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274:. When Demophoƶn finally did return, he remorsefully embraced the almond tree and it burst into bloom. The gods took pity on Phyllis, and transformed her back into a woman. Burne-Jones's innovation was to portray the moment of transformation, when the branches entangling Demophoƶn suddenly become the arms of Phyllis embracing him. "When the painting was exhibited at the Old Watercolour Society for the 1870 Summer Exhibition, great controversy followed, partially because of Burne-Jones' affair, but also as a result of Demophoƶn's nudity. Due to the numerous complaints, Burne-Jones withdrew the painting from the exhibition two weeks after the opening." Burne-Jones later painted another version in oil,
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1131:"Phyllis has the unmistakable features of Maria Zambaco, with whom Burne-Jones had been infatuated since 1868. Her depiction in such a scene as this, with its poignant Latin tag—"Tell me what I have done, except to love unwisely?"—has provoked much discussion on the psychological implications of the picture, which at the very least must have served as an act of catharsis in exorcizing the artist's feelings of guilt toward his wife as well as toward his mistress."
1022:
907:, in favour of a more vibrant treatment, based on the use of jagged, irregular glass, set at angles to the plaster, so that it would catch the light." The commission was expanded in 1902 to include mosaics for the barrel-vaulted choir aisles and quarterdomes. For nearly twelve years, Meo led the team of craftsmen executing the mosaics in the ancient method, laying the glass piece by piece
813:
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studio. Meo came to believe that the woman had been the ghost of
Richmond's first wife, Charlotte, and took it as an omen that the two men were intended to work together. Meo became Richmond's principal model, studio assistant and student. He likely posed for the three muscular angels guarding the funeral bier of a shrouded female corpse in
903:, had intended them for its interior decoration, and that mosaics would survive for centuries. The following year Richmond received the design commission to create neo-Byzantine mosaic murals for the walls and ceiling of the cathedral's choir and apse. "Richmond chose to abandon the flat surface of mosaicists like
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In Paris the artists treated their models as friends, they were regarded as fellow workers in a great undertaking, coadjutors to whose dramatic and artistic co-operation the artists were greatly indebted. After work, the artist and his model dined together and talked, and the model, if intelligent,
1181:
Edward Gordon Craig married Helen Mary "May" Gibson in 1893, and they had five children together. Elena Meo and Craig met in 1900, and they had three children together: Ellen (1903–1904), Nell (1904–1975), and Edward (1905–1998). Craig lived with Elena Meo and their two surviving
286:
The extremely close, nearly 50-year friendship between Meo and
William Blake Richmond began with a mysterious incident. In 1872, Meo arrived unannounced at Richmond's country house seeking modeling work. He encountered a beautiful woman inside the back door, who pointed the way to the painter's
146:
claimed to have discovered the 18-year-old playing harp in the streets. "Meo represented a form of classical southern beauty much sought after in paintings of scenes from Greek mythology." In 1867, in Rome, Solomon painted a three-quarter-length watercolor of another model dressed as
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of Athens. On the day after their wedding, Demophoƶn departed for his father's land, promising to return for his bride. Phyllis would go to the shore each day to watch for his ship, but it never came. Finally, in despair, she hanged herself and the gods transformed her into an
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children on and off, in
England and Italy. May Gibson Craig would not consent to a divorce until 1932, after Craig and Elena Meo had permanently separated. Craig fathered other illegitimate children: a daughter with actress Jess Dorynne, a daughter with dancer
106:
He was a son of Rocco Meo, an
Italian shepherd of Greek descent whose surname was probably a diminutive version of Bartolomeo, and Maria Francesca Meo (nee Pignone). He had at least three elder brothers and a younger sister, and grew up in the town of
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536:
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728:
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Holiday and
Richmond jointly sponsored Meo for British citizenship, that was granted in 1888. To celebrate Meo's naturalization, Holiday hosted a party, that was attended by friends, artists and art patrons, including the
202:
learnt much of Art. ā¦ But
English artists were different, as a rule they treated their models as dirt! Not so Richmond and Rossetti, and Burne Jones – God bless him! – they treated their models as human beings.
