Knowledge (XXG)

The Cow (1969 film)

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250:. Hassan is married but has no children. His only valuable property is a cow that he cherishes as the only cow in the village. When Hassan must leave the village for a short time, the pregnant cow is found dead in the barn. Hassan's fellow villagers fear his reaction and cover up the evidence of the death and tell him upon his return that his cow has run away. Finding great difficulty confronting the loss of his beloved cow, as well the loss of livestock that affects his social stature at the village, Hassan gradually goes insane following a nervous breakdown and 402:. Despite a massive commercial cinema -"film Farsi" - that was the economic backbone for Art House too, directors of New Wave of Iran cinema mostly from the 1960s and 1970s (the time cinema flourished) faced a massive censorship in the 1980s. However they continued their film-making and struggle around censorship but it was obvious cinema was going through a financial crisis and censorship had choked the cinema. 274:
The movie depicts a very superstitious society in which people believe in an ultimate ultra-mundane power which will save them from the devil, the eternal enemy of mankind. The shadows of this illusion (enemy illusion) are to the extent that the people having a sense of paranoia and are always ready
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and describes how the main character loses himself in the struggle of finding his cow which is his most valuable property. It reveals how much Masht Hassan and his family’s life is depended on the cow both economically and emotionally that Masht Hassan cannot handle the situation logically.
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to confront the conspiracy of their enemies. In such a society, women have no significant role apart from being good wives and mothers who are expected to follow the social norm and be a typical Iranian woman.
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The movie is very well-known because of its psychological and social criticisms. There are several psychological messages behind the main character’s delusion of being a cow. It opens up
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was immediately banned by the Shah because of its negative portrayal of impoverishment in rural Iran. It was later smuggled out of the country and won the
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was reported to have thought of himself as a cow. He was subsequently cured of his delusion by the medieval Persian physician
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The story begins by showcasing the close relationship between a middle-aged Iranian villager Masht Hassan and his beloved
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wrote that the film "adds a mystical vision and surreal sequences" to the Italian neorealism by which it was inspired.
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was reported to have admired the film. This in turn was reported to have been the saving grace that allowed
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called it a "dazzling achievement" and "the most impressive of Mr. Mehrjui's pre-Revolutionary features".
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This article is about the 1969 Iranian film. For other films of this or similar names, see
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Reviewing the film as part of a 1998 retrospective of the director's work, the
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as Masht Hassan. Some critics consider it the first film of the
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tebyan.net, موسسه فرهنگی واطلاع رسانی تبیان | (2008-08-21).
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It is possible that elements of the plot of 230:based on his own play and novel, and starring 977:Films based on works by Gholam-Hossein Sa'edi 753: 8: 470:“The Cow” and the Birth of Iranian New Wave 760: 746: 738: 45: 36: 604:UCLA Library: Film and Television Archive 529: 527: 451: 436:32nd Venice International Film Festival 429:22nd Berlin International Film Festival 593: 591: 649:Museum of Modern Art (MoMA), New York 559:https://www.imdb.com/title/tt0064356/ 222:) is a 1969 Iranian film directed by 7: 709:Fribourg International Film Festival 669:Godfrey Cheshire (8 November 1998). 624:"The Cow « Thirtyframesasecond" 598:Jan-Christopher Horak (2016-06-10). 290:Mahin Shahabi as Masht Hasan's wife 733:The Cow in Films Anywhere You Want 600:"Dariush Mehrjui's The Cow (1969)" 337:Mahtaj Nojoomi as Esma'il's sister 25: 992:Films directed by Dariush Mehrjui 721:Dariush Mehrjui discusses The Cow 424:Best Film Award La Rochelle 1994 320:Ezzatollah Ramazanifar as madman 201: 1: 1007:Films based on multiple works 997:Iranian black-and-white films 481:Young, Deborah (2002-03-08). 311:as Kadkhoda (Village headman) 982:1960s Persian-language films 972:Iranian films based on plays 264:Marx's theory of alienation 1033: 506:Zara Afthab (2023-10-27). 384:critics prize at the 1971 26: 1017:Films about mental health 1002:Iranian independent films 776: 323:Esmat Safavi as old woman 44: 812:The School We Used to Go 483:"Bemani / To Stay Alive" 362:were inspired by this. 305:Firouz Behjat-Mohamadi 252:believes he is the cow 94:Firouz Behjat-Mohamadi 508:"Gav/ The Cow (1969)" 112:Ezatallah Ramezanifar 386:Venice Film Festival 228:Gholam-Hossein Saedi 73:Gholam Hossein Saedi 327:Mahmoud Dowlatabadi 285:Ezzatollah Entezami 97:Mahmoud Dowlatabadi 987:Films about cattle 768:Films directed by 400:Iranian Revolution 392:Ayatollah Khomeini 315:Khosrow Shojazadeh 300:Jamshid Mashayekhi 232:Ezzatolah Entezami 126:Fereydon Ghovanlou 105:Jamshid Mashayekhi 91:Ezzatolah Entezami 1012:Films set in Iran 949: 948: 333:Parviz Fannizadeh 268:social alienation 189: 188: 101:Parviz Fannizadeh 34:1969 Iranian film 16:(Redirected from 1024: 967:1969 drama films 762: 755: 748: 739: 723: 685: 684: 682: 681: 666: 660: 659: 657: 656: 641: 635: 634: 632: 631: 620: 614: 613: 611: 610: 595: 586: 585: 583: 582: 567: 561: 555: 549: 548: 546: 545: 531: 522: 521: 519: 518: 512:AnOther Magazine 503: 497: 496: 494: 493: 478: 472: 467: 461: 459:A different lens 456: 236:Iranian New Wave 156: 154: 49: 37: 21: 1032: 1031: 1027: 1026: 1025: 1023: 1022: 1021: 952: 951: 950: 945: 927:Good to Be Back 919:The Orange Suit 772: 770:Dariush Mehrjui 766: 729:, FirouzanFilms 719: 694: 689: 688: 679: 677: 668: 667: 663: 654: 652: 651:. 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Index

Gaav
Cow (disambiguation) § Film and television

Dariush Mehrjui
Gholam Hossein Saedi
Ezzatolah Entezami
Mahmoud Dowlatabadi
Parviz Fannizadeh
Jamshid Mashayekhi
Ali Nassirian
Jafar Vali
Hormoz Farhat
Persian
Dariush Mehrjui
Gholam-Hossein Saedi
Ezzatolah Entezami
Iranian New Wave
cow
believes he is the cow
Marx's theory of alienation
social alienation
Ezzatollah Entezami
Ali Nassirian
Jamshid Mashayekhi
Jafar Vali
Khosrow Shojazadeh
Mahmoud Dowlatabadi
Parviz Fannizadeh
Buyid
Majd ad-Dawla

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