140:
195:'s new theory of harmony became a source of dispute between him and the rest of the academy's faculty. In 1845, he became conductor at Covent Garden, producing the Antigone with Mendelssohn's music; his opera on Don Quixote was produced under Bunn at Drury Lane in 1846. Macfarren's eyesight had at that point deteriorated so significantly that he spent the next 18 months in New York to receive treatment from a leading oculist, but to no effect. He was re-appointed a professor at the academy in 1851, not because the faculty had any greater love for Day's theories, but because they decided that free thought should be encouraged. He succeeded Sir
148:
804:"with all its very great and solid merit, can be said to be original in style only in virtue of the logical results of certain theories of harmony held by its composer." By the early twentieth century, Macfarren's works were no longer performed, a fact which the Worshipful Company of Musicians attributed to a lack of genius on Macfarren's part: "Never was more earnest composer, more prolific writer; never did man strive more zealously for the art of his country; yet Heaven had endowed him only with talent and not genius."
22:
41:
75:. His health was poor, however, and his eyesight weak, so much so that he was given a large-type edition of the Bible and had to use a powerful magnifying-glass for all other reading. He was withdrawn from the school in 1823 to undergo a course of eye treatment. The treatment was unsuccessful, and his eyesight progressively worsened until he became totally blind in 1860.
803:
was praised for its avoidance of the salacious: "The whole of the scene is very cleverly worked out, and the composer has avoided anything inappropriate in the music descriptive of the dance, that might be considered out of place in an oratorio." Others, however, criticized the oratorio, arguing that
798:
de." Those who thought highly of his work praised its originality and its tastefulness. According to a contemporary commentator, Macfarren "had great originality of thought and, as a composer, would probably have had still greater success if his early composition studies had been formed on the more
230:
Mendelssohn had heard it performed in London and wrote to the composer that he "liked it very much". After the
Leipzig concert Mendelssohn wrote again to say "Your overture went very well, and was most cordially and unanimously received by the public, the orchestra playing it with true delight and
811:
has been called "professionally composed if uninspiring" and his writing for trumpet singled out as "conventional ... although he does make liberal use of the out-of-tune harmonics, especially b ', he rarely uses notes outside the harmonic series and rarely writes the first trumpet part above the
286:
Macfarren also wrote chamber music, most notably the six string quartets that span over 40 years from 1834. Other chamber works include a piano trio in E minor, a piano quintet in G minor, sonatas for flute and violin, and three piano sonatas. Macfarren also composed for the
187:
and trombone with John
Smithies. His ability to perform, however, was hindered by his poor eyesight and he soon concentrated upon composing only. In his first year at the academy, Macfarren composed his first work, the Symphony in F minor.
812:
first treble staff." Macfarren's music is "capable of graceful lyricism, what may be a desire to avoid cliches in the songs leads him at times to an unexpected angularity of line that seems more awkward than fresh. However, Macfarren's
237:
also admired the peculiar and wildly passionate character of the piece (which he described as the "Steeple Chase by MacFarrinc" in his diary). Wagner also described the overture's composer as "a pompous, melancholy
Scotsman".
1068:
794:, his theoretical and analytical expertise was indisputable.". One contemporary called Macfarren "essentially a musical grammarian, engaged all his life long in settling the doctrine of the
303:(1859), both for concertina and piano. Macfarren also wrote an arrangement for the concertina and seven other instruments, of the second movement from Mendelssohn’s Italian symphony.
1807:
English music 1604 to 1904: being the lectures given at the Music Loan
Exhibition of the Worshipful Company of Musicians, held at Fishmongers' Hall, London Bridge, June–July, 1904
121:, the "Ode to Joy", became its most popular translation in England. She also composed for piano. Their daughter, Clarina Thalia Macfarren (23 March 1848 – 10 July 1934), married
2113:
2018:
159:
in 1883. He lived with "chronic bronchitis and a weak heart" but refused to abate his working schedule, and died on 31 October 1887, at his house in
Hamilton Terrace,
2033:
2088:
934:
191:
From 1834 to 1836 Macfarren taught at the academy without a professorship; he was appointed a professor in 1837. He resigned in 1847 when his espousal of
2003:
1833:
295:
for concertina, violin, viola, cello, and double bass was first performed by
Richard Blagrove in 1854. Other compositions for concertina include the
2048:
2023:
2008:
1861:
2013:
1998:
2053:
2128:
2103:
1574:
1540:
1680:
Miller, George (July–August 1999). "Macfarren
Symphonies: No. 4; No. 7 * Werner Andreas Albert, cond; Queensland PO * cpo 999 433 (58:40)".
