204:
and murder his uncle in an attempt to secure the money needed to save
Millwood's ostensibly endangered reputation. Her seduction, however, is simply a ruse to exploit his naïveté, so her reputation is never actually in danger. Lillo redefined the subject of dramatic tragedy and demonstrated that middle and lower class citizens were worthy of tragic downfalls. The 17th century ballad about a murder in Shropshire was the historical foundation for the play. Lillo dedicates the play to
169:
33:
257:
was a significant change in theatre, and in tragedy in particular. Instead of dealing with heroes from classical literature or the Bible, presented with spectacle and grand stage effects, his subjects concerned everyday people, such as his audience, the theater-going middle classes, and his tragedies
203:
the subject is an apprentice who is seduced by Sarah
Millwood, a "lady of pleasure," and then struggles to atone for his indiscretion throughout the remainder of the play, with little success. Lillo shows how "evil breeds evil," and Barnwell's initial dalliance eventually leads him to rob his master
331:, were only moderate successes, and after his death old style tragedies and comedies continued to dominate the stage. All of Lillo's plays were produced in London, and only three of them produced any profit.
208:, a prominent member of the merchant class in London, in a letter before the text and plot begins. Lillo's domestic tragedy reflects a turning of the theatre away from the court and toward the town.
187:(1731), which is considered one of the most popular and frequently produced plays of the 18th century. In October 1731 it was presented by royal command in the presence of
683:
492:
The melodrama is purchased by Mr. Wopsle for sixpence and read in full that evening to Mr. Pumblechook and Pip, to the latter's annoyance. See
Charles Dickens:
668:
530:
673:
408:, Oxford University Press, 2004; online edition, May 2008, retrieved 9 December 2011 ("You do not currently have access to this article";
604:"George Lillo." English Drama: Restoration and Eighteenth Century, 1660-1789. Richard Bevis. London and New York: Longman, 1988. 314.
261:
Lillo was concerned that plays be morally correct and in keeping with
Christian values. In 1734 he produced a patriotic masque,
501:
633:
409:
678:
205:
188:
158:
138:
Lillo wrote at least eight plays between 1730 and his death in 1739. His first work in the theatre was the
153:
663:
658:
265:
for the royal wedding of Anne, the
Princess Royal, to William IV of Orange-Nassau. His next play was
246:
304:
192:
182:
92:
70:
316:
267:
214:
130:, in the City of London. He became a partner in his father's goldsmith's and jewellery business.
98:
168:
497:
238:
223:
162:
550:
Olaniyan, Tejumola. "The Ethics and
Poetics of a "Civilizing Mission": Some Notes on Lillo's
638:
234:
285:
209:
104:
358:
sets out the conflicting evidence on Lillo's year of birth: 1693 is also a possible year.
250:
242:
143:
652:
291:
227:
110:
518:
The
Broadview Anthology of Restoration and Eighteenth Century Drama: Concise Edition
219:
139:
86:
and tragedian. He was also a jeweller in London. He produced his first stage work,
314:
was performed posthumously in 1740. Lillo adapted the anonymous
Elizabethan play
335:
321:
58:
620:
The Norton
Anthology of Drama: Vol. 1: Antiquity Through The Eighteenth Century
320:, which was posthumously performed, first in 1759. It was based on the life of
272:
157:, but Lillo's play received mixed reviews and only showed for three nights at
123:
83:
45:
32:
571:. Richard W. Bevis. London and New York: Longman, 1988. 314.; Hannah Smith,
423:
245:
had flirted with merchant and artisan plays in the past (with, for example,
196:
258:
were conducted on the intimate scale of households, rather than kingdoms.
401:
309:
148:
127:
643:
96:. He wrote at least six more plays before his death in 1739, including
212:
introduced "the affecting tragedy of George
Barnwell" into his novel
569:
English Drama: Restoration and Eighteenth Century Drama, 1660-1789
167:
618:
J. Ellen; Stanton B. Garner Jr.; Martin Puchner, eds. (2009).
592:
The Works of Mr. George Lillo, With Some Accounts of His Life
496:(Richmond, Surrey: Oneworld Classics, 2007 ), Ch. 15, p. 106
174:
The Works of Mr. George Lillo with Some Account of His Life
147:
in 1730. He wrote it in order to reproduce the success of
634:
Article on Lillo by Dr. Fields (1999) with bibliography
180:
The following year, Lillo wrote his most famous play,
230:, who acted in the original production of the play.
