1021:, were translated into numerous other European languages in the sixteenth and seventeenth centuries. There were translations into Latin (by Gabriel de Lerm (1583), Jean Ădouard Du Monin (1579), Hadrian Damman (1600) and Samuel BenoĂźt (1609)), Italian (by Ferrante Guisone, first printed in 1592 and reprinted five times before 1613), Spanish (Joan Dessi, 1610, and Francisco de CĂĄceres in 1612) and German (Tobias HĂŒbner, 1622 and 1631). Several Dutch translators produced versions: Zacharias Heyns (1616, 1621 and 1628), Theodorick van Liefvelt, Heer van Opdorp (1609), Wessel van den Boetselaer, Heer van Asperen (1622) and
564:
meteorological effects. Land, seas and vegetation are created in 'Le
Troisiesme Jour' (The Third Day). The earth is populated with particular species of natural life during the next three days: the sun, stars and seasons in 'Le Quatriesme Jour' (The Fourth Day); fish and birds in 'Le Cinquiesme Jour' (The Fifth Day); and land animals and human beings in 'Le Sixiesme Jour' (The Sixth Day). In 'Le Septiesme Jour' (The Seventh Day) Gods surveys the world he has created, and the poet meditates on the created world.
550:, each containing around 700 lines, devoted to the aspect of the world created on that day in the first week. Because the poem's structure follows Genesis 1:1-8 closely, it is easy to navigate to particular sections; for example, readers wanting to find what du Bartas writes about cuttlefish or mullet could know to turn to 'Le Cinquiesme Jour' (The Fifth Day) and in most editions would have had marginal annotations to help them locate the description of each creature.
939:. S. K. Heninger, reflecting on similarities between Sidney and du Bartasâ conception of poetry, writes that: âthe reader could ponder the wide-ranging mysteries of creation. He could contemplate Godâs intention, His methods, His results. The text is characterized by a Protestant passion for the truthâthe truth, at once universal and concrete. It is also characterized by a Protestant devotion to the wordâthe word, at once comprehensive and knowable,
42:
997:(1650) make numerous references to Bradstreet's enthusiasm for du Bartas, including Nathaniel Ward's condescending remark that Bradstreet is a 'right Du Bartas girle'. Though Bradstreet's poetry owes much to du Bartas' methods, her work is not derivative, and she denied that her poetry imitates du Bartas in her dedicatory poem to her father Thomas Dudley: 'I honour him, but dare not wear his wealthâ (ll. 38-9).
954:, found moral, spiritual and aesthetic value in the poetry of 'our incomparable Bartas, who hath opened as much natural science in one week, containing the story of the creation, as all the rabble of schoolmen and philosophers have done since Plato and Aristotle.' Edmund Spenser, said by Harvey to have particularly enjoyed The Fourth Day, writes in
568:
633:(including a version of 'Les Peres' with 830 lines not found in the printed texts) in the late 1580s. 'Le Troisieme Jour' continues the narrative into the age of Abraham: La Vocation ('The Vocation', II.iii.1) and 'Les Peres' ('The Fathers', II.iii.2) cover the end of the Book of Genesis in relating the destruction of
814:, which was printed in 1584 with prefatory sonnets by James and others. Du Bartas was evidently quickly made aware of the King's attention, for a publisher's contract which du Bartas signed in 1585 mentions printing the King's translation (as well as du Bartasâ translation of the King's âAne Schort Poeme of Tymeâ).
605:
were first printed in 1584. 'Le
Premier Jour' (the era of Adam) contains 'Eden' (II.i.1) describing the Garden of Paradise; 'L'Imposture' ('The Imposture' in Sylvester's translation, II.i.2) which relates the Fall of Man; 'Les Furies' ('The Furies', II.i.3) which describes the diseases, conflicts and
721:
after 1630. What were once regarded as the stylistic merits of du Bartas' were later deemed to be weaknesses: his use of compound epithets, duplication of initial syllables, frequent inclusion of metaphors and similes and a highly compressed and accumulative style all contributed to a sense that his
909:
Du Bartas was extremely popular in early modern
England, and was still being read widely in the later seventeenth century even as his reputation in France began to decline. Around two hundred texts printed in England before 1700 make direct reference to du Bartas, including seventy-five from the
850:
are two poets who refer to Urania as a symbolic figurehead for the kind of poetic inspiration to which they aspired in vain. Hadrian Damman's Latin translation was dedicated to James when printed in 1600 (a manuscript copy dated 1596 also survives, National
Library of Scotland MS Adv. 19.2.10).
