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weapons. In one rush, they exit entirely to the right, and return onstage battling the black children, who are fighting with simpler weapons (spears, bows, etc.). The war reaches a fever pitch, and the black children look beaten. They signal for help and a giant winged rhinoceros enters from the right. Four boys ride on its back and shoot arrows at the white children. The rhinoceros charges around the battlefield and spits fire. Eve flies in to protect her children. The white children fly away with Eve as the black children and the rhinoceros chase them offstage to the left. The sounds of the battle die away.
617:. Adam's wife, Eve, is tempted to have an illicit union with Caino in order to accelerate the development of mankind. Because this advancement is not part of God's plan for humanity, Eve and Caino's affair has grievous consequences, namely, a brutal war between children of different races. The basic outline of Eve's sin and repentance is echoed in the action of the dancer couples. They begin as natural pairings, but as a result of swapping partners, they engender unnatural hybrids. In the opera's finale, these hybrids join into a towering candle flame and spiral upward.
157:, which gave the staged premiere on 12 September 1996. Three subsequent performances were given on September 13, 14, and 15. The musical direction and sound projection was done by the composer. The staging was done by Uwe Wand. Stage, costume, object and lighting designs were from Johannes Conen. Johannes Bönig did the choreography. In addition to the soloists, the choir of the Leipzig Opera, the children's choirs of the Oper Leipzig and
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596:. The first layer is entirely abstract ambient electronic music, which plays underneath all of the staged action. The second layer consists of concrete music which is mimed by 12 couples of dancers. The third layer consists of traditional scenic action portrayed and sung by actors. In the synopsis below, the events of the third layer are described first, but they occur
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I found that there was something grand and stirring about it all, despite the apparent puerility. Stockhausen, like Blake's fool, persists in his puerility and grows wise. His live music, when clearly apprehensible, as in the writing for children, is compellingly strange: disjunctive yet flavoursome;
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Eve gives a downbeat for the first bar, which is played only by the white orchestra. Ludon conducts the second bar, which is only played by the black chorus. Eve conducts the third and fourth bars which are played by both the chorus and orchestra. Each section is followed by silence. After the fourth
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Ludon signals the black chorus and they begin to sing and play on their
African percussion instruments. Synthibird appears in a new location in a slightly different guise and accompanies them quietly. Ludon sings along and signals to each of the 24 children to perform a solo. Eve and her children are
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After the final "sound scene", Elu and Lufa enter from the left as they play. They converse about what has happened through their instruments. All 12 couples watch in fascination. In the middle of their duet, Lufa looks at all 12 couples and asks, "Do you repent?" All 12 couples shout together "Yes,
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Eve approaches in a boat from far across the lake. Elu and Lufa are playing long notes as they stand behind her. The women wear transparent dresses, and the boat stops just offshore. Eve lifts her dress as she wades ashore. The boat moves further out as Eve meets Caino. She sits in his lap, with her
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The music is performed cheerfully by everyone, and at the end, they all laugh. Eve and her children say goodbye to Ludon and his, and they exit as they came in. During their departure, the children continue to laugh and play fragments of the music they performed together. The sound of their laughter
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This seems to me to involve a certain hypocrisy, or at very least a double standard. It's quite clear what the function of music is for
Stockhausen these days: it's not just art (that too) but a means of raising human consciousness to a cosmic level, through stage presentations which synthesise old
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The sound of children's voices is heard approaching from offstage. They are singing and shouting. The white children enter from the left wearing military outfits and carrying toy weapons. They race repeatedly over to the right side of the stage and return to the left as they make noises with their
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Ludon enters and waits for Eve who appears mysteriously with Elu and Lufa. Ludon gives Eve a black talisman and asks her again to mate with his son Caino. He argues that their offspring will help the evolution of mankind. Eve agrees and gives the talisman back to Ludon. She disappears with Elu and
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Clearly, there's something here to drive virtually everyone with a political correctness hobbyhorse into a frenzy: this is probably one reason why
Leipzig is so far the only German opera house to commit itself to the LICHT cycle. German critics in particular, many of whom still seem ideologically
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Ludon and Eve greet each other once more as the two groups of children face each other. Synthibird appears with a keyboard nearby. The white orchestra plays for the black chorus, who enjoy the music. Eve sings with the choir and conducts them. Elu and Lufa play along from the background, as does
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This quest for perfection, a complete fulfillment of the artistic gesture from its conception to its implementation, against the tide of the entire musical practice, gradually shut the composer in a superb isolation, which resembles a prison. Opponents see it as the culmination of a paranoid
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Eve, Elu and Lufa arise from the lake and fly to the shore. Eve kneels on the spot where she made love to Caino. She sings while making prayer gestures. As she sings, she thinks of her master (Michael) and her husband (Adam). Her song brings her forgiveness from God, and the three disappear.
