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Georg Brandes

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40: 529:, not only introducing him to Scandinavian culture but indirectly to the whole world. The series of lectures that he gave on Nietzsche's thought, which he described as "aristocratic radicalism", were the first to present Nietzsche as a world cultural figure in need of full intellectual notice. Of Brandes' description of his philosophy, Nietzsche himself remarked: "The expression 'aristocratic radicalism', which you employ, is very good. It is, permit me to say, the cleverest thing that I have yet read about myself". In 1909 the lectures were edited and published as the monograph 1155: 329:, of which four volumes appeared between 1872 and 1875 (English translation, 1901–1905). The brilliant novelty of this criticism of the literature of major European countries at the beginning of the 19th century, and his description of the general revolt against the pseudo-classicism of the 18th century, at once attracted attention outside Denmark. The tumult which gathered round the person of the critic increased the success of the work, and the reputation of Brandes grew apace, especially in Germany and 124: 498: 314: 306:), signalled the beginning of his lifelong struggle to modernize Danish literature. After the professorship of aesthetics became vacant in 1872, it was taken as a matter of course that Brandes would fill it. But the young critic had offended many sensibilities by his ardent advocacy of modern ideas; he was seen as a Jew (which he did not consider himself to be), his convictions were Radical, he was suspected of being an 244: 743: 1174: 643:. Among his supporters, Brandes' work was seen as a liberator from repressive norms, authority and hypocrisy, and he served as an inspiration for many contemporary writers. On the other hand, conservative circles condemned him as an immoral, unpatriotic and subversive blasphemer; as he became the lynchpin of criticism against 449:
any other living writer, Brandes was aided by a singularly charming style, lucid and reasonable, enthusiastic but without extravagance, brilliant and colored without affectation. In 1900 he collected his works for the first time in a complete and popular edition and began to work on a German edition, completed in 1902.
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garb, the feminine intellect has this advantage over the masculine, that its possessor by a single daring movement can rise above all the prejudices of civilization and bourgeois conventionality, at once transporting herself into the state of innocence and the lap of Nature'. The lap of Nature! There is an echo of
232:. Before this, indeed since 1858, he had shown a remarkable gift for verse-writing, the results of which, however, were not abundant enough to justify separate publication. Brandes did not collect his poems until as late as 1898. At the university, which he left in 1864, Brandes was influenced by the writings of 448:
and was highly acclaimed. It was, perhaps, history's most authoritative work on Shakespeare not principally intended for an English-speaking audience. He was afterwards engaged in writing a history of modern Scandinavian literature. In his critical work, which extended over a wider field than that of
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In 1866, he contributed to the discussion of the works of Rasmus Nielsen in "Dualism in our Recent Philosophy". From 1865 to 1871 he traveled much in Europe, acquainting himself with the condition of literature in the principal centers of learning. His first important contribution to letters was his
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is 'divine audacity'. In audacity thus comprehended there are endless possibilities. It is freedom from prejudice, yet it suggests the possibility of the most audacious defence of all possible kinds of prejudices. It is more easily attainable, we are told, by woman than by man. 'Like the feminine
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magazine. In Volume 2 Brandes says about Kierkegaard, "It is not merely in name that this irony bears a fundamental resemblance to Kierkegaard's, which also aristocratically 'chooses to be misunderstood'. The Ego of genius is the truth, if not in the sense in which Kierkegaard would have us
481:'s voice even in this wanton tirade. We seem to hear the trumpet-call of revolution; what we really hear is only the proclamation of reaction. Rousseau desired to return to the state of nature, when men roamed naked through the pathless forests and lived upon acorns. 505:
In the late 1880s, Brandes fought against what he saw as the hypocrisy of prudish sexuality, which caused a rift with Bjørnstjerne Bjørnson. Between the years of 1886 and 1888 Brandes was engaged in a relationship with the Swedish author
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In the 1900s, Brandes fought the Danish political establishment on several occasions, but eventually had to curb his acidic attacks. However, his international reputation was growing. In many ways he emulated his own assessment of
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uncomfortable with him, and he returned in 1883 to Copenhagen, where he found a whole new school of writers and thinkers eager to receive him as their leader. He headed the group "Det moderne Gjennembruds Mænd"
310:. The authorities refused to appoint him, but his fitness for the post was so obvious that the chair of Aesthetics remained vacant for years, since no one else dared to place himself in comparison with Brandes. 471:
is the truth', still in the sense that the Ego has every externally valid commandment and prohibition in its power; and, to the astonishment and scandal of the world, invariably expresses itself in paradoxes.