563:
had the Lord
Almighty, | Whereof, wherewith, whereby, to build this City' (Sylvester, I.i.228-29), forecasts the Day of Judgement and concludes with a discussion of angels. 'Le Second Jour' (The Second Day) concerns the creation of the four elements - water, air, earth and fire - and their
606:
vices that plague mankind; and 'Les
Artifices' ('The Handy Crafts', II.i.4) which is about the various crafts that humankind learnt, and Cain and Abel. 'Le Second Jour' (Noah) consists of 'L'Arche' ('The Arke', II.ii.1) retelling the Great Flood; 'Babylone' ('Babylon', II.ii.2) about the
932:
apparently admired du Bartas' works later in life, and his translation of 'Salust Du Bartas' was entered into the
Stationersâ Register in 1588, but is now unknown. Du Bartas had in effect synthesized the two highest forms of poetry, divine and philosophical, described in Sidney's
749:
Though du Bartas is still not widely known in France today, critical re-appraisals in the twentieth century, led by James
Dauphiné, Yvonne Bellenger and other, have shown how du Bartas' encyclopedic writing was representative of its time and is still worthy of attention.
842:") all knew of du Bartas, who was âaesthetically and ideologically a role-model for Jamesâ and âemblematic of the direction, spiritually, philosophically and aesthetically, in which James sought to lead his imagined renaissanceâ (Sarah Dunnigan) at the Scottish Court.
790:. Du Bartas' synthesis of sacred and secular verse matched the King's own aesthetic preferences, and also his political imperative to consolidate his divine and political authority. The King shared Urania's sense that more poets should write about the highest matters:
490:(1574) contains âLâUranieâ, a verse prosopographia (vivid description of someone's face or character) in which the Christian muse urges the poet to commit himself to composing serious poetry on scriptural themes. The other two items in the volume, the biblical epic
737:
recalled the often-cited anecdote that
Ronsard had once remarked that du Bartas had achieved more in a week than he had in his entire life. Du Bartas was, however, an object of criticism: he was, for example, cited for examples of mistakes to avoid in a
777:
Hauing oft reuolued, and red ouer (fauorable Reader) the booke and Poems of the deuine and
Illuster Poete, Salust du Bartas, I was moved by the oft reading & perusing of them, with a restles and lofty desire, to preas to attaine to the like vertue.
825:. Though the match never happened, du Bartas remained in high esteem with James: he received expensive gifts on departure, and the King invited him to return. It may well have been during this visit that du Bartas translated Jamesâ mini-epic on the
870:
is one of numerous writers in London who were reading James' translation in the 1590s: when Harvey praised du Bartas as the âTreasurer of Humanity and 'Ieweller of Diuinityâ and âa right inspired, and enravished Poetâ in the preface to
610:
and European literary cultures; 'Les Colonies' ('The Colonies', Ii.ii.3) which describes the spread of different tribes across the world; and 'Les Colomnes' ('The Columnes', II.ii.4) in which the tale (originally found in
817:
Du Bartas and James subsequently met in the summer of 1587 when the French poet travelled on a diplomatic mission to Scotland, via the English Court, to propose a marriage match between James and
681:
du Bartas wrote a number of occasional poems and lyrics. Among these are two of some length, about battles that occurred in the author's lifetime: 'Cantique d'Yvry' ('Song of Ivry'), on the
746:
wrote that du Bartas âa pu sâĂ©garer et cĂ©der au mauvais goĂ»t de son temps dans le gros de ces oeuvresâ (âwas led astray and gave into the poor taste of his times in most of his workâ).
725:
Nonetheless there were over thirty poems influenced by du Bartas printed in France between 1601 and 1697, including direct continuations or parodies such as Christophe de Gamon's
968:
hie to rayse | His heavenly Muse, th'Almighty to adore'; however, âwithin the shared province of Christian epic, Spenser and du Bartas remain fairly far apartâ (Susan Snyder).
323:
414:
du Bartas) on his fatherâs death in 1566. In 1570 he married Catherine de Manas, a local noblewoman, and they had four daughters together: Anne, Jeanne, Marie and Isabeau.
582:
Following the success of his First Week, du Bartas embarked upon a sequel that would survey world history from Adam to the apocalypse, following the plan in Augustine's
619:
writing scientific and astronomical knowledge on two pillars to safeguard it against fire and flood is a point of departure for a review of learning in those areas.
971:
According to Snyder, âclearly everyone in pre-Restoration England who had received a literary education read the Weekes and almost all admired it.â Du Bartas was
863:
are three seventeenth-century Scottish poets who knew du Bartasâ works well; the latter two imitate his works (Sylvester's translation in Boyd's case) extensively.
