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439:"A most precious small painting of his middle period. The composition is very good. The Christ is beautiful, and the Saint John true, only the head of the Madonna compared with the others, is less beautiful. The disegno is most delicate. One notices from the colouring that the master had painted a lot al fresco at that time. The inks are not very much rubbed."
230:
Raphael appears to have a special affinity for the relationship between the infant Jesus and his similarly aged cousin John. This was probably due to the special relationship that they would enjoy as they went through adulthood. Raphael clothes the infant John here, and other paintings of the trio,
269:
In further contrast to the paintings of his
Florentine period, the Madonnas of his Roman period are stronger and more imposing. This is due in part to the difference between the gaunt woman of Umbria and the beautiful women of Trastevere and Campagna, and also by Raphael's pursuit of the ideal. He
259:
of the
Umbrian School. Here the Virgin is a more human mother, with divinity only expressed through the halo. The Christ Child and Saint John are both children. The painting is more reflective of natural circumstances. And yet, there is a severity to this Madonna which will ease into a greater
239:
Raphael's
Madonnas from his early Roman years had evolved from those of his Umbrian and Florentine periods, and are more informal in dress and pose. At the same time, the composition is more complex. The colours are cooler, jewel-toned, an experiment with the dominant colours of the
160:, and is one of many paintings by Raphael with this trio. It is from early in the artist's third, or Roman period, in which distinctive changes are seen from his Umbrian or Florentine period in style and use of colour, with the introduction of more natural subjects and settings.
209:
The scene takes place within a room, with a backdrop of the Roman landscape through the windows. The dark pillar between the windows sets off the bright face of the Virgin, who is seated on a bench. The Christ Child sits naturally in the lap of the Virgin and is handed a
1991:
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423:(d. 1598), inventoried in 1592, which came to the Aldobrandini. The National Gallery's painting is most likely identical to the painting in Jacomo Manilli's Villa Borghese guidebook in 1650 titled "
187:
is likely to have been something
Raphael worked on in his spare time when he was engaged on projects for the Pope or members of his court. During this period, Raphael was painting the
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435:'s illustrated publication of 1823, which includes a sketch of the painting and states that it can be seen at Prince Aldobrandini's apartment, and is notated in the margin:
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imply anything other than a very human scene. It has been observed that the drapery around the Virgin's lap does not seem to indicate sufficient room for her legs.
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291:, such as the portrait-format painting of figures in front of two windows overlooking the countryside, as well as the style of the Virgin's clothing.
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in a little skin garment, like the cloths of the desert as described in the Bible, "camel's hair and with a girdle of skin about his loins".
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218:, by Saint John. The painting has been highly regarded for its sweetness, grace, beauty and technical skill. Only the discreet
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and in other works of his Roman period, had "exhibited a nearer approximation to perfection than any other painter".
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More details can be found by clicking on "Find out more about history of this painting" at the bottom of the page.
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noted that the painting was still kept in Prince
Aldobrandini's apartments, verified by the National Gallery from
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Exploratory sketches of this and other
Madonnas from 1509 to 1511 are found in Raphael's "pink sketch-book". The
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According to the
National Gallery, and in contradiction to Seroux d'Agincourt, the painting was acquired by
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in London since 1865. It was sold to the
National Gallery in 1865 after about five decades of ownership by
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451:'s collection before it was sold in 1865 to the National Gallery by his widow and heirs for £9,000.
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instructed his students that "we must not represent things as they are, but as they should be".
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319:(1505), National Gallery, London; depicts an adult John the Baptist with an infant Christ
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427:" ('Virgin, with Christ, and Saint John, ... by Raphael'). In the 1780s the art critic
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255:(1505) of Raphael's earlier Florentine period, influenced by the strict expression of
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765:
The Epochs of
Painting: a Biographical and Critical Essay on Painting and Painters
415:
in Rome. Raphael painted a number of
Madonnas which passed into that family; this
704:
659:
618:
149:
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1900:
537:. Berkeley and Los Angeles, CA: University of California Press. p. 21.
183:
One of several small and mid-size Madonnas painted by Raphael in Rome, the
864:
849:. London: Printers for Her Majesty's Stationery Office. 1889. p. 402.
256:
211:
196:
780:"The Virgin and Child with Saint John the Baptist (La Belle Jardiniere)"
906:
138:
41:
328:
1992:
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola
206:
is one of several Madonnas by Raphael with a pyramidal composition.