533:, which included the complete Nietzsche/Brandes correspondence as well as two essays in homage to the late Nietzsche's life and thought. Translated into English by A. G. Chater, the volume was published by 401:(1905). Brandes wrote with great depth on the main contemporary poets and novelists of Denmark and Norway, and he and his disciples were for a long time the arbiters of literary success in the north. His 1068:(University of Washington Press; 2012) 280 pages; explores issues of Danish cultural identity through a study of the lives and friendship of Brandes and the silent film star (1881–1972). 2103: 1538: 758: 298:
or reader in Aesthetics at the University of Copenhagen, where his lectures were a great success and gathered huge audiences. His famous opening lecture on 3 November 1871,
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In 1877 Brandes left Copenhagen and settled in Berlin, taking a considerable part in the aesthetic life of that city. His political views, however, made
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Brandes now took his place as the leading northern European critic, applying to local conditions and habits of thought the methods of Taine. He became
1531: 848: 260:(1868), where his maturer method is already foreshadowed in several brief monographs on Danish poets. In 1870 he published several important volumes, 151:, condemning hyper-aesthetic writing and also fantasy in literature. His literary goals were shared by some other authors, among them the Norwegian " 2098: 905: 592:
on both sides and his last years were dedicated to anti-religious polemic. In this late period he made new connections to intellectuals like
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The key idea of "aristocratic radicalism" went on to influence most of the later works of Brandes and resulted in voluminous biographies
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In the late 1880s, Brandes turned to concentrating on "great personalities" as the source of culture. In this period, he discovered
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His brother Edvard (1847–1931), also a well-known critic, was the author of a number of plays, and of two psychological novels:
545:, with whom his thought had much in common. There is no evidence, however, that Nietzsche ever read any of Kierkegaard's works. 184:
with the motto: "The paper of greater enlightenment". The paper and their political debates led to a split of the liberal party
580:, as an author against habitual thinking, hypocrisy and the thin veneer of morality. He condemned the maltreatment of national 486: 162:
When Georg Brandes held a series of lectures in 1871 with the title "Main Currents in 19th-century Literature", he defined the
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The Activist Critic. A Symposium on the Political Ideas, Literary Methods and International Reception of Georg Brandes.
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Søren Kierkegaard: A Critical Presentation in Outline (Søren Kierkegaard: En kritisk Fremstilling i Grundrids) (1877)
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and European literature from the 1870s through the turn of the 20th century. He is seen as the theorist behind the "
1566: 1494: 778: 1204: 1930: 2083: 2068: 2063: 1759: 1096:, Current literature, Volume 40, edited by Edward Jewitt Wheeler, Edward Jewitt Wheeler – 1906 pp. 616–618 365:, but a conservative reaction against his "realistic" doctrines began around 1883, headed by Holger Drachmann. 213: 99: 1571: 823: 1714: 1598: 461: 445: 430: 148: 136: 1749: 1606: 1138: 1091: 1077: 902: 2028: 1960: 1807: 1787: 1621: 534: 507: 478: 1835: 1744: 1689: 1083: 1071: 537:
in 1914 and Nietzsche's thought was thus able to reach a significant English language audience before
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wished to turn the course of evolution back to the primeval ages, to the days before man had fallen.
