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Game of Thrones title sequence

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but that idea was rejected as it would interrupt the narrative flow. The idea of the map was therefore reconsidered for the title sequence. For the original pilot, the showrunners Benioff and Weiss initially wrote the title sequence as a crow's flight from King's Landing to Winterfell; however, the production team at Elastic thought the idea was too flat and devised the idea of using 3-D models within a sphere that represents the world in which the show is set. The sphere was used to obviate the question of what might lie beyond the horizon of the map, and the whole sphere is lit by the sun in the middle. According to Angus Wall, the title sequence had "a concrete function in the world of the show, in that it serves as a legend the way the map at the beginning of a fantasy book orients you." The title sequence informs the viewers of the locations of the show relevant to each episode, and changes to reflect the storylines of the show and changes within this world.
238:, Aegon's Conquest and the rise of House Baratheon, which appear at varying points in the sequence. The camera then pans to different parts of the map, on which different locations in the fictional world are shown. Many of the cities and buildings on these locations appear out of the ground using clockwork mechanisms. Other elements, such as the weirwood tree at Winterfell and the Horse Gate at Vaes Dothrak, are also added at the various locations. The locations shown vary depending on the locations visited in that particular episode, and three or four variations of the title sequence are shown in each season. However, due to the limitation on time for the title sequence, no more than six locations may be shown in any episode. Also, because of their importance in the show, every episode features 373:
recent location in Essos (in the first 6 seasons), even if they are not present in that particular episode. It is also noteworthy that the appearance of Winterfell has changed over the seasons: in Seasons 3 and 4 Winterfell was covered in smoke, referencing its burning at the end of Season 2, and in Season 5 the smoke was removed but the Bolton sigil replaced the Stark sigil, reflecting how the Boltons moved to Winterfell during that season. In episode 6.10, the Stark sigil returned, the result of Jon Snow and Sansa Stark's reclaiming Winterfell from the Boltons at the end of the previous episode.
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shown is the breached wall instead of King's Landing, and moves down to the cities south of the wall following the path of the army of the dead. The interiors of two major locations are shown for the first time: the crypts of Winterfell and the Red Keep at King's Landing, as well as the latter's throne room. The appearance of the armilla and the events depicted on it also change to reflect events of the season 7 finale, such as the fall of the Wall.
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the storyline, for example the flayed man sigil is displayed over Winterfell when it is taken by the Boltons, but it reverts to the dire wolf sigil after it is recaptured by the Starks. Other events in the show are also reflected in the title sequence. For example, after Winterfell is burned, smoke is depicted billowing out from it. The
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The following table lists the locations shown in each episode's title sequence, in the order of their appearance in the sequence as determined by the first episode in which they are shown. The locations King's Landing, Winterfell, and The Wall are featured in every title sequence, as well as the most
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When the pilot was first made, it was felt that the geography of the imaginary world of Westeros and Essos might confuse the viewers, and that maps could be useful as navigational guides for the viewers. An early suggestion was to use animated maps as a transition between scenes to orient viewers,
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The sigils of the reigning families are added to each location; for example, the Baratheon stag sigil on King's Landing and the Stark dire wolf at Winterfell. The names of the cast are also shown together with the corresponding sigil of the character they portray. The sigil may change depending on
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The design team were given a list of the locations where the action may take place in each episode after the shooting had completed, and they had around 3 months to create title sequences. The concepts, including details such as the machinery used, were first sketched by hand, and the models were
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out of the materials that would be available in his world. They would be stone, or tin, or wood, and everything would feel very hand-crafted." The idea is, therefore, that everything in the title sequence could be created with hammer, saw, and chisel, and operated with gears and cogs. The turning