583:
The Raphael Book: An Account of the Life of Raphael Santi of Urbino
306:
Other paintings by Raphael of the Virgin and Child with Saint John
273:
A strong influence in Raphael's growth as an artist in Rome was
879:
870:
Aldobrandini Madonna by Raphael in the National Gallery, London
668:. Vol. 1. London: MacMillan & Company. p. 113.
310:
There are several paintings by Raphael with the same trio:
875:
425:
Vergine, con Christo, e San Giouannino, ... di Raffaelle
235:
Comparison to paintings from Raphael's Florentine period
751:. Vol. 1. London: William Heinemann. p. 175.
748:
Leonardo da Vinci: Artist, Thinker and Man of Science
586:. Boston: L. C. Page & Company. pp. 179–180.
226:
Relationship of the Christ Child and John the Baptist
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534:The Drawings of Raphael: With a Complete Catalogue
407:In the 16th century the painting was owned by the
1878:Portrait of Andrea Navagero and Agostino Beazzano
846:Catalogue of the Pictures in the National Gallery
709:. Boston: James R. Osgood & Company. p.
167:, the painting has been in the collection of the
437:
266:slightly later into the artist's Roman period.
487:Chapman, H.; Henry, T.; Plazzotta, C. (2004).
249:The painting contrasts significantly with the
163:Owned for centuries by the aristocratic Roman
2562:Paintings of the Madonna and Child by Raphael
891:
603:. London: The Macmillan Company. p. 166.
8:
730:. Boston: L. C. Page & Company. p.
493:. London: National Gallery Company. p.
2383:(1507–1520) (continued by other architects)
2171:The Expulsion of Heliodorus from the Temple
523:
521:
898:
884:
876:
768:. London: Chapman & Hall. p. 207.
665:A Popular Handbook to the National Gallery
623:. London: Methuen & Company. pp.
612:
610:
561:. Vatican City: Vatican Museums. 2003–2007
72:38.9 cm × 32.9 cm (
29:
20:
2557:Paintings in the National Gallery, London
2095:Portrait of Pope Leo X with Two Cardinals
644:. Boston: Joseph Knight Company. p.
482:
480:
478:
476:
600:The Life of Christ as Represented in Art
2187:The Meeting of Leo the Great and Attila
1606:Portrait of Cardinal Alessandro Farnese
472:
374:(c. 1513–1514), Palazzo Pitti, Florence
195:to receive Raphael and his workshop's
1371:Portrait of Guidobaldo da Montefeltro
1197:Portrait of Emilia Pia da Montefeltro
7:
1855:Christ Falling on the Way to Calvary
688:. London: Chapman and Hall. p.
339:(c. 1510–1512), Louvre, Paris; with
277:. Aspects of the composition of the
1504:Portrait of a Young Woman (La Muta)
1341:Madonna with Beardless Saint Joseph
559:"Room of the Segnatura (1508–1511)"
419:may have been in the collection of
1840:Portrait of Baldassare Castiglione
685:Raphael; His Life, Works and Times
246:, and bright, as if on porcelain.
14:
2155:Disputation of the Holy Sacrament
234:
2163:Cardinal and Theological Virtues
863:
445:George Canning, 1st Lord Garvagh
433:Jean Baptiste Seroux d'Agincourt
417:Virgin and Child with Saint John
2424:Antonio da Sangallo the Younger
1969:Saint Michael Vanquishing Satan
967:Madonna and Child with the Book
727:The Art of the National Gallery
294:The 19th-century art historian
2497:Multi-Purpose Logistics Module
2283:Saint Paul Preaching in Athens
1182:Portrait of Elisabetta Gonzaga
824:. London: The National Gallery
822:"Studying Raphael: provenance"
411:, who owned apartments in the
1:
2572:Paintings of John the Baptist
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2393:Palazzo Branconio dell'Aquila
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2207:
2099:
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2057:
2038:
2015:
2011:Saint Margaret and the Dragon
2000:
1981:
1950:
1935:
1920:
1905:
1890:
1886:Portrait of Cardinal Bibbiena
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1576:Portrait of Tommaso Inghirami
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1550:Saint Catherine of Alexandria
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2235:Miraculous Draught of Fishes
1946:Madonna with the Blue Diadem
1931:The Ecstasy of Saint Cecilia
682:(1882). Armstrong, W (ed.).
