Knowledge (XXG)

Gwen Raverat

Source 📝

638: 473: 792:
There are two published collections of Raverat's work. The first, by Reynolds Stone, presents many of her engravings printed from Raverat's original blocks; the second, by Joanna Selborne and Lindsay Newman, presents some 75 engravings printed from the blocks, and has long listings of Raverat's work.
594:
Raverat played a significant part in the wood engraving revival in Britain at the beginning of the twentieth century. By 1914 she had completed some sixty wood engravings, far more than any of her contemporaries. Her name recurs consistently in all contemporary reviews, and the first book devoted to
223: 645:
Apart from her studies at the Slade and the period from 1915 to 1928, which covered her life with Jacques and early widowhood, Raverat lived in or near Cambridge. In 1928 she moved into the Old Rectory,
665:
Her life revolved around her contacts in Cambridge. One aspect was her work for the theatre, designing costumes, scenery and programmes. Her first experience was in 1908, when she designed costumes for
313:, occupies both her childhood home, Newnham Grange, and the neighbouring Old Granary where she lived from 1946 until her death. The college has named one of its student accommodation houses after her. 352:
There was some similarity between her early engravings and those of Gill, and she did know Gill, but the similarity was based mostly on her black line style at the time, influenced by
396:
Mr. Greenwood excels in the delicate and minute work in white line upon black, which has also won the admiration of many collectors for the earlier wood engravings of Mrs. Raverat
683: 302:
Extension Cemetery, Cambridge with her father. Her mother, Maud, Lady Darwin, was cremated at Cambridge Crematorium on 10 February 1947. There is a memorial to Raverat in
501:. It appeared in 1933, five years after the project started. The first edition had been printed on Japanese vellum, but was scrapped when the ink failed to dry properly. 1452: 1402: 527: 465:
were illustrated with colour wood engravings. Brooke Crutchley, Lewis's successor at the press, was responsible for printing the collection of Raverat's work by
618: 614: 1387: 1382: 603:, and she exhibited at every annual exhibition of the Society of Wood Engravers between 1920 and 1940, exhibiting 122 engravings, more than anyone else. 1377: 1457: 1342: 356:, and the semi-religious themes that she then chose. One of her first wood engravings to appear in a book was "Lord Thomas and Fair Annet" in 1397: 1043: 970: 932: 702: 1422: 1412: 1392: 716:
Raverat had a keen interest in children's fiction. Three of her books were Victorian stories that she persuaded publishers to reprint –
697:, the premiere of which took place in Cambridge in 1931. The miniature stage set that she built as a model still exists, housed at the 1417: 897: 398:. Much of Raverat's work was for friends from Cambridge and appeared in books with small editions. She found a wider public with the 1293: 1164: 1144: 1090: 951: 913: 885: 863: 848: 820: 334: 1427: 1467: 1442: 1407: 1326: 999: 1437: 836: 407: 375:
Library in May 1915, which makes it the first modern British book illustrated with wood engravings, as the other contender,
425:
and printed at the press by Walter Lewis. The Cambridge University Press took almost as much care with their printing as a
1432: 733: 387: 793:(The second editions of these books are not printed from the original blocks.) The catalogue of the 1989 exhibition at 1447: 363:
Balston credits her with having produced one of the first two books illustrated with modern wood engravings. This was
185: 1215: 413:
Most of Raverat's commissions for book illustrations date from the 1930s. The first was for a set of engravings for
800:
Raverat's grandson, William Pryor, has edited and published the complete correspondence between Gwen, Jacques, and
626: 422: 637: 625:. Examples of her work were included in ‘Print and Prejudice: Women Printmakers, 1700-1930’, an exhibition at the 306:
Church, Cambridgeshire, where her family and friends donated towards the restoration of the church in her memory.
