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594:‘Had he lived, he must have earned a European reputation; and numerous and fine as are the works he has left, his early death is, in the interests of Art, deeply to be deplored. We have only to add, that in manners Mr. Bridell was simple, amiable and modest. Firm without self-assertion, sincere without being obtrusive, we can believe he was beloved by his friends, as most certainly he was respected by those whose knowledge of him was comparatively slight’.
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in two letters to the
Southampton Times in 1888, provided detail of Bridell's early years and his subsequent apprenticeship to a picture restorer, Edwin Holder. At the age of eighteen years, William Bridle, had taken up portrait painting and was signing his work, Frederick Lee Bridell. One of the earliest portraits (
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Bridell was the third child and only son of John Bridle, carpenter, and Amelia (formerly
Bartlett), living in Houndwell. He received basic schooling and left at an early age in order to earn a living. We learn from Henry Rose, that he was drawing avidly and ‘writing verse’ from the age of nine. Rose,
509:. She was known to influential writers and thinkers of the time, and Robert Browning ‘gave her away’ at the ceremony. The newly wedded couple had their ‘wedding dinner’ at the Browning's apartment in Bocca di Leone. Two days later they were both painting at their respective studios.
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The essence of
Bridell's work is the depiction of vastness in nature, large areas of landscape within which light moves through the scene, highlighting form and shadow. In his subjects, Bridell was much influenced by Turner, but he remained true to his own style.
422:, and its wooded valleys. Returning to England in 1855, he completed works from his sketches abroad and completed numerous commissions for the well-to-do of Southampton. He began to exhibit at the
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of Bevois Mount. Wolff established a
Bridell gallery at his home and allowed visitors to view the paintings. Bridell set up his studio at Highfield Lodge and began a large work
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Freed from financial constraint, Bridell was able to travel to Italy in the autumn of 1858. He set up a studio in Rome, near the
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His early professional career was as an apprentice to a picture dealer (Edwin Holder) who had him copy pictures by
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that states a
Knowledge editor's personal feelings or presents an original argument about a topic.
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Bridell, freed from the deprivation of his early years, embarked on his most prolific period. In
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coll.) was of Henry Rose, and this was shown to Edwin Holder who recognised his talent.
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The following year, possibly for financial reasons, Wolff sent his
Bridell Gallery to
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465:. The present location of this work is unknown, last appearing at auction in 1913.
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Within two years, the artist had acquired a patron, James Wolff, a
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The
Coliseum at Rome by Moonlight (Southampton Art Gallery),
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personal reflection, personal essay, or argumentative essay
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652:"Bridell, Frederick Lee (1830–1863), landscape painter"
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5 December 1830 – 20 August 1863) was a popular
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He was inspired by the mountainous landscape of the
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Bridell took up residence with Holder's family near
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570:Etruscan Tombs at Civita Castellana (74 x 47ins)
535:. He was outlived by both parents and a sister.
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384:. From here he submitted his first work to the
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392:. Two years later he went to the Continent.
53:Learn how and when to remove these messages
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531:in August of that year and was buried in
523:Returning to England in 1863, he died of
186:Learn how and when to remove this message
168:Learn how and when to remove this message
110:Learn how and when to remove this message
73:This article includes a list of general
656:Oxford Dictionary of National Biography
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360:and also funded his education abroad.
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561:Ave Maria at Bolzano (private coll.)
520:that he was most inspired to paint.
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477:Bust of Bridell on display in the
345:who entertained him and his wife (
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785:19th-century English male artists
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686:"The late Frederick Lee Bridell"
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399:, where he copied works in the
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42:or discuss these issues on the
573:The Villa D’Este (74 x 47 ins)
567:Grand Sunrise from Stonehenge,
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765:19th-century English painters
733:Frederick Lee Bridell website
632:Frederick Lee Bridell 1830-63
605:Frederick Lee Bridell 1830-63
582:Grotto of Neptune (49 x72ins)
564:The Fortress Ehrenbreitstein,
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775:English landscape artists
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364:Early life and influences
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294:The Coliseum by Moonlight
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780:Artists from Southampton
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226:William Frederick Bridle
738:6 February 2009 at the
371:Southampton Art Gallery
94:more precise citations.
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719:The Art Jnl. Mar 1864
690:Hampshire Independent
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327:Frederick Lee Bridell
204:Frederick Lee Bridell
576:Under the Pine Trees
558:The Temple of Vesta,
546:The Temple of Venus,
588:Sir Theodore Martin
507:William Johnson Fox
491:Nathaniel Hawthorne
451:The Temple of Venus
443:The Temple of Venus
428:British Institution
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388:in 1851 entitled A
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150:encyclopedic style
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692:. 13 January 1864
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613:978-1-906221-09-6
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347:Eliza Bridell Fox
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760:1863 deaths
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675:Census 1851
525:consumption
479:Tudor House
358:Old Masters
316:James Wolff
269:Nationality
245:Southampton
92:introducing
749:Categories
696:9 November
661:9 November
619:References
540:Christie's
529:Kensington
263:Kensington
237:1830-12-05
75:references
39:improve it
710:Sale cat.
590:stated,
503:Unitarian
499:Eliza Fox
382:Berkshire
353:in 1859.
312:Patron(s)
247:, England
45:talk page
736:Archived
430:and the
331:baptised
302:Romantic
299:Movement
461:in the
459:Claudes
455:Turners
339:Britain
335:painter
283:Painter
273:English
144:Please
88:improve
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426:, the
405:Munich
401:Louvre
77:, but
514:Italy
420:Tyrol
397:Paris
698:2023
663:2023
636:ISBN
609:ISBN
495:Rome
457:and
413:Cuyp
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253:Died
222:Born
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