490:Raphael, from Urbino to Rome
461:List of paintings by Raphael
336:Madonna with the Blue Diadem
260:naturalness, such as in the
2466:(disciple and collaborator)
2267:Conversion of the Proconsul
2118:Self-Portrait with a Friend
1257:Saint George and the Dragon
298:wrote that Raphael, in the
2593:
2422:(1518–1525) (completed by
2408:(1509–1575) (completed by
2310:Adoration of the Shepherds
2195:Deliverance of Saint Peter
1825:Portrait of Bindo Altoviti
1689:Portrait of Pope Julius II
1465:(1507–1508) (completed by
1447:Madonna of the Baldacchino
1386:Portrait of Maddalena Doni
1043:The Marriage of the Virgin
2523:
2406:Sant'Eligio degli Orefici
2387:Palazzo Jacopo da Brescia
2053:Portrait of a Young Woman
1742:Madonna of the Candelabra
913:
214:, a symbol of his future
28:
2471:Raphael and La Fornarina
2243:Christ's Charge to Peter
1961:Holy Family of Francis I
1534:Niccolini-Cowper Madonna
1318:Young Woman with Unicorn
1167:Portrait of Pietro Bembo
281:are also similar to the
191:, the first room in the
2447:Giovanni Santi (father)
2251:Healing of the Lame Man
1802:Portrait of a Young Man
1356:Portrait of Agnolo Doni
1272:Young Man with an Apple
352:National Gallery of Art
2364:Raffaello da Montelupo
1772:Madonna dell'Impannata
1727:Madonna della Seggiola
1621:Portrait of a Cardinal
1303:Madonna del Cardellino
951:Resurrection of Christ
441:
371:Madonna dell'Impannata
359:Madonna della Seggiola
296:Ralph Nicholson Wornum
189:Stanza della Segnatura
2203:The Fire in the Borgo
1870:Creation of the World
1712:Madonna with the Fish
1474:Canigiani Holy Family
703:Sweetser, M. (1877).
617:Dryhurst, A. (1905).
2460:(mistress and model)
2454:(mistress and model)
2426:and other disciples)
2414:Bastiano da Sangallo
2358:–1524) (executed by
2339:(1520) (executed by
2213:–1517) (executed by
2147:The School of Athens
1409:Madonna of the Pinks
1242:Madonna del Granduca
1212:Small Cowper Madonna
1066:Portrait of Perugino
872:at Wikimedia Commons
724:Addison, J. (1906).
597:Farrar, F. (1900) .
580:Fraprie, R. (1912).
429:Basilius von Ramdohr
126:Aldobrandini Madonna
86: in ×
2528:Also attributed to
2275:Sacrifice at Lystra
2179:The Mass at Bolsena
2110:Madonna of the Rose
1787:Madonna della Tenda
1467:Ridolfo Ghirlandaio
1462:La belle jardinière
1424:Bridgewater Madonna
1005:Conestabile Madonna
762:Wornum, R. (1864).
409:Aldobrandini family
391:Madonna of the Rose
379:Madonna della Tenda
341:Gianfrancesco Penni
324:La belle jardinière
165:Aldobrandini family
135:Italian Renaissance
123:(also known as the
18:Painting by Raphael
2410:Baldassare Peruzzi
1674:Madonna of Foligno
1666:The Prophet Isaiah
1227:Terranuova Madonna
1081:Colonna Altarpiece
1051:Diotallevi Madonna
1035:Vision of a Knight
935:Baronci Altarpiece
801:"The Alba Madonna"
745:Müntz, E. (1898).
638:Hurll, E. (1895).
354:, Washington, D.C.
175:and Lady Garvagh.