856:
Gwen and Jacques Raverat: Paintings & Wood-engravings: University of Lancaster Library (exhibition catalogue)
765: 761: 693: 310: 230: 205: 1260: 1462: 655: 521: 87: 701:
in Cambridge. She went on to design costumes, scenery and programmes for some ten productions, mostly for the
429:, and Lewis printed the wood engravings from the original blocks. He printed four more books for Raverat – 752:, which she illustrated with line drawings. It appeared in 1952 and has not been out of print since then. 688: 536:
for Penguin Illustrated Classics in 1938. Her final wood engravings were for another private press, the
394:, Keeper of Prints and Drawings at the British Museum, wrote about her in his introduction to the book: 1372: 1367: 794: 622: 584: 454: 241: 1351: 748: 706: 446: 346: 210: 118: 1322: 773: 769: 698: 280: 1289: 1160: 1140: 1086: 1039: 1033: 966: 947: 928: 909: 893: 881: 859: 844: 832: 816: 576: 493: 222: 1216:"V&A · Print and Prejudice: Women Printmakers, 1700 – 1930 - Display at South Kensington" 981: 491:, was rather more mixed. Raverat spent a year producing 29 wood engravings for an edition of 325:
in 1908, but stood outside the groups growing up at the time, the group that gathered around
283:
in 1925. They had two daughters: Elisabeth (1916–2014), who married the Norwegian politician
1338: 1256: 873: 710: 391: 264: 253: 678: 556: 533: 488: 414: 368: 353: 260: 132: 801: 781: 659: 537: 517: 484: 466: 399: 372: 342: 309:
Cambridge and the people associated with it remained very much the centre of her life.
292: 249: 226: 97: 1361: 564: 438: 426: 288: 284: 268: 201: 171: 160: 402:
which reproduced many of her engravings. The most famous are perhaps the engravings
777: 509: 322: 321:
Raverat was one of the first wood engravers recognised as modern. She went to the
764:, which held an annual exhibition that included works from other artists such as 668: 299: 245: 175: 76: 338: 271:
Neo-Pagan group until they moved to the south of France, where they lived in
1190: 386:, an anthology of wood engravings produced by Thomas Balston, a director at 330: 326: 237: 48: 681:
asked her to provide scenery and costumes for a proposed ballet drawn from
599:. She illustrated the first book illustrated with modern wood engravings, 548: 472: 647: 303: 746:
When she was 62 Raverat started to write her classic childhood memoir
1335:(raverat.com) – gallery and sales, "temporarily closed" December 2022 1018:
Joanna Selborne, ‘The Society of Wood Engravers: the early years’ in
607: 498: 687:
to commemorate the centennial of Blake's death; her second cousin,
469:
and described the care taken over printing from old warped blocks.
673: 636: 471: 272: 221: 1347: 1286:
Virginia Woolf & the Raverats: a different sort of friendship
944:
Virginia Woolf & The Raverats: A Different Sort of Friendship
650:, near Cambridge. The house was the model for her engravings for 276: 379:
illustrated by Eric Gill, was accessioned in December 1915.
360:(1911), which also featured a wood engraving by Noel Rooke. 906:
Gwen Raverat: Wood Engravings of Cambridge and Surroundings
1332: 658:, in Cambridge; the house was at the end of the garden of 831:(1st ed.). Denby Dale, Huddersfield: Fleece Press. 390:
and an enthusiast for the new style of wood engravings.
709:, in the society's production of Handel's oratorio " 200:; 26 August 1885 – 11 February 1957), was an English 691:, wrote the music to the work which became known as 349:
and developed her own painterly style of engraving.
