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His motets are preserved in two manuscripts. His motets are highly distinctive: "Simply stated, there is no other music of the time that looks the same on the page or sounds the same as the motets of
Bouzignac." "One name in this period rises above those of his contemporaries for all sacred music,
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72:. He studied at the Cathedral of Narbonne until 1604, and was choirmaster at the Cathedrals of
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including Masses: that of
Guillaume Bouzignac." His dialogue motets, such as
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Sadie S. The New Grove dictionary of music and musicians, Volume 3 1980 p121
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Tours Ms. 168: the music of
Guillaume Bouzignac, George Roberts Kolb 1984
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Anthony J.R. French baroque music from
Beaujoyeulx to Rameau 1978 p167
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Lewis A. Fortune N. Opera and church music, 1630-1750 1975 p422
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65:(c. 1587 – c. 1643) was a French composer.
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136:Leçons de TénÚbres Boston Camerata dir.
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68:Bouzignac was probably born in 1587 in
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112:(1643â1704) two generations later.
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222:17th-century classical composers
237:French male classical composers
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227:17th-century French composers
247:17th-century male musicians
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129:Harmonia Mundi HMC 901 471
145:SĂ€chsisches Vocalensemble
232:French Baroque composers
110:Marc-Antoine Charpentier
123:Les Arts Florissants
70:Saint-Nazaire-d'Aude
36:Saint-Nazaire-d'Aude
151:TACET S 156 2007
63:Guillaume Bouzignac
23:Guillaume Bouzignac
140:Erato 4509 98480-2
100:, are small scale
106:Giacomo Carissimi
104:which anticipate
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242:People from Aude
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127:William Christie
121:Motets, Te Deum
86:Clermont-Ferrand
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98:Dum silentium
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132:Motets with
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217:1643 deaths
212:1587 births
134:Jean Gilles
116:Discography
108:, and then
206:Categories
156:References
138:Joel Cohen
51:Occupation
102:oratorios
74:AngoulĂȘme
55:Composer
143:Motets
78:Bourges
46:c. 1643
32:c. 1587
84:, and
147:dir.
125:dir.
82:Tours
96:and
43:Died
29:Born
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88:.
80:,
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