2063:
790:
During his lifetime, Macfarren's music met with a mixed reception; "his views were often considered dogmatic and reactionary, but, unlike
105:, she was successively a concert singer and singing teacher, as well as being a writer and a prolific translator of German poetry, songs (
2123:
2093:
2068:
1245:
139:
2038:
1294:
78:
However, his blindness had little effect on his productivity. He overcame the difficulties posed by his lack of sight by employing an
2058:
2028:
1751:
1735:
1720:
1702:
1609:
1592:
1558:
1524:
1509:
1494:
1166:
1123:
2083:
2073:
1628:
1228:
1214:
816:
has been praised as "an original and imaginative piece in which the shadow of
Mendelssohn, so prominent since the appearance of
807:
Modern commentators generally consider
Macfarren to be "the most eminent representative" of conservatism in orchestration. His
184:
1829:
1173:. It is possible that the fourth symphony is the F minor symphony that was played in 1834 by the Society of British Musicians.
2108:
2078:
1912:
1819:
2043:
2133:
1823:
330:
220:
2118:
1936:
192:
1618:
1695:
The Mirror of Music, 1844–1944: A Century of
Musical Life in Britain as Reflected in the Pages of the Musical Times
403:
212:
118:
1854:
2098:
1900:
1340:
196:
122:
256:
produced in 1860. A recording by Victorian Opera was recorded in 2011. A recording of the two act chamber opera
1966:
1948:
1942:
1894:
928:
390:
216:(described as Beethoven's "Grand Service in D", and published in 1854); and a textbook on counterpoint (1881).
176:
1086:
147:
654:
1847:
649:
179:. In 1829, at the age of sixteen, he entered the Royal Academy of Music, where he studied composition under
1198:
1871:
207:
129:
102:
1918:
1170:
249:
1651:
Poston, Lawrence (Spring 2005). "Henry Wood: the "Proms," and National Identity in Music, 1895–1904".
1993:
1988:
206:
Macfarren founded the Handel Society, which attempted to produce a collected edition of the works of
200:
133:
114:
1152:
72:
1113:
21:
1794:
1668:
1617:
1180:
164:
349:
1835 – Concerto for Two Pianos in C major (jointly as a student with William Sterndale Bennett)
1930:
1747:
1731:
1716:
1698:
1605:
1588:
1570:
1554:
1536:
1520:
1505:
1490:
1290:
1119:
818:
693:
224:
160:
90:
83:
68:
252:
in 1849 (Natalia Macfarren made her operatic debut in this production), and an adaptation of
1924:
1786:
1660:
346:
1835 – Piano Concerto in C minor (fp. Society of British Musicians, London, 2 November 1835)
52:
44:
1839:
1777:
Weber, William (Winter 2008). "Canonicity and Collegiality: "Other" Composers, 1790–1850".
1888:
180:
32:(2 March 1813 – 31 October 1887) was an English composer and musicologist.
372:
1839–40 – Symphony No. 7 in C-sharp minor (fp. Philharmonic Society, London, 9 June 1845)
267:
brought him some popular and critical success. The most enduringly successful of these,
1882:
1567:
The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire
1175:
Banister, Henry Charles (6 February 1888). "The Life and Work of Sir G. A. MacFarren".
1147:
234:
55:, a dancing-master, dramatic author and journalist, who later became the editor of the
927:
1982:
1798:
1672:
923:
799:
modern lines to which he afterwards became so devotedly attached." Salome's dance in
89:
On 27 September 1844, Macfarren married Clarina Thalia Andrae, subsequently known as
320:
1831 – Symphony No. 2 in D minor (fp. Royal Academy of Music, London, December 1831)
210:(between 1843 and 1858). Among his theoretical works was an analysis of Beethoven's
132:(28 August 1826 – 1905) was a pianist, composer and professor of the Royal Academy.