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not exactly tonal nor atonal nor modal; always quasi-electronically sliding in pitch. The actual electronics are often breathtaking, the visual extravagance likewise. The kids, from local schools, were brilliant. Old modernist that he is, Stockhausen is still worth watching.
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Eve enters from the left followed by two companions, Elu and Lufa. Ludon enters from the right, and they greet each other. He suggests that Eve should mate with his son Caino. Eve is skeptical, but they agree to meet again to introduce their children to each other.
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Eve descends from a mountain with her white children in tow. The children carry instruments with them (violins, flutes, etc.). Elu and Lufa follow behind the children. The children play individual notes and call to each other as they march.
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The moon is reflected in a lake, although the moon itself is not in the night sky. The sounds of nocturnal birds are heard. Caino, who is young and black, enters from the right. He looks out over the lake and sits in the lotus position.
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ensnared in post-'68 nostalgia, and for whom
Stockhausen clearly exists only as something to be offended by, regularly get steamed up about the "renunciation of reason" in the LICHT cycle, to a degree that itself seems irrational.
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As the boat disappears, a terrifying unseen tenor voice yells, "Eve—our children!" A bright red streak shoots down from the sky, across the lake, and across the audience out the front door and remains visible.
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There are 12 couples (see above) of male and female partners played by dancers. Each couple has its own music, text, and pattern of sexual intercourse which should be recognizable as such to the audience.
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The electronic music from the opera is played in the lobby as the audience exits the theater. The lobby is engulfed in a thick orange mist. The music fades out after the audience has left.
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940:(Children's Tutti) for 8- or 2-track tape, children's orchestra, children's choir, soprano (also conducting), bass, flute, basset-horn, synthesizer, sound projectionist (1994)
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spellbound by the performance and erupt in wild cheers and whistles when it is over. Ludon suggests to Eve that their children should play together, and she agrees.
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The audience is greeted by 8-track electronic music in the lobby, which is lit solely by candles. The music is the first layer of the opera. Duration: 68.5 minutes
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After Elu and Lufa have exited, the six hybrid couples from the sound scenes (see below) with their candles assemble into a towering candle form. As they sing
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Schauser, Søren
Hallundbæk. October 1996. "Freitag aus Licht: Uropførelsen af Karlheinz Stockhausens Freitag aus Licht på Oper Leipzig 12. september 1996".
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1289:: an Interpretation of Stockhausen's Opera Cycle Drawing on Heidegger's Fourfold and Lacanian Psychoanalysis". Ph.D. diss. Melbourne: Monash University.
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Ludon enters with his black children, who are all carrying
African percussion instruments. The children play their instruments and laugh as they march.
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Gerber, Stuart W. 2003. "Karlheinz
Stockhausen's Solo Percussion Music: A Comprehensive Study". DMA diss. Cincinnati: University of Cincinnati.
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3rd couple: female pinball machine with kicking leg as lower part of her body/pinball machine player with soccer ball as lower part of his body
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Toop also takes pains to point out that all four performances were sold out, concluding "So much for the unmarketability of new opera".
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myths and seek to create new ones. Now, do we expect the
Odyssey, or the Ramayana, or even the Old Testament, to be politically correct?
