Knowledge (XXG)

Gary Stephan

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Part of the power of Stephan’s paintings and drawings comes from their engagement with the architecture of their exhibition spaces in ways that mirror their formal structure. Because of their color and facture, some of Stephan’s paintings may seem austere, but merely apprehending their complex formal
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Stephan builds paintings, abstract in form but pictorial in nature, with a few simple visual tools and colors, which he then uses to undermine a coherent view. Stephan surrounds his marks with shaped areas of negative space that destabilize figure/ground relationships. A color that is used as ground
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As an abstract painter, Stephan evades the obvious seductive charms that painting offers. He is a rigorous formalist painter. Part of the strength of Stephan’s work is the way is engages our imagination through metaphor-eliciting ambiguities. All the feelings connected with these various
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Stephan has had solo shows in New York at Susan Inglett Gallery, Bykert Gallery, Mary Boone Gallery, Hirschl and Adler, and Marlborough Gallery; in Los Angeles at Margo Leavin Gallery and Daniel Weinberg Gallery.
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might come to the surface as a positive form. He also uses discontinuous areas of similar color that visually unite to create the impression of a singular shape.
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structure does not settle their meanings. Stephan creates ambiguities of form that summon feelings that are not easily resolved.
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Gary Stephan: Book of Nine, nine engravings after drawings with nine homographs. New York: The Museum of Modern Art, 1983
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He had a retrospective exhibition at the Kienzle Art Foundation in Berlin from 13 September 2017 to 13 January 2018.
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in the New York Times to refer to his work as “among the most closely watched developments of the early ’70s.”
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in the form of idiosyncraticly abstract paintings, drawings, prints, sculpture, photography and video art.
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program. He is represented by Susan Inglett Gallery in New York City and Devening Projects + Editions in
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He lives and works in New York City and Stone Ridge, NY and is on the faculty of the
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Peter Schjeldahl: Gary Stephan, Same Body Different Day. West Stockbridge MA, 1999
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of 1971 and 1973 were followed by sufficient shows and reviews to prompt
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interpretations coexist in the emotional resonance of his paintings.
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who has exhibited his work throughout the United States and Europe.
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His work has been exhibited at institutions including the
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After returning to New York, he was a studio assistant to
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John Simon Guggenheim Memorial Foundation Fellowship
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This and the 1: 485:"Gary Stephan with Phong Bui" 396:Smith, Roberta (2007-02-16). 273:Solomon R. Guggenheim Museum 232:The New York Arts Foundation 141:Whitney Biennial Exhibitions 126:San Francisco Art Institute 41:1942 (age 81–82) 731: 197:Metropolitan Museum of Art 459:"Gary Stephan: Interview" 299:, Winterthur, Switzerland 28: 685:American modern painters 118:Parsons School of Design 297:Kunst Museum Winterthur 171: 237:Permanent collections 165: 95:School of Visual Arts 285:Museum of Modern Art 567:twocoatsofpaint.com 257:, San Francisco, CA 491:. 6 September 2012 463:painters-table.com 402:The New York Times 172: 76:(born 1942) is an 45:Brooklyn, New York 515:hyperallergic.com 251:, Los Angeles, CA 245:, Los Angeles, CA 114:industrial design 71: 70: 722: 670:Artist’s website 658: 657: 650: 644: 643: 636: 630: 629: 627: 626: 617:. 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Index


Brooklyn, New York
American
Painting
American
abstract
painter
Brooklyn
School of Visual Arts
MFA
Chicago
industrial design
Parsons School of Design
Pratt Institute
San Francisco Art Institute
Jasper Johns
David Whitney
Whitney Biennial Exhibitions
Roberta Smith
Postmodern art

Drawing Center
Metropolitan Museum of Art
Aldrich Museum of Contemporary Art
Whitney Museum
Los Angeles County Museum of Art
Museum of Contemporary Art, Los Angeles
San Francisco Museum of Modern Art
Smithsonian American Art Museum
Brooklyn Museum

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