82:(3 February 1691 – 4 September 1739) was an English
161:, in November 1730, and for a one-night revival at
65:
52:
39:
23:
90:, in 1730, and a year later his most famous play,
520:(p. 847). Peterborough, Ontario: Broadview Press.
222:, though much admired by Lillo's contemporaries
233:Lillo revived the genre of play referred to as
455:Hynes, Peter. "Exchange and Excess in Lillo's
218:. It was dismissed as a "nauseous sermon" by
195:. It was in the genre that came to be called
8:
622:. New York: W. W. Norton & Company, Inc.
368:
366:
364:
327:In his own day, his later plays, other than
541:, 1 October 2010, retrieved 7 December 2011
437:
435:
433:
375:International Dictionary of Theatre: Vol. 2
31:
20:
585:
583:
581:
479:and the Institution of Apprenticeship",
684:English male dramatists and playwrights
575:. Cambridge: Cambridge UP, 2006, p. 46.
451:
449:
447:
406:Oxford Dictionary of National Biography
356:Oxford Dictionary of National Biography
347:
471:
469:
396:
394:
392:
390:
388:
386:
384:
7:
271:(1735), a retelling of the story of
165:in March 1738, reduced to two acts.
512:Faller, L. (2004). Introduction to
185:, or The History of George Barnwell
669:English dramatists and playwrights
334:Lillo died at age 48, in 1739, in
14:
283:Later in the decade, Lillo wrote
421:"Theatre-Royal, Covent-Garden",
402:"Lillo, George (1691/1693–1739)"
16:English playwright and tragedian
461:University of Toronto Quarterly
310:Elmerick, or Justice Triumphant
674:People from the City of London
1:
144:Sylvia, or The Country Burial
88:Silvia, or The Country Burial
573:Georgian Monarchy, 1714-1760
377:. Gale Biography in Context.
700:
463:, 72.3 (2003), pp. 679–97
172:Contents page of Lillo's
122:George Lillo was born in
30:
529:Morley-Priestman, Anne.
427:26 September 1818, p. 2
590:Lillo, George (1775).
556:English Language Notes
400:Steffensen, James L.,
263:Britannia and Batavia,
177:
644:List of Lillo's works
516:. In J. D. Canfield,
171:
594:. London, T. Davies.
483:, 37.1 (1995), p. 57
201:The London Merchant,
159:Lincoln's Inn Fields
679:Writers from London
552:The London Merchant
533:The London Merchant
514:The London Merchant
477:The London Merchant
305:William Shakespeare
255:The London Merchant
241:). Even though the
183:The London Merchant
93:The London Merchant
71:The London Merchant
535:(Bury St Edmunds)"
494:Great Expectations
441:Gainor, p. ?.
317:Arden of Feversham
268:The Christian Hero
215:Great Expectations
178:
154:The Beggar's Opera
99:The Christian Hero
307:. His last play,
295:(1738). He based
239:bourgeois tragedy
224:Samuel Richardson
134:Early stage works
77:
76:
691:
639:Profile of Lillo
623:
605:
602:
596:
595:
587:
576:
567:"George Lillo."
565:
559:
548:
542:
527:
521:
510:
504:
490:
484:
475:Cole, Lucinda. "
473:
464:
453:
442:
439:
428:
419:
413:
398:
379:
378:
373:"George Lillo".
370:
359:
352:
235:domestic tragedy
56:4 September 1739
35:
21:
699:
698:
694:
693:
692:
690:
689:
688:
649:
648:
630:
617:
614:
609:
608:
603:
599:
589:
588:
579:
566:
562:
549:
545:
528:
524:
511:
507:
491:
487:
474:
467:
457:London Merchant
454:
445:
440:
431:
420:