732:had gone out of print, she persuaded the publisher 181: 167: 154: 126: 111: 103: 93: 83: 72: 56: 30: 23: 677:at the New Theatre, Cambridge. Her brother-in-law 1083:British Wood-engraved Book Illustration 1904–1940 367:by her cousin Frances Cornford, published by the 641:The Old Granary (left), Raverat's home from 1946 240:in 1885; she was the daughter of astronomer Sir 923:Davidson, Rosemary; Pryor, Emily, eds. (2004). 382:In 1922 she contributed two wood engravings to 291:(1919–2011), who married the Cambridge scholar 248:). She was the granddaughter of the naturalist 606:Raverat had to give up wood engraving after a 504:In 1934 she produced a set of engravings for 8: 1139:(Lancaster, University of Lancaster, 1989); 1035:Gwen Raverat: Friends, Family and Affections 878:Gwen Raverat: Friends, Family and Affections 804:. Pryor has also blogged a talk on Raverat. 1251: 1249: 1131: 1129: 1127: 1125: 760:Gwen Raverat was a founding member of the 595:a modern wood engraver was Herbert Furst's 1077: 1075: 1073: 827:Selborne, Joanna; Newman, Lindsay (1996). 815:(2nd ed.). Cambridge: Silent Books. 1989. 813:(1st ed.). London: Faber & Faber. 654:. In 1946 she moved into The Old Granary, 147: 1911⁠–⁠1925) 20: 843:(2nd ed.) London: British Library. 2003. 419:The Cambridge Book of Poetry for Children 483:Her experience of a real private press, 229:, Raverat's childhood home, now part of 1453:Olympic competitors in art competitions 1354:, with 21 library catalogue records 1178:Modern Woodcutters 1: Gwendolen Raverat 1059: 1057: 1055: 1011: 705:. Raverat met one of her close friends 547:She illustrated a number of books with 1403:Alumni of the Slade School of Fine Art 1104:Wood-engraving in Modern English Books 1032:Spalding, Frances (30 November 2010). 809:Stone, Reynolds; Brett, Simon (1959). 520:(1935) reused engravings produced for 1339:Guide to collection of Raverat papers 1106:(London, National Book League, 1949). 512:(1934), perhaps her best known work. 7: 854:Newman, L. M.; Steel, D. A. (1989). 703:Cambridge University Musical Society 1065:The Wood Engravings of Gwen Raverat 1022:(1988), published by Combined Arts. 982:"Gwen Raverat – A Neo-Pagan Darwin" 371:in 1915. It was accessioned at the 1388:20th-century British women writers 1383:20th-century British women artists 1067:(London, Faber & Faber, 1959). 892:(2nd ed.). London: Pimlico. 2004. 421:(1932). This was published by the 333:and the group that grew up at the 236:Gwendolen Mary Darwin was born in 14: 1180:(London, Little Art Rooms, 1920). 1085:(Oxford, Clarendon Press, 1998), 880:(1st ed.). London: Harvill. 335:Central School of Arts and Crafts 263:in 1911. They were active in the 16:English wood engraver (1885–1957) 1378:20th-century British printmakers 961:Davidson, Rosemary, ed. (2007). 904:Davidson, Rosemary, ed. (2003). 797:includes a useful bibliography. 684:Illustrations of the Book of Job 204:who was a founder member of the 1309:. N.p., n.d. Web. 06 Mar. 2017. 1243:. N.p., n.d. Web. 06 Mar. 2017. 1135:L. M. Newman and D. A. Steel, 1000:List of Bloomsbury Group people 811:Wood Engravings of Gwen Raverat 613:Raverat's work was part of the 259:She married the French painter 244:and his wife, Lady Darwin (nĂ©e 144: 965:. Cambridge: Broughton House. 927:. Cambridge: Broughton House. 908:. Cambridge: Broughton House. 408:London General Omnibus Company 1: 1458:British women autobiographers 1159:(London, Bodley Head, 1980), 1117:Contemporary English Woodcuts 1038:. Random House. p. 387. 