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In the middle of these polemics, Brandes began to issue volumes of the most ambitious of his works,
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Brandes stands as one of the most influential inspirations of Danish culture, an equal of Holberg,
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in its entirety. At the same time, some socialists criticized his elitist attitudes, while some
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hotel room, and the relationship with Brandes has later been blamed as the cause for her death.
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in 1906 (six volumes). This book was among the 100 best books for education selected in 1929 by
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One or more of the preceding sentences incorporates text from a publication now in the
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The New Republic Volume 31, The Republic Pub. Co., 1922 p. 44–47 Retrieved 2012-01-15
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See p. 72 Main Currents in Nineteenth, Century Literature Vol. 2 Georg Brandes, 1906.
754: 749: 564: 406: 248: 217: 1088:, Self culture, Volume 11, by Winfred Lee Wendell pp. 434–440, Werner Co., 1900 1873: 1845: 1694: 1631: 1464: 1457: 1256:"Sören Kierkegaard: Ein literarisches Charakterbild (German translation available)" 569: 468: 394: 358: 156: 1179: 1815: 1659: 1641: 1480: 605: 589: 538: 457: 1238: 1146: 1734: 1679: 1669: 519: 225: 221: 201: 64: 1955: 1935: 935: 644: 518:
under the male pseudonym Ernst Ahlgren. Benedictsson committed suicide in a
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Some Modern History-Makers of Scandinavia III, Jonas Lie and George Brandes
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Georg Brandes and Harald Høffding, edited and translated by William Banks,
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The Great Debate: Nietzsche, Culture, and the Scandinavian Welfare Society
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Hovedstrømninger i det 19de Aarhundredes Litteratur – Emigrantlitteraturen
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Georg Brandes was born into a non-observant Jewish middle-class family in
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have regarded his attitude of sexual equality as being inconsequential.
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in philosophy, influences which continued to leave traces on his work.
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blows revolutionary melodies on the great romantic 'wonder-horn'."
1164: 496: 473: 312: 242: 228:. In 1862 he won the gold medal of the university for an essay on 1014:
Kierkegaard's Influence on Literature, Criticism and Art: Denmark
862:"Will Durant's 100 Best Books for an Education on Lists of Bests" 1520: 1239:"Eminent authors of the nineteenth century. Literary portraits" 677:
An Essay on the Aristocratic Radicalism of Friedrich Nietzsche.
662:(1899). He became an outstanding political figure of the party 373:
Among his later writings must be mentioned the monographs on
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The Saturday Review of Politics, Literature, Science and Art
429:(1889), are volumes essential to the proper study of modern 1323:. Gyldendalske boghandels forlag (F. Hegel & søn). 1896 1389:"Main Currents in Nineteenth Century Literature, Vol. 1–6" 1066:
Icons of Danish Modernity: Georg Brandes and Asta Nielsen
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Main Currents in the Literature of the Nineteenth Century
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Main Currents in the Literature of the Nineteenth Century
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The Historical Jesus in the Twentieth Century: 1900-1950
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by Isidore Singer & Carl Henrik Bjerregaard (1906).
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Georg Brandes, Letter to Nietzsche – January 11th 1888.
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Nietzsche, Letter to Georg Brandes – December 2nd 1887.