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depicts the corpse of
Charlotte, dead some ten years, with a very Italian background surrounding her; the naked angels are more than likely depictions of Gaetano Meo, welcomed as he was into the intimacy of Richmond's
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632:
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Meo assisted
Richmond on stained-glass windows for the apse of St. Paul's Cathedral, including the great arched east window behind the high altar. (Richmond's windows were destroyed in 1940, during
123:. Playing harp and lute, they supported themselves as street musicians while saving money for passage to the United States. By 1866, Meo was posing as an artist's model in Paris. The pair lacked
1091:—son of Elena Meo and Edward Gordon Craig—never finished his biography of his grandfather, Gaetano Meo. He dramatized portions of his manuscript for a 25 November 1994 broadcast on
1050:
Elena
Fortuna Meo (October 1879, Hampstead, London – 24 December 1957). A professional violinist, she bore three illegitimate children by married scenic designer, art director and writer
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443:
1999:
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In 1891, Richmond was approached about painting murals for St. Paul's
Cathedral in London. Instead, Richmond proposed mosaics, arguing that the cathedral's 17th century architect, Sir
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to Charlotte. Meo later assisted Richmond on murals, acted as his business manager in negotiations with clients, and for more than ten years led the team that executed his mosaics at
197:
Male models in England generally insisted on wearing loincloths, but Meo would pose fully nude. In his autobiography, Meo contrasted how models were treated in France versus England:
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2014:
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1163:"1904 – 11 January – Birth of Nell, second child of EGC and Elena Meo; death of their first child, Ellen, in this period."
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2004:
1885:
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1101:—great-granddaughter of Gaetano Meo, and daughter of Edward and Helen Godfrey Carrick—is the illustrator of the
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In the 1880s, Powell & Sons appears to have sent Meo to Italy to study the mosaics of Ravenna, Venice, Sicily and Rome.
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278:(1881-1882), with Phyllis emerging fully nude from the trunk of the tree, and Demophoƶn's genitals covered by drapery.
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1154:"The east window, given by the Architect, Mr. Woodward, was designed and executed by Mr. Gaetano Meo, of Hampstead."
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379:
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67:
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Stephen Wildman and John Christian, "Catalogue – 48. Phyllis and Demophoƶn," in Metropolitan Museum of Art,
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859:. From the piano, Holiday performed his verses to "He Is an Englishman," and led all in singing the choruses.
1047:
Humbert James "Little Bertie" Meo (19 July 1878, Hampstead, London – 22 September 1885, Hendon, London)
1914:
Beth Carroll-Horrocks, "A Working Relationship: The Dorothy Nevile Lees Papers Relating to Gordon Craig and
948:
296:
1558:
Gabriel Berner, "The importance of provenance as two works set multi-estimate sums at Bonham's in London,"
765:
Under William Blake Richmond's instruction, Meo became a proficient landscape painter and exhibited at the
187:
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1950:
1771:
Official Catalogue of Exhibitors. Universal Exposition. St. Louis, U.S.A. 1904. Department B.—Art.
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940:, Meo led the team in creating the mosaics for the Chapel of St. Andrew and the Saints of Scotland at
223:
1984:
1979:
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Francesco Giovanni Luigi Meo (16 August 1872, Fulham, London ā 21 January 1933, East Dulwich, London)
1037:, Ireland. They set up home in Hampstead, and had six children—three sons and three daughters:
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After the watercolour was damaged, Burne-Jones painted a larger version in oil (1893-1894), now at
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1172:"1900 – November – Birth of Kitty, daughter of Edward Gordon Craig and Jess Dorynne"
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231:(1876), St. Michael & St. Mary Magdelene Church, Easthampstead, UK. (circular window at top)
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Executing his own designs, Meo created mosaic panels for the Church of St. John the Baptist in
841:." By 1880, Meo had become Holiday's assistant, helping to execute his stained-glass designs.