40:
1960:
1954:
1641:
791:
609:, the Maid of Augsburg, romance (fp. Covent Garden Theatre, London, 20 April 1839)
1773:
The Athlone History of Music in Britain, Vol. 5. London: The Athlone Press, 1981.
1728:
A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries
1647:"Macfarren's 'Chevy Chase' Overture". The Musical Times, 1 August 1911 page 527.
399:
1873 – Violin Concerto in G minor (fp. Philharmonic Society, London, 12 May 1873)
199:
as principal of the academy in 1876. He was also appointed professor of music at
1598:
1761:
Statham, H. Heathcote (March 1875). "The Place of Sterndale Bennett in Music".
396:
1863 – Flute Concerto in G (fp. Hanover Square Rooms, London, 24 February 1864)
317:
1828 – Symphony No. 1 in C (fp. Royal Academy of Music, London, September 1830)
1790:
1623:
288:
79:
326:
1832 – Overture in E-flat (fp. Royal Academy of Music, London, 26 June 1833)
260:
of 1864, scored for four soloists, piano and harmonium, was issued in 2023.
94:
67:, where his father was dancing-master; the school numbered among its alumni
63:
Jackson. At the age of seven, Macfarren was sent to Dr Nicholas's school in
98:
1664:
1602:
Studies in Modern Music: Frederick Chopin, Antonín Dvořák, Johannes Brahms
241:
The "Chevy Chace" overture and two of his symphonies have been recorded.
1565:
Ellsworth, Therese (2007). Ellsworth, Therese; Wollenberg, Susan (eds.).
1517:
Music Analysis in Britain in the Nineteenth and Early Twentieth Centuries
1090:
795:
264:
156:
110:
717:
1840 – String Quartet No 2 in F major, Op. 54 (published Leipzig, 1846)
674:, opera di camera (fp. Gallery of Illustration, London, 2 November 1863)
1087:"Permalink for Beethoven score and analysis at New York Public Library"
667:, allegorical masque (fp. Covent Garden Theatre, London, 10 March 1863)
1184:
136:, the wife of another brother, John, was also a pianist and composer.
688:, opera di camera (fp. Gallery of Illustration, London, 10 July 1864)
369:, overture (fp. Society of British Musicians, London, 7 January 1838)
106:
64:
1341:
IMSLP: complete set of parts and realisation by Steve's Bedroom Band
343:, overture (fp. Society of British Musicians, London, October 1835)
219:
His overture "Chevy Chace" was performed on 26 October 1843 by the
146:
138:
39:
20:
51:
George Alexander Macfarren was born in London on 2 March 1813 to
644:, serenata (fp. Her Majesty's Theatre, London, 15 November 1850)
1843:
1482:. Oxford: Oxford University Press, 2004. Accessed 17 May 2009.
1533:
Translators, Interpreters, Mediators: Women Writers 1700–1900
1478:
Brown, Clive. "Macfarren, Sir George Alexander (1813–1887)."
681:, opera (fp. Covent Garden Theatre, London, 11 February 1864)
113:
into English. Her singing translation for the finale text of
697:, opera (fp. Covent Garden Theatre, London, 3 November 1864)
660:, opera (fp. Her Majesty's Theatre, London, 11 October 1860)
616:, masque (fp. Drury Lane Theatre, London, 10 February 1840)
455:: 'A Widow Bird' (Shelley), 'Pack Clouds Away' (T. Heywood)
175:
Macfarren began to study music when he was fourteen, under
1459:
George Alexander Macfarren: His Life, Works, and Influence
1730:. Chapel Hill: University of North Carolina Press, 2000.
1352:"Review: The Organist's Quarterly Journal by Wm. Spark".
630:, opera (fp. Princess's Theatre, London, 27 October 1849)
623:, opera (fp. Drury Lane Theatre, London, 3 February 1846)
1487:
The last trumpet: a history of the English slide trumpet
758:
1842 – Piano Sonata No 1 in E-flat major (revised 1887)
745:
1880 – Piano Trio in A minor for flute, cello and piano
271:, was first performed in 1873 at the Bristol Festival.
1604:. 1894. Reprint. Montana: Kessinger Publishing, 2004.
1504:. 1938. Reprint. Montana: Kessinger Publishing, 2006.
