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world, speaking to both undergraduates and postgraduates. Carrillo also teaches the Jorge
Gonzales Reyna Workshop at UNAM. From 2001 to December 2011, she was project director at the Mauricio Rocha Architecture Workshop, becoming a partner of it as of 2012, changing the name of the office to Taller | Mauricio Rocha + Gabriela Carrillo.
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discourse where a building is culturally revalued, and possibilities are created to be energized for new projects such as exhibitions, presentations and other cultural events. In this way, Carrillo contributes her architectural vision, where space goes hand in hand with esthetics, but also with a social function.
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In this proposal for the use of space, Carrillo manifests her architectural poetics in which she has positioned architecture as a creative discipline and communicator of messages to create better conditions for coexistence. In this regard, she has expressed: “I think a lot about the limits, about how
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The building was built with stone from this region and incorporated wooden details. The design of its walls and lighting is inspired by two types of buildings. The first are Las Trojes, pre-Hispanic houses in the region of the Purépecha people of
Angahuan; the second reference is the ceremonial space
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As part of her academic career, she has given workshops and conferences in undergraduate and graduate studies. During 2013 she collaborated in the
Federico E. Mariscal Extraordinary Chair of the National Autonomous University of Mexico and in the Enrique Manero Peón Extraordinary Chair of the Marist
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This project included a stained glass window and exterior bars designed by the
Oaxacan artist Francisco Toledo. The materials used in the enclosure such as wood and gray quarry seek to create a space where the historical value of the enclosure can be discussed with the contemporary, thus creating a
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It has also been recognized with the Silver Medal at the XIII Biennial of
Mexican Architecture (2014), with the First Place of the CEMEX Award in the Social Impact category (2013), the Works award, in the Interior Design category, by the Library de Débiles Visuales in Mexico City (2013) and the
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Gabriela
Carrillo uses materials and light design to create messages and atmospheres that impact the way people communicate within these spaces. Therefore, for these Courts in Pátzcuaro, he has commented that he took special care in different aspects of design: “(...) how light deconstructs and
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Part of the interventions consisted of releasing aggregates that had been made to the building and thus recovering spaces for better circulation within the building, such as patios, murals and corridors, among others. The work on a 700 m glass pavilion that connects three levels stands out: the
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Carrillo began her career in 2001 as the project director at the
Architecture Workshop Mauricio Rocha until December 2011. She became a member of the organization, and later, the studio was renamed to Taller Mauricio Rocha + Gabriela Carrillo. Gabriela provides workshops and lectures around the
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In 2013 Ciudadela's
Library for the Blind and Visually Impaired opened, designed by Carrillo and Mauricio Rocha. Their design focused on including indirect lightning ideal for visual impaired people, as well as a focus on senses other than sight such as sound and smell. Sounds is specifically
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She has participated in national and international exhibitions, including
Architecture in Mexico, 1900–2010. The Construction of Modernity, at the Amparo Museum (Puebla, Mexico, 2015), Oris House of Architecture, Zagreb, Croatia, and Ibero-American City and Architecture at the Zulia Museum of
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Winner of the 2017 International Women in
Architecture Award, the highest international recognition for women in architecture, after designing the complex11 that houses the courtrooms in Pátzcuaro, Michoacán, resuming the construction model used by the Purépechas, called Las Trojes.
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irreparably damaged the regions rail infrastructure, rendering the station unusable. As part of the Program for Urban Improvement implemented by SEDATU (Secretariat for Agrarian, Territorial, and Urban Development), the abandoned station was saved and repurposed.
121:+ Gabriela Carrillo developed the project of the San Pablo Academic and Cultural Center in the center of the city of Oaxaca, whose enclosure is located in what used to be the Monastery of Santo Domingo "San Pablo", built in the sixteenth century.
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and his firm Taller de Arquitectura Mauricio Rocha + Gabriela Carrillo. She has presented lectures and has led workshops at universities in Mexico, the United States, and South America. Her work has been published nationally and internationally.
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Contemporary Art (Venezuela, 2014), the IX Ibero-American Biennial of Architecture and Urbanism in Rosario (Argentina, 2014), among others. Her work has been published in magazines such as Code, Summa, Domus, ArquiTK and Architectural Digest.
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Since a law that includes oral trials was approved in 2008, they have tried to manage improvements in these processes in Mexico. This is how Gabriela Carrillo develops the project for the Courts of Pátzcuaro in Michoacán.
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Her designs involve sensitivity to context and environment, combining an adequate selection of materials from the regions where his creations are established, as well as incorporating the best available technology.