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While the locations featured change from episode to episode, the general design and route of the sequence remain roughly similar. However, in the final season, the title sequence received a major revamp to denote the change in season and shift in storyline. In this new version, the first location
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located on the inner surface of a sphere, which is rendered in the style of a fantasy role-playing map used as a game board by participants for their battle plans. The maps used are those of Westeros and Essos that precede the novels in the book series. At the center of the sphere is a
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that introduces every episode serves as a guide to the physical landscape of the world of the series. It changes depending on the locations visited in the particular episode it introduces. The title sequence was created by Elastic for HBO, and is accompanied by a
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The title sequence was created by three teams: its design, which forms the bulk of the project, was done by Elastic, the computer graphics by a52, and the title sequence editing by Rock Paper Scissors. Elastic had previously created the title sequences for
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The sequence of every episode opens with a close-up of the sun and the sphere surrounding it. Relief depictions of the fictional's world's history are visible on the sphere, such as the
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at Elastic came up with "a vision of a mad monk, in a tower somewhere", who was somehow keeping track of all this action "and creating as he went. He would then fashion little
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The design team behind the title sequence, Angus Wall, art director Rob Feng, designer Hameed Shaukat, and C.G. supervisor Kirk Shintani, won a
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at the sphere's center. As the camera swoops across the map and focuses on the locations in which the episode's events take place, complicated
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next to the names) and creative staff are displayed. The sequence concludes after about one-and-a-half minutes with the title card and brief
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mechanisms cause buildings and other structures to emerge from the map and unfold. Meanwhile, the names of the principal cast (with the
1631: 3784: 3577: 3084: 2676: 1997: 3011: 2991: 2972: 357:. The production team showed the title sequence they were working on to Djawadi, who was then inspired to create the music for the " 1728: 3507: 2604: 1578: 1414: 1353: 296:, and they were approached by Carolyn Strauss of HBO, with whom they had worked on these shows, to create the title sequence for 3972: 3545: 3452: 3020: 2378: 2232: 1152: 1118: 1084: 1050: 1016: 982: 948: 914: 880: 846: 778: 744: 710: 676: 642: 608: 574: 540: 506: 438: 247: 243: 239: 180: 164: 1205:
title sequence, with famous buildings in the town of Springfield rising through the ground as characters watch on, dressed in
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for their work on the sequence. The title sequence has been ranked one of the best TV title sequences of all time.
3699: 3691: 3121: 1760:"Game of Thrones season 6: watch the opening titles in 360-degree video and look up the Titan of Braavos' skirt" 250:, and wherever Daenerys may be regardless of whether or not any of these locations is featured in that episode. 4019: 2721: 2660: 2653: 2646: 2639: 2632: 2625: 2618: 2611: 1218: 421: 416: 411: 406: 401: 396: 391: 386: 39: 1381: 3948: 3812: 3808: 3002: 2566: 2153: 1821: 2983: 2576: 2556: 2406: 2363: 1386: 3569: 2263: 3980: 3924: 3876: 2794: 2512: 2370: 358: 348: 149: 1484: 1822:"Here's a Full Breakdown of Everything Going on in the Game of Thrones Opening Credits As They Evolve" 3908: 3768: 3343: 2460: 2176: 3964: 3852: 3792: 3683: 3677: 3093: 2895: 2470: 2401: 2210: 3860: 3475: 3406: 3231: 3161: 2851: 2824: 227:
armillary sphere. The title sequence serves as a guide to the physical landscape of the world of
202:, art director Robert Feng, animator Kirk Shintani and designer Hameed Shaukat received the 2011 138: 1893: 1698:"Fans Noticed Something Super Weird About Sophie Turner's Name in the 'Game of Thrones' Credits" 1729:"Bet You Didn't Notice This Clever Detail In the Opening Credits of the Game of Thrones Finale" 3741: 3461: 3182: 3154: 2691: 2480: 2450: 2440: 2420: 1993: 1544: 329: 160: 1985: 319:
On the use of an armillary and models with moving parts, producer Greg Spence explained that
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The title sequence consists of a three-dimensional map of the world, with the continents of
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HBO released an interactive 360-degree video of the title sequence in season 6.
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The theme music that accompanies the title sequence was composed by
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Fernandez, Sofia M.; Appelo, Tim (September 10, 2011).