1287:
The Wheatstone English concertina in Victorian England
490:, cantata (fp. Glasgow Choral Union, 15 November 1877)
1502:
Ministry of Music: The Life of William Rogers Chapman
448:, cantata (fp. Musical Society of London, 9 May 1860)
143:
Macfarren's house in Hamilton Terrace, St John's Wood
595:, opera (fp. Lyceum Theatre, London, 13 August 1838)
581:, operetta (fp. Coburg Theatre, London, August 1836)
518:, cantata (fp. Royal Academy of Music, London, 1887)
483:, oratorio (fp. Birmingham Festival, 30 August 1876)
1535:. Bern, Switzerland: Peter Lang. pp. 225–236.
1809:. The Walter Scott Publishing Company, Ltd., 1906.
567:, farce (fp. Lyceum Theatre, London, 16 June 1835)
497:, oratorio (fp. Leeds Festival, 21 September 1877)
476:, oratorio (fp. Bristol Festival, 23 October 1873)
434:, cantata (fp. Exeter Hall, London, 25 April 1853)
1697:. Freeport, New York: Books for Libraries Press.
441:, cantata (fp. Bradford Festival, 28 August 1856)
291:, a squeezebox button-accordion. His composition
1327:Recorded by Colin Bradbury and Oliver Davies on
504:, oratorio (fp. Leeds Festival, 12 October 1883)
1464:—. "The Life and Work of Sir G. A. Macfarren."
1461:. London: G. Bell and Sons, 1891. OCLC 1720974.
420:(fp. Philharmonic Society, London, 5 July 1875)
362:1836 – Concertino in A, for cello and orchestra
1771:Music in Britain: The Romantic Age, 1800-1914.
1632:. Vol. 35. London: Smith, Elder & Co.
849:, Vol. 39 (1 January 1898) New York and London
539:, operetta (fp. Queen's Theatre, London, 1832)
1855:
1744:Music in Other Words: Victorian Conversations
1531:Degott, Pierre (2007). Dow, Gillian E (ed.).
1519:. Aldershot, Hants., England: Ashgate, 2003.
1387:
1385:
1179:. 1887–1888. Oxford University Press: 67–88.
1045:
1043:
1041:
1039:
1037:
1035:
614:An Emblematic Tribute on the Queen's Marriage
8:
1746:. Berkeley: University of California Press.
1409:Worshipful Company of Musicians (1906), 283.
1354:The Musical Times and Singing Class Circular
1289:. Oxford: Clarendon Press. pp. 23, 41.
938:(11th ed.). Cambridge University Press.
906:
904:
885:
883:
822:in 1846, is only occasionally perceptible."
82:in composition. One amanuensis was composer
1551:Charles Villiers Stanford: man and musician
532:, farce (fp. Queen's Theatre, London, 1831)
511:(fp. Crystal Palace, London, 23 April 1884)
1862:
1848:
1840:
1834:International Music Score Library Project
1830:Free scores by George Alexander Macfarren
1820:Free scores by George Alexander Macfarren
1715:. Oxford: Oxford University Press, 2009.
1553:. Oxford: Oxford University Press, 2002.
1069:"Macfarren, George Alexander (MFRN875GA)"
781:(fp. Cambridge University, November 1882)
2114:Principals of the Royal Academy of Music
1587:New Haven: Yale University Press, 2005.
1266:"Mr.Richard Blagrove's Annual Concert".
918:
916:
2019:Academics of the Royal Academy of Music
1480:Oxford Dictionary of National Biography
929:"Macfarren, Sir George Alexander"
830:
1466:Proceedings of the Musical Association
1232:, Retrospect Opera RO009, reviewed at
1177:Proceedings of the Musical Association
739:1872 – Religious March in E-flat major
469:, cantata (fp. Norwich Festival, 1872)
402:1874 – Symphony No. 9 in E minor (fp.
329:1833 – Symphony No. 4 in F minor (fp.
125:, one of George Macfarren's students.
1475:. London: Hodder and Staughton, 1906.
1473:Musical Reminiscences and Impressions
1323:
1321:
873:
871:
869:
867:
865:
863:
861:
859:
857:
855:
720:1842 – String Quartet No 3 in A major
714:1834 – String Quartet No 1 in G minor
537:Genevieve; or,The Maid of Switzerland
7:
2034:Alumni of the Royal Academy of Music
560:, farce (fp. Lyceum Theatre, London)
418:Idyll in Memory of Sterndale Bennett
1619:"Macfarren, George Alexander"
1489:. New York: Pendragon Press, 1996.