2544:
2543:
2226:Tapestry cartoons
2080:Madonna de Bogota
2034:Small Holy Family
1651:Madonna of Loreto
1519:Esterhazy Madonna
1333:Madonna del Prato
1144:Florentine period
1020:Portrait of a Man
918:List of paintings
868:Media related to
641:Child-Life in Art
289:Leonardo da Vinci
148:. It depicts the
115:
114:
64:Oil on wood panel
2584:
2537:
2532:
2530:Lorenzo di Credi
2510:Raphael (crater)
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2259:Death of Ananias
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2017:
2005:
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1977:Ezekiel's Vision
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382:(c. 1513–1514),
362:(c. 1513–1514),
243:School of Athens
169:National Gallery
158:John the Baptist
147:
146: 1509–1510
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109:National Gallery
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2473:(1813 painting)
2452:Imperia Cognati
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2430:Villa Farnesina
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2072:Transfiguration
2060:
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1757:Sistine Madonna
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1591:Garvagh Madonna
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1489:Colonna Madonna
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421:Lucrezia d'Este
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396:Museo del Prado
384:Alte Pinakothek
316:Ansidei Madonna
308:
300:Garvagh Madonna
279:Garvagh Madonna
252:Ansidei Madonna
237:
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204:Garvagh Madonna
185:Garvagh Madonna
181:
156:and the infant
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120:Garvagh Madonna
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1546:
1538:
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1515:
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1485:
1470:
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1439:The Deposition
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1314:
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1092:
1077:
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1016:
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947:
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928:
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923:
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920:
914:
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910:
905:
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902:
895:
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859:
858:External links
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836:
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413:Villa Borghese
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320:
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180:
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70:
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49:
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26:
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2215:Giulio Romano
2205:
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2141:
2140:
2139:The Parnassus
2136:
2135:
2133:
2131:
2130:Raphael Rooms
2127:
2120:
2119:
2115:
2112:
2111:
2107:
2097:
2096:
2092:
2082:
2081:
2077:
2074:
2073:
2069:
2066:
2065:Giulio Romano
2063:–1519) (with
2055:
2054:
2050:
2047:
2046:Giulio Romano
2044:–1519) (with
2036:
2035:
2031:
2028:
2027:
2023:
2013:
2012:
2008:
1998:
1997:Giulio Romano
1994:
1993:
1989:
1979:
1978:
1974:
1971:
1970:
1966:
1963:
1962:
1958:
1948:
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1578:
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1566:
1552:
1551:
1547:
1544:
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1542:Tempi Madonna
1539:
1536:
1535:
1531:
1521:
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1287:Self-portrait
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1128:
1127:
1126:Saint Michael
1123:
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1032:
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1021:
1017:
1007:
1006:
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994:
984:
983:
982:Solly Madonna
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551:
546:
544:0-520-05087-8
540:
536:
535:
530:
529:Joannides, P.
524:
522:
518:
506:
504:1-85709-999-0
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492:
491:
483:
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449:Alexander Day
447:in 1818 from
446:
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397:
394:(1518–1520),
393:
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388:
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372:
368:
365:
364:Palazzo Pitti
361:
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342:
338:
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333:
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321:
318:
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313:
312:
311:
305:
303:
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297:
292:
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286:
285:
284:Madonna Litta
280:
