 588: 585: 584: 580: 578: 576: 572: 568: 564: 560: 558: 552: 550: 546: 542: 538: 534: 530: 526: 522: 520: 515: 513: 508: 504: 503:Neoclassicism 499: 497: 493: 489: 485: 484:French garden 481: 480:Hubert Robert 477: 476: 470: 468: 464: 460: 456: 452: 447: 445: 441: 440:Denis Diderot 436: 434: 430: 426: 422: 418: 414: 410: 405: 402: 397: 395: 391: 387: 383: 379: 375: 371: 367: 363: 355: 353: 351: 347: 343: 339: 329: 326: 318: 308: 304: 298: 297: 291: 287: 283: 278: 269: 268: 258: 253: 251: 246: 244: 239: 238: 236: 235: 230: 227: 225: 222: 220: 219:France portal 217: 216: 215: 214: 209: 204: 201: 199: 195: 192: 190: 186: 185:Impressionism 183: 182: 181: 180: 175: 170: 167: 165: 162: 160: 157: 155: 152: 151: 150: 149: 144: 139: 138:Photographers 136: 134: 130: 127: 125: 121: 118: 116: 113: 112: 111: 110: 105: 100: 97: 95: 92: 90: 87: 85: 82: 80: 77: 75: 72: 70: 67: 65: 62: 61: 60: 59: 54: 49: 46: 44: 43: 39: 38: 37: 36: 31: 19: 629: 571:John Flaxman 561: 553: 537:Greek temple 533:La Madeleine 524: 523: 516: 500: 491: 483: 473: 471: 448: 437: 406: 398: 359: 350:neoclassical 337: 336: 321: 312: 301:Please help 293: 99:20th century 94:19th century 89:18th century 88: 84:17th century 40: 575:Romanticism 438:The writer 352:movements. 307:introducing 79:Renaissance 64:Prehistoric 646:Categories 623:References 433:still life 315:March 2024 198:Surrealism 133:Architects 48:Categories 490:) to the 425:landscape 362:Louis XIV 177:Movements 129:Sculptors 581:See also 541:PanthĂ©on 429:portrait 211:See also 146:Thematic 124:Painters 69:Medieval 42:Overview 567:Raphael 496:follies 366:RĂ©gence 356:History 342:Baroque 303:improve 120:Artists 635:  549:Gothic 455:kitsch 444:Salons 346:Rococo 189:Cubism 74:Gothic 288:, or 633:ISBN 569:and 517:The 486:(of 465:and 431:and 415:and 399:The 388:and 348:and 194:Dada 478:. 469:.) 648:: 577:. 559:. 551:. 498:. 427:, 423:, 384:, 344:, 292:, 284:, 196:– 187:– 131:– 122:– 328:) 322:( 317:) 313:( 299:. 256:e 249:t 242:v 20:)

Index

French Rococo and Neoclassicism
Overview
Categories
Prehistoric
Medieval
Gothic
Renaissance
17th century
18th century
19th century
20th century
Artists (chronological)
Artists
Painters
Sculptors
Architects
Photographers
Art movements (chronological)
Art movements (category)
Salons and academies
French art museums
Impressionism
Cubism
Dada
Surrealism
School of Paris
France portal
Visual arts portal
Western art history
v

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