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519:. Miss Clayburgh could be an interesting actress, but she's not a great one, nor is she a star, and there are always problems when small performers try to portray the kind of giant legends that Gable and Lombard were. Because both Gable and Lombard are still very much alive in their films on television and in repertory theaters, there is difficulty in responding to Mr. Brolin and Miss Clayburgh in any serious way. They are stand-ins.
651:" period. That might be appealing, but it's a mistake, because what we get is a constant imitation of a Gable performance, rather than Gable as he must have been off-screen. Further proof that this film is not a re-creation of the Gable-Lombard love affair, but a corny love story featuring Gable in his most popular screen personage the aw, shucks, reluctant sex symbol.
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The film is "Gable and
Lombard," with two young actors imitating two of Hollywood's most famous stars. The alleged purpose of the film is to tell us the ill-fated love story of Clark Gable and his third wife, actress Carole Lombard. But less than five minutes into the film one realizes the romance is
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But Gable does not cry out. He does not say anything, and there's a very good reason for that. The reason is this movie is more interested in convincing us visually that this is Clark Gable than it Is in telling us a real story. If we believe right away James Brolin is Gable, then it really does not
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fears any publicity about his affair with
Lombard will jeopardize Gable's career, and since he is MGM's most valuable player, Mayer becomes protective of his star. Gable and Lombard fish, play practical jokes on each other, laugh, fight, and have fun making up. His wife finally grants him a divorce,
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culled from the worst movies of that period. The actors do not help ... Of the two, Miss
Clayburgh comes off better. She appears to be creating a character whenever the fearfully bad screenplay allows it. Mr. Brolin does not act. He gives an impersonation of the sort that makes you wonder if he can
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a film with many major assets, not the least of which is the stunning and smashing performance of Jill
Clayburgh as Carole Lombard. James Brolin manages excellently to project the necessary Clark Gable attributes while adding his own individuality to the characterization . . . is candid without
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Jill
Clayburgh is a more successful performance as comedienne Lombard. The reason is Lombard is not crucial to this movie. Not many people remember her, at least not enough to warrant financing for the film. Her subordinate role is apparent in the film itself. The script presents her as a
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The film seems as insulated and remote from the real
Hollywood as Hollywood vehicles of the time were from the real world. Allen Garfield does a reasonable turn as Louis Mayer, but Brolin is a wax dummy and Clayburgh produces a very modern version of the Lombard
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there are so many dumb practical jokes and would-be risque innuendoes that any concern for real thoughts and feelings is lost. So we don't get a notion of their private lives, and we don't even remotely learn from this movie what made them great stars and
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Lombard arrives in an ambulance that wrecks his car. After an argument, it is apparent the two clearly dislike each other, and intensely so, but as fate conspires to bring them together again and again, they begin to admire each other and fall in love.
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a cardboard retelling of the Clark Gable-Carol
Lombard romance and marriage . . . Clayburgh as Lombard is adequate, but Brolin has none of the charisma that made Gable a premier screen idol. The major problem is the superficial
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Most everyone would agree that if time could be stopped, and if Gable were alive today and in his prime, he would still hold box-office appeal. Well, that is the idea here: have Gable make another Gable picture after he's dead.
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matter what he says tor does not say or what happens during the rest of the movie. A "new 1976 Gable film" should sell just as well as if a long-lost Gable picture had been discovered in some
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Now, if this project hits, it could have profound
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simply a cover story. What the makers of "Gable and
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SECOND ANNUAL GROSSES GLOSS Byron, Stuart. Film
Comment; New York Vol. 13, Iss. 2, (Mar/Apr 1977): 35-37, 64.
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Actually, whether or not this project makes money is immaterial. Similar fare already is in production. "
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being prurient; delightful without being superficially glossy; heart-warming without being corny.
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IT'S PURE cornball, filled with every cliche. James Brolin looks and sounds like Gable from his "
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uniform, stands silently in profile having just learned of the airplane crash death of Lombard.
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foul-mouthed, slightly, cloying gal with a powerful hankering for the big lug that is Gable.
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As for "Gable and Lombard," it lies more often than it tells the truth.
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column ... As written by Barry Sandler and directed by Sidney J. Furie,
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described the film as a "mushy, old-fashioned extravaganza" and added,
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of 5 critics' reviews are positive, with an average rating of 3.4/10.
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meet at a Hollywood party, where rugged leading man Gable eschews
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is based on the romance and consequent marriage of screen stars
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Jodean Lawrence as Party Guest (credited as Jodean Russo)
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1105:Sheila Levine Is Dead and Living in New York
468:movie with the emotional zap of a long-lost
228:. The original music score was composed by
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1437:English-language biographical drama films
620:'s going to throw a tantrum. How about "
1422:Films with screenplays by Barry Sandler
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581:In the film's first shot, Gable, in an
1442:English-language romantic drama films
1387:American films based on actual events
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388:as Colonel (credited as Bill Bryant)
143: (Los Angeles and New York City)
419:was done by Edward C. Carfagno and
1372:Cultural depictions of Clark Gable
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1392:Films directed by Sidney J. Furie
1153:Superman IV: The Quest for Peace
1367:Biographical films about actors
1382:Films scored by Michel Legrand
1347:1970s biographical drama films
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1362:American romantic drama films
636:? Possibilities are endless.