1199:"Macfarren, Sir George (Alexander)"
736:, variations for clarinet and piano
734:Fantasia: Traditions of Shakespeare
203:in 1875, again succeeding Bennett.
2089:English people of Scottish descent
1331:, Clarinet Classics CC0022 (1997)
1112:Larry Todd, R. (23 October 2003).
14:
1805:Worshipful Company of Musicians.
1569:. Aldershot, Hampshire: Ashgate.
1167:Queensland Philharmonic Orchestra
993:Macfarren, Walter (1905), p. 207.
723:1843-4 – Piano Quintet in G minor
453:Two Songs with clarinet obbligato
16:English composer and musicologist
2004:19th-century classical composers
1629:Dictionary of National Biography
1329:The Victorian Clarinet Tradition
1118:. Oxford University Press, USA.
742:1878 – String Quartet in G major
726:1852 – String Quartet in G minor
336:1833 – Symphony No. 5 in A minor
323:1832 – Symphony No. 3 in E minor
2049:English male conductors (music)
2024:Professors of Music (Cambridge)
2009:19th-century conductors (music)
1644:Publishing Company, Ltd., 1905.
1468:7th session (1880–1881): 67–88.
1165:his fourth and seventh, by the
729:1857 – Violin Sonata in E minor
579:Innocent Sins; or, Peccadilloes
352:1836 – Symphony No. 6 in B-flat
2014:19th-century English musicians
1999:19th-century British composers
1693:Scholes, Percy Alfred (1970).
1616:Legge, Robin Humphrey (1893).
761:1845 – Piano Sonata No 2 in A
413:(fp. Liverpool Festival, 1874)
244:Among Macfarren's operas were
30:Sir George Alexander Macfarren
1:
2054:Composers awarded knighthoods
1901:Sir William Sterndale Bennett
1218:. Naxos CD 8.660306-07 (2011)
767:1880 – Piano Sonata No 3 in G
307:Compositions (selective list)
2129:Blind scholars and academics
2104:English male opera composers
1824:Choral Public Domain Library
1585:London: A musical gazetteer.
1011:Banister (1887–1888), p. 69.
462:, cantata (fp. London, 1868)
331:Society of British Musicians
221:Leipzig Gewandhaus Orchestra
97:and pianist who was born in
2064:English classical composers
1073:A Cambridge Alumni Database
957:Degott (2007), pp. 225–226.
621:An Adventure of Don Quixote
293:Romance and Allegro agitato
59:, and Elizabeth Macfarren,
2150:
2124:19th-century musicologists
2094:English Romantic composers
2069:English conductors (music)
1638:Memories: An autobiography
1314:. 27 June 1877. p. 4.
1075:. University of Cambridge.
572:If the Cap Fit Ye, Wear It
404:British Orchestral Society
382:1845 – Symphony No. 8 in D
333:, London, 27 October 1834)
25:George Alexander Macfarren
2039:Blind classical musicians
1878:
1791:10.1215/0961754X-2007-034
1636:Macfarren, Walter Cecil.
1457:Banister, Henry Charles.
1058:Banister (1887–1888), 70.
975:Ellsworth (2007), p. 150.
197:William Sterndale Bennett
123:Francis William Davenport
93:(1827–1916), an operatic
2059:Composers for concertina
2029:String quartet composers
1967:Jonathan Freeman-Attwood
1485:Brownlow, James Arthur.
1360:(352): 508. 1 June 1872.
1285:Atlas, Allan W. (1996).
406:, London, 26 March 1874)
393:, London, 23 April 1856)
391:New Philharmonic Society
2084:English opera composers
2074:English music theorists
1913:Sir Alexander Mackenzie
1742:Solie, Ruth A. (2004).
1471:Barnett, John Francis.
1274:(22): 376. 3 June 1854.
1138:Banister (1891), p. 41.
1049:Smither (2000), p. 340.
1020:Banister (1891), p. 31.
984:Scholes (1970), p. 310.
948:Smither (2000), p. 350.
935:Encyclopædia Britannica
910:Smither (2000), p. 339.