1489:
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Spahn, Claus. 14 September 1996. "Märchen, Mythen und Comics: Karlheinz
Stockhausens Oper 'Freitag aus Licht' in Leipzig uraufgefĂĽhrt"
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Drew, Joseph. 2014. "Michael from Light: A Character Study of
Karlheinz Stockhausen's Hero". Ph.D. diss. New York: New York University.
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Eve summons the boat and wades out to it. She sits down with her back to Caino, who watches the boat sail away. He exits to the right.
1276:
Murray, David. 23 September 1996. "Friday Dawns in Leipzig: David Murray on the Latest Part of Stockhausen's Seven-day Cosmic Cycle".
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for 8- or 2-track tape, multiple instruments, soprano (also conducting), flute, basset-horn, synthesizer, sound projectionist (1994)
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After a brief pause, the black chorus cheers for the white orchestra and use their instruments to applaud. Synthibird disappears.
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bar, Ludon graciously asks Eve to conduct the ensemble, and he joins the chorus to sing. Elu, Lufa and Synthibird accompany.
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161:, and the children's orchestra of the Johann Sebastian Bach music school of Leipzig performed in the original production.
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Each exchange of partners is followed by the appearance of a hybrid couple in a candle flame between the other couples:
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839:, using tuning forks to orient themselves to the proper pitch because of the density of the other musical activity.
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1829:
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962:(Comet, as Piano Piece XVII) for 8- or 2-track tape, electronic keyboard, sound projectionist, 7½ ex Nr. 64 (1999)
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4th couple: female moon with drug syringe piercing her body/man rocket with woman's arm as lower part of his body
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sound scene 10: the pinball machine player partners with the soccer ball; kicking leg with the pinball machine
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Reininghaus, Frieder. November–December 1996. "Versuchung, Kinderfest, Fantasy: Karlheinz Stockhausens Oper
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1989:
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165:
64:
1296:, 2 v. + supplement of illustrations and 2 CD audio recordings. Regensburg: ConBrio Verlagsgesellschaft.
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for 8- or 2-track tape, multiple voices, bass (also conducting), synthesizer, sound projectionist (1994)
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sound scene 9: the typewriter partners with the racing car; racing car driver with the photocopy machine
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sound scene 12a: the pencil partners with the woman's mouth; ice-cream cone with the pencil sharpener
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946:(Children's War) for 8- or 2-track tape, children's choir, synthesizer, sound projectionist (1994)
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megalomaniac, yet Stockhausen continues to fascinate, to open doors into the unknown with wonder.
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The hybrid couples are portrayed by vocalists who sing along with the electronic music until the
759:, the large flame they have created ascends in a slow spiral pattern and disappears into Heaven.
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974:(Consent) for 8- or 2-track tape, soprano, bass, flute, basset-horn, sound projectionist (1994)
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136:. It was the last of the operas to receive a staged production with the composer's involvement.
980:(Couples from Friday) with soprano, bass & electronic instruments (on tape), Nr. 63 (1999)
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Kempen, Brigitte. 2001. "Das Porträt: Karlheinz Stockhausen: Licht in Hamburg und Stuttgart".
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6th couple: female nest with violin bow crotch/male raven with cello as lower part of his body
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168:. A four-disc audio recording of the opera is available from the Stockhausen Verlag (CD 50).
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1349:, 162–163. Signale aus Köln: Beiträge zur Musik der Zeit 1. Saarbrücken: PFAU-Verlag, 1998.
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244:
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952:(Choir Spiral) for 8- or 2-track tape, 12 singers (3S, 3A, 6B), sound projectionist (1994)
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5th couple: woman's mouth with pencil/electric pencil sharpener man with ice-cream cone bee
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2nd couple: female car with typewriter as a breast/racing car driver in a photocopy machine
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for 8- or 2-track tape, soprano, baritone, flute, basset-horn, sound projectionist (1994)
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legs embracing his hips. They sing together as Elu and Lufa accompany them from the boat.
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1191:. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Music.
968:(Comet) for 8- or 2-track tape, percussionist, sound projectionist, 7â…” ex Nr. 64 (1999)
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Ulrich, Thomas. Winter–Summer 2012. "Lucifer and Morality in Stockhausen's Opera Cycle
1335:: Karlheinz Stockhausens zeitgenössisches Märchen an der Leipziger Oper uraufgeführt".
