Knowledge (XXG)

George Gordon (scenic artist)

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374:, was called for, but he saw no reason to be concerned, and as George had clearly fallen asleep, promised Mrs Gordon he would return the next day to check on his condition. That day came, and Neild saw no cause for concern, but a few days later the condition was clearly deteriorating, with an abnormally fast pulse and elevated temperature. A Collins Street specialist was called, and the patient removed to a small private hospital. Sir Thomas Williams was called for, but he could add nothing to the diagnosis of 33: 207: 1043: 394:
George's son, "Jack" Gordon was born in London, and came to Australia at age seven with his parents. He studied painting at the Melbourne Gallery Art School, and for many years worked with his father. On the death of his father, he was promoted to head Williamson's scenic department. One of his most
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Late on the evening of 20 May 1899 Gordon took the tram from the Princess Theatre in Melbourne, down Nicholson Street to his residence at Grantown House. He alighted, but then tripped and fell heavily and had to be assisted home. His doctor,
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on King William Street, Adelaide, and gave it a total makeover, giving Gordon the responsibility for internal decoration. It was refitted as theatre known as Garner's Theatre, and after several changes of management and names, became the
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In 1857, aged eighteen, Gordon "had control of the painting loft at a prominent Bristol theatre". By about 1860 he was working in London for the major theatrical entrepreneurs, most notably at the Gaiety and Prince of Wales theatres.
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and possible skull fracture. Gordon gave hopes for a recovery on the 10th, but died on the evening of 12 June. At the inquest Neild revealed that Gordon had on at least one occasion collapsed unconscious in what may have been an
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in May 1881, and Gordon, whose work had been eulogised in practically every review of the company's performances, remained in Australia under contract to J. C. Williamson, who had spent a fortune on the latest works from
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Gordon was an accomplished painter in watercolours; at least one critic thought such pieces constituted his best work.
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Gordon was described by one critic as "unquestionably the greatest scene painter that ever came to Australia".
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Though Gordon was well clear of the (stationary) vehicle, some newspapers called it a "tram accident".
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He was working professionally as a scenic artist by age fourteen. Gordon's first pieces were for the
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Acting on George Rignold's advice, Gordon accepted an offer of employment in Australia from
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had a hand. Critics applauded Williamson for investing so heavily in an unproven venture.
