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281:. Intended as a work of American folklore aimed at children, the book lays out the fictional history and adventures of the “Munes, or tribe of American Fairies”, creatures Waugh regarded as a “gift to his fellow countrymen”. He reported that the idea for these driftwood-based fairies had come to him two summers previously when painting at
158:, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c.1912 painting “The Knight of the Holy Grail”.
236:, were painted according to his designs. Though the enterprise was of course a team effort in which no man played a solo part, he had every reason to be proud of his record. Only one ship with his system of camouflage was lost during the war”.
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146:
Waugh’s marinescapes were highly acclaimed, garnering him the
Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on
292:(4 November 1916, p. 9), he asserted that he “dreamed dreams and saw visions—real ones”, and described his history of writing fairy tales, along with his regret at burning the stories he had written while in London.
405:"F.J. Waugh Is Dead; Marine Artist, 79; Only Painter to Win Popular Prize at Carnegie Institute, Pittsburgh, Five Times was also an Architect Planned Provincetown Church--His Works in Galleries Here and in Europe"
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135:(a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on
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Together with his non-marine artworks, these pieces reflect Waugh’s lifelong interest in fairy lore and the supernatural. In an interview with New York City paper
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at
Wichita State University, to which it was donated by the museum's founding donor and avid Waugh collector, Edwin A. Ulrich.
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In 1908, Waugh returned to the U.S., settling in
Montclair Heights, New Jersey. He had no studio until art collector
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225:) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit. That section was located in
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In addition to his marinescapes, Waugh sometimes published work in periodicals, such as
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painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire.
769:
Illustrations from Clan of Munes in new book Rise of the Munes by Palo Santo
559:(Nov 1919). "Fooling the Iron Fish: The Inside Story of Marine Camouflage".
73:
745:(1919), “Fooling the Iron Fish: The Inside Story of Marine Camouflage” in
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711:
Camoupedia: A Compendium of
Research on Art, Architecture and Camouflage
543:
Camoupedia: A Compendium of
Research on Art, Architecture and Camouflage
116:. After leaving Paris, he moved to England, residing on the island of
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Waugh was known to produce literary work, publishing a short poem in
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According to a biography of Waugh, “Many large ships, including the
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In 1918, Waugh was recommended to serve as a camouflage artist (or
60:– September 10, 1940) was an American artist, primarily known as a
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739:(1940), “F.J. Waugh Is Dead; Marine Artist, 79” (September 11).
229:, and was headed by American painter Everett L. Warner.
582:. Vol. 9. London: Pamela Colman Smith. p. 2
438:. Vol. 7. London: Pamela Colman Smith. p. 7
253:
by
Frederick Judd Waugh, currently on display at the
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Dazzle camouflage designs by Waugh and other artists
643:"Real American Fairies at Last". Magazine section.
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21:
713:. Dysart, IA: Bobolink Books, pp. 374–376.
656:
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698:. Dysart, IA: Bobolink Books, pp. 82–107.
696:False Colors: Art, Design and Modern Camouflage
545:. Dysart, IA: Bobolink Books. pp. 374–376.
528:False Colors: Art, Design and Modern Camouflage
530:. Dysart, IA: Bobolink Books. pp. 82–107.
369:Kelly's Directory of Beds, Hunts and Northants
8:
848:Pennsylvania Academy of the Fine Arts alumni
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343:
729:Frederick J. Waugh: American Marine Painter
355:Frederick J. Waugh: American Marine Painter
647:. New Orleans, LA. 17 Dec 1916. p. 1.
29:
18:
785:West Indian marines by Frederick J. Waugh
731:. Orono, ME; University of Maine Press.
459:"The Green Sheaf No. 7 (November 1903)"
357:. Orono, ME: University of Maine Press.
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240:Literary works and interest in folklore
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760:Works by or about Frederick Judd Waugh
7:
665:. Haunted Ohio Books. Archived from
632:. New York: Charles Scribner’s Sons.
