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Galin-Paris-Chevé system

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the note to signify the octave immediately above. The placement of this point also indicated that the notes which follow belong to this octave until the next sign. For the octave immediately below the considered note, the point was placed below. The number of points designated the number of octaves raised or lowered.
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Under this system, musical note lengths are familiarized by means of a series of rhythmic note names which, when spoken aloud, pattern the effect of the notes concerned. This method became known as the "Langue des durées". This system was later adapted and popularized in the English-speaking world.
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Rousseau's method started with a fundamental sound, ut (in other words, Do), which was expressed by the number 1; then the seven natural sounds of the tempered keyboard (ut, re, mi, fa, sol, la, si) by the seven numbers 1, 2, 3, 4, 5, 6, 7. To express a change of octave, he used a dot placed above
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Galin, Paris, and Chevé were supporters of this method and they wanted to develop this further and popularize a method that could be learned without any musical education, thus creating a popular teaching of music. The system was made widely known when Nanine Paris and her husband Émile Chevé
63:, the problem with music was that the notation was too complex for any neophyte to learn. Rousseau's System of musical notation tried to simplify and popularize theoretical musical practice. 313: 262: 196: 48: 75:(1844). Their method is today largely unknown to French and French-speaking musicians, but is used in China under the name of 337: 286: 185: 159: 369: 76: 60: 32: 240: 323: 272: 232: 145: 319: 268: 224: 190: 141: 349: 298: 171: 19: 363: 213:"The Galin-Paris-Cheve Method of Teaching Considered as a Basis of Musical Education" 109: 40: 104: 92: 91:
under the name of "French time names". In the United States, it was popularized by
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is a method of reading music, based on the ideas of
16:Cipher notation system for teaching musical theory 8: 324:10.1093/gmo/9781561592630.article.10213 273:10.1093/gmo/9781561592630.article.15994 146:10.1093/gmo/9781561592630.article.10531 121: 345: 335: 294: 284: 217:Proceedings of the Musical Association 167: 157: 129: 127: 125: 73:Méthode élémentaire de musique vocale 59:According to the Genevan philosopher 7: 256: 254: 200:. Vol. 1.11. pp. 585–586. 197:A Dictionary of Music and Musicians 14: 83:In England, it was advocated by 87:, being incorporated into the 1: 47:(1800–1868), and her husband 39:(1786–1821) and developed by 23:Nanine Paris Chevé (1800–68). 186:Litchfield, Richard Buckley 386: 211:Bullen, George W. (1877). 49:Émile-Joseph-Maurice Chevé 312:Rainbow, Bernarr (2001). 261:Rainbow, Bernarr (2001). 134:Rainbow, Bernarr (2001). 137:Galin-Paris-Chevé method 43:(1798–1866), his sister 29:Galin-Paris-Chevé system 79:(“simplified system”). 24: 61:Jean-Jacques Rousseau 33:Jean-Jacques Rousseau 22: 229:10.1093/jrma/4.1.68 89:Tonic Sol-fa method 25: 338:cite encyclopedia 315:French time names 287:cite encyclopedia 264:Langue des durées 160:cite encyclopedia 377: 370:Musical notation 354: 353: 347: 343: 341: 333: 331: 330: 309: 303: 302: 296: 292: 290: 282: 280: 279: 258: 249: 248: 208: 202: 201: 193: 182: 176: 175: 169: 165: 163: 155: 153: 152: 131: 71:published their 385: 384: 380: 379: 378: 376: 375: 374: 360: 359: 358: 357: 344: 334: 328: 326: 311: 310: 306: 293: 283: 277: 275: 260: 259: 252: 210: 209: 205: 184: 183: 179: 166: 156: 150: 148: 133: 132: 123: 118: 101: 57: 17: 12: 11: 5: 383: 381: 373: 372: 362: 361: 356: 355: 346:|website= 304: 295:|website= 250: 203: 177: 168:|website= 120: 119: 117: 114: 113: 112: 107: 100: 97: 56: 53: 15: 13: 10: 9: 6: 4: 3: 2: 382: 371: 368: 367: 365: 351: 339: 325: 321: 317: 316: 308: 305: 300: 288: 274: 270: 266: 265: 257: 255: 251: 246: 242: 238: 234: 230: 226: 222: 218: 214: 207: 204: 199: 198: 192: 191:"Chevé"  187: 181: 178: 173: 161: 147: 143: 139: 138: 130: 128: 126: 122: 115: 111: 110:Sight singing 108: 106: 103: 102: 98: 96: 94: 90: 86: 80: 78: 74: 68: 64: 62: 54: 52: 51:(1804–1864). 50: 46: 42: 38: 35:, founded by 34: 30: 21: 327:. Retrieved 314: 307: 276:. Retrieved 263: 220: 216: 206: 195: 180: 149:. Retrieved 136: 105:Music Theory 93:Lowell Mason 81: 72: 69: 65: 58: 45:Nanine Paris 37:Pierre Galin 28: 26: 99:Other pages 85:John Curwen 329:2023-02-25 278:2023-02-25 151:2023-02-25 116:References 41:Aimé Paris 348:ignored ( 297:ignored ( 237:0958-8442 223:: 68–93. 170:ignored ( 364:Category 188:(1900). 245:765284 243:  235:  77:Jianpu 55:Origin 241:JSTOR 350:help 299:help 233:ISSN 172:help 27:The 320:doi 269:doi 225:doi 142:doi 366:: 342:: 340:}} 336:{{ 318:. 291:: 289:}} 285:{{ 267:. 253:^ 239:. 231:. 219:. 215:. 194:. 164:: 162:}} 158:{{ 140:. 124:^ 95:. 352:) 332:. 322:: 301:) 281:. 271:: 247:. 227:: 221:4 174:) 154:. 144::

Index


Jean-Jacques Rousseau
Pierre Galin
Aimé Paris
Nanine Paris
Émile-Joseph-Maurice Chevé
Jean-Jacques Rousseau
Jianpu
John Curwen
Tonic Sol-fa method
Lowell Mason
Music Theory
Sight singing



Galin-Paris-Chevé method
doi
10.1093/gmo/9781561592630.article.10531
cite encyclopedia
help
Litchfield, Richard Buckley
"Chevé" 
A Dictionary of Music and Musicians
"The Galin-Paris-Cheve Method of Teaching Considered as a Basis of Musical Education"
doi
10.1093/jrma/4.1.68
ISSN
0958-8442
JSTOR

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