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and stained glass. His unpublished autobiography is a useful source for art historians of the
1084:. Gaetano and Agnes Meo and their son "Little Bertie," who died at age 7, were buried there.
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Margarita Maria Agnes Meo (1876, Kensington, London – 6 March 1956, Eastbourne, London)
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Meo's granddaughter, Nelly Gordon Craig, with her paternal grandmother, Dame Ellen Terry,
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Alfonzo Giovanni Battista Meo (4 September 1890, Hampstead, London – 10 June 1916,
876:
Meo designed and executed the east window for the Church of St. Saviour (1902-1904), in
515:(1883), Walker Art Gallery, Liverpool, UK. Holiday used another model for Dante's hands.
151:. That same year, in London, he painted a head-and-bust oil portrait of Meo as Bacchus.
134:
Alone in London, Meo sought to play his harp in Italian restaurants, a safer place than
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432:(watercolour, 1873-1874), unlocated. Burne-Jones portrayed Meo as Christ seated at the
143:
1973:
1886:
Edward Gordon Craig, Elena Meo, and their children Nelly and Teddy, Florence, Italy,
1470:
Gaetano Meo, unpublished autobiography, Craig family papers, quoted in Alison Smith,
981:(1916-1918), over high altar, Church of St. John the Baptist, Clayton, West Yorkshire
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433:
236:
167:
95:
1806:
1186:, a son with poet Dorothy Nevile Lees, and a daughter with his secretary/translator
1964:
1858:
Index to the Story of My Days: Some Memoirs of Edward Gordon Craig, 1872–1907
546:, 1867, Leamington Spa Art Gallery, Warwickshire, UK. (Meo is the man on the right)
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966:(1916-1918), Lady Chapel, Church of St. John the Baptist, Clayton, West Yorkshire
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Meo also assisted Richmond on three stained-glass windows for the Lady Chapel of
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in the streets, where he was more likely to be arrested by police, and deported.
1960:
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163:
83:
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Taormina Bertha Meo (1891, Hampstead, London – 1959, Eastbourne, London)
175:
112:
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837:(Whitefriar's Glass) from 1863 to 1891, and from 1875 he employed Meo in his
863:
1876:(Abingdon, Oxon and New York: Routledge, 2016), Appendix (no page numbers).
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into the drying plaster. The entire mosaic schedule was completed in 1904.
1704:
Helen Lascelles, "The Life and Work of Sir W. B. Richmond, K.C.B., R.A."
1065:). Lieutenant Giovanni Meo died in World War I during the buildup to the
798:
Arundel Castle, West Sussex, Looking from the Back of the Railway Station
754:
Cartoon for the central apse stained glass window in St. Paul's Cathedral
249:
124:
115:, southern Italy. In 1864, Meo (age 15) and an older brother walked from
407:(1872, reworked 1881), Birmingham Museum and Art Gallery, Birmingham, UK
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838:
780:
lists four paintings by Meo in public ownership in the United Kingdom.
362:(watercolour, 1870), Birmingham Museum and Art Gallery, Birmingham, UK
312:(oil on paper, 1867), Birmingham Museum and Art Gallery, Birmingham, UK
266:
148:
135:
75:, oil on paper, 1867, Birmingham Museum and Art Gallery, Birmingham, UK
219:, watercolour, 1870, Birmingham Museum and Art Gallery, Birmingham, UK
1954:
1936:
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258:
116:
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1011:(1916-1918), Church of St. John the Baptist, Clayton, West Yorkshire
996:(1916-1918), Church of St. John the Baptist, Clayton, West Yorkshire
127:, and were smuggled into the United Kingdom aboard a freighter from
929:, Meo supervised creation of the large mosaic dome for the hall of
131:. Meo remained in London, but his brother continued on to America.