793:largest collection of Waugh's works
858:20th-century American male artists
828:19th-century American male artists
88:Waugh was the son of a well-known
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507:. Smithsonian American Art Museum
484:. Smithsonian American Art Museum
457:Brooker, Peter; Thacker, Andrew.
385:. Smithsonian American Art Museum
98:Pennsylvania Academy of Fine Arts
795:in a U.S. museum is held by the
609:. Vol. 28. pp. 309–312
607:The English Illustrated Magazine
272:The English Illustrated Magazine
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124:, where he made his living as a
774:Artwork by Frederick Judd Waugh
833:20th-century American painters
823:19th-century American painters
661:Woodward, Chris (2 Dec 2017).
505:"The Knight of the Holy Grail"
175:'The Knight of the Holy Grail'
1:
797:Edwin A. Ulrich Museum of Art
749:(November), pp. 102–109.
461:. Modernist Magazines Project
314:— Waugh's only published book
628:Waugh, Frederick J. (1916).
574:Waugh, Frederick J. (1904).
430:Waugh, Frederick J. (1903).
16:American painter (1861–1940)
482:"Levitation in Dream No. 3"
141:Provincetown, Massachusetts
874:
265:’s short-lived periodical
255:Metropolitan Museum of Art
114:Adolphe-William Bouguereau
853:Students of Thomas Eakins
275:; and, in 1916, the book
76:, under the direction of
28:
663:"Magical Folk and Munes"
603:"Mabel and the Whikkies"
541:Behrens, Roy R. (2009).
526:Behrens, Roy R. (2002).
84:Background and paintings
843:American marine artists
187:'Jersey City at Sunset'
56:(September 13, 1861 in
838:American male painters
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58:Bordentown, New Jersey
45:Bordentown, New Jersey
247:
747:Everybody’s Magazine
645:The New Orleans Item
601:Waugh, F.J. (1903).
561:Everybody's Magazine
503:Waugh, Frederick J.
480:Waugh, Frederick J.
383:"Frederick J. Waugh"
137:Bailey Island, Maine
96:. He studied at the
54:Frederick Judd Waugh
23:Frederick Judd Waugh
576:"From East to West"
563:. pp. 102–109.
371:. 1898. p. 81.
306:— seascape by Waugh
263:Pamela Colman Smith
68:, he designed ship
743:Warner, Everett L.
557:Warner, Everett L.
328:Harold Van Buskirk
269:; a fairy tale in
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217:Camouflage Service
92:portrait painter,
41:September 13, 1861
725:Havens, George R.
719:978-0-9713244-6-6
630:The Clan of Munes
351:Havens, George R.
323:Everett L. Warner
318:Dazzle camouflage
311:The Clan of Munes
278:The Clan of Munes
78:Everett L. Warner
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764:Internet Archive
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669:on 29 Mar 2019
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62:marine artist
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671:. Retrieved
667:the original
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509:. Retrieved
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486:. Retrieved
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463:. Retrieved
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440:. Retrieved
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413:. Retrieved
411:. 1940-09-11
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387:. Retrieved
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309:
303:Wild Weather
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233:
231:
220:
211:"Still Life"
155:
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94:Samuel Waugh
90:Philadelphia
87:
53:
52:
818:1940 deaths
813:1861 births
709:—— (2009),
66:World War I
807:Categories
334:References
223:camoufleur
70:camouflage
234:Leviathan
139:, and in
74:U.S. Navy
64:. During
727:(1969),
694:(2002),
353:(1969).
296:See also
126:seascape
72:for the
762:at the
686:Sources
290:The Sun
162:Gallery
120:in the
717:
702:
673:3 Apr
613:3 Apr
586:3 Apr
511:3 Apr
488:3 Apr
465:3 Apr
442:3 Apr
415:3 Apr
389:3 Apr
112:with
110:Paris
100:with
791:The
715:ISBN
700:ISBN
675:2022
615:2022
588:2022
513:2022
490:2022
467:2022
444:2022
417:2022
391:2022
118:Sark
38:Born
108:in
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653:^
605:.
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342:^
285:.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.