1048:(Repentance) for 2-track tape, soprano, flute, basset-horn, sound projectionist (1994)
150:
1054:, for 2-track electronic and concrete music, Nr. 63â…” (1992/1999) (music for the film
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with the events of the second layer, referred to as "sound scenes" by Stockhausen.
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126:(Friday Temptation), is the fifth to be composed of the seven operas that comprise
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and Stockhausen's 'obsession with control', but his review was favorable overall:
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sound scene 11: the rocket partners with the woman's arm; drug syringe to the moon
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sound scene 12b: the violin bow partners with the nest; the raven with the violin
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Schmidt-Mühlisch, L. 14 September 1996. "Zu Paaren getrieben, als Paare erlöst:
1020:(Friday Farewell) for 8-track electronic music (1991–92/94), Nr. 62 together =
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2012:
1996:
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Fallows, David. 21 September 1996. "Opera: Everyday Tale of Crude Symbolism".
17:
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Lufa, to Ludon's surprise. He exits along the same path by which he entered.
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Condé, Gérard (14 September 1996). "Une Journée de Karlheinz Stockhausen".
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1042:(Proposal) for 8-track tape, soprano, bass, flute, basset-horn (1994)
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1959:
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A Twenty-first Century Reality Check: Taking Stock with Stockhausen
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Herbort, Heinz Josef. 20 September 1996. "Erlösung trotz alledem:
128:
42:
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Griffiths, Paul. 18 September 1996. "Stockhausen's Alien Craft".
1143:
Driver, Paul (29 September 1996). "The Sharp End of Creativity".
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sound scene 8: the cat partners with the man; woman with the dog
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1517:
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1242:
Hilberg, Frank. 16 September 1996. "Drei Sänger, eine Flöte".
816:
1st couple: naked woman with dog's head/man with a cat's body
120:(Friday from Light), the main body of which is also titled
1024:(Outer Space) for 8-track electronic music (1991–92/1994)
992:
for basset-horn and flute (2-track tape optional) (1991)
778:(These events occur simultaneously with Acts I & II)
1032:
for 12-track tape, stringed piano, electronic keyboards
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Electronic Music with Sound Scenes of Friday from Light
1265:. Lanham, Maryland, Toronto, Oxford: Scarecrow Press.
3218:
1381:
Six Lectures from the Stockhausen Courses KĂĽrten 2002
1443:
Umbach, Klaus. 16 September 1996. "Stockhausen-Oper
1157:(30 September 1996). "Myths Made to Scenic Sounds".
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cycle forced the composer into a cloister of sorts,
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1285:Parsons, Ian Lawrence. 2019. "The Phenomenology of
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Karlheinz Stockhausen III: Die Werkzyklen 1977–2007
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1263:Other Planets: The Music of Karlheinz Stockhausen
1294:Passagen: Kreuz- und Quergänge durch die Moderne
1408:(Subscription access) (Accessed 17 April 2013).
164:The production was filmed for a documentary by
1432:. Cologne, Weimar, and Vienna: Böhlau Verlag.
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8:
3208:Studio di fonologia musicale di Radio Milano
875:, Paul Driver also cited the megalomania of
144:
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1292:Rautmann, Peter, and Nicolas Schalz. 1998.
3203:Studio for Electronic Music (WDR, Cologne)
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1430:Stockhausens Zyklus LICHT: Ein OpernfĂĽhrer
1343:Stockhausen 70: Das Programmbuch Köln 1998
53:
29:
683:and music grows softer in the distance.
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789:, the couples begin to swap partners:
1089:
986:for 24-track electronic music (1994)
7:
1447:—ein Flop—kosmischer Brunftschrei".
1116:
1508:, the Electronic Music from Freitag
592:There are three layers of music in
2795:Center for Art and Media Karlsruhe
856:about how the requirements of the
510:Woman's Mouth With Crocus Blossom
25:
3296:Operas set in mythological places
3183:Philips Natuurkundig Laboratorium
1405:The New Grove Dictionary of Opera
1394:Toop, Richard. 22 October 2008. "
1233:-Oper, in Leipzig uraufgefĂĽhrt".