184: 765:"SA Heritage & the Entertainment Industry: Theatres in the Central Business District" 528: 267: 173: 137:– 24 November 1911) following the family tradition, was head the scenic department of 1097: 1018:. Vol. XI, no. 649. New South Wales, Australia. 29 November 1911. p. 3 962:. Vol. XI, no. 649. New South Wales, Australia. 29 November 1911. p. 3 628: 303: 288: 278: 195: 120: 402: 259: 255: 371: 358: 311: 307: 1009: 981: 953: 869: 813: 794:. Vol. LXVI, no. 1733. Victoria, Australia. 17 June 1899. p. 37 785: 707: 623: 595: 453: 375: 925: 841: 735: 651: 567: 897: 850:. Vol. LXIV, no. 16, 407. South Australia. 14 June 1899. p. 7 679: 576:. No. 23, 049. New South Wales, Australia. 27 November 1911. p. 10 150: 660:. No. 13, 863. New South Wales, Australia. 4 September 1882. p. 6 632:. Vol. XXI, no. 1620. Victoria, Australia. 4 June 1881. p. 2 395:
admired pieces was a backdrop of the Bay of Nagasaka for the first act of
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Stephens). He learned the craft of scene painting from his father at the
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Another notable production was the brilliant 1895 Christmas pantomime
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from 1882 to 1890, but not exclusively — he also took on projects for
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In 1886 he designed and decorated the interior of Melbourne's new
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shared credits with Gordon for Williamson's 1892 production of
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This article about an artist, architect or photographer from
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He was married, and had a home at 71 Lower Fort Street,
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His father was in the same line of business and his son
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in June 1879. The company opened with a French comedy
934:. New South Wales, Australia. 24 June 1899. p. 6 102: 94: 86: 67: 42: 23: 176:, through the mutual friendship of their fathers. 149:George Cameron Gordon was born on 11 June 1839 in 119:(11 June 1839 – 12 June 1899) was a Scottish-born 37:Portrait of George Gordon, published in June 1899. 716:. Victoria, Australia. 2 January 1896. p. 6 250:Gordon worked for the theatrical partnership of 153:, Scotland, the son of William Gordon and Jane ( 172:, where he made the acquaintance of the actor 1078: 141:theatrical management company for ten years. 8: 1085: 1071: 1026:– via National Library of Australia. 998:– via National Library of Australia. 970:– via National Library of Australia. 942:– via National Library of Australia. 914:– via National Library of Australia. 886:– via National Library of Australia. 858:– via National Library of Australia. 830:– via National Library of Australia. 802:– via National Library of Australia. 752:– via National Library of Australia. 724:– via National Library of Australia. 696:– via National Library of Australia. 668:– via National Library of Australia. 640:– via National Library of Australia. 612:– via National Library of Australia. 584:– via National Library of Australia. 470:– via National Library of Australia. 183:Gordon is credited, while working for the 31: 20: 524: 522: 314:, music and libretto, in which the witty 16:Scottish-born scenic designer and artist 562: 560: 558: 496: 494: 445: 425: 214:Gordon came to Australia with Garner's 326:In 1880 Garner took over the lease of 238:in March 1880. The tour terminated in 7: 1039: 1037: 357:He has been mentioned as a tutor to 552:website; accessed 18 December 2022. 488:website; accessed 14 December 2022. 1057:. You can help Knowledge (XXG) by 506:Australian Variety Theatre Archive 14: 342:, built for "The Triumvirate" of 300:Djin Djin, the Japanese Bogie-man 1041: 546:The Lost Art of Painting a Scene 480:Judy Leech (10 February 2018), ' 187:in about 1870, with introducing 535:(Sydney), 13 June 1899, page 6. 