494:Les Amours de Daphne et Chloe 435:Four Tales from Hans Andersen 384:Contemporary English Woodcuts 194:Gwendolen Mary "Gwen" Raverat 79:Extension Cemetery, Cambridge 1398:20th-century English writers 1307:SWE | Cornwall artists index 942:Pryor, William, ed. (2004). 542:London Bookbinders 1780–1806 540:, for which she illustrated 433:by Frances Cornford (1934), 406:which were produced for the 341:. She was influenced by the 1288:(Bath, Clear Books, 2003), 829:Gwen Raverat: Wood Engraver 728:. When she discovered that 252:and a first cousin of poet 1484: 1413:British women illustrators 1393:20th-century English women 1323:Works by Gwendolyn Raverat 1220:Victoria and Albert Museum 1119:(London, Duckworth, 1922). 986:williampryor.wordpress.com 963:Gwen Raverat: A Miscellany 627:Victoria and Albert Museum 457:(her great-uncle) (1939). 423:Cambridge University Press 295:and later Charles Gurney. 1418:Burials in Cambridgeshire 1241:National Portrait Gallery 762:Society of Wood Engravers 694:Job, a masque for dancing 311:Darwin College, Cambridge 298:Raverat is buried in the 206:Society of Wood Engravers 1333:The Gwen Raverat Archive 1137:Gwen and Jacques Raverat 858:. Lancaster University. 591:by L. O. Tingay (1949). 571:by Virginia Pye (1940), 561:Mustard, Pepper and Salt 88:Slade School of Fine Art 1428:English autobiographers 1261:"The woodcutter's tale" 980:Pryor, William (2009). 788:Publications on Raverat 736:to reissue it in 1953. 589:The Bedside Barsetshire 431:Mountains and Molehills 404:Six Rivers Round London 279:, until his death from 214:was published in 1952. 1468:20th-century engravers 1443:English wood engravers 1423:Darwin–Wedgwood family 1408:Artists from Cambridge 925:Gwen Raverat in France 689:Ralph Vaughan Williams 662:, where she was born. 642: 480: 233: 186:Darwin–Wedgwood family 1438:English women artists 640: 633:Raverat and Cambridge 529:A Sentimental Journey 476:An illustration from 475: 225: 158:Elisabeth (1916–2014) 35:Gwendolen Mary Darwin 1433:English illustrators 1259:(16 November 2002). 795:Lancaster University 629:in London, 2022-23. 623:1948 Summer Olympics 553:Over The Garden Wall 242:George Howard Darwin 1352:Library of Congress 707:Elisabeth Vellacott 544:by E. Howe (1950). 437:, a new version by 377:The Devil's Devices 347:Post-Impressionists 1448:Modern printmakers 1155:Brooke Crutchley, 1115:Campbell Dodgson, 699:Fitzwilliam Museum 643: 585:Charlotte M. Yonge 569:Red-Letter Holiday 526:. She illustrated 481: 417:classic anthology 281:multiple sclerosis 234: 67:Cambridge, England 1343:National Archives 1081:Joanna Selborne, 1045:978-1-4090-2941-0 972:978-0-95439-176-8 934:978-0-95439-173-7 874:Spalding, Frances 722:The Bird Talisman 597:Gwendolen Raverat 577:Walter de la Mare 463:The Bird Talisman 451:The Bird Talisman 447:Elizabeth A. Hart 415:Kenneth Grahame's 191: 190: 104:Years active 1475: 1310: 1303: 1297: 1282: 1276: 1275: 1273: 1271: 1257:Frances Spalding 1253: 1244: 1237: 1231: 1230: 1228: 1226: 1212: 1206: 1205: 1203: 1201: 1187: 1181: 1174: 1168: 1153: 1147: 1133: 1120: 1113: 1107: 1102:Thomas Balston, 1100: 1094: 1079: 1068: 1063:Reynolds Stone, 1061: 1050: 1049: 1029: 1023: 1016: 989: 976: 957: 938: 919: 891: 869: 842: 814: 392:Campbell Dodgson 265:Bloomsbury Group 254:Frances Cornford 148: 146: 114: 63: 60:11 February 1957 44: 42: 21: 1483: 1482: 1478: 1477: 1476: 1474: 1473: 1472: 1463:Women engravers 1358: 1357: 1341:at the British 1319: 1314: 1313: 1304: 1300: 1284:William Pryor, 1283: 1279: 1269: 1267: 1255: 1254: 1247: 1238: 1234: 1224: 1222: 1214: 1213: 1209: 1199: 1197: 1189: 1188: 1184: 1176:Herbert Furst, 1175: 1171: 1157:To be a Printer 1154: 1150: 1134: 1123: 1114: 1110: 1101: 1097: 1080: 1071: 1062: 1053: 1046: 1031: 1030: 1026: 1020:Craft History 1 1017: 1013: 1008: 996: 979: 973: 960: 954: 946:. Bath: Clear. 