922:(1605 et seq.; re-printed six times by 1641). Du Bartas was quickly regarded as a divine epic poet whose works took their place among the great European classics:
2096:â, in online conference proceedings of ââRevolutionizing Early Modern Studiesâ? The Early English Books Online Text Creation Partnership in 2012â (September 2012)
2028:
1954:
1900:
1825:
1792:
1744:
1664:
1579:
1550:
1466:
1399:
1140:
1096:
713:'s marginal annotations and commentary. Du Bartas was the most highly esteemed French poet in France at the turn of the seventeenth century, even more so than
657:, and the final two completed sections, 'Le Schisme' ('The Schism', II.iv.3) and finally 'La Decadence' ('The Decay', II.iv.4), reviews the monarchs of the
459:
ChĂąteau Du Bartas, at Saint Georges, was du Bartas' residence in the later part of his life. A statue of du Bartas stands in a square named after him in
225:
449:, "with a tablett of gold, having in itt his Majesties pourtraict", besides several hackney horses and other presents from the nobility and courtiers.
856:
316:
2047:, ed. by Urban Tigner Holmes, John Coriden Lyons and Robert White Linker, 3 vols. (Chapel Hill, 1935â40; repr. Geneva: Slatkine Reprints, 1977)
2398:
240:
390:
Relatively little is known about du Bartasâ life. Guillaume Sallustre was born in 1544 to a family of wealthy merchants in Montfort (in the
629:, were printed in parts between 1591 and 1603. James VI of Scotland received a manuscript copy containing six of the eight sections of the
2074:
235:
2393:
2388:
358:
for most of his career. Du Bartas was celebrated across sixteenth- and seventeenth-century Europe for his divine poetry, particularly
309:
641:
respectively, while 'La Loy' ('The Law', II.iii.3) moves into the Exodus narrative and 'Les Captaines' ('The Captains', II.iii.4) to
2413:
1064:
765:'s enthusiasm for du Bartas made the Frenchman's poetry uniquely popular in sixteenth-century Scotland. James possessed a copy of
378:
1847:
2198:
394:
region). His family name later became âSallusteâ rather than 'Sallustre', perhaps to invite comparison with the Roman historian
852:
717:, and in 1620 was still regarded as the apogee of French 'grand poesie'. However, there were no further French editions of the
553:'Le Premier Jour' (The First Day) describes the creation of the world out of chaos (du Bartas advocates the theory of creation
205:
143:
138:
133:
128:
123:
831:
743:
118:
2180:
Bellenger, Yvonne, 'Ătat present des Ă©tudes sur Du Bartas en France depuis 1970', Oeuvres et Critiques, 29 (2004), 9-26
410:; he became a doctor of law in 1567 and a judge in Montfort in 1571. He gained the lordship of nearby Bartas (becoming
590:, each divided into four parts, that covered the eras of Adam, Noah, Abraham and David (the final three were to cover
2045:
The Works of Guillaume de Salluste, Sieur Du Bartas: A Critical Edition with Introduction, Commentary, and Variants
1041:
847:
266:
113:
99:
220:
215:
2269:
2066:
2403:
2082:
2261:
1914:
1032:
Du Bartas' popularity apparently declined throughout Europe in the eighteenth century: in his translation of
734:
276:
210:
810:, a court musician, was (so he writes in the preface) commissioned by the King to prepare a translation of
733:(1629), and printed references praising Du Bartas in works written throughout this period. As late as 1684
2348:
2093:
993:; one of her earliest dated works is her elegy âIn Honour of Du Bartas. 1641â. The prefatory materials to
886:
843:
92:
2122:
866:
James had a major impact on English responses both before and after his accession to the English throne.
2241:
Joshua Sylvester's translation of Du Bartas' Les semaines and the development of English poetic diction.
1683:
1500:
1357:
935:
230:
2363:
2383:
2378:
1022:
822:
807:
709:
was instantly successful in France: there were 42 editions between 1578 and 1632, often printed with
653:: 'Les Trophees' ('The Trophies', II.iv.1), 'La Magnificence' ('The Magnificence', II.iv.2) is about
445:
hired one of the best ships in the kingdom for him, knighted him, and gave him a gold chain and 2000
442:
256:
975:'s âearliest English literary modelâ, and traces of direct influence are arguably most apparent in
762:
422:
391:
2052:
1536:
1216:
2408:
2022:
1948:
1894:
1819:
1786:
1738:
1658:
1573:
1544:
1460:
1393:
1134:
1090:
956:
947:
818:
662:
634:
426:
418:
399:
355:
271:
2353:
2141:'Confessional identity, eating, and reading : Catholic imitations of Du Bartasâs 'Sepmaine'
1037:
483:
961:
929:
826:
690:
297:
261:
174:
88:
2334:
1852:
1631:
1528:
915:
894:
829:
which was printed alongside Jamesâ original poem and his translation of âLes Furiesâ in his
434:
184:
885:
exhorting more poets to 'bee well versed' in du Bartas' poetry was cited, for instance, by
421:
in 1589. He was sent on various diplomatic missions, including to Montmorency in 1580, and
1696:
1513:
1370:
1295:
Auger, Peter (2016). "Le Manuscrit Royal de la Suite de la Seconde Semaine de Du Bartas".