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833:(1876). "Holiday was chief designer for the stained-glass makers
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Choir and apse mosaics (1892-1904), St. Paul's Cathedral, London
244:
1719:
The Story of the Church and Parish of St. Saviour's, St. Albans
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Following his wife's 1921 death, Meo created a grave marker in
849:. Holiday wrote satirical lyrics, tailored to Meo and set to a
194:. By 1870, he was also working as Rossetti's studio assistant.
1773:(St. Louis, MO: The Official Catalogue Company, 1904), p. 223.
1334:(Chicago, IL: Fitzroy Dearborn Publishers, 2001), pp. 368-370.
658:, (1872, reworked 1881), Birmingham Museum and Art Gallery, UK
369:(1881-1882), now at the Lady Lever Art Gallery, Liverpool, UK.
1933:
Donal Oenslager Collection of Edward Gordon Craig, 1898-1967
1747:"Mosaics designed by Sir William Blake Richmond (1842ā1921)"
1429:
Patrick Rogers, "Cathedral Mosaicists – Gaetano Meo,"
339:(watercolour, 1869-1871), Walker Art Gallery, Liverpool, UK
578:, watercolour, 1869-1871, Walker Art Gallery, Liverpool, UK
444:
Church of St. Michael and St. Mary Magdelene, Easthampstead
1330:
Simon Reynolds, "Gaetano Meo," in Jill Berk Jiminez, ed.,
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In 1868, Meo married Agnes Morton (1849–1921), from
1721:, (St. Albans: Gibbs & Bamforth, Ltd., 1910), p. 19.
610:, mural, 1870-1872, Victoria & Albert Museum, London
1935:, The New York Public Library Archives and Manuscripts.
1602:, (New Haven, CT: Yale University Press, 1999), p. 217.
823:
Henry Holiday may be best known as the illustrator for
82:(1849 – 16 January 1925) was an Italian-British
1600:
The Holland Park Circle: Artists and Victorian Society
1547:, Bonhams Auctions, London, 26 September 2018, Lot 35.
1496:(New York: Harry N. Abrams, Inc., 1998), pp. 136-138.
1508:
Sanders of Oxford Antique Prints and Maps (no date).
442:
was copied as a stained-glass window (1876) for the
342:
Rossetti painted an 1880 version in oil, now at the
1860:, (New York: Viking Press, 1957), pp. 146, 304-305.
1708:, (London: H. Virtue & Company, December 1902).
1459:, Sotheby's Auctions, London, 12 July 2018, Lot 11.
1107:children's stories. In 2018, she and mosaic artist
756:, (1892-1893), Victoria & Albert Museum, London
49:
30:
23:
1872:Katharine Cockin, "Chronology (1899–1904),"
1786:"Survey of London: volume 37: Northern Kensington"
1226:. Manchester University Press. pp. 197ā198.
674:, 1877, Metropolitan Museum of Art, New York City
576:Dante's Dream on the Day of the Death of Beatrice
1472:The Victorian Nude: Sexuality, Morality, and Art
1223:The Victorian Nude: Sexuality, Morality, and Art
365:Burne-Jones painted a variation of this in oil,
2000:British stained glass artists and manufacturers
1892:, from Firestone Library, Princeton University.
1807:Chapel of St. Andrew and the Saints of Scotland
1874:The Collected Letters of Ellen Terry, Volume 4
86:, landscape painter, and a noted craftsman in
1494:Edward Burne-Jones, Victorian Artist-Dreamer,
914:Meo exhibited a mosaic panel of roses at the
391:(watercolour, 1870-1873), private collection
336:Dante's Dream at the Time of Beatrice's Death
154:Meo posed for other British painters such as
8:
1834:"At Gaetano Meo's Grave | Spitalfields Life"
1700:
1698:
1696:
1474:(Manchester University Press, 1996), p. 198.
936:Executing the designs of Scottish architect
626:, watercolour, 1870-1873, private collection
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2020:Naturalised citizens of the United Kingdom
2010:Pre-Raphaelite Brotherhood artists' models
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769:. He assisted Richmond on the frescoes of
20:
16:Italian-British artist's model and painter
1922:, vol. 46, no. 1 (May 2005), pp. 103-113.
