Knowledge

GUIDO music notation

Source 📝

112: 88:
projects in computational musicology. More importantly, GUIDO is designed in a way that when using such custom extensions, the resulting GUIDO data can still be processed by other applications that support GUIDO but are not aware of the custom extensions, which are gracefully ignored. This design also greatly facilitates the incremental implementation of GUIDO support in music software, which can speed up the software development process significantly, especially for research software and prototypes.
91:
GUIDO has been split into three consecutive layers: Basic GUIDO introduces the main concepts of the GUIDO design and allows to represent much of the conventional music of today. Advanced GUIDO extends Basic GUIDO by adding exact score-formatting and some more advanced musical concepts. Finally,
87:
GUIDO Music Notation is designed as a flexible and easily extensible open standard. In particular, its syntax does not restrict the features it can represent. Thus, GUIDO can be easily adapted and customized to cover specialized musical concepts as might be required in the context of research
66:). Later developments have been done by the SALIERI Project by Holger H. Hoos, Kai Renz and Jürgen F. Kilian. GUIDO Music Notation has been designed to represent music in a logical format (with the ability to render to sheet music), whereas 299:
Holger H. Hoos, Keith A. Hamel, Kai Renz, Jürgen Kilian: The GUIDO Music Notation Format - A Novel Approach for Adequately Representing Score-level Music. Proceedings of ICMC'98, p. 451-454, ICMA, San Francisco,
296:
Holger H. Hoos, Keith A. Hamel, Kai Renz, and Jürgen Kilian: Representing Score-Level Music Using the GUIDO Music-Notation Format. Computing in Musicology, Vol 12, MIT Press, 2001.
306:
Kai Renz: Algorithms and Data Structures for a Music Notation System based on GUIDO Music Notation. PhD thesis. Fachbereich Informatik, Technische Universität Darmstadt, 2002.
303:
Holger H. Hoos, Keith A. Hamel, Kai Renz, Jürgen Kilian: GUIDO Music Notation - Towards an Adequate Representation of Score-level Music. Proceedings of JIM'98, LMA-CNSR, 1998.
84:
GUIDO is not primarily focused on conventional music notation, but has been invented as an open format, capable of storing musical, structural, and notational information.
104:
input format. Two obvious differences are the specification of octaves and durations, as shown in the example below. Both formats are to some extent inspired by the
78:
which means that simple musical concepts are represented in a simple way and only complex notions require more complex representations.
39: 59: 47: 92:
Extended GUIDO can represent user-defined extensions, like microtonal information or user defined pitch classes.
370: 111: 316: 28: 35: 20: 364: 343: 116: 23:
format designed to logically represent all aspects of music in a manner that is both
321: 101: 55: 354: 79: 326: 67: 24: 43: 31:, who pioneered today's conventional musical notation 1,000 years ago. 63: 51: 110: 105: 27:-readable and easily readable by human beings. It was named after 357:– Classroom introduction and exercises for GUIDO Music Notation. 331: 348: 70:
is more narrowly focused on typesetting sheet music.
100:Basic GUIDO notation is similar to that of the 8: 74:The basic idea behind the GUIDO design is 351:– Renders GUIDO to sheet music online 7: 14: 40:Technische Universität Darmstadt 355:Music 253, Stanford University 60:University of British Columbia 48:University of British Columbia 1: 108:format for typesetting text. 96:Example of a GUIDO input file 34:GUIDO was first designed by 387: 76:representational adequacy 120: 287: 114: 115:Opening phrases of " 17:GUIDO Music Notation 288: 132:"treble" 378: 349:GUIDO Noteserver 284: 281: 277: 274: 271: 268: 265: 262: 259: 256: 253: 250: 247: 244: 241: 237: 234: 231: 228: 225: 222: 218: 215: 211: 208: 205: 201: 198: 195: 192: 189: 186: 182: 179: 175: 172: 169: 166: 163: 160: 157: 154: 151: 148: 145: 142: 139: 136: 133: 130: 127: 124: 386: 385: 381: 380: 379: 377: 376: 375: 361: 360: 340: 317:Guido of Arezzo 313: 293: 286: 285: 282: 279: 275: 272: 269: 266: 263: 260: 257: 254: 251: 248: 245: 242: 239: 235: 232: 229: 226: 223: 220: 216: 213: 209: 206: 203: 199: 196: 193: 190: 187: 184: 180: 177: 173: 170: 167: 164: 161: 158: 156:"4/4" 155: 152: 149: 146: 143: 140: 137: 134: 131: 128: 125: 122: 98: 29:Guido of Arezzo 12: 11: 5: 384: 382: 374: 373: 363: 362: 359: 358: 352: 346: 344:GUIDO Homepage 339: 338:External links 336: 335: 334: 329: 324: 319: 312: 309: 308: 307: 304: 301: 297: 292: 289: 121: 97: 94: 82: 81: 36:Holger H. Hoos 21:music notation 19:is a computer 13: 10: 9: 6: 4: 3: 2: 383: 372: 369: 368: 366: 356: 353: 350: 347: 345: 342: 341: 337: 333: 330: 328: 325: 323: 320: 318: 315: 314: 310: 305: 302: 298: 295: 294: 290: 144:"D" 118: 117:O Sanctissima 113: 109: 107: 103: 95: 93: 89: 85: 80: 77: 73: 72: 71: 69: 65: 61: 57: 53: 49: 45: 41: 37: 32: 30: 26: 22: 18: 371:Scorewriters 322:GNU LilyPond 99: 90: 86: 83: 75: 33: 16: 15: 56:Keith Hamel 46:, now at 38:(then at 365:Category 327:MusicXML 311:See also 102:LilyPond 68:LilyPond 25:computer 291:Sources 44:Germany 150:\meter 64:Canada 54:) and 52:Canada 300:1998. 126:\clef 106:LaTeX 332:MIDI 159:> 153:< 147:> 141:< 138:\key 135:> 129:< 255:2/4 168:1/2 367:: 267:/2 230:/4 214:4. 194:/4 178:4. 165:1* 119:" 62:, 50:, 42:, 283:] 280:1 278:/ 276:a 273:1 270:b 264:# 261:c 258:d 252:# 249:c 246:b 243:a 240:2 238:/ 236:a 233:g 227:# 224:f 221:8 219:/ 217:g 212:/ 210:a 207:b 204:2 202:/ 200:a 197:g 191:# 188:f 185:8 183:/ 181:g 176:/ 174:a 171:b 162:a 123:[ 58:(

Index

music notation
computer
Guido of Arezzo
Holger H. Hoos
Technische Universität Darmstadt
Germany
University of British Columbia
Canada
Keith Hamel
University of British Columbia
Canada
LilyPond

LilyPond
LaTeX

O Sanctissima
Guido of Arezzo
GNU LilyPond
MusicXML
MIDI
GUIDO Homepage
GUIDO Noteserver
Music 253, Stanford University
Category
Scorewriters

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.