1205:Gott, Stewart. 29 October 2001. "
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1229:, Karlheinz Stockhausens fĂĽnfte
3251:Operas by Karlheinz Stockhausen
3193:San Francisco Tape Music Center
1490:The Unofficial Stockhausen Page
1462:. Chicago: Urantia Foundation.
888:Stockhausen's former assistant
611:. It employs elements from the
603:The plot is a retelling of the
3113:Groupe de Recherches Musicales
1383:. KĂĽrten: Stockhausen-Verlag.
1369:Stockhausen, Karlheinz. 1997.
1213:(Accessed September 11, 2009).
1036:., sound projectionist (1995)
27:Opera by Karlheinz Stockhausen
1:
1373:. KĂĽrten: Stockhausen-Verlag.
413:Kicking Leg With Soccer Shoe
3256:20th-century classical music
1425:50, nos. 1 & 2: 313–341.
3108:Electronic Music Foundation
1498:(Outer Space): Introduction
1345:, edited by Imke Misch and
93:12 September 1996
3312:
1830:Helikopter-Streichquartett
1616:Helikopter-Streichquartett
1456:Urantia Foundation. 1955.
1318:Neue Zeitschrift fĂĽr Musik
1315:in Leipzig UraufgefĂĽhrt".
483:Electric Pencil Sharpener
467:Hand Holding Drug Syringe
3056:
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2342:
1855:
1706:
1690:
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1422:Perspectives of New Music
1398:('Friday from Light' )".
1160:The Sydney Morning Herald
895:The Sydney Morning Herald
645:
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3178:BBC Radiophonic Workshop
2850:Gottfried Michael Koenig
1060:Stephen and Timothy Quay
521:Ice Cream Cone With Bee
159:Mitteldeutscher Rundfunk
3276:Electronic compositions
2299:Klavierstücke Nos. 1–19
1347:Christoph von Blumröder
1255:, Ausgabe 9/2001:44–47.
1187:Frisius, Rudolf. 2013.
1004:for basset-horn (1991)
767:Duration: 78.5 minutes
700:Duration: 81.5 minutes
633:Duration: 67.5 minutes
386:Pinball Machine Player
61:Electronic Music Studio
3291:Science fiction operas
3271:German-language operas
1428:Ulrich, Thomas. 2017.
1326:Dansk Musik Tidsskrift
1016:(Friday Greeting) and
917:Individual works from
911:
905:
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867:
145:
115:
34:
3118:Institute of Sonology
3103:Computer Music Center
2991:electroacoustic music
2800:Collegium Vocale Köln
1917:Hymnen (Third Region)
1684:Karlheinz Stockhausen
1551:Karlheinz Stockhausen
1486:, details by Ed Chang
906:
900:
881:
862:
673:
661:
516:Christine Hebestreit
429:Moon With Little Owl
134:Karlheinz Stockhausen
47:Karlheinz Stockhausen
2735:Stockhausen Ensemble
2370:Gesang der JĂĽnglinge
2061:Aus den sieben Tagen
1712:Atmen gibt das Leben
1693:List of compositions
1625:Donnerstag aus Licht
1510:, by Albrecht Moritz
932:Children's Orchestra
646:Children's Orchestra
300:Claudia Kratzheller
149:was commissioned by
3281:Serial compositions
2077:FĂĽr kommende Zeiten
1363:SĂĽddeutsche Zeitung
723:
59:Stockhausen in the
3015:Experimental music
2686:Markus Stockhausen
2636:Alphabet für Liège
2620:Musik fĂĽr ein Haus
1609:Mittwoch aus Licht
1593:Dienstag aus Licht
1500:by Albrecht Moritz
1400:Grove Music Online
1321:157, no. 6: 56–57.