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A Carol Burnett Special: Carol, Carl, Whoopi and Robin
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Primetime Emmy Award for Outstanding Main Title Design
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soundtrack who watches each season before anyone else"
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Primetime Emmy Award for Outstanding Main Title Design
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Sayers Mystery 3624:NBC: The First Fifty Years - A Closer Look 3592: 3578: 3570: 2901: 2596: 2580:(2022, co-written by GarcΓ­a and Antonsson) 2500: 2393: 2379: 2371: 1228: 380: 258:logo appears over the armilla at the end. 29: 17: 1979: 1977: 1975: 1973: 1849: 1847: 1630:Justin Rocket Silverman (May 24, 2015). 1305:71st Primetime Creative Arts Emmy Awards 1284:68th Primetime Creative Arts Emmy Awards 1258:63rd Primetime Creative Arts Emmy Awards 2037:from the original on September 24, 2017 1642:from the original on September 25, 2017 1448: 1446: 1444: 1442: 1334: 1246: 2548:Elio M. GarcΓ­a Jr. and Linda Antonsson 1770:from the original on November 18, 2017 1516:"8 Unforgettable TV Opening Sequences" 4025:Film and television opening sequences 2262:Antonsson, Elio M. GarcΓ­a and Linda. 1896:from the original on January 23, 2017 1758:Loughrey, Clarisse (April 14, 2016). 1708:from the original on December 9, 2017 1696:Bonner, Mehehra (September 8, 2017). 1677:from the original on 11 November 2016 1565: 1563: 1561: 1559: 1557: 1427:from the original on October 11, 2019 336:then created with computer graphics. 7: 2231:McCarthyvia, Kelly (April 2, 2019). 2120:"Meet the musical genius behind the 2099:from the original on October 1, 2017 1958:from the original on October 2, 2017 1739:from the original on August 30, 2017 3672:Agatha Christie's Partners in Crime 2288:Ling, Thomas (September 19, 2016). 2152:. December 22, 2012. Archived from 2146:"Composer Interview: Ramin Djawadi" 2006:from the original on March 19, 2023 1946:Houghton, David (August 25, 2017). 1927:from the original on April 14, 2019 1514:Nicholls, Owen (November 5, 2012). 1465:from the original on March 26, 2019 1413:Charisma, James (January 4, 2017). 1356:from the original on 21 August 2016 3085:A Song of Ice and Fire Roleplaying 2243:from the original on April 6, 2019 2087:Frei, Vincent (October 22, 2011). 2068:from the original on June 29, 2016 1866:from the original on April 2, 2013 1801:from the original on 15 April 2019 1611:from the original on April 6, 2019 1526:from the original on April 6, 2019 1495:from the original on April 6, 2019 189:sigils of the characters' families 14: 3012:Game of Thrones: Winter Is Coming 2354:. Art of the Title. May 11, 2011. 1599:Victor, Daniel (April 25, 2016). 1394:from the original on 29 June 2016 1247: 3552: 3541: 3540: 2025:Thurm, Eric (January 25, 2016). 1984:C.A. Taylor (November 6, 2014). 1915:Desta, Yohana (April 12, 2019). 1854:Axelrod, John (March 30, 2013). 1832:from the original on May 7, 2019 1789:Heifetz, Danny (15 April 2019). 1288:Outstanding Interactive Program 3553: 3021:Game of Thrones: Seven Kingdoms 2329:from the original on 2020-12-25 2300:from the original on 2017-10-05 2270:from the original on 2015-06-22 2187:from the original on 2018-02-08 1581:from the original on 2016-08-21 2710:A Knight of the Seven Kingdoms 2357:Appelo, Tim (April 19, 2011). 2056:Appelo, Tim (April 19, 2011). 181:history of the fictional world 1: 3785:The Wonderful World of Disney 1986:"Creating the Title Sequence" 1820:Bruner, Raisa (May 2, 2019). 1727:Bruk, Diana (June 27, 2016). 1342:Perkins, Will (11 May 2011). 1310:Outstanding Main Title Design 1263:Outstanding Main Title Design 3612:Addie and the King of Hearts 2816:The Bear and the Maiden Fair 2118:Renfro, Kim (July 7, 2016). 1551:. 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Index


final season
Angus Wall
Ramin Djawadi
HBO
Video
Vimeo
title sequence
HBO
fantasy television
Game of Thrones
theme
Ramin Djawadi
three-dimensional map
the series' fictional world
concave earth
armilla
astrolabe
history of the fictional world
clockwork
sigils of the characters' families
opening credits
Angus Wall
Primetime Emmy Award for Outstanding Main Title Design
Westeros
Essos
heliocentric
Doom of Valyria
King's Landing
Winterfell

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