391:John Lehne as Attorney Kramer
1377:1970s English-language films
264:is Gable's second wife Ria.
16:1976 film by Sidney J. Furie
1357:American biographical films
1169:The Taking of Beverly Hills
616:, and not have to worry if
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1081:Little Fauss and Big Halsy
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364:Carol McGinnis as Noreen
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401:Betsy Jones-Moreland
660:W. C. Fields and Me
397:as Gable's Director
266:Metro-Goldwyn-Mayer
262:fly in the ointment
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1276:Partners in Action
955:Films directed by
898:TCM Movie Database
731:"AFI|Catalog"
649:Gone With the Wind
517:Edward G. Robinson
503:To Be or Not to Be
479:Gone with the Wind
453:The New York Times
431:Critical reception
275:happily ever after
254:screwball comedian
121:Universal Pictures
102:Argyle Nelson, Jr.
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1113:Gable and Lombard
915:Gable and Lombard
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893:Gable and Lombard
882:Gable and Lombard
808:Chicago Sun-Times
756:Gable and Lombard
668:Rudolph Valentino
529:Chicago Sun-Times
491:Twentieth Century
474:Gable and Lombard
450:In his review in
437:review aggregator
417:Production design
206:biographical film
198:Gable and Lombard
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93:Jordan Cronenweth
22:Gable and Lombard
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1255:Under Heavy Fire
1201:Top of the World
1065:The Naked Runner
1049:The Ipcress File
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1001:Three on a Spree
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331:as Ria Gable
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152:Running time
71:James Brolin
1305:The Veteran
773:October 26,
664:Rod Steiger
542:Gene Siskel
524:Roger Ebert
374:Alan Dexter
350:Ross Elliot
323:Red Buttons
300:Clark Gable
242:Clark Gable
240:Film stars
222:Clark Gable
156:131 minutes
83:Red Buttons
59:Produced by
39:Directed by
1342:1976 films
1336:Categories
1239:My 5 Wives
1145:Iron Eagle
1129:The Entity
1073:The Lawyer
717:References
679:called it
626:Lee Majors
622:Casablanca
593:basement.
568:Presidents
564:Disneyland
485:Honky Tonk
425:Edith Head
412:Production
214:screenplay
201:is a 1976
187:Box office
139:1976-02-11
49:Written by
1283:Detention
368:Noah Keen
99:Edited by
1209:The Rage
1177:Ladybugs
1025:The Boys
909:AllMovie
864:TV Guide
704:TV Guide
602:Minnelli
511:also do
439:website
337:as Dixie
203:American
169:Language
107:Music by
67:Starring
896:at the
836:Variety
712:script.
676:Variety
598:McQueen
560:Kremlin
544:of the
526:of the
508:clichés
435:On the
281:during
173:English
161:Country
137: (
1322:(2014)
1314:(2011)
1308:(2006)
1300:(2005)
1292:(2004)
1286:(2003)
1278:(2002)
1272:(2002)
1264:(2002)
1258:(2001)
1250:(2000)
1242:(2000)
1234:(1999)
1228:(1998)
1220:(1997)
1212:(1997)
1204:(1997)
1196:(1996)
1188:(1995)
1180:(1992)
1172:(1991)
1164:(1988)
1156:(1987)
1148:(1986)
1140:(1984)
1132:(1982)
1124:(1978)
1116:(1976)
1108:(1975)
1100:(1973)
1092:(1972)
1084:(1970)
1076:(1970)
1068:(1967)
1060:(1966)
1052:(1965)
1044:(1964)
1036:(1964)
1028:(1962)
1020:(1961)
1012:(1961)
1004:(1961)
996:(1961)
988:(1961)
980:(1959)
972:(1957)
866:review
852:review
838:review
824:review
810:review
796:review
693:says,
606:Newman
506:, but
212:. The
179:Budget
556:Lenin
1247:Cord
1097:Hit!
887:IMDb
775:2023
612:and
583:Army
562:and
515:and
289:Cast
260:The
252:and
244:and
236:Plot
224:and
918:at
907:at
885:at
632:as
591:MGM
500:or
358:as
343:as
316:as
307:as
298:as
216:by
1338::
766:.
760:.
604:,
600:,
570:.
494:,
488:,
482:,
464:a
456:,
445:0%
443:,
427:.
285:.
232:.
948:e
941:t
934:v
777:.
758:"
754:"
733:.
141:)
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