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He married
Catharina van Zeverdonck on 17 February 1658 with whom he had 11 children. After the death of his wife on 24 August 1674 he married Sara Catharina Raeps on 13 June 1697. At the time of his death on 16 April 1681 there were still six minor children alive: Anna Catharina, Marie Isabella,
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105:. Paintings in this genre typically show a flower or, less frequently, fruit garland around a devotional image or portrait. In the later development of the genre, the devotional image is replaced by other subjects such as portraits, mythological subjects and allegorical scenes.
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in
Antwerp on 8 September 1635. His father, also called Gaspar or Kasper, was a gardener who owned a house and a large garden where he grew herbs and flowers. This may explain the young Gaspar's interest in flower painting. Gaspar was registered at the Antwerp
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Garland paintings were usually collaborations between a still life and a figure painter. Verbruggen's collaborators on his garland paintings have not been identified but it is believed they included
83:. Gaspar and Balthasar Hyacint became still life painters. He was a successful artist as demonstrated by the fact that his estate included six houses and valuable household effects.
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An important portion of
Verbruggen's output falls into the category of 'garland paintings'. Garland paintings are a type of still life invented in early 17th century Antwerp by
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His pupils were his oldest son Gaspar Peeter, Gillis Vinck the younger, Joris
Carpentero, Norbertus Beeckmans, Norbertus Martini and Jacobus Seldenslach.
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Gaspar Peeter
Verbruggen the Elder was known for his flower still lifes and garland paintings. His flower still lifes date from 1654 to 1680.
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Name variations: Gaspar Pieter
Verbruggen (I), Gaspar Peeter Verbrugghen (I), Caspar Pieter Verbruggen (I), Caspar Peeter Verbrugghen (I)
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Mocking of Christ in a sculpted cartouche with a garland of holly, thistles, morning glory and other flowers on a stone ledge
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David
Freedberg, "The Origins and Rise of the Flemish Madonnas in Flower Garlands, Decoration and Devotion",
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Ph. Rombouts and Th. van Lerius, De liggeren en andere historische archieven der
Antwerpsche sint Lucasgilde
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Seventeenth-Century
Flemish Garland Paintings. Still Life, Vision and the Devotional Image
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in the guild year 1644–45. Five years later he was registered as a master of the Guild.
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and subsequently practised by leading
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Gaspar Peeter Verbruggen the Elder was baptized in the
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278:Flemish still life painters
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