502:"Scenic Artists: George Gordon" 486:Theatre Heritage Australia Inc. 344:Williamson, Musgrove and Garner 252:Williamson, Garner and Musgrove 931:Clarence and Richmond Examiner 410:Millers Point, New South Wales 230:, followed in November at the 1: 277:Gordon worked in tandem with 228:Princess's Theatre, Melbourne 131: 90:theatre scenic artist; artist 926:"Our Greatest Scenic Artist" 1119:Australian scenic designers 898:"The Late Mr George Gordon" 842:"The Late Mr George Gordon" 596:"The London Comedy Company" 106:William Gordon & Jane ( 1150: 1124:Australian watercolourists 1036: 982:"Death of a Scenic Artist" 652:"Amusements Theatre Royal" 568:"Death of Mr. John Gordon" 529:Death of Mr. George Gordon 987:The Sunday Times (Sydney) 847:South Australian Register 741:South Australian Register 680:"The Silver King Scenery" 657:The Sydney Morning Herald 573:The Sydney Morning Herald 202:Stage design in Australia 123:and artist in Australia. 30: 1114:English scenic designers 763:P.L. (15 October 2017). 544:Leann Richards (2010), ' 870:"A Remarkable Accident" 287:in Sydney in 1882, and 232:Theatre Royal, Adelaide 166:Prince of Wales Theatre 145:Early years in Scotland 1129:Artists from Edinburgh 1010:"The Late Jack Gordon" 954:"The Late Jack Gordon" 211: 1134:Scottish artist stubs 903:The Argus (Melbourne) 685:The Argus (Melbourne) 601:The Adelaide Observer 236:Theatre Royal, Sydney 216:London Comedy Company 209: 191:into stage settings. 117:George Cameron Gordon 47:George Cameron Gordon 1015:The Sydney Sportsman 284:The Lights o' London 245:Gilbert and Sullivan 814:"Historic Theatres" 79:Melbourne, Victoria 61:Edinburgh, Scotland 736:"Garner's Theatre" 482:JCW: A Scenic Tour 322:Theatre decoration 212: 139:J. C. Williamson's 128:John "Jack" Gordon 1066: 1065: 454:"Mr John Brunton" 414:Waverley Cemetery 381:epileptic seizure 114: 113: 1141: 1087: 1080: 1073: 1045: 1038: 1028: 1027: 1025: 1023: 1006: 1000: 999: 997: 995: 978: 972: 971: 969: 967: 959:Sydney Sportsman 950: 944: 943: 941: 939: 922: 916: 915: 913: 911: 894: 888: 887: 885: 883: 866: 860: 859: 857: 855: 838: 832: 831: 829: 827: 810: 804: 803: 801: 799: 791:The Australasian 782: 776: 775: 773: 771: 760: 754: 753: 751: 749: 732: 726: 725: 723: 721: 704: 698: 697: 695: 693: 676: 670: 669: 667: 665: 648: 642: 641: 639: 637: 620: 614: 613: 611: 609: 592: 586: 585: 583: 581: 564: 553: 542: 536: 526: 517: 516: 514: 512: 498: 489: 478: 472: 471: 469: 467: 450: 433: 430: 398:Madame Butterfly 365:Death and legacy 340:Princess Theatre 333:Majestic Theatre 264:John F. Sheridan 136: 133: 74: 56: 54: 35: 21: 1149: 1148: 1144: 1143: 1142: 1140: 1139: 1138: 1094: 1093: 1092: 1091: 1034: 1032: 1031: 1021: 1019: 1008: 1007: 1003: 993: 991: 980: 979: 975: 965: 963: 952: 951: 947: 937: 935: 924: 923: 919: 909: 907: 896: 895: 891: 881: 879: 868: 867: 863: 853: 851: 840: 839: 835: 825: 823: 812: 811: 807: 797: 795: 786:"George Gordon" 784: 783: 779: 769: 767: 762: 761: 757: 747: 745: 734: 733: 729: 719: 717: 713:Melbourne Punch 706: 705: 701: 691: 689: 678: 677: 673: 663: 661: 650: 649: 645: 635: 633: 622: 621: 617: 607: 605: 594: 593: 589: 579: 577: 566: 565: 556: 543: 539: 533:Daily Telegraph 527: 520: 510: 508: 500: 499: 492: 479: 475: 465: 463: 452: 451: 447: 442: 437: 436: 431: 427: 422: 392: 367: 352: 350:Other interests 324: 293:The Silver King 281:on the sets of 218:on the steamer 204: 147: 134: 121:scenic designer 82: 76: 72: 63: 58: 52: 50: 49: 48: 38: 26: 17: 12: 11: 5: 1147: 1145: 1137: 1136: 1131: 1126: 1121: 1116: 1111: 1106: 1096: 1095: 1090: 1089: 1082: 1075: 1067: 1064: 1063: 1046: 1030: 1029: 1001: 973: 945: 917: 889: 861: 833: 805: 777: 755: 727: 708:"The Playgoer" 699: 671: 643: 615: 587: 554: 550:Stage Whispers 537: 518: 490: 473: 444: 443: 441: 438: 435: 434: 424: 423: 421: 418: 391: 388: 366: 363: 351: 348: 323: 320: 268:George Rignold 203: 200: 174:George Rignold 161:in Edinburgh. 