998:
990:
881:
685:(1590), not long before the poet's death, and 'La Lepanthe' ('Lepanto'), a translation of
510:
452:
He died in 1590, just weeks after composing a poem that celebrated Henry's victory at the
41:
1529:
901:(1605) to James, having presented a manuscript extract to the King in the previous year.
2224:
PalingÚne, Ronsard, Du Bartas: trois études sur la poésie cosmologique de la Renaissance
2131:
Cosmos and Image in the Renaissance: French Love Lyric and Natural-Philosophical Poetry
2208:
Garapon, Robert, 'Sur la Renommée posthume de Ronsard et de Du Bartas de 1590 à 1640',
1241:
923:
867:
839:
686:
682:
658:
607:
453:
344:
46:
engraving of Du Bartas (Nicolas de Larmessin, possibly late 17th to early 18th century)
2372:
2104:
989:, and can productively be compared with it. Du Bartas was also an early influence on
985:
710:
407:
292:
189:
179:
159:
1429:
875:(1593) and other works, he was in part drawing on notes made in his copy of James's
2229:
860:
17:
1871:
2326:
972:
438:
2340:
1856:
1635:
2313:
1841:
164:
742:(1667). Du Bartas' reputation remained low in subsequent centuries: in 1842
555:
543:
482:
Du Bartas began writing poetry in the 1560s after being invited to do so by
403:
1710:
Relle, Eleanor (1972). "Some New Marginalia and Poems of Gabriel Harvey".
1622:
Relle, Eleanor (1972). "Some New Marginalia and Poems of Gabriel Harvey".
2354:
Extract from Larousse « Dictionnaire mondial des littératures »
2062:, trans. by Josuah Sylvester, ed. by Susan Snyder, 2 vols. (Oxford, 1979)
758:
612:
591:
411:
354:
courtier and poet. Trained as a doctor of law, he served in the court of
351:
1195:
769:
given to him by his nurse, and a year later wrote in the preface to his
494:
and 'Le Triomphe de la Foi', were examples of this new religious verse.
1033:
714:
654:
513:
of the creation of the world and the first eras of world history. Each
464:
395:
348:
340:
1352:
Garapon. "Sur la RenommĂ©e posthume de Ronsard et de Du Bartas": 53â59.
910:
period 1641-1700. There were numerous translations of sections of the
377:
2283:
Prescott, Anne Lake, âDu Bartas and Renaissance Britain: An Updateâ,
646:
642:
417:
He entered the service of Henry of Navarre in 1576, who would become
169:
567:
509:('Weeks'), two epic poems which freely expand on the account in the
446:
430:
2060:
The Divine Weeks and Works of Guillaume de Saluste, Sieur du Bartas
538:, was first printed in Paris in 1578, and was immediately popular.
534:('The Week, or creation of the World'), subsequently also known as
2099:
Auger, Peter, 'Du Bartasâ Visit to England and Scotland in 1587',
650:
638:
566:
376:
1531:
Eros and Poetry at the Courts of Mary Queen of Scots and James VI
2358:
2240:
2152:
1919:
The Norton Anthology of English Literature: Norton Topics Online
616:
460:
838:
Poets writing at the Jacobean Court (members of the so-called "
2260:
Norton Anthology of English Literature: Norton Topics Online,
2232:, 'Observations on Sylvester's Du Bartas, with Specimens', in
2083:
The Semainesâ Dissemination in England and Scotland until 1641
1153:
P. Raymond, "Notes Extraites des Comptes de Jeanne D'Albret",
926:, for example, compared du Bartas to Homer, Virgil and Dante.
2140:
2134:
1386:'Du Bartas en France au XVIIe siĂšcle' in Du Bartas: 1590â1990
1320:
ed. Robert Waldegrave (Edinburgh, 1591). See Holmes (1940),
1608:
2187:, ed. by Fred Schurink (Basingstoke, 2011), pp. 175â96
2094:
Snapshots of Early Modern English Responses to French Poets
2246:
Magnien, Michel, 'Du Bartas en France au XVIIe siĂšcle' in
2199:
The Accession of King James I and English Religious Poetry
1851:. Vol. 1 (online ed.). Oxford University Press.
