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126:. They typically show a flower garland around a devotional image or portrait. Garland paintings were usually collaborations between a still life and a figure painter. In 1676 Gualterus Gysaerts collaborated with his uncle David Teniers the Younger on a series of 19 garland paintings depicting the
182:, In: Geest en gratie. Essays presented to IldikĂł Ember in her Seventieth birthday. Editor-in-chief: Orsolya RadvĂĄnyi. Co-editors: JĂșlia TĂĄtrai, Ăgota Varga. Budapest: SzĂ©pmƱvĂ©szeti MĂșzeum; Elektropoduct Nyomdaipari Kft., 2012, pp. 26â33
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Gysaerts collaborated with other painters particularly in the production of garland paintings. Garland paintings are a special type of still life developed in
Antwerp by artists such as
130:. The series was made for the Minorite Church in Mechelen following the beatification of the martyrs on 9 July 1676. Teniers painted the monochrome bust portrait of each martyr in a
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Gysaerts painted the cartouche and the flower garland surrounding it. Of these paintings, 8 are still known to exist, one of which is in the
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He mainly painted still lifes of flowers in vases and paintings with garlands in the style of the
Flemish monk painter
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Review of Susan
Merriam, Seventeenth-Century Flemish Garland Paintings. Still Life, Vision and the Devotional Image
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75:. On becoming a monk he changed his first name from Wouter to Gualterus. He died in Mechelen in or after 1677.
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The beatified martyrs of Gorkum. A series of paintings by David
Teniers the younger and Wouter Gysaerts
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A garland of flowers surrounding the bust of
Franciscus Rodius, Martyr of Gorkum
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Gualterus
Gysaerts was born in Antwerp as the nephew (or maybe the cousin) of
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painter who specialized in flower pieces and garlands.
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63:in 1670. He moved to
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