843:Critical reception
554:Alessio Trevisani
365:Ludger Rademacher
327:Lucy Teisingerova
321:Photocopy Machine
257:Massimiliano Viel
208:Nicholas Isherwood
123:Freitag-Versuchung
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2933:
2932:
2870:MesĂas Maiguashca
2835:Nicolaus A. Huber
2790:Boudewijn Buckinx
2692:Simon Stockhausen
2680:Doris Stockhausen
2662:Mary Bauermeister
2599:
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2410:Unsichtbare Chöre
2315:NatĂĽrliche Dauern
1978:
1977:
1793:
1792:
1650:
1649:
1641:Freitag aus Licht
1632:Unsichtbare Chöre
1570:Sonntag aus Licht
1563:Samstag aus Licht
1483:Freitag aus Licht
1445:Freitag aus Licht
1438:978-3-412-50577-6
1415:", translated by
1396:Freitag aus Licht
1371:Freitag aus Licht
1333:Freitag aus Licht
1328:71, no. 2: 64–66.
1197:978-3-7957-0772-9
1018:Freitags-Abschied
1010:for flute (1991)
978:Paare vom Freitag
960:KlavierstĂĽck XVII
585:
584:
462:Carola Schweiger
311:Markus Wittstock
116:Freitag aus Licht
111:
110:
35:Freitag aus Licht
16:(Redirected from
3303:
3233:
3232:
3224:
3062:
3050:Octophonic sound
3040:Musique concrète
2980:
2973:
2966:
2957:
2944:
2943:
2845:David C. Johnson
2820:Karel Goeyvaerts
2747:Johannes Fritsch
2716:Cornelius Cardew
2706:
2674:Suzanne Stephens
2668:Kathinka Pasveer
2340:
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1663:
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1586:Montag aus Licht
1538:
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1459:The Urantia Book
1245:Die Tageszeitung
1164:
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1146:The Sunday Times
1139:
1120:
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1105:
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1087:
1029:KlavierstĂĽck XVI
926:Children's Choir
872:The Sunday Times
674:Children's Tutti
662:Children's Choir
543:Angelika Wenzel
500:Andreas Kirsche
408:Jutta Bernhardt
392:Simon John Rowe
381:Xenia Bogomolec
375:Pinball Machine
245:Kathinka Pasveer
232:Suzanne Stephens
196:Angela Tunstall
176:
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30:
21:
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3020:Hyperinstrument
3005:Circuit bending
2993:
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2949:
2929:
2885:Costin Miereanu
2785:Fritz Bornemann
2766:
2757:Aloys Kontarsky
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2256:Chöre für Doris
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2125:In Freundschaft
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1341:. Reprinted in
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1169:Further reading
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621:Friday Greeting
609:Book of Genesis
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570:Alexandra Paul
446:Peer Rohrsdorf
435:Ellen Schaller
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67:, October 1994
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2865:György Ligeti
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1377:Toop, Richard
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1366:(Feuilleton).
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1253:Das Opernglas
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1239:1996, no. 39.
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2880:John McGuire
2780:Junsang Bahk
2742:Péter Eötvös
2721:Richard Toop
2642:
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2133:Europa-Gruss
2131:
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2075:
2069:Dr K–Sextett
2067:
2059:
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2019:
2011:
2003:
1995:
1966:
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1181:The Guardian
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1138:(in French).
1133:
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944:Kinder-Krieg
943:
938:Kinder-Tutti
937:
931:
925:
918:
912:
907:
901:
893:
890:Richard Toop
887:
882:
876:
870:
869:Writing for
868:
863:
857:
851:
848:Gérard Condé
846:
837:Choir Spiral
836:
834:
811:
786:
784:
780:
777:
774:Sound Scenes
769:
766:
757:Choir Spiral
756:
754:
751:Choir Spiral
747:we repent!"
745:
736:
727:
718:
715:
711:
707:
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690:
681:
677:
668:
665:
658:Synthibird.