456:, though it is not thought that he fought in the battle.
2255:
Dialectique et connaissance dans la Semaine de Du Bartas
1029:
was printed in 1661, and a Swedish translation in 1685.
2153:
Influence de Du Bartas sur la littérature néerlandaise
2013:
Goethe, Johann Wolfgang von (1981). "Rameaus Neffe".
1017:
Du Bartas' works, particularly and often exclusively
889:
in the dedicatory epistle of his translation of the
803:
Makes mountaines tremble, and howest hells to feare?
2123:
British Responses to Du Bartas' Semaines, 1584-1641
800:
Then is his praise, who brydles heavens most cleare
75:
67:
59:
51:
32:
2311:Snyder, Susan, 'Sylvester, Josuah (1562/3â1618)',
2215:Gregory, E. R., 'Du Bartas, Sidney, and Spenser',
2192:Guillaume de Saluste Du Bartas: poĂšte scientifique
1840:
1495:Auger. "Du Bartas' Visit to England and Scotland".
786:The volume contained James's Scots translation of
2175:Bibliographie des ecrivains français: Du Bartas
914:into English, of which the most significant is
2234:Olliers Literary Miscellany in Prose and Verse
1269:. Penguin. p. 1091 (Book 22, Chapter 30).
406:âs school), and studied law in Toulouse under
794:O ye that wolde your browes with Laurel bind,
317:
8:
2349:Entry in the Virtual Museum of Protestantism
2337:. (Ebook based on 1578 edition - PDF format)
2203:SEL: Studies in English Literature 1500â1900
2173:Bellenger, Yvonne, and Jean-Claude Ternaux,
950:â and a translator of the first two Days of
722:poetry was over-wrought and over-elaborate.
1760:'Sidney and Milton: The Poet as Maker', in
1653:. Edinburgh and London. pp. I, p. 199.
1316:King James' original poem was published in
1076:
1074:
2183:Cummings, Robert, âReading Du Bartasâ, in
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797:What larger feild I pray you can you find,
324:
310:
84:
40:
29:
2278:French Poets and the English Renaissance
2243:(PhD thesis, University of Glasgow. 1982)
2075:Du Bartas' Legacy in England and Scotland
1842:"Oxford Dictionary of National Biography"
433:as expenses. The poet left Scotland from
429:in 1587. Henry of Navarre gave him 1,000
34:Guillaume de Salluste, Seigneur Du Bartas
2304:Sinfield, Alan, âSidney and Du Bartasâ,
2109:Auger, Peter, 'Le Manuscrit Royal de la
2017:. Vol. 7. Munich. pp. 663â664.
1170:, vol. 2 (London, 1791), p. 352 no. 215.
594:, the Messiah and the Eternal Sabbath).
2314:Oxford Dictionary of National Biography
2115:BibliothĂšque dâHumanisme et Renaissance
1848:Oxford Dictionary of National Biography
1428:Sainte-Beuve, Charles Augustin (1842).
1297:BibliothĂšque d'Humanisme et Renaissance
1056:
571:La Sepmaine ou creation du Monde (1578)
284:
248:
197:
151:
105:
87:
2250:(Mont-de-Marsan, 1992), pp. 69â80
2050:Bjaï, Denis and François Rouget, eds,
2020:
1946:
1892:
1817:
1784:
1736:
1692:
1681:
1656:
1571:
1542:
1509:
1498:
1458:
1391:
1366:
1355:
1132:
1088:
2133:(Oxford, 2008) extracts available on
521:(days) which can be read separately.
7:
1430:"Anciens PoÚtes Français: Du Bartas"
832:Poeticall Exercises at Vacant Houres
649:. 'Le Quatrieme Jour' is devoted to
1970:Lucy Hutchinson, Order and Disorder
1595:Poems of John Stewart of Baldynneis
2270:La Vie et Les Oeuvres de Du Bartas
2168:Du Bartas et ses divines Semaines
1887:Milton: The Complete Shorter Poems
1568:. Edinburgh and London. p. 4.
1566:Thomas Hudson's Historie of Judith
1453:The Library of James VI, 1573â1583
1318:His Majesties Poeticall Exercises,
486:of Navarre. His first collection,
368:La Sepmaine; ou, Creation du monde
25:
2299:Die Schöpfungswoche des Du Bartas
2292:Du Bartas und sein Schöpfungsepos
1451:Warner, George Frederick (1893).
1388:. Mont-de-Marsan. pp. 69â80.