941: 935: 922: 916: 903: 888: 872: 866: 853: 839: 826: 808: 790: 758: 744: 679:Geoffrey Keynes 635: 619:art competition 557:Eleanor Farjeon 534:Laurence Sterne 489:Ashendene Press 369:Poetry Bookshop 358:The Open Window 354:Lucien Pissarro 319: 317:Wood engravings 269:Rupert Brooke's 261:Jacques Raverat 220: 174: 159: 150: 142: 138: 135: 133:Jacques Raverat 122:(autobiography) 112: 84:Alma mater 68: 65: 61: 52: 46: 40: 38: 37: 36: 26: 17: 12: 11: 5: 1481: 1479: 1471: 1470: 1465: 1460: 1455: 1450: 1445: 1440: 1435: 1430: 1425: 1420: 1415: 1410: 1405: 1400: 1395: 1390: 1385: 1380: 1375: 1370: 1360: 1359: 1356: 1355: 1345: 1336: 1330: 1318: 1317:External links 1315: 1312: 1311: 1298: 1277: 1245: 1232: 1207: 1191:"Gwen Raverat" 1182: 1169: 1148: 1121: 1108: 1095: 1069: 1051: 1044: 1024: 1010: 1009: 1007: 1004: 1003: 1002: 995: 992: 991: 990: 977: 971: 958: 952: 939: 933: 920: 914: 901: 898:978-1844134243 886: 870: 864: 851: 837: 824: 802:Virginia Woolf 789: 786: 782:Clare Leighton 757: 754: 743: 738: 660:Newnham Grange 634: 631: 615:painting event 601:Spring Morning 538:Dropmore Press 518:Norah C. James 514:Cottage Angles 506:Farmer's Glory 485:St John Hornby 467:Reynolds Stone 455:H. A. Wedgwood 400:London Mercury 373:British Museum 365:Spring Morning 343:Impressionists 318: 315: 293:M. G. M. Pryor 256:(nĂ©e Darwin). 250:Charles Darwin 231:Darwin College 227:Newnham Grange 219: 216: 189: 188: 183: 179: 178: 169: 165: 164: 156: 152: 151: 140: 136: 131: 130: 128: 124: 123: 115: 109: 108: 105: 101: 100: 95: 91: 90: 85: 81: 80: 74: 70: 69: 66: 64:(aged 71) 58: 54: 53: 47: 45:26 August 1885 34: 32: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1480: 1469: 1466: 1464: 1461: 1459: 1456: 1454: 1451: 1449: 1446: 1444: 1441: 1439: 1436: 1434: 1431: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1394: 1391: 1389: 1386: 1384: 1381: 1379: 1376: 1374: 1371: 1369: 1366: 1365: 1363: 1353: 1349: 1346: 1344: 1340: 1337: 1334: 1331: 1328: 1324: 1321: 1320: 1316: 1308: 1302: 1299: 1295: 1294:1-904555-02-0 1291: 1287: 1281: 1278: 1266: 1262: 1258: 1252: 1250: 1246: 1242: 1236: 1233: 1221: 1217: 1211: 1208: 1196: 1192: 1186: 1183: 1179: 1173: 1170: 1166: 1165:0-370-30304-0 1162: 1158: 1152: 1149: 1146: 1145:0-901272-64-7 1142: 1138: 1132: 1130: 1128: 1126: 1122: 1118: 1112: 1109: 1105: 1099: 1096: 1092: 1091:0-19-817408-X 1088: 1084: 1078: 1076: 1074: 1070: 1066: 1060: 1058: 1056: 1052: 1047: 1041: 1037: 1036: 1028: 1025: 1021: 1015: 1012: 1005: 1001: 998: 997: 993: 987: 983: 978: 974: 968: 964: 959: 955: 953:1-904555-02-0 949: 945: 940: 936: 930: 926: 921: 917: 915:0-954391-71-3 911: 907: 902: 900:(a biography) 899: 895: 889: 887:9781860467462 883: 879: 875: 871: 867: 865:0-901272-64-7 861: 857: 852: 850: 849:9780712347921 846: 840: 834: 830: 825: 822: 821:9781851830084 818: 812: 807: 806: 805: 803: 798: 796: 787: 785: 783: 779: 775: 771: 767: 763: 755: 753: 751: 750: 742: 739: 737: 735: 731: 727: 726:Countess Kate 723: 719: 714: 712: 708: 704: 700: 696: 695: 690: 686: 685: 680: 676: 675: 671: 670: 663: 661: 657: 656:Silver Street 653: 649: 639: 632: 630: 628: 624: 620: 616: 611: 609: 604: 602: 598: 592: 590: 586: 582: 581:Countess Kate 578: 574: 570: 566: 565:Alison Uttley 562: 558: 554: 550: 549:line drawings 545: 543: 539: 535: 531: 530: 525: 524: 523:Time and Tide 519: 515: 511: 507: 502: 500: 496: 495: 490: 486: 479: 474: 470: 468: 464: 460: 456: 452: 448: 444: 440: 