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She died in 1948 at
Rockport, Folly Cove, Massachusetts on March 26, 1948. Her works were exhibited 1994–95 at the Washington Print Club Thirtieth Anniversary Exhibition: Graphic Legacy and in 2005 at the Revival and the Professional Woman Artist, both of which were conducted by the National Museum
474:
collection and was conserved during a 2009 to 2010 exhibition at the museum. In 1910, she made a 10 by 22 feet (3.0 by 6.7 m) mural on canvas. In 2014, it was in the process of being restored at the Hugh McCall
Mansion, site of the Women's Club of York, Pennsylvania. The plan was also to frame
483:
She taught art at
Baltimore's The Bryn Mawr School from 1895 to 1908. There she taught new techniques, like working with aquatint and color etching, by the turn of the 20th century, etching was not a profitable endeavor. She also taught art in Philadelphia. Clements taught print making, etching,
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Hale and
Clements vacationed and painted together during the summers at a house they bought, "The Thickets" in an artist's enclave in Folly Cove on Cape Ann, Massachusetts. In addition to Charleston, South Carolina, Clements and Hale traveled to Europe during the winter months.
719:
345:, it was the first show held at a museum of women's works of art. David Tatham considered the exhibitions led by Koehler in the late 1880s to be "ground-breaking women etcher's shows". Her etchings were based upon modern French techniques, like
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and other locations along the
American East Coast. She also captured foreign destinations, like Palestine, Algiers, and France. During her career, her work was exhibited at a number of venues, some of which are the
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degree. She created murals, painted portraits, and made etchings. Clements taught in
Philadelphia and in Baltimore at Bryn Mawr School. Her works have been exhibited in the United States and at the
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Gabrielle de Veaux
Clements was born in Philadelphia in 1858. Her parents were Dr. Richard Clements and Gabriella DeVeaux. Her mother, Gabriella DeVeaux, was from South Carolina.
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In 1883, Clements began working professionally, making prints and exhibiting her works. She created the appearance of 3-dimensions by overlapping, or interposition, in
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in Ithaca, New York from 1876 to 1880, where she studied science, made scientific drawings, and received her
Bachelor of Science degree. Her senior thesis was
236:, her maternal ancestor, was called "Swamp Fox". Clements attended Miss Longstreth's school in Philadelphia and developed an interest in art as a teenager.
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337:(1885). In 1888, Clements exhibited 20 of her works at The Work of Women Etchers of America show held by the Union League of New York, led on by
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of Women in the Arts. Her sketchbooks, correspondence, photographs, and other papers are in the
Archives of American Art at the
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or more specifically, from 1916 to 1920. They helped inspire the creation of the
Charleston Etchers' Club and influence the
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taught her to be an etcher in 1883. She produced a number of lithographs and scientific drawings during her school years.
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192:(September 11, 1858 – March 26, 1948) was an American painter, print maker, and muralist. She studied art at the
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1248:"Women Artists from the Cape Ann Museum Collection: A Survey Exhibition October 24, 2009 – January 31, 2010"
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977:. American National Biography Online. American National Biography Online, Oxford University Press.
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A Descriptive Catalogue of the Books Forming the Library of Clarence H. Clark ... Philadelphia
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Painting Professionals: Women Artists & the Development of Modern American Art, 1870–1930
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Painting Professionals: Women Artists & the Development of Modern American Art, 1870–1930
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569:, Philadelphia - A collection of seven oil paintings by Ellen Day Hale and Gabrielle Clements
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After completing her studies at Cornell, Clements returned to Philadelphia and attended the
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in Philadelphia under Charles Page, with whom she studied lithography. She then attended
216:. Clements works are in several public collections. Her life companion was fellow artist
410:. Clements' etchings were exhibited at international exhibitions alongside the works of
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612:, 9 by 13 feet (2.7 by 4.0 m) mural, made for the Columbian Exposition of 1893
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North American Women Artists of the Twentieth Century: A Biographical Dictionary
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of Philadelphia. It offered educational classes and programs for working women.
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Clements painted sea, city and landscapes of places in the United States, like
288:, who would become her travel and life companion. About 1884, she attended the
1464:"Gabrielle de Veaux Clements, copied from the portrait by John Singer Sargent"
386:
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1205:"Women's Art at the World's Columbian Fair & Exposition, Chicago 1893"
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Phyllis Peet (December 19, 2013). Jules Heller and Nancy G. Heller (ed.).
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1061:"Exhibition Catalogue of The Women Etchers of America exhibition in 1888"
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1355:. Vol. 62. Philadelphia: T.S. Arthur & Sons. pp. 113, 116.
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and as the women traveled through France, Clements taught Hale to etch.
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300:. Hale went to Paris with her. In 1885, Clements exhibited at the
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North American Prints, 1913–1947: An Examination at Century's End
628:- Prints and drawings, Fine and Decorative Arts, Medical Archives
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A Study of Two German Masters in Medieval Art, DĂĽrer and Holbein.