1155:Revue d'Aquitaine et des Pyrénées
1127:Du Bartas et ses Divines Semaines
2335:La Sepmaine ou Création du Monde
2126:(Unpublished DPhil thesis, 2012)
1943:. Cambridge, MA. pp. 4, 14.
1168:Illustrations of British History
625:containing the third and fourth
623:Les Suites de la Second Semaine,
1609:"English Short Title Catalogue"
853:William Drummond of Hawthornden
532:La Semaine ou creation du Monde
526:La Semaine ou creation du Monde
398:. He was possibly a student at
337:Guillaume de Salluste du Bartas
2217:Comparative Literature Studies
2039:References and further reading
505:Du Bartas' masterpiece is his
381:ChĂąteau du Bartas (built 1569)
1:
1781:. Cambridge. p. 20.12â6.
1762:Milton and the Line of Vision
1440:: 549â75 – via Gallica.
744:Charles Augustin Sainte-Beuve
2399:Calvinist and Reformed poets
1941:THe Works of Anne Bradstreet
1872:UK public library membership
1758:Heninger Jr., S. K. (1975).
1729:Ringler, William A. (1962).
1649:Craigie, James, ed. (1944).
1564:Craigie, James, ed. (1941).
1085:. Paris. pp. xixâxxiii.
1048:was no longer widely known.
2264:(accessed 11 November 2014)
2161:La Sepmaine (texte de 1581)
2111:Suite de la Seconde Semaine
1678:Auger. "Snapshots": 3â4, 8.
1455:. Edinburgh. p. xliii.
1083:La Sepmaine (texte de 1581)
1065:"National Portrait Gallery"
1025:. A Danish translation of
983:were a major precursor for
2430:
2359:Bibliography from idref.fr
2301:. 2 vols. (TĂŒbingen, 1963)
2236:, 1 (1820), pp. 62â79
1939:Hensley, Jeannine (2005).
1915:"Paradise Lost in Context"
1731:The Poems of Philip Sidney
1280:Sylvester, Josuah (1621).
1157:, 12 (1868), pp. 423, 569.
1125:Bellenger, Yvonne (1993).
1081:Bellenger, Yvonne (1981).
1042:Johann Wolfgang von Goethe
946:William Scott, author of â
897:dedicated his translation
879:. A passage in the King's
848:John Stewart of Baldynneis
463:, the historic capital of
2394:16th-century French poets
2389:16th-century male writers
2145:Nottingham French studies
2105:doi:10.1093/notesj/gjs139
1777:Alexander, Gavin (2013).
1712:Review of English Studies
1624:Review of English Studies
1265:Saint Augustine (2003) .
729:(1609) and A. DâArgent's
586:. He only completed four
546:poem consisting of seven
39:
2414:Occitan-language writers
2262:Paradise Lost in Context
1968:Norbrook, David (2001).
1810:The Spenser Encyclopedia
1636:10.1093/res/XXIII.92.401
1593:Crockett, Thomas (ed.).
1535:. Basingstoke. pp.
1527:Dunnigan, Sarah (2002).
1384:Magnien, Michel (1992).
1282:Devine Weekes and Workes
1129:. Paris. pp. 15â24.
1044:expressed surprise that
920:Devine Weekes and Workes
899:Devine Weekes and Workes
27:French courtier and poet
2364:EncyclopĂŠdia Britannica
2067:Du Bartas en Angleterre
1812:, ed. by A. C. Hamilton
773:(Edinburgh, 1584) that
517:consists of individual
2306:Comparative Literature
2135:Durham Research Online
2000:Influence de Du Bartas
1889:. Harlow. p. 102.
1857:10.1093/ref:odnb/26873
1814:. Toronto. p. 80.
1806:Snyder, Susan (1990).
1764:, ed. Joseph Wittreich
1733:. Oxford. p. 339.
1691:Cite journal requires
1597:. pp. II, p. 196.
1508:Cite journal requires
1365:Cite journal requires
1314:. p. III:490â526.
979:1645. Nonetheless the
873:Pierces Supererogation
572:
382:
93:Francophone literature
2297:Reichenberger, Kurt,
2290:Reichenberger, Kurt,
2276:Prescott, Anne Lake,
2267:Pellissier, Georges,
1434:Revue des Deux Mondes
771:Essayes of a Prentise
637:and the sacrifice of
570:
441:laden with presents.
380:
249:Countries and regions
2285:Oeuvres et Critiques
2248:Du Bartas: 1590â1990
2210:Oeuvres et critiques
2147:, XLIX (2010). 62-78
2089:, 26 (2012), 625-40.
1983:Bellenger; Ternaux.
1885:Carey, John (2007).