1868:
1866:
1633:, from Birmingham Museum and Art Gallery.
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1574:, from Birmingham Museum and Art Gallery.
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1009:The Angel Gabriel and the Infant St. John
738:, 1890, Walker Art Gallery, Liverpool, UK
722:, 1883, Walker Art Gallery, Liverpool, UK
529:(1890), Walker Art Gallery, Liverpool, UK
522:(bronze, 1888-1890), Tate Britain, London
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2015:Italian emigrants to the United Kingdom
1931:"Biographical/Historical Information,"
1516:
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1433:, no. 217 (September 2016), pp. 14-15.
1203:
1124:
1054:(1872–1966), son of actress Dame
953:
532:
330:(watercolour, 1868), private collection
1918:, at the Harvard Theatre Collection,"
1679:
1677:
1675:
1431:Oremus: Westminster Cathedral Magazine
706:, 1881, Dick Institute, Kilmarnock, UK
608:The Arts of Industry as Applied to War
376:The Arts of Industry as Applied to War
235:Edward Burne-Jones used his mistress,
1828:
1826:
1824:
1822:
1140:Simon Reynolds: "I am convinced that
800:is in the collection of Eastbourne's
782:Looking towards London from the Heath
7:
1080:that featured a glass mosaic of the
925:Executing the designs of architect
423:Warrington Museum & Art Gallery
170:, Henry Holland (1839–1927),
1951:4 artworks by or after Gaetano Meo
871:Holy Trinity Church, Sloane Street
544:The Sleepers and One that Watcheth
317:The Sleepers and One that Watcheth
14:
1905:, (New York: Little Brown, 2001).
1657:, from National Trust Collections
1684:Artworks by or after Gaetano Meo
1584:A Youth Relating Tales to Ladies
1543:Sir William Blake Richmond, RA,
1001:
986:
971:
956:
727:
711:
695:
679:
663:
647:
631:
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599:
592:A Youth Relating Tales to Ladies
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567:
551:
535:
353:A Youth Relating Tales to Ladies
291:—thought to be Richmond's
257:was the daughter of the King of
462:(1873-1876), private collection
690:, 1880, Chi Mei Museum, Taiwan
594:, (1870), Tate Britain, London
355:, (1870), Tate Britain, London
1:
2025:Burials at Hampstead Cemetery
1887:
1816:, from Westminster Cathedral.
1521:The Tree of Forgiveness, 1882
1332:Dictionary of Artists' Models
1087:Film art designer and writer
1026:
792:are in the collection of the
80:Gaetano Giuseppe Faostino Meo
1736:, from St. Paul's Cathedral.
1399:Marie-Jacqueline Lancaster,
642:, 1872, Tate Britain, London
414:(1872), Tate Britain, London
239:, and Meo as the models for
1903:Isadora: A Sensational Life
778:Public Catalogue Foundation
243:(1870). In the legend from
2041:
1995:British landscape painters
1690:. Retrieved April 6, 2013.
1612:Fair, Quiet and Sweet Rest
1111:restored the Meo grave at
994:Ruth Amidst the Alien Corn
562:, 1868, private collection
482:Metropolitan Museum of Art
419:Fair, Quiet and Sweet Rest
380:Victoria and Albert Museum
321:Leamington Spa Art Gallery
1812:16 September 2019 at the
1523:, from Liverpool Museums.
1378:. London. 23 January 1998
771:Christ Church, Cheltenham
303:Works for which Meo posed
1788:. British History Online
1706:The Christmas Art Annual
1629:31 December 2019 at the
1506:"Phyllis and Demophoon,"
1401:Obituary: Edward Carrick
1370:"Obituary: Edward Craig"
830:The Hunting of the Snark
752:William Blake Richmond,
734:William Blake Richmond,
704:An Audience at Agrippa's
686:William Blake Richmond,
574:Dante Gabriel Rossetti,
525:William Blake Richmond,
500:An Audience at Agrippa's
487:William Blake Richmond,
458:William Blake Richmond,
333:Dante Gabriel Rossetti,
1990:English artists' models
1440:8 December 2021 at the
949:Clayton, West Yorkshire
835:James Powell & Sons
367:The Tree of Forgiveness
276:The Tree of Forgiveness
2005:English mosaic artists
1560:Antiques Trade Gazette
1030:
933:in London, 1912-1913.