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The most important of his later works was his study of
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19th/20th-century Danish literature critic and scholar
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Georg Brandes – Forfatterportræt ved Jørgen Knudsen
460:. Durant and Brandes were both contributors to the 300:
Hovedstrømninger i det 19de Aarhundredes Litteratur
220:. From this, however, his interests soon turned to 116: 105: 95: 85: 71: 49: 30: 444:(1897–1898), which was translated into English by 930:(in Norwegian). Oslo: Ansgar. pp. 103–105. 2104:Academic staff of the University of Copenhagen 1307:"William Shakespeare: A Critical Study Vol. 1" 826:Main Currents in Nineteenth Century Literature 454:Main Currents in Nineteenth-Century Literature 1532: 1205:"Recent Literature. Brandes pp. 505, 755–758" 8: 736: 734: 732: 730: 728: 726: 724: 722: 720: 247:Georg Brandes in his youth. 1868 drawing by 806: 804: 802: 800: 798: 600:when he was co-signer in the foundation of 166:and started the movement that would become 1982: 1594: 1539: 1525: 1517: 38: 27: 1410:"Reminiscences of my childhood and youth" 898: 896: 894: 892: 890: 888: 1241:. New York, T, Y, Crowell & co. 1886 1039:"Sketch: A Journal of Art and Actuality" 687:Main Currents in 19th Century Literature 262:The French Aesthetics of the Present Day 1180:Newspaper clippings about Georg Brandes 994:. Trinity Press International. p. 300. 716: 204:, the elder brother of prominent Danes 1093:The Most Influential of Living Critics 1061:(University of Wisconsin Press, 2023). 230:The Idea of Nemesis among the Ancients 7: 1115:Georg Brandes. Aristocratic Radical. 1503:"Georg Brandes in Life and Letters" 2114:19th-century Danish letter writers 1041:. Ingram brothers. 1 January 1893. 961:Georg Brandes: A Biographical Note 343:The Men of the Modern Breakthrough 188:in 1905 and created the new party 14: 1073:Essays on Scandinavian Literature 864:. Listsofbests.com. 12 April 2008 317:Danish first edition of Brandes' 174:, Georg Brandes, and his brother 1273:"Henrik Ibsen: Critical Studies" 1172: 1122:Georg Brandes. Selected Letters. 849:Holger Henrik Herholdt Drachmann 838:(2390): 207–208. 21 August 1901. 741: 433:. He wrote an excellent book on 122: 2099:University of Copenhagen alumni 1156:Works by or about Georg Brandes 1011:Stewart, Jon (1 January 2013). 216:in 1859 where he first studied 1926:Jacob Brønnum Scavenius Estrup 951:at Gyldendals Ă…bne Encyklopædi 851:at Gyldendals Ă…bne Encyklopædi 813:at Gyldendals Ă…bne Encyklopædi 405:(1877), containing studies of 353:, Edvard Brandes, Erik Skram, 1: 2008:Kunstnernes Frie Studieskoler 1139:"Brandes, Georg Morris Cohen" 912:at Arkiv for Dansk Litteratur 705:Nordic sexual morality debate 467:understand his proposition, ' 212:. He became a student at the 1222:"Lord Beaconsfield; a study" 627:in 1926. He was an atheist. 