124:
184:
164:
144:
216:
31:
92:
Beyond this, little is known of Guido da Siena and his place in
Sienese painting before Duccio. Because he is the only Sienese painter of the time to have surviving works on panels with a signature, he is often viewed as the most important artistic personality at the time and the first master of the
76:, with the date 1221. However, this date cannot relate to the painting of the panel, which is usually dated on the basis of style to the 1270s. The faces of the Virgin and Child were scraped and repainted in the early 14th century in the manner of
88:
has an identical inscription, but unfortunately the name before "de Senis" has been cut off. It is very often assumed that the missing name is Guido, and gives us some indication of the original appearance of the
Madonna at San Domenico.
256:
Luciano
Bellosi "Per un contesto cimabuesco senese a) Guido da Siena e il probabile Dietisalvi" Propsettiva 61, 1991 pp. 6–20 and "Per un contesto cimabuesco senese b) Rinaldo da Siena e Guido di Graziano" Propsettiva 61, 1991,
123:
183:
163:
143:
236:
231:
270:
135:
275:
285:
280:
93:
great
Sienese school of painting. However, Bellosi has attempted to associate some "Guidesque" works with the names
290:
195:
170:
245:
190:
61:
249:
Hayden
Maginnis "Everything in a name? Or the Classification of Sienese Duecento Painting" in
150:
85:
208:
175:
155:
49:
264:
227:
222:
105:
book covers for the
Sienese commune in the 1270s. Some equate Guido as the father of
130:
106:
17:
102:
84:
featuring the Virgin and Child with four saints (accession No. 7) in the
244:
Joanna Cannon. "Guido da Siena." Grove Art Online. Oxford Art Online.
30:
81:
77:
221:
This article incorporates text from a publication now in the
69:
45:
29:
253:
V.M. Schmidt (ed.) (New Haven and London, 2002) pp. 471–485
60:
The name Guido is known from the large panel in the church of
44:, was an Italian painter, active during the 13th-century in
118:
Selections from a series depicting the life of Christ
80:
and so are not representative of Guido's original. A
251:
Italian Panel
Painting of the Duecento and Trecento
8:
240:(11th ed.). Cambridge University Press.
101:, which are documented with the painting of
72:inscription gives the painter's name as
116:
7:
25:
214:
182:
162:
142:
122:
136:Princeton University Art Museum
209:Artcyclopedia - Guido da Siena
1:
271:13th-century Italian painters
37:of Guido of Siena, c. 1270–80
27:13th-century Italian painter
307:
66:Virgin and Child Enthroned
196:Museum Catharijneconvent
237:Encyclopædia Britannica
38:
276:Italian male painters
48:, and painting in an
33:
134:, 1262–1279, in the
286:Painters from Siena
62:San Domenico, Siena
281:Byzantine painters
95:Dietsalvi di Speme
39:
151:Flight into Egypt
99:Guido di Graziano
35:Enthroned Madonna
16:(Redirected from
298:
241:
220:
218:
217:
194:, 1270s, in the
191:Christ Crucified
186:
174:, 1270s, in the
166:
154:, 1270s, in the
146:
126:
86:Siena Pinacoteca
21:
306:
305:
301:
300:
299:
297:
296:
295:
291:Gothic painters
261:
260:
230:, ed. (1911). "
226:
215:
213:
205:
198:
187:
178:
176:Lindenau-Museum
167:
158:
156:Lindenau-Museum
147:
138:
127:
115:
58:
50:Italo-Byzantine
28:
23:
22:
15:
12:
11:
5:
304:
302:
294:
293:
288:
283:
278:
273:
263:
262:
259:
258:
257:pp. 15–28
254:
247:
242:
232:Guido of Siena
228:Chisholm, Hugh
211:
204:
201:
200:
199:
188:
181:
179:
168:
161:
159:
148:
141:
139:
128:
121:
119:
114:
111:
74:Guido de Senis
57:
54:
42:Guido of Siena
26:
24:
18:Guido da Siena
14:
13:
10:
9:
6:
4:
3:
2:
303:
292:
289:
287:
284:
282:
279:
277:
274:
272:
269:
268:
266:
255:
252:
248:
246:
243:
239:
238:
233:
229:
224:
223:public domain
212:
210:
207:
206:
202:
197:
193:
192:
185:
180:
177:
173:
172:
165:
160:
157:
153:
152:
145:
140:
137:
133:
132:
125:
120:
117:
112:
110:
108:
104:
100:
96:
90:
87:
83:
79:
75:
71:
68:. The rhymed
67:
63:
55:
53:
51:
47:
43:
36:
32:
19:
250:
235:
189:
171:Flagellation
169:
149:
131:Annunciation
129:
107:Meo di Siena
98:
94:
91:
73:
65:
59:
41:
40:
34:
265:Categories
103:Biccherna
56:Biography
225::
203:Sources
113:Gallery
64:of the
52:style.
219:
82:dossal
78:Duccio
70:Latin
46:Siena
97:and
234:".
267::
109:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.