656:
653:
649:
640:
632:
624:
614:Urantia Book
612:
602:
597:
593:
591:
473:Uwe Volkert
402:Soccer Ball
338:Lole GeĂźler
254:synthesizer
228:basset-horn
163:
155:Oper Leipzig
143:
132:(Light), by
127:
122:
121:
113:
112:
104:Oper Leipzig
3266:1996 operas
3045:Noise music
2910:Tim Souster
2875:Tomás Marco
2855:Jerome Kohl
2840:Alden Jenks
2825:Georg Heike
2805:Hugh Davies
2775:David Ahern
2762:David Tudor
2604:Other works
2323:Himmelfahrt
2302:(1952–2003)
2264:Drei Lieder
1838:Himmels-TĂĽr
1806:Herbstmusik
1450:Der Spiegel
1417:Jerome Kohl
1102:Driver 1996
1066:Vibra-Elufa
1056:In Absentia
1052:Two Couples
950:Chor-Spiral
348:Racing Car
332:Typewriter
251:Synthibird
76:Stockhausen
3245:Categories
3068:By country
3035:Microsound
2998:Techniques
2987:Electronic
2900:Otto Piene
2726:Jill Purce
2709:Assistants
2682:(1st wife)
2664:(2nd wife)
2628:Sternklang
2501:Kurzwellen
2493:Prozession
2418:Oktophonie
2335:Electronic
2280:Litanei 97
2141:Trumpetent
2045:Plus-Minus
2013:Schlagtrio
1997:Kreuzspiel
1849:Orchestral
1735:Donnerstag
1600:Oktophonie
1090:Condé 1996
1073:References
972:Zustimmung
892:wrote for
733:Repentance
581:Todd Ford
559:Couple 12
532:Couple 11
505:Couple 10
182:Performer
97:1996-09-12
73:Librettist
3030:Tape loop
2915:Avo Sõmer
2676:(partner)
2670:(partner)
2394:Telemusik
2362:Studie II
2181:Schönheit
2165:Harmonien
2109:Tierkreis
1814:Originale
1504:Guide to
1219:The Times
1117:Toop 1996
850:wrote in
607:from the
478:Couple 9
456:Bare Arm
451:Couple 8
424:Couple 7
397:Couple 6
370:Couple 5
343:Couple 4
316:Couple 3
289:Couple 2
262:Couple 1
217:baritone
3169:Inactive
3153:Toonzaal
2946:Category
2647:(2004–7)
2612:Ensemble
2581:Paradies
2573:Orvonton
2533:Strahlen
2434:Strahlen
2426:Weltraum
2378:Kontakte
2354:Studie I
2291:Keyboard
2272:Stimmung
2221:Hoffnung
2197:Erwachen
2173:Katikati
2093:Harlekin
2021:ZeitmaĂźe
1990:Sonatine
1933:Jubiläum
1775:Mittwoch
1759:Dienstag
1577:Strahlen
1506:Weltraum
1496:Weltraum
1379:. 2005.
1338:Die Welt
1282:, p. 17.
1261:. 2005.
1236:Die Zeit
1135:Le Monde
1022:Weltraum
853:Le Monde
637:Proposal
588:Synopsis
193:soprano
89:Premiere
81:Language
3085:Germany
2565:Nebadon
2557:Jerusem
2541:Edentia
2189:Balance
2029:Refrain
1983:Chamber
1952:Momente
1877:Gruppen
1798:Theatre
1783:Sonntag
1767:Freitag
1743:Samstag
1309:Freitag
1227:Freitag
1126:Sources
919:Freitag
696:Act two
687:Consent
629:Act one
594:Freitag
578:dancer
567:dancer
551:dancer
540:dancer
537:Violin
524:dancer
513:dancer
497:dancer
494:Pencil
486:dancer
470:dancer
459:dancer
443:dancer
440:Rocket
432:dancer
416:dancer
405:dancer
389:dancer
378:dancer
362:dancer
351:dancer
335:dancer
324:dancer
308:dancer
297:dancer
281:dancer
270:dancer
153:of the