893:
820:
757:
702:Lawrence Alma-Tadema,
498:Lawrence Alma-Tadema,
453:was published in 1900.
282:William Blake Richmond
232:
220:
204:
188:Dante Gabriel Rossetti
184:William Blake Richmond
76:
60:London, United Kingdom
1856:Edward Gordon Craig,
1220:Alison Smith (1996).
1024:
942:Westminster Cathedral
891:
880:, Hertfordshire, UK.
815:
767:Royal Academy of Arts
751:
638:George Heming Mason,
410:George Heming Mason,
360:Phyllis and Demophoƶn
319:(watercolour, 1867),
241:Phyllis and Demophoƶn
226:
217:Phyllis and Demophoƶn
214:
199:
70:
1734:Mosaics in the quire
1669:, from Tate Britain.
1586:, from Tate Britain.
851:Gilbert and Sullivan
670:Edward Burne-Jones,
654:Edward Burne-Jones,
624:Love Among the Ruins
622:Edward Burne-Jones,
472:Edward Burne-Jones,
428:Edward Burne-Jones,
403:Edward Burne-Jones,
398:, West Midlands, UK.
388:Love Among the Ruins
385:Edward Burne-Jones,
378:(mural, 1870-1872),
358:Edward Burne-Jones,
297:St. Paul's Cathedral
227:Edward Burne-Jones,
215:Edward Burne-Jones,
1717:H. R. Wilton-Hall,
1562:, October 29, 2018.
1346:, from Ancestry.com
1067:Battle of the Somme
1052:Edward Gordon Craig
938:Robert Weir Schultz
920:St. Louis, Missouri
656:The Feast of Peleus
606:Frederic Leighton,
465:Frederic Leighton,
405:The Feast of Peleus
374:Frederic Leighton,
180:George Heming Mason
1655:Dante and Beatrice
1407:, 6 February 1998.
1113:Hampstead Cemetery
1104:Angelina Ballerina
1078:Hampstead Cemetery
1031:
894:
866:of World War II.)
847:Duke of Devonshire
821:
758:
736:Venus and Anchises
720:Dante and Beatrice
688:The Song of Miriam
527:Venus and Anchises
518:Hamo Thornycroft,
512:Dante and Beatrice
489:The Song of Miriam
449:A photogravure of
323:, Warwickshire, UK
233:
229:Dies Domine Window
221:
207:Edward Burne-Jones
160:Edward Burne-Jones
92:Aesthetic Movement
77:
1751:Victorian Web.org
1598:Caroline Dakers,
1233:978-0-7190-4403-8
1082:Madonna and Child
979:The Good Shepherd
916:1904 World's Fair
560:A Prelude by Bach
474:Le Chante d'Amour
328:A Prelude by Bach
172:Frederic Leighton
65:
64:
57:(aged 75ā76)
44:Basilicata, Italy
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818:Study of Drapery
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640:The Harvest Moon
635:
619:
603:
590:Simeon Solomon,
587:
571:
558:Simeon Solomon,
555:
542:Simeon Solomon,
539:
506:, Kilmarnock, UK
425:, Warrington, UK
412:The Harvest Moon
351:Simeon Solomon,
326:Simeon Solomon,
315:Simeon Solomon,
308:Simeon Solomon,
265:the son of King
192:Hamo Thornycroft
156:Ford Madox Brown
71:Simeon Solomon,
56:
53:January 16, 1925
41:
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964:The Last Supper
961:
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816:Henry Holiday,
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484:, New York City
467:Eastern Slinger
446:, Berkshire, UK
396:Wightwick Manor
344:McManus Gallery
305:
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190:, and sculptor
104:
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1945:External links
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1920:Cambridge Core
1907:
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951:, 1916-1918.