1334:Holmes; et al.
1196:"ChĂąteau du Barthas"
1023:Joost van den Vondel
891:Third Dayes Creation
823:Catherine de Bourbon
735:Madeleine de Scudéry
536:La Premiere Sepmaine
2239:Lepage, John Louis
2166:Bellenger, Yvonne,
2159:Bellenger, Yvonne,
2087:Renaissance Studies
1484:. p. I. 205â6.
1415:Du Bartas en France
1322:Works of Du Bartas,
943:though it may be.â
675:Le muse chrestienne
669:Miscellaneous Poems
488:La muse chrestienne
477:La muse chrestienne
404:Michel de Montaigne
236:Short story writers
211:Writers by category
18:Guillaume du Bartas
2342:La Seconde Semaine
2287:, 29 (2004), 27-38
2219:, 7 (1970), 437-49
2053:Les Oeuvres (1579)
2002:. pp. 70â195.
1779:The Model of Poesy
1482:Works of Du Bartas
1417:. pp. 55, 75.
1336:Works of Du Bartas
1312:Works of Du Bartas
1217:"Statue du Bartas"
1007:Order and Disorder
957:The Ruines of Time
948:The Model of Poesy
936:Apology for Poetry
663:Book of Chronicles
635:Sodom and Gomorrah
603:La Seconde Semaine
577:La Seconde Semaine
573:
419:Henry IV of France
400:College de Guyenne
383:
372:La Seconde Semaine
241:Children's writers
206:Chronological list
2280:(New Haven, 1978)
2253:Miernowski, Jan,
2197:Doelman, James, '
2190:Dauphiné, James,
2185:Tudor Translation
2117:78 (2016), 127-43
2103:59 (2012), 505â8
2101:Notes and Queries
1987:. pp. 29â36.
1870:(Subscription or
962:Joachim Du Bellay
930:Sir Philip Sidney
857:William Alexander
827:Battle of Lepanto
740:BrĂšve instruction
691:Battle of Lepanto
334:
333:
83:
82:
79:courtier and poet
16:(Redirected from
2421:
2308:27 (1975), 8-20.
2222:Keller, Luzius,
2212:, 6 (1981) 53-59
2156:(Poitiers, 1912)
2139:Banks, Kathryn,
2129:Banks, Kathryn,
2033:
2032:
2026:
2018:
2010:
2004:
2003:
1995:
1989:
1988:
1980:
1974:
1973:
1965:
1959:
1958:
1952:
1944:
1936:
1930:
1929:
1927:
1925:
1911:
1905:
1904:
1898:
1890:
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1875:
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1300:
1292:
1286:
1285:
1277:
1271:
1270:
1262:
1256:
1255:
1253:
1252:
1246:rhetoric.byu.edu
1242:"prosopographia"
1238:
1232:
1231:
1229:
1227:
1213:
1207:
1206:
1204:
1202:
1192:
1186:
1185:
1184:. p. xxiii.
1177:
1171:
1164:
1158:
1151:
1145:
1144:
1138:
1130:
1122:
1116:
1115:
1107:
1101:
1100:
1094:
1086:
1078:
1069:
1068:
1061:
1001:would have read
916:Josuah Sylvester
895:Joshua Sylvester
819:Henry of Navarre
559:- 'Nothing, but
435:Dumbarton Castle
356:Henri of Navarre
343:â July 1590, in
326:
319:
312:
85:
44:
30:
21:
2429:
2428:
2424:
2423:
2422:
2420:
2419:
2418:
2404:Christian poets
2369:
2368:
2323:
2205:, Vol. 34, 1994
2113:de Du Bartasâ,
2092:Auger, Peter, â
2081:Auger, Peter, â
2065:Ashton, Harry,
2041:
2036:
2019:
2015:SĂ€mtliche Werke
2012:
2011:
2007:
1997:
1996:
1992:
1982:
1981:
1977:
1967:
1966:
1962:
1945:
1938:
1937:
1933:
1923:
1921:
1913:
1912:
1908:
1891:
1884:
1883:
1879:
1869:
1861:
1859:
1839:Snyder (2004).
1838:
1837:
1833:
1816:
1808:'Du Bartas' in
1805:
1804:
1800:
1783:
1776:
1775:
1771:
1757:
1756:
1752:
1735:
1728:
1727:
1723:
1709:
1708:
1704:
1690:
1680:
1677:
1676:
1672:
1655:
1651:Basilicon Doron
1648:
1647:
1643:
1621:
1620:
1616:
1607:
1606:
1602:
1592:
1591:
1587:
1570:
1563:
1562:
1558:
1541:
1526:
1525:
1521:
1507:
1497:
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1478:
1474:
1457:
1450:
1449:
1445:
1427:
1426:
1422:
1412:
1411:
1407:
1390:
1383:
1382:
1378:
1364:
1354:
1351:
1350:
1343:
1338:. p. I.77.