1600:, est. 1930s, Archives of American Art, Smithsonian Institution
1063:. New York: Union League of New York. 1888. pp. 4–5, 8, 23
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Clements, Gabrielle DeVaux (1858–1948), Painters, Printmakers
1513:. Medical Archives of the Johns Hopkins Medical Institutions
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Etchings by Clements, Prints and Photographs Collection
1489:"A Garden Path, 1919, Greenville County Museum of Art"
544:, Ellen Day Hale's sister-in-law; were their friends.
1418:. Philadelphia: Academy of Vocal Arts. Archived from
827:"Gabrielle de Veaux Clements papers, 1860–1948, more"
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by Charlotte Pendleton, which was published in 1892.
1336:– via Traditional Fine Arts Organization, Inc.
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Toppan Prize, Pennsylvania Academy of the Fine Arts
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1396:. Archives of American Art, Smithsonian Institution
1300:"Women in Professions: Art in its Various Branches"
1227:"Women in Professions: Art in its Various Branches"
829:. Archives of American Art, Smithsonian Institution
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Portrait of a Woman, said to be Gabrielle Clements,
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1324:. Greenville County Museum of Art. Archived from
430:in Chicago, Illinois. She also exhibited at the
1274:"Photos: Mural restored, can be viewed at event"
426:and the Pennsylvania State Building at the 1893
1394:"Gabrielle de Veaux Clements papers, 1860–1948"
1349:"Business Training and Opportunities for Women"
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446:Clements painted five murals for churches in
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1127:Clarence Howard Clark; John Thomson (1888).
924:. Taylor & Francis. pp. 1561–1563.
370:. She illustrated a book of verses entitled
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750:It is an etching of Johns Hopkins Hospital.
29:
18:
1347:Anne H. Wharton (January–December 1892).
1149:. R.R. Bowker Company. 1892. p. 363.
1088:. Syracuse University Press. p. 47.
983:10.1093/anb/9780198606697.article.1701482
452:Oh, praise ye the Lord, al ye His angels.
1304:The International Congress of Women 1899
1231:The International Congress of Women 1899
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651:Paintings by Gabrielle de Veaux Clements
516:Beginning about 1880, Clements assisted
284:In 1883, she met American Impressionist
1444:. Hon. George William Brown (1812–1890)
1442:"Hon. George William Brown (1812–1890)"
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259:Philadelphia School of Design for Women
194:Philadelphia School of Design for Women
111:Philadelphia School of Design for Women
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1539:. National Museum of Women in the Arts
1306:. London: T. Fisher Unwin. p. 71.
1298:The Countess of Aberdeen, ed. (1900).
1233:. London: T. Fisher Unwin. p. 69.
1225:The Countess of Aberdeen, ed. (1900).
1182:. Library of Alexandria. p. 302.
1133:. Collins Printing House. p. 296.
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888:. National Museum of Women in the Arts
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1585:Studio portrait of Gabrielle Clements
1535:Church and Castle, Mont Saint Michel,
639:Church and Castle, Mont Saint Michel,
536:, who was one of Clements' students;
277:. She won the school's Toppan Prize.
271:Pennsylvania Academy of the Fine Arts
198:Pennsylvania Academy of the Fine Arts
123:Pennsylvania Academy of the Fine Arts
7:
1727:20th-century American women painters
1722:19th-century American women painters
1030:Lois Fichner-Rathus (May 16, 2014).
635:National Museum of Women in the Arts
488:with Hale during the winters during
1110:"A Talk with David Christie Murray"
956:"Obituary: Gabrielle D. Clements".
404:National Museum of American History
402:, Philadelphia Society of Artists,
204:. Clements also studied science at
1116:. J. Wanamaker. 1895. p. 138.
626:Johns Hopkins Medical Institutions
14:
1682:20th-century American printmakers
1272:Paul Kuehnel (October 20, 2014).
1165:. AMS Reprint. 1892. p. 382.
598:, 1917, made after a portrait by
292:in Paris. Clements studied under
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1416:"Our Home: An Architectural Gem"
1253:. Cape Ann Museum. pp. 3, 6
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631:Maryland State Museum, Annapolis
454:Clements also painted murals in
1372:. UNC Press Books. p. 88.
1009:. UNC Press Books. p. 77.
971:Peet, Phyllis (February 2000).
730:Greenville County Museum of Art
616:Greenville County Museum of Art
257:In 1875, Clements attended the
1672:20th-century American painters
1667:19th-century American painters
475:it in a 400-pound wood frame.
