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372:
25:
127:
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instruments will include two each of gender panerus, gender barung, gambang and siter or celempung, the first of each pair tuned to the pelog bem subset of five tones (tones 1,2,3,5,6), the second to the pelog barang subset of five tones (2,3,5,6,7). The pelog bonang will each have fourteen gongs.
345:
and is played in place of the saron panerus. The
Solonese style is often considered more refined (or "alus") than Yogyanese style. One specific difference is in saron peking playing; although the pattern it plays for the balungan is often the same, in the Yogyanese style it is rhythmically shifted
341:, there is a tendency to have more sarons of each register and it is more likely that the bonang panembung will be present. An archaic instrument, the celuring, a set of struck bells is found only on a few gamelan in the Yogyakarta
305:), including one each of ketipung, kendang ageng (or kendang gendhing), ciblon, kendang wayangan, and, in the largest gamelan, a large hanging drum, the bedug. Archaic ensembles may still include such instruments as the
145:
779:
1089:
424:
Tone measurements of outstanding
Javanese gamelan in Yogyakarta and Surakarta / translated from the Indonesian language by the authors.
42:
501:
433:
163:
108:
89:
61:
467:
46:
68:
176:
75:
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since 1755. In contrast to yogyakarta, the
Surakarta style is known for its intricate, soft style of playing.
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35:
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934:
243:
1059:
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663:
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839:
829:
769:
734:
633:
628:
405:
342:
739:
82:
718:
703:
658:
463:
429:
426:
Penjelidikan dalam pengukuran nada gamelan-gamelan Djawa terkemuka di
Jogjakarta dan Surakarta
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314:
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363:
279:
219:
191:
1049:
1044:
24:
817:
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211:
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is one of two subtly distinct styles of gamelan playing that have emerged in
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834:
824:
534:
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275:
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earlier, creating a different emphasis in relation to the balungan.
317:. A typical performance ensemble includes a female vocal soloist (
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984:
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580:
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175:
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428:. 2nd rev. ed. Yogyakarta : Gadjah Mada University Press.
298:
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462:. Kuala Lumpur; New York: Oxford University Press. p. 47.
120:
18:
422:
479:
325:); in certain passages, the singers clap rhythmically (
141:
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The slendro and pelog gamelan will usually share the
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793:
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may be too technical for most readers to understand
49:. Unsourced material may be challenged and removed.
238:panerus and one bonang barung (each with twelve
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8:
797:
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480:
164:Learn how and when to remove this message
148:, without removing the technical details.
109:Learn how and when to remove this message
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146:make it understandable to non-experts
7:
453:
451:
47:adding citations to reliable sources
14:
600:
594:
370:
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333:Comparison to Gamelan Yogyakarta
230:panerus, one gender barung, one
125:
23:
34:needs additional citations for
780:List of U.S. gamelan ensembles
1:
234:(or "gender panembung"), one
16:Indonesian musical instrument
1090:Gamelan ensembles and genres
313:(in place of slenthem), and
274:, one set of three to five
270:, one set of three to five
1116:
458:Lindsay, Jennifer (1979).
592:
289:The complementary set of
709:Semar pegulingan gamelan
202:A typical large, double
218:(or saron peking), two
210:) will include, in the
206:in contemporary solo (
184:
679:Joged bumbung gamelan
654:Gender wayang gamelan
183:surakarta performance
179:
43:improve this article
775:Gamelan Son of Lion
664:Gong kebyar gamelan
574:Gendhing structures
321:) and male chorus (
222:, one or two saron
58:"Gamelan surakarta"
770:Gamelan Sekar Jaya
735:K. P. H. Notoprojo
719:Surakartan gamelan
634:Beleganjur gamelan
629:Bebonangan gamelan
406:Music of Indonesia
185:
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704:Selunding gamelan
659:Gong gede gamelan
396:Gamelan selunding
188:Gamelan surakarta
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1095:Javanese culture
1015:Kendang ketipung
875:Bonang panembung
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750:Rahayu Supanggah
694:Salendro gamelan
689:Munggang gamelan
624:Angklung gamelan
619:American gamelan
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586:Gamelan notation
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315:bonang panembung
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699:Sekaten gamelan
649:Gambang gamelan
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460:Gamelan Playing
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417:Further reading
401:Gamelan siteran
391:Gamelan sekaten
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278:, one to three
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945:Gender panerus
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870:Bonang panerus
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892:Saron panerus
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865:Bonang barung
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806:phrase-making
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684:Malay gamelan
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674:Jegog gamelan
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434:979-420-273-8
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134:This article
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60: –
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55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
902:Saron demung
897:Saron barung
887:Saron peking
765:Evan Ziporyn
610:Genres &
459:
427:
423:
364:Music portal
336:
296:
288:
280:gong suwukan
220:saron barung
201:
192:central Java
187:
186:
160:
154:October 2010
151:
135:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
928:elaborating
794:Instruments
198:Description
1084:Categories
1031:Vocals and
818:Gong ageng
740:Nartosabdo
469:0195804139
442:References
339:Yogyakarta
284:gong ageng
282:, and one
246:kayu, one
69:newspapers
1100:Surakarta
1060:Senggakan
978:Unpitched
962:Celempung
924:Panerusan
853:or melody
802:Colotomic
728:Musicians
612:ensembles
252:celempung
214:set, one
208:Surakarta
1050:Pesinden
1045:Sindenan
1040:Gerongan
1033:clapping
850:Balungan
830:Kempyang
755:Sumarsam
569:Colotomy
350:See also
323:gerongan
319:pesinden
268:kempyang
232:slenthem
99:May 2024
1000:Kendang
995:Kemanak
935:Gambang
914:Slentho
909:Slentem
559:kotekan
550:Sekaran
540:Cengkok
530:Slendro
511:Gamelan
386:Gamelan
311:slentho
303:kendang
244:gambang
242:), one
212:sléndro
204:gamelan
181:Gamelan
140:Please
83:scholar
1065:Keplok
1022:Kepyak
969:Suling
940:Gender
860:Bonang
835:Kenong
825:Kempul
557:&
535:Pathet
518:Theory
466:
436:(pbk.)
432:
343:Kraton
327:keplok
276:kempul
272:kenong
264:kethuk
260:suling
258:, one
254:, one
236:bonang
228:gendér
226:, one
224:demung
85:
78:
71:
64:
56:
990:Kecer
985:Bedug
957:Siter
952:Rebab
882:Saron
840:Ketuk
581:Irama
564:Gatra
555:Imbal
545:Seleh
525:Pelog
299:drums
291:pelog
256:rebab
248:siter
240:gongs
90:JSTOR
76:books
1055:Alok
813:Gong
464:ISBN
430:ISBN
286:.
266:and
62:news
337:In
329:).
250:or
144:to
45:by
1086::
926:or
804:or
450:^
309:,
503:e
496:t
489:v
472:.
301:(
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161:(
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152:(
138:.
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106:(
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97:(
87:·
80:·
73:·
66:·
39:.
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