493:Personal life and last years 423:Men of the Modern Transition 178:started the daily newspaper 2124:20th-century Danish writers 2109:19th-century Danish writers 2003:Den Frie Udstillingsbygning 1495:The Return of Georg Brandes 1184:20th Century Press Archives 1171:(public domain audiobooks) 1017:. Ashgate Publishing, Ltd. 759:Brandes, Georg Morris Cohen 615:and was a proponent of the 611:Brandes argued against the 44:Georg Brandes, sketch, 1900 2145: 1993:Royal Academy of Fine Arts 1931:Rasmus Frederik Hendriksen 990:Weaver, Walter P. (1999). 287: 133:Georg Morris Cohen Brandes 53:Georg Morris Cohen Brandes 18: 2119:19th-century male writers 303: 121: 37: 2129:Danish magazine founders 1760:Jens Ferdinand Willumsen 1458:"Wolfgang Goethe Vol. 1" 1103:Gloucester, Mass., 1976. 623:which was translated as 419:Frederick Paludan-MĂĽller 270:Criticisms and Portraits 214:University of Copenhagen 100:University of Copenhagen 19:Not to be confused with 2094:Writers from Copenhagen 2079:Danish literary critics 1386:Georg Brandes, 1901–06 1290:"Impressions of Russia" 764:Encyclopædia Britannica 431:Scandinavian literature 284:The Modern Breakthrough 274:The Subjection of Women 272:, and a translation of 264:, dealing chiefly with 1582:Immigration to America 1165:Works by Georg Brandes 1147:Works by Georg Brandes 1078:Hjalmar Hjorth Boyesen 922:Myhre, Reidar (1947). 779:Artikel: Georg Brandes 777:Ole Friis Thellufsen, 502: 322: 252: 2074:Jewish Danish writers 2029:Heinrich Hirschsprung 1961:Carl Frederik Tietgen 1909:Politics and industry 1788:Niels Hansen Jacobsen 1622:Johan Daniel Herholdt 1500:Julius Moritzen 1922 1442:"Friedrich Nietzsche" 1368:. W. Heinemann. 1906. 1361:. W. Heinemann. 1906. 1354:. W. Heinemann. 1903. 1347:. W. Heinemann. 1906. 1340:. W. Heinemann. 1906. 1316:. W. Heinemann. 1898. 1120:W. Glyn Jones (ed.): 1113:Doris R. Asmundsson: 949:Victoria Benedictsson 926:Bjørnstjerne Bjørnson 784:7 August 2011 at the 584:, the persecution of 508:Victoria Benedictsson 500: 363:Bjørnstjerne Bjørnson 316: 246: 1998:Royal Danish Theatre 1715:Peder Severin Krøyer 1637:Ulrik Adolph Plesner 1478:Georg Brandes, 1917 1455:Georg Brandes, 1915 1439:Georg Brandes, 1915 1423:Georg Brandes, 1908 1407:Georg Brandes, 1906 1335:Georg Brandes, 1906 1304:Georg Brandes, 1898 1287:Georg Brandes, 1889 1275:. Macmillan co. 1899 1270:Georg Brandes, 1899 1253:Georg Brandes, 1879 1236:Georg Brandes, 1886 1219:Georg Brandes, 1880 1200:The Atlantic Monthly 908:19 July 2011 at the 700:Helen Zelezny-Scholz 664:Det Radikale Venstre 613:historicity of Jesus 190:Det Radikale Venstre 1895:Niels Ryberg Finsen 1831:Jens Peter Jacobsen 1750:Harald Slott-Møller 1607:Thorvald Bindesbøll 1548:Modern Breakthrough 1135:Jewish Encyclopedia 1124:Norvik Press, 1990. 1106:Hans Hertel (ed.): 531:Friedrich Nietzsche 527:Friedrich Nietzsche 442:William Shakespeare 389:(in German, 1877), 290:Modern Breakthrough 168:Cultural Radicalism 164:Modern Breakthrough 141:Modern Breakthrough 81:Copenhagen, Denmark 1900:Peter Ludvig Panum 1841:Henrik Pontoppidan 1836:Johannes Jørgensen 1765:Kristian Zahrtmann 1745:Agnes Slott-Møller 1690:Vilhelm Hammershøi 1481:"The World at War" 1395:on 4 February 2015 1080:1895 p. 199ff 617:Christ myth theory 565:Gaius Julius Cæsar 503: 387:Ferdinand Lassalle 323: 253: 2041: 2040: 2037: 2036: 1974: 1973: 1851:Viggo Stuckenberg 1730:Theodor Philipsen 1705:Frants Henningsen 1567:Industrialisation 1151:Project Gutenberg 1110:Copenhagen, 1980. 