439:R. P. Keigwin 436: 432: 428: 427:private press 424: 420: 416: 411: 409: 405: 401: 397: 393: 389: 385: 380: 378: 374: 370: 366: 361: 359: 355: 350: 348: 344: 340: 336: 332: 328: 324: 316: 314: 312: 307: 305: 301: 296: 294: 290: 286: 285:Edvard Hambro 282: 278: 274: 270: 266: 262: 257: 255: 251: 247: 243: 239: 232: 228: 224: 217: 215: 213: 212: 208:. Her memoir 207: 203: 202:wood engraver 199: 195: 187: 184: 180: 177: 173: 172:George Darwin 170: 166: 162: 157: 153: 134: 129: 125: 121: 120: 116: 110: 106: 102: 99: 98:Wood Engraver 96: 92: 89: 86: 82: 78: 75: 73:Resting place 71: 59: 55: 50: 33: 29: 22: 19: 1348:Gwen Raverat 1306: 1301: 1285: 1280: 1268:. Retrieved 1265:The Guardian 1264: 1240: 1235: 1223:. Retrieved 1219: 1210: 1198:. Retrieved 1194: 1185: 1177: 1172: 1156: 1151: 1136: 1116: 1111: 1103: 1098: 1082: 1064: 1034: 1027: 1019: 1014: 985: 962: 943: 924: 905: 877: 855: 828: 810: 799: 791: 778:Paul Gauguin 759: 749:Period Piece 747: 745: 741:Period Piece 740: 729: 725: 721: 717: 715: 692: 682: 672: 667: 664: 651: 644: 612: 605: 600: 596: 593: 588: 580: 572: 568: 560: 552: 551:, including 546: 541: 528: 522: 513: 510:A. G. Street 505: 503: 492: 482: 477: 462: 458: 450: 442: 434: 430: 418: 412: 403: 395: 383: 381: 376: 364: 362: 357: 351: 323:Slade School 320: 308: 297: 258: 235: 211:Period Piece 209: 197: 193: 192: 119:Period Piece 117: 113:Notable work 62:(1957-02-11) 25:Gwen Raverat 18: 1373:1957 deaths 1368:1885 births 1270:13 November 1225:12 November 766:David Jones 756:Memberships 730:The Runaway 718:The Runaway 652:The Runaway 587:(1948) and 478:The Runaway 449:(1936) and 443:The Runaway 300:Trumpington 289:Sophie Jane 246:Maud du Puy 176:Maud du Puy 163:(1919–2011) 161:Sophie Jane 77:Trumpington 1362:Categories 1327:Faded Page 1239:"Person." 1006:References 838:0948375493 459:Four Tales 339:Noel Rooke 94:Occupation 41:1885-08-26 1200:22 August 1195:Olympedia 774:Paul Nash 770:John Nash 734:Duckworth 610:in 1951. 573:Crossings 388:Duckworth 331:Ditchling 327:Eric Gill 238:Cambridge 218:Biography 182:Relatives 168:Parent(s) 107:1911–1951 51:, England 49:Cambridge 1329:(Canada) 994:See also 876:(2001). 669:Milton's 579:(1942), 567:(1938), 559:(1933), 441:(1935), 155:Children 1305:”SWE." 648:Harlton 621:at the 617:in the 337:around 304:Harlton 275:, near 149:​ 141:​ 137:​ 1292:  1163:  1143:  1089:  1042:  969:  950:  931:  912:  896:  884:  862:  847:  835:  819:  711:Jephta 608:stroke 499:Longus 287:, and 198:Darwin 127:Spouse 674:Comus 273:Vence 196:(nĂ©e 143:( 139: 1290:ISBN 1272:2018 1227:2022 1202:2020 1161:ISBN 1141:ISBN 1087:ISBN 1040:ISBN 967:ISBN 948:ISBN 929:ISBN 910:ISBN 894:ISBN 882:ISBN 860:ISBN 845:ISBN 833:ISBN 817:ISBN 780:and 724:and 461:and 345:and 277:Nice 267:and 57:Died 31:Born 1350:at 1325:at 772:, 713:". 583:by 575:by 563:by 555:by 532:by 516:by 508:by 497:by 487:'s 453:by 445:by 329:at 1364:: 1263:. 1248:^ 1218:. 1193:. 1124:^ 1072:^ 1054:^ 984:. 784:. 776:, 768:, 720:, 410:. 145:m. 1296:. 1274:. 1229:. 1204:. 1167:. 1093:. 1048:. 988:. 975:. 956:. 937:. 918:. 890:. 868:. 841:. 823:. 43:) 39:(

Index

Cambridge
Trumpington
Slade School of Fine Art
Wood Engraver
Period Piece
Jacques Raverat
Sophie Jane
George Darwin
Maud du Puy
Darwin–Wedgwood family
wood engraver
Society of Wood Engravers
Period Piece

Newnham Grange
Darwin College
Cambridge
George Howard Darwin
Maud du Puy
Charles Darwin
Frances Cornford
Jacques Raverat
Bloomsbury Group
Rupert Brooke's
Vence
Nice
multiple sclerosis
Edvard Hambro
Sophie Jane
M. G. M. Pryor

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