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258:
254:
253:
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245:
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232:
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128:
127:
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110:
107:
103:
71:
67:
63:
59:
50:
46:
43:
40:
36:
32:
27:
22:
16:
2503:
2494:
2487:La Fornarina
2486:
2481:(1894 opera)
2478:
2470:
2432:(decoration)
2420:Villa Madama
2381:Chigi Chapel
2346:
2334:
2308:
2300:
2281:
2273:
2265:
2257:
2249:
2241:
2233:
2201:
2193:
2185:
2177:
2169:
2161:
2153:
2145:
2137:
2116:
2108:
2093:
2078:
2070:
2051:
2032:
2026:La Fornarina
2024:
2009:
1990:
1975:
1967:
1959:
1944:
1929:
1914:
1899:
1884:
1876:
1868:
1853:
1838:
1823:
1815:
1800:
1785:
1770:
1755:
1740:
1725:
1710:
1695:
1692:(1511, 1512)
1687:
1672:
1664:
1649:
1636:Alba Madonna
1634:
1619:
1604:
1590:
1589:
1574:
1568:Roman period
1548:
1540:
1532:
1517:
1502:
1487:
1472:
1460:
1445:
1437:
1422:
1407:
1399:
1384:
1369:
1354:
1339:
1331:
1316:
1301:
1293:
1285:
1270:
1255:
1240:
1225:
1210:
1195:
1180:
1165:
1150:
1124:
1111:Three Graces
1109:
1096:Saint George
1094:
1079:
1064:
1049:
1041:
1033:
1018:
1003:
995:
980:
965:
957:
949:
941:
933:
845:
839:
826:. Retrieved
816:
804:. Retrieved
795:
783:. Retrieved
774:
764:
757:
747:
740:
726:
719:
705:
698:
684:
674:
664:
654:
640:
633:
619:
599:
592:
582:
575:
563:. Retrieved
553:
533:
508:. Retrieved
489:
442:
438:
424:
416:
406:
389:
377:
369:
357:
347:Alba Madonna
345:
334:
322:
314:
309:
299:
293:
287:ascribed to
282:
278:
275:Michelangelo
272:
268:
263:Alba Madonna
261:
250:
248:
241:
238:
229:
208:
203:
201:
184:
182:
162:
154:Christ Child
141:, dating to
131:oil painting
125:
124:
119:
118:
116:
15:
2489:(1944 film)
2400: 1520
2389:(1515–1519)
2356: 1520
2318: 1508
2286:(1514–1516)
2278:(1514–1516)
2270:(1514–1516)
2262:(1514–1516)
2254:(1514–1516)
2246:(1514–1516)
2238:(1514–1516)
2211: 1514
2190:(1513–1514)
2182:(1512–1514)
2174:(1511–1512)
2158:(1510–1511)
2150:(1509–1511)
2142:(1509–1511)
2121:(1518–1520)
2113:(1518–1520)
2103: 1518
2088: 1517
2075:(1516–1520)
2061: 1518
2042: 1518
2029:(1518–1519)
2019: 1518
2004: 1518
1985: 1518
1954: 1510
1939: 1514
1924: 1517
1909: 1516
1894: 1516
1863: 1514
1848: 1514
1833: 1512
1810: 1513
1795: 1513
1780: 1513
1765: 1513
1750: 1513
1735: 1513
1720: 1512
1705: 1512
1682: 1511
1669:(1511–1512)
1659: 1511
1644: 1511
1629: 1510
1614: 1509
1599: 1509
1584: 1509
1558: 1507
1527: 1508
1512: 1507
1497: 1507
1482: 1507
1455: 1506
1432: 1507
1417: 1506
1404:(1505–1507)
1394: 1506
1379: 1506
1364: 1506
1349: 1506
1326: 1505
1311: 1505
1298:(1505–1506)
1290:(1504–1506)
1280: 1505
1265: 1505
1250: 1505
1235: 1504
1220: 1504
1205: 1504
1190: 1504
1175: 1504
1160: 1502
1134: 1504
1119: 1503
1104: 1503
1089: 1503
1074: 1504
1059: 1504
1038:(1503–1504)
1028: 1503
1013: 1502
1000:(1502–1504)
990: 1500
975: 1503
962:(1502–1503)
954:(1499–1502)
946:(1501–1502)
938:(1500–1501)
927:Early works
220:ring haloes
179:Description
2551:Categories
2536:Attributed
2360:Lorenzetto
2341:Lorenzetto
2328:Sculptures
1916:Visitation
997:Oddi Altar
660:Ruskin, J.
467:References
403:Provenance
366:, Florence
69:Dimensions
2504:Raffaello
2495:Raffaello
2374:Buildings
1901:La velata
680:Müntz, E.
212:carnation
100: in)
2577:Nude art
2302:Lucretia
2294:Drawings
1200: (
1185: (
1069: (
806:10 March
785:10 March
662:(1888).
565:11 March
531:(1983).
510:10 March
455:See also
398:, Madrid
386:, Munich
350:(1511),
327:(1507),
257:divinity
197:frescoes
129:) is an
111:, London
105:Location
2479:Raphael
2440:Related
2305:(1500s)
1697:Galatea
907:Raphael
828:23 July
706:Raphael
620:Raphael
331:, Paris
216:Passion
139:Raphael
137:artist
133:by the
95:⁄
81:⁄
42:Raphael
2348:Elijah
2198:(1514)
2166:(1511)
2105:–1520)
2090:–1520)
1995:(with
1972:(1518)
1964:(1518)
1956:–1518)
1941:–1517)
1881:(1516)
1873:(1516)
1865:–1516)
1850:–1515)
1835:–1515)
1820:(1514)
1817:Sibyls
1812:–1514)
1797:–1514)
1782:–1514)
1767:–1514)
1752:–1514)
1737:–1514)
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541:
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329:Louvre
152:, the
150:Virgin
38:Artist
2336:Jonah
627:–112.
2412:and
2362:and
830:2022
808:2011
787:2011
567:2011
539:ISBN
512:2011
499:ISBN
173:Lord
117:The
61:Type
48:Year
2502:SS
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1951:c.
1936:c.
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1906:c.
1891:c.
1860:c.
1845:c.
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1807:c.
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1777:c.
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1747:c.
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1452:c.
1429:c.
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1376:c.
1361:c.
1346:c.
1323:c.
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1277:c.
1262:c.
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1187:c.
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1157:c.
1131:c.
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1101:c.
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1025:c.
1010:c.
987:c.
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1919:(
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