931:Debenham House
927:Halsey Ricardo
885:
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802:Towner Gallery
794:Camden Council
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825:Lewis Carroll
819:
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808:Stained glass
807:
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786:Tooley's Farm
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434:Last Judgment
431:
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96:Edwardian Era
93:
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69:
52:
48:
33:
29:
22:
19:
1965:Find a Grave
1953: at the
1932:
1927:
1919:
1915:
1910:
1902:
1897:
1881:
1873:
1857:
1837:. Retrieved
1802:
1790:. Retrieved
1780:
1770:
1766:
1754:. Retrieved
1750:
1741:
1718:
1713:
1705:
1662:
1650:
1638:
1619:
1607:
1599:
1579:
1567:
1559:
1554:
1545:The Watchers
1544:
1501:
1493:
1471:
1466:
1456:
1430:
1404:
1380:. Retrieved
1373:
1339:
1331:
1237:. Retrieved
1222:
1177:
1168:
1159:
1150:
1142:The Watchers
1141:
1136:
1127:
1109:Tessa Hunkin
1102:
1097:
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993:
978:
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519:
510:
499:
488:
477:
473:
466:
460:The Watchers
459:
450:
439:
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418:
411:
404:
386:
375:
366:
359:
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316:
309:
289:The Watchers
288:
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275:
248:
240:
234:
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216:
200:
196:
153:
133:
105:
79:
78:
72:
55:(1925-01-16)
18:
1985:1925 deaths
1980:1849 births
1961:Gaetano Meo
1839:12 December
1645:, from MMA.
1624:Dies Domini
1344:Gaetano Meo
1099:Helen Craig
1093:BBC Radio 3
1056:Ellen Terry
873:(1905ā10).
790:Wyldes Farm
773:(1893ā95).
451:Dies Domine
440:Dies Domine
430:Dies Domine
272:almond tree
164:Luke Fildes
25:Gaetano Meo
1974:Categories
1792:24 January
1382:24 January
1239:25 January
1198:References
878:St. Albans
853:song from
480:) (1877),
176:Edwin Long
113:Basilicata
109:Laurenzana
1667:The Mower
864:The Blitz
520:The Mower
263:Demophoƶn
125:passports
1916:The Mask
1810:Archived
1627:Archived
1438:Archived
1017:Personal
905:Salviati
839:cartoons
761:Painting
502:(1881),
495:, Taiwan
491:(1880),
421:(1872),
382:, London
250:Heroides
142:painter
129:Boulogne
1756:29 July
1572:Bacchus
1457:Bacchus
922:, USA.
909:in situ
884:Mosaics
310:Bacchus
267:Theseus
255:Phyllis
149:Bacchus
136:busking
73:Bacchus
36: (
1955:Art UK
1688:Art UK
1230:
1145:life."
1035:Ulster
788:; and
744:Artist
469:(1875)
261:, and
259:Thrace
117:Naples
88:mosaic
1435:(PDF)
1119:Notes
1029:1912.
293:elegy
121:Paris
111:, in
102:Model
1957:site
1890:1910
1841:2018
1794:2013
1758:2018
1384:2013
1241:2013
1228:ISBN
776:The
245:Ovid
94:and
50:Died
38:1849
34:1849
31:Born
1963:at
918:in
827:'s
247:'s
119:to
1976::
1888:c.
1865:^
1849:^
1821:^
1749:.
1726:^
1695:^
1686:,
1674:^
1591:^
1528:^
1513:^
1479:^
1448:^
1412:^
1403:,
1392:^
1372:.
1351:^
1249:^
1206:^
1115:.
1095:.
1027:c.
804:.
796:.
784:;
436:.
299:.
253:,
186:,
182:,
178:,
174:,
166:,
162:,
158:,
98:.
1843:.
1796:.
1760:.
1386:.
1243:.
1190:.
1069:.
1058:.
476:(
40:)
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