1333:
1332:
1328:
1310:Holmes (1940).
1309:
1308:
1304:
1294:
1293:
1289:
1279:
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1274:
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1123:
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1109:
1108:
1104:
1087:
1080:
1079:
1072:
1063:
1062:
1058:
1054:
1038:Rameau's Nephew
1015:
1005:before writing
999:Lucy Hutchinson
991:Anne Bradstreet
907:
882:Basilikon Doron
756:
704:
699:
689:'s poem on the
671:
580:
529:
511:Book of Genesis
503:
484:Jeanne d'Albret
480:
473:
388:
330:
267:Franco-American
47:
35:
28:
23:
22:
15:
12:
11:
5:
2427:
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2411:
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2367:
2366:
2361:
2356:
2351:
2346:
2338:
2332:
2322:
2321:External links
2319:
2318:
2317:
2309:
2302:
2295:
2294:(Munich, 1962)
2288:
2281:
2274:
2265:
2258:
2257:(Geneva, 1992)
2251:
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2195:
2188:
2181:
2178:
2171:
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2148:
2137:
2127:
2120:Auger, Peter,
2118:
2107:
2097:
2090:
2079:
2078:(Oxford, 2019)
2072:Auger, Peter,
2070:
2063:
2057:
2056:(Geneva, 2018)
2048:
2040:
2037:
2035:
2034:
2005:
1990:
1975:
1972:. p. xxv.
1960:
1931:
1906:
1877:
1831:
1798:
1769:
1750:
1721:
1702:
1693:|journal=
1670:
1641:
1630:(92): 401â16.
1614:
1600:
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1510:|journal=
1487:
1472:
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1376:
1367:|journal=
1341:
1326:
1302:
1287:
1284:. p. Q6v.
1272:
1257:
1233:
1208:
1187:
1172:
1166:Edmund Lodge,
1159:
1146:
1117:
1102:
1070:
1055:
1053:
1050:
1014:
1013:Rest of Europe
1011:
995:The Tenth Muse
924:Gabriel Harvey
906:
903:
868:Gabriel Harvey
844:William Fowler
840:Castalian Band
805:
804:
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798:
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784:
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683:Battle of Ivry
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659:Books of Kings
608:Tower of Babel
597:The first two
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2230:Lamb, Charles
2228:
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2211:
2207:
2204:
2200:
2196:
2194:(Paris, 1983)
2193:
2189:
2186:
2182:
2179:
2177:(Paris, 1998)
2176:
2172:
2170:(Paris, 1993)
2169:
2165:
2163:(Paris, 1981)
2162:
2158:
2155:
2154:
2150:Beekman, A.,
2149:
2146:
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2128:
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2069:(Paris, 1908)
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2046:
2043:
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2016:
2009:
2006:
2001:
1994:
1991:
1986:
1985:Bibliographie
1979:
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1766:. p. 59.
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711:Simon Goulart
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408:Jacques Cujas
405:
402:in Bordeaux (
401:
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374:(1584-1603).
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2226:(Bern, 1974)
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2100:
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2073:
2059:
2051:
2044:
2014:
2008:
1999:
1993:
1984:
1978:
1969:
1963:
1940:
1934:
1922:. Retrieved
1918:
1909:
1886:
1880:
1860:. Retrieved
1846:
1834:
1811:
1807:
1801:
1778:
1772:
1763:
1759:
1753:
1730:
1724:
1715:
1711:
1705:
1684:cite journal
1673:
1650:
1644:
1627:
1623:
1617:
1603:
1594:
1588:
1565:
1559:
1530:
1522:
1501:cite journal
1490:
1481:
1475:
1452:
1446:
1437:
1433:
1423:
1414:
1408:
1385:
1379:
1358:cite journal
1335:
1329:
1321:
1317:
1311:
1305:
1296:
1290:
1281:
1275:
1266:
1260:
1249:. Retrieved
1245:
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1224:. Retrieved
1220:
1211:
1199:. Retrieved
1190:
1181:
1175:
1167:
1162:
1154:
1149:
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1120:
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2379:1544 births
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1924:11 November
1862:30 November
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1267:City of God
1226:11 November
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1019:La Sepmaine
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960:that after
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727:La Sepmaine
707:La Sepmaine
584:City of God
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100:by category
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160:Précieuses
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392:Armagnac
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362:(1574),
352:Huguenot
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780:Essayes
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