898:Banister (1891), p. 13.
889:Banister (1891), p. 10.
183:as well as piano under
1872:Royal Academy of Music
1500:Caswell, Mina Holway.
1234:MusicWeb International
1029:Caswell (1938), p. 66.
837:Banister (1891), p. 2.
341:The Merchant of Venice
208:George Frideric Handel
152:
144:
103:Royal Academy of Music
48:
26:
2109:Musicians from London
2079:English musicologists
1931:Sir Reginald Thatcher
1769:Temperley, Nicholas.
1665:10.1353/vic.2005.0104
1436:Brownlow (1996), 105.
1418:Brownlow (1996), 140.
1197:Temperley, Nicholas.
1171:Werner Andreas Albert
679:She Stoops to Conquer
150:
142:
43:
24:
2044:English blind people
1937:Sir Thomas Armstrong
1925:Sir Stanley Marchant
1907:Sir George Macfarren
1445:Smither (2000), 353.
1400:Statham (1875), 300.
1391:Barnett (1906), 179.
1230:The Soldier's Legacy
1205:(subscription req'd)
1002:Foreman (2005), 117.
966:Solie (2004), p. 39.
686:The Soldier's Legacy
642:The Sleeper Awakened
600:Love Among the Roses
544:The Prince of Modena
488:The Lady of the Lake
460:Songs in a Cornfield
301:Violetta – A Romance
258:The Soldier's Legacy
201:Cambridge University
185:William Henry Holmes
134:Emma Maria Macfarren
2134:Composers for piano
1726:Smither, Howard E.
1427:Dibble (2002), 136.
1156:, Volume 2, p. 630.
814:St John the Baptist
801:St John the Baptist
748:1883 – Flute Sonata
509:St George's Te Deum
474:St John the Baptist
275:premiered in 1876,
269:St John the Baptist
151:Plaque on the house
73:Thomas Henry Huxley
2119:Oratorio composers
1870:Principals of the
1310:"The Concertina".
1203:Grove Music Online
635:Allan of Aberfeldy
250:Princess's Theatre
248:, produced at the
165:Hampstead Cemetery
163:. He is buried in
153:
145:
49:
27:
1976:
1975:
1949:Sir David Lumsden
1943:Sir Anthony Lewis
1763:Fraser's Magazine
1713:Choral Repertoire
1653:Victorian Studies
1576:978-0-7546-6143-6
1542:978-3-03911-055-1
1515:Dale, Catherine.
1379:Hadow (1894), 29.
1312:Belfast Telegraph
1268:The Musical World
847:The Musical Times
593:The Devil's Opera
516:Around the Hearth
411:Festival Overture
225:Felix Mendelssohn
101:. Trained at the
91:Natalia Macfarren
84:Oliveria Prescott
69:John Henry Newman
2141:
2099:Knights Bachelor
1961:Sir Curtis Price
1864:
1857:
1850:
1841:
1802:
1779:Common Knowledge
1766:
1757:
1711:Shrock, Dennis.
1708:
1689:
1676:
1633:
1621:
1583:Foreman, Susan.
1580:
1549:Dibble, Jeremy.
1546:
1446:
1443:
1437:
1434:
1428:
1425:
1419:
1416:
1410:
1407:
1401:
1398:
1392:
1389:
1380:
1377:
1371:
1370:Dale (2003), 62.
1368:
1362:
1361:
1349:
1343:
1338:
1332:
1325:
1316:
1315:
1307:
1301:
1300:
1282:
1276:
1275:
1263:
1257:
1254:
1248:
1246:Unsung Composers
1243:
1237:
1226:
1220:
1212:
1206:
1195:
1189:
1188:
1163:
1157:
1145:
1139:
1136:
1130:
1129:
1109:
1103:
1102:
1100:
1098:
1089:. Archived from
1083:
1077:
1076:
1065:
1059:
1056:
1050:
1047:
1030:
1027:
1021:
1018:
1012:
1009:
1003:
1000:
994:
991:
985:
982:
976:
973:
967:
964:
958:
955:
949:
946:
940:
939:
931:
920:
911:
908:
899:
896:
890:
887:
878:
875:
850:
844:
838:
835:
772:Incidental music
658:
481:The Resurrection
425:Choral and vocal
389:, overture (fp.