146: 143: 112: 111: 104: 100: 99: 96: 92: 91: 88: 84: 83: 77: 75:(aged 60) 69: 65: 64: 59: 46: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1146: 1135: 1132: 1130: 1127: 1125: 1122: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1101: 1099: 1088: 1083: 1081: 1076: 1074: 1069: 1068: 1062: 1060: 1056: 1052: 1047: 1044: 1040: 1035: 1017: 1016: 1011: 1005: 1002: 989: 988: 983: 977: 974: 961: 960: 955: 949: 946: 933: 932: 927: 921: 918: 905: 904: 899: 893: 890: 877: 876: 871: 865: 862: 849: 848: 843: 837: 834: 821: 820: 815: 809: 806: 793: 792: 787: 781: 778: 766: 759: 756: 743: 742: 737: 731: 728: 715: 714: 709: 703: 700: 687: 686: 681: 675: 672: 659: 658: 653: 647: 644: 631: 630: 629:The Lorgnette 625: 619: 616: 603: 602: 597: 591: 588: 575: 574: 569: 563: 561: 559: 555: 551: 547: 541: 538: 534: 530: 525: 523: 519: 507: 503: 497: 495: 491: 487: 483: 477: 474: 461: 460: 455: 449: 446: 439: 429: 426: 419: 417: 415: 411: 406: 404: 400: 399: 389: 387: 384: 382: 377: 373: 364: 362: 360: 355: 349: 347: 345: 341: 336: 334: 329: 328:White's Rooms 321: 319: 317: 313: 309: 305: 301: 296: 294: 290: 289:Phil Goatcher 286: 285: 280: 279:John Hennings 275: 273: 272:Robert Brough 269: 265: 261: 257: 253: 248: 246: 241: 237: 233: 229: 225: 221: 217: 210:George Gordon 208: 201: 199: 197: 196:Arthur Garner 192: 190: 186: 181: 177: 175: 171: 167: 162: 160: 159:Theatre Royal 156: 152: 144: 142: 140: 129: 124: 122: 118: 109: 105: 101: 97: 93: 89: 87:Occupation(s) 85: 80: 70: 66: 62: 45: 41: 34: 29: 25:George Gordon 22: 19: 1059:expanding it 1048: 1033: 1020:. 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Neild 359:Tom Roberts 312:Billy Elton 135: 1874 81:, Australia 1098:Categories 826:13 October 770:10 January 466:12 October 459:Table Talk 440:References 376:concussion 234:, and the 53:1839-06-11 1022:7 October 994:7 October 966:6 October 938:6 October 910:6 October 882:6 October 854:6 October 798:6 October 748:6 October 720:7 October 692:7 October 664:6 October 636:6 October 608:6 October 580:7 October 335:in 1916. 220:Aconcagua 185:Bancrofts 151:Edinburgh 110:Stephens) 1051:Scotland 624:"Figaro" 316:Dr Neild 304:Goatcher 240:Adelaide 189:ceilings 875:The Age 819:The Age 226:at the 224:Friends 306:, and 170:London 103:Parent 95:Spouse 1053:is a 420:Notes 308:Spong 1055:stub 1024:2021 996:2021 968:2021 940:2021 912:2021 884:2021 856:2021 828:2021 800:2021 772:2023 750:2021 722:2021 694:2021 666:2021 638:2021 610:2021 582:2021 513:2022 468:2021 270:and 68:Died 43:Born 548:', 484:', 168:in 155:née 108:née 1100:: 1012:. 984:. 956:. 928:. 900:. 872:. 844:. 816:. 788:. 738:. 710:. 682:. 654:. 626:. 598:. 570:. 557:^ 531:, 521:^ 504:. 493:^ 456:. 416:. 405:. 383:. 361:. 346:. 295:. 274:. 266:, 262:, 258:, 247:. 198:. 132:c. 1086:e 1079:t 1072:v 1061:. 774:. 515:. 130:( 55:) 51:(

Index


Edinburgh, Scotland
Melbourne, Victoria
scenic designer
J. C. Williamson's
Edinburgh
Theatre Royal
Prince of Wales Theatre
London
George Rignold
Bancrofts
ceilings
Arthur Garner

London Comedy Company
Princess's Theatre, Melbourne
Theatre Royal, Adelaide
Theatre Royal, Sydney
Adelaide
Gilbert and Sullivan
Williamson, Garner and Musgrove
W. S. Lyster
Samuel Lazar
John F. Sheridan
George Rignold
Robert Brough
John Hennings
The Lights o' London
Phil Goatcher
The Silver King

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