146:Freitag
140:History
95: (
63:of the
3261:Operas
3221:Portal
3161:studio
3155:Studio
3143:SEAMUS
3094:Active
3080:France
2655:Family
2639:(1972)
2631:(1971)
2623:(1968)
2615:(1967)
2592:(2007)
2589:Uversa
2584:(2007)
2576:(2007)
2568:(2007)
2560:(2007)
2552:(2007)
2549:Havona
2544:(2007)
2536:(2002)
2528:(1970)
2520:(1970)
2512:(1968)
2509:Spiral
2504:(1968)
2496:(1967)
2488:(1966)
2480:(1965)
2472:(1964)
2453:(2006)
2445:(2006)
2437:(2002)
2429:(1994)
2421:(1991)
2413:(1979)
2405:(1967)
2402:Hymnen
2397:(1966)
2389:(1964)
2386:Mixtur
2381:(1960)
2373:(1956)
2365:(1954)
2357:(1953)
2349:(1952)
2326:(2005)
2318:(2006)
2310:(1970)
2307:Mantra
2283:(1997)
2275:(1968)
2267:(1950)
2259:(1950)
2251:(1950)
2248:Choral
2232:(2007)
2224:(2007)
2216:(2007)
2208:(2007)
2200:(2007)
2192:(2007)
2184:(2006)
2176:(2006)
2168:(2006)
2160:(2005)
2157:Freude
2152:(1997)
2149:Rotary
2144:(1995)
2136:(1992)
2128:(1977)
2120:(1976)
2112:(1975)
2104:(1975)
2096:(1975)
2088:(1972)
2080:(1971)
2072:(1969)
2064:(1968)
2056:(1966)
2048:(1963)
2040:(1959)
2037:Zyklus
2032:(1959)
2024:(1956)
2016:(1952)
2008:(1952)
2000:(1951)
1992:(1951)
1971:(1974)
1963:(1964)
1960:Mixtur
1955:(1964)
1936:(1977)
1928:(1971)
1920:(1969)
1912:(1969)
1909:Fresco
1904:(1965)
1896:(1962)
1893:Punkte
1888:(1960)
1880:(1957)
1872:(1952)
1864:(1951)
1861:Formel
1841:(2005)
1833:(1993)
1825:(1977)
1822:Sirius
1817:(1961)
1809:(1974)
1786:(2003)
1778:(1997)
1770:(1994)
1762:(1991)
1754:(1988)
1751:Montag
1746:(1983)
1738:(1980)
1715:(1977)
1700:Operas
1466:
1436:
1387:
1353:
1300:
1269:
1195:
1040:Antrag
1034:ad lib
785:After
575:Raven
267:Woman
241:flute
214:Caino
201:Ludon
84:German
3235:Opera
3148:STEIM
3133:IRCAM
3075:Chile
2694:(son)
2688:(son)
2644:Klang
2450:TĂĽrin
2240:Vocal
2229:Treue
2213:GlĂĽck
2205:Glanz
2117:Amour
2053:Adieu
1968:Inori
1925:Trans
1885:Carré
1869:Spiel
1725:Licht
1546:Licht
1413:Licht
1313:Licht
1287:Light
1231:LICHT
1078:Notes
1058:, by
1008:Freia
1002:Freia
990:Elufa
966:Komet
956:Komet
877:Licht
858:Light
742:Elufa
564:Nest
238:Lufa
204:bass
179:Role
172:Roles
129:Licht
43:Opera
3159:WORM
3138:NIME
3128:ICMA
3123:ICEM
3025:Loop
2989:and
2525:Pole
2517:Expo
2485:Solo
2085:Ylem
1901:Stop
1464:ISBN
1434:ISBN
1385:ISBN
1351:ISBN
1311:aus
1298:ISBN
1267:ISBN
1193:ISBN
1046:Reue
996:Fall
958:als
787:Fall
704:Fall
548:Bow
305:Dog
294:Cat
278:Man
225:Elu
190:Eve
3188:NHK
1549:by
1209:".
166:WDR
65:WDR
45:by
3247::
1419:.
1402::
1109:^
898:,
3223::
2979:e
2972:t
2965:v
1676:e
1669:t
1662:v
1537:e
1530:t
1523:v
1470:.
1453:.
1440:.
1391:.
1357:.
1304:.
1273:.
1248:.
1222:.
1199:.
1184:.
1163:.
1149:.
1119:.
1104:.
1092:.
1062:)
99:)
20:)
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