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important as audiobooks are part of the collections, therefor sound-insulated booths were included. Carrillo said "Whether for the blind or the sighted, something we seek constantly, in any project, is silence."
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She has worked in works such as the San Pablo Cultural Center (2013), in Oaxaca, the School of Plastic Arts of Oaxaca (2009) and the Library for the blind and visually impaired of the Ciudadela (2013).
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is a Mexican architect and partner of the practice Taller Rocha + Carrillo |. Carrillo is also a founding member of the architectural design collective C733. She graduated from Faculty of
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This project was recognized with the International Women in Architecture Award in 2017, which was also received in the same edition by Rozana Montiel.
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Tzin Tzun Tzan, which is reflected in the use of glass-transparency and holes that allow to create an atmosphere of spaciousness and freedom.
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to break the public from the private (…) about how to frame or highlight the things that exist, whether it is a tree or a stone, about.
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enclosure's library with its reading room, the administrative and management spaces, as well as an exhibition and archive area.
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School of Plastic Arts and the San Pablo Academic and Cultural Center in Oaxaca (2008) (Taller|Mauricio Rocha+Gabriela Carrillo)
305:"Gabriela Carrillo named 2017 Architect of the Year in Women in Architecture Awards + Rozana Montiel wins Moira Gemmill Prize"
423:"¿Por qué el 'Centro Cultural San Pablo' de Mauricio Rocha + Gabriela Carrillo construyó un puente entre distintas épocas?"
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builds a space, how transparency and open things generate democracy, how architecture begins let's talk... ”
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493:"Las mexicanas Gabriela Carrillo y Rozana Montiel, ganadoras de los Premios 'Women in Architecture' 2017"
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Library for the Blind and Visually Impaired in Ciudadela (2013) (Taller|Mauricio Rocha+Gabriela Carrillo)
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Criminal Courts for Oral Trials in Pátzcuaro, Michoacán (2015) (Taller|Mauricio Rocha+Gabriela Carrillo)
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In 2015 she participated in the 3rd. Architecture Symposium at the Autonomous University of Yucatán.
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Deans Building School of Commercial Banking (2015) (Taller|Mauricio Rocha+Gabriela Carrillo)
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Cuatro Caminos Photo Museum in Mexico City (2015) (Taller|Mauricio Rocha+Gabriela Carrillo)
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397:"Taller de Arquitectura | Mauricio Rocha + Gabriela Carrillo | | Arquine"
262:"Taller | Mauricio Rocha + Gabriela Carrillo - México D.F., Mexico - Architects - About"
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La verdadera accesibilidad en arquitectura | Gabriela Carrillo | TEDxPitic
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Tapachula Station is a 7200 square meter sport and cultural center in
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designed by the architectural design collective C733. In 2005,
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Iturbide Studio (2016) (Taller|Mauricio Rocha+Gabriela Carrillo)
201:"Building for the Blind." Architectural Review 1470 (2020).
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Library for the Blind and Visually Impaired in Ciudadela
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In 2017, Carrillo was named Architect of the Year by
287:"Interview with Keynote Speaker Gabriela Carrillo"
244:"Interview with Keynote Speaker Gabriela Carrillo"
108:Tapachula Station (2021) (Colectivo C733)
559:National Autonomous University of Mexico alumni
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530:"Gabriela Carrillo, la arquitecta del 2017"
192:Silver Medal at the Mexico City Biennial.
105:Matamoros Market (2020) (Colectivo C733)
21:National Autonomous University of Mexico
330:"architetta Gabriela Carrillo / Mexico"
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381:: CS1 maint: archived copy as title (
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285:Augustine, Erin (September 27, 2018).
113:San Pablo Academic and Cultural Center
83:Some of her most important works are:
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242:Erin, Augustine (27 September 2018).
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399:. 13 September 2016. Archived from
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23:(UNAM). In 2012 she partnered with
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142:Courts of Pátzcuaro in Michoacán
223:www.tallerdearquitectura.com.mx
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334:Architette = Women Architects
45:Women in Architecture Awards
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549:Mexican women architects
437:"Building for the blind"
219:"Taller de Arquitectura"
60:University of Mérida.
196:Selected publications
441:Architectural Review
403:on 18 September 2021
34:Architectural Review
512:"Tapachula Station"
425:. 26 February 2018.
40:Architects' Journal
266:Mexican-Architects
516:Arquitectura Viva
172:Tapachula, Mexico
166:Tapachula Station
17:Gabriela Carrillo
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407:7 November
368:2020-11-07
314:2019-06-25
271:2019-03-22
228:2019-03-22
206:References
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51:Biography
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