357:Romeo and Juliet
273:The Resurrection
130:Walter Macfarren
53:George Macfarren
45:Walter Macfarren
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109:) and operatic
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155:Macfarren was
119:Symphony No. 9
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57:Musical World
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47:, his brother
46:
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35:
33:
31:
23:
19:
1969: (2008)
1963: (1995)
1957: (1993)
1955:Lynn Harrell
1951: (1982)
1945: (1968)
1939: (1955)
1933: (1949)
1927: (1936)
1921: (1924)
1915: (1888)
1909: (1876)
1906:
1903: (1866)
1897: (1859)
1891: (1832)
1885: (1822)
1826:(ChoralWiki)
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1256:Brown (2004)
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1095:. Retrieved
1091:the original
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665:Freya's Gift
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586:El Malhechor
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128:His brother
127:
88:
77:
60:
56:
50:
29:
28:
18:
1994:1887 deaths
1989:1813 births
1624:Lee, Sidney
1115:Mendelssohn
653: [
367:Chevy Chace
299:(1856) and
1983:Categories
1765:: 299–305.
1452:References
1216:Robin Hood
1097:10 January
786:Reputation
763:Ma cousine
702:Kenilworth
677:1863–64 –
672:Jessie Lea
650:Robin Hood
626:1847–48 –
619:1840–41 –
584:1837–38 –
551:Caractacus
502:King David
379:, overture
377:Don Carlos
359:, overture
312:Orchestral
289:concertina
281:King David
254:Robin Hood
193:Alfred Day
80:amanuensis
1799:143131494
1673:144254258
694:Helvellyn
633:c.1850 –
602:, romance
446:Christmas
297:Barcarole
283:in 1883.
265:oratorios
115:Beethoven
95:contralto
796:enclitic
704:, opera
637:, opera
588:, opera
553:, opera
546:, opera
523:Operatic
157:knighted
111:libretti
1836:(IMSLP)
1832:at the
1822:in the
1682:Fanfare
1626:(ed.).
1153:My Life
777:1882 –
732:1864 –
700:1880 –
691:1864 –
684:1864 –
670:1863 –
663:1863 –
647:1860 –
640:1850 –
612:1840 –
605:1839 –
598:1839 –
591:1838 –
577:1836 –
574:, farce
570:1836 –
563:1835 –
556:1835 –
549:1834 –
542:1833 –
535:1832 –
528:1831 –
514:1887 –
507:1884 –
500:1883 –
493:1877 –
486:1876 –
479:1876 –
472:1873 –
465:1872 –
458:1868 –
451:1867 -
444:1860 –
439:May Day
437:1856 –
430:1853 –
416:1875 –
409:1874 –
385:1856 –
375:1842 –
365:1836 –
355:1836 –
339:1834 –
1797:
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1671:
1640:. The
1608:
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1557:
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1523:
1508:
1493:
1293:
1185:765395
1183:
1122:
819:Elijah
655:simple
495:Joseph
432:Lenora
387:Hamlet
277:Joseph
107:lieder
99:Lübeck
65:Ealing
1795:S2CID
1669:S2CID
1622:. In
1181:JSTOR
826:Notes
792:Grove
753:Piano
657:]
530:Mrs G
1748:ISBN
1732:ISBN
1717:ISBN
1699:ISBN
1688:(6).
1606:ISBN
1589:ISBN
1571:ISBN
1555:ISBN
1537:ISBN
1521:ISBN
1506:ISBN
1491:ISBN
1291:ISBN
1120:ISBN
1099:2007
809:Ajax
779:Ajax
263:His
71:and
36:Life
1787:doi
1661:doi
227:.
117:'s
61:née
1985::
1793:.
1783:14
1781:.
1686:22
1684:.
1667:.
1657:47
1655:.
1384:^
1358:15
1356:.
1320:^
1272:32
1270:.
1201:,
1150:,
1071:.
1034:^
932:.
915:^
903:^
882:^
854:^
167:.
86:.
1863:e
1856:t
1849:v
1801:.
1789::
1756:.
1738:.
1723:.
1707:.
1675:.
1663::
1612:.
1595:.
1579:.
1561:.
1545:.
1527:.
1512:.
1497:.
1299:.
1187:.
1128:.
1101:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