790:Aarhus University 543:Søren Kierkegaard 415:Christian Winther 383:Benjamin Disraeli 375:Søren Kierkegaard 357:, and Norwegians 355:Sophus Schandorph 258:Aesthetic Studies 238:Søren Kierkegaard 236:in criticism and 130: 129: 2136: 1983: 1740:Joakim Skovgaard 1710:August Jerndorff 1627:Hans Jørgen Holm 1612:Vilhelm Dahlerup 1595: 1541: 1534: 1527: 1518: 1513: 1511: 1509: 1491: 1489: 1487: 1475: 1473: 1471: 1461: 1452: 1450: 1448: 1436: 1434: 1432: 1426:"Anatole France" 1420: 1418: 1416: 1404: 1402: 1400: 1391:. 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(1911). " 753: 742: 740: 739: 718: 713: 696: 672: 633: 621:Sagnet om Jesus 619:. He published 501:Brandes in 1904 495: 411:Ludvig Bødtcher 371: 345:), composed of 292: 286: 266:Hippolyte Taine 198: 80: 76: 63: 62:4 February 1842 57: 55: 54: 45: 33: 24: 17: 12: 11: 5: 2142: 2140: 2132: 2131: 2126: 2121: 2116: 2111: 2106: 2101: 2096: 2091: 2086: 2081: 2076: 2071: 2066: 2061: 2056: 2046: 2045: 2039: 2038: 2035: 2034: 2032: 2031: 2026: 2024:Brøndums Hotel 2020: 2018: 2017:Private venues 2014: 2013: 2011: 2010: 2005: 2000: 1995: 1989: 1987: 1980: 1976: 1975: 1972: 1971: 1969: 1968: 1963: 1958: 1953: 1951:J. C. Jacobsen 1948: 1943: 1938: 1933: 1928: 1923: 1921:Edvard Brandes 1918: 1912: 1910: 1906: 1905: 1903: 1902: 1897: 1891: 1889: 1885: 1884: 1882: 1881: 1879:Hilda Sehested 1876: 1871: 1865: 1863: 1857: 1856: 1854: 1853: 1848: 1843: 1838: 1833: 1828: 1823: 1818: 1812: 1810: 1804: 1803: 1801: 1800: 1795: 1793:Rudolph Tegner 1790: 1785: 1783:Vilhelm Bissen 1779: 1777: 1771: 1770: 1768: 1767: 1762: 1757: 1752: 1747: 1742: 1737: 1732: 1727: 1722: 1717: 1712: 1707: 1702: 1697: 1692: 1687: 1682: 1677: 1672: 1667: 1665:Michael Ancher 1662: 1656: 1654: 1648: 1647: 1645: 1644: 1639: 1634: 1629: 1624: 1619: 1614: 1609: 1603: 1601: 1592: 1588: 1587: 1585: 1584: 1579: 1577:Women's rights 1574: 1569: 1563: 1561: 1557: 1556: 1554:(c. 1879–1910) 1546: 1544: 1543: 1536: 1529: 1521: 1515: 1514: 1498: 1492: 1476: 1453: 1437: 1421: 1405: 1384: 1333: 1302: 1285: 1268: 1251: 1234: 1217: 1191: 1190: 1177: 1162: 1153: 1143: 1142: 1130: 1129:External links 1127: 1126: 1125: 1118: 1111: 1104: 1101:Georg Brandes. 1099:Bertil Nolin: 1097: 1089: 1081: 1069: 1062: 1051: 1048: 1045: 1044: 1030: 1023: 1003: 983: 974: 965: 953: 941: 914: 884: 875: 853: 841: 815: 794: 792:, 29 July 2009 770: 755:Chisholm, Hugh 715: 714: 712: 709: 708: 707: 702: 695: 692: 691: 690: 684: 681: 671: 668: 632: 629: 598:Romain Rolland 594:Henri Barbusse 586:Alfred Dreyfus 494: 491: 446:William Archer 399:Anatole France 397:(1899) and on 391:Ludvig Holberg 370: 367: 347:J. 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Index

George Brandis
Georg Brandes, sketch, 1900
Copenhagen
Critic
University of Copenhagen
Edvard Brandes

Scandinavian
Modern Breakthrough
realism
naturalism
realist
Henrik Ibsen
Modern Breakthrough
Cultural Radicalism
Viggo Hørup
Edvard Brandes
Politiken
Venstre
Det Radikale Venstre
Copenhagen
Ernst Brandes
Edvard Brandes
University of Copenhagen
jurisprudence
philosophy
aesthetics
Heiberg
Søren Kierkegaard

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