1:
1033:Foundations of Art and Design
886:"Gabrielle de Veaux Clements"
763:was made after a portrait by
432:Louisiana Purchase Exposition
416:James Abbott McNeill Whistler
357:James Abbott McNeill Whistler
132:
1322:"The Charleston Renaissance"
691:Baltimore City Circuit Court
670:World's Columbian Exposition
573:Baltimore City Circuit Court
428:World's Columbian Exposition
496:and over time the works of
436:Sesquicentennial Exposition
396:Museum of Fine Arts, Boston
362:Clement made a portrait of
353:Woodblock printing in Japan
343:Museum of Fine Arts, Boston
190:Gabrielle de Veaux Clements
23:Gabrielle de Veaux Clements
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1692:American women printmakers
1677:Painters from Philadelphia
1511:"Fine and Decorative Arts"
534:Margaret Lesley Bush-Brown
486:Charleston, South Carolina
400:National Academy of Design
294:William-Adolphe Bouguereau
230:American Revolutionary War
1662:Cornell University alumni
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686:Hon. George William Brown
578:Hon. George William Brown
502:Alice Ravenel Huger Smith
351:, and were influenced by
273:from 1881 to 1882, under
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1717:American women muralists
1697:American lesbian artists
585:Baltimore Public Library
524:in the establishment of
512:Personal and public life
506:Elizabeth O'Neill Verner
1702:Bryn Mawr School people
1366:Kirsten Swinth (2001).
1176:Joseph Pennell (1914).
1003:Kirsten Swinth (2001).
645:Smithsonian Institution
555:Smithsonian Institution
368:Spain and the Spaniards
1687:Académie Julian alumni
1353:Arthur's Home Magazine
494:Charleston Renaissance
339:Sylvester Rosa Koehler
327:
254:
186:
1626:, Library of Congress
1568:at Wikimedia Commons
1566:Gabrielle D. Clements
1146:The Publishers Weekly
1082:David Tatham (2006).
637:, Washington, D.C. -
592:Library Collection -
567:Academy of Vocal Arts
412:Francis Seymour Haden
408:New York Etching Club
320:
247:
208:and graduated with a
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1611:Etchings by Clements
1320:Martha R. Severens.
1036:. Cengage Learning.
542:Lilian Westcott Hale
424:the Woman's Building
1466:. Bryn Mawr College
1328:on January 13, 2010
765:John Singer Sargent
618:, South Carolina -
600:John Singer Sargent
518:Eliza Sproat Turner
332:Church and Castle,
210:Bachelor of Science
180:Church and Castle,
1652:American muralists
1613:, Digital Maryland
1598:Etching of a house
958:The New York Times
713:Library collection
608:, Massachusetts -
328:
313:Painter and etcher
298:Tony Robert-Fleury
263:Cornell University
255:
206:Cornell University
200:, and in Paris at
187:
117:Cornell University
58:September 11, 1858
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1629:
1564:Media related to
1379:978-0-8078-4971-2
1278:York Daily Record
1189:978-1-4655-4409-4
1095:978-0-8156-3071-5
1043:978-1-305-17682-9
1016:978-0-8078-4971-2
960:. March 27, 1948.
931:978-1-135-63889-4
711:Bryn Mawr College
590:Bryn Mawr College
526:New Century Guild
434:of 1904, and the
364:Edmondo De Amicis
355:and the works of
334:Mont Saint-Michel
323:Edmondo De Amicis
182:Mont Saint-Michel
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89:Massachusetts
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761:Mary Garrett
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83:Folly Cove,
78:(1948-03-26)
66:Pennsylvania
62:Philadelphia
39:
1647:1948 deaths
1642:1858 births
1491:. Athenaeum
1210:25 December
581:(1812–1890)
561:Collections
490:World War I
372:Easter Song
348:a la poupée
302:Paris Salon
250:Samuel Hill
214:Paris Salon
136: 1884
125:(1881–1882)
119:(1876–1880)
96:Nationality
42:1883, Paris
1636:Categories
775:References
418:. Clement
224:Early life
54:1858-09-11
1543:March 22,
1517:March 22,
1495:March 22,
1470:March 22,
1448:March 22,
1426:March 22,
1400:March 22,
1332:March 22,
1283:March 22,
1257:March 22,
1162:Poet Lore
1114:Book News
1067:March 22,
988:March 25,
892:March 22,
833:March 22,
438:in 1926.
420:exhibited
387:Baltimore
240:Education
104:Education
709:, 1917,
689:, 1901,
663:Harvest,
479:Educator
442:Muralist
391:Maryland
379:Cape Ann
146:Movement
99:American
85:Cape Ann
610:Harvest
468:Harvest
460:Chicago
456:Detroit
156:Partner
150:Realism
1376:
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767:, 1904
728:1919,
672:, 1893
602:, 1904
540:; and
504:, and
462:, and
406:, and
308:Career
253:, 1889
185:, 1885
164:Awards
113:(1875)
1537:1885"
1251:(PDF)
738:Notes
548:Death
1545:2015
1519:2015
1497:2015
1472:2015
1450:2015
1428:2015
1402:2015
1374:ISBN
1334:2015
1285:2015
1259:2015
1212:2018
1184:ISBN
1090:ISBN
1069:2015
1038:ISBN
1011:ISBN
990:2015
926:ISBN
894:2015
835:2015
641:1885
622:1919
520:and
414:and
385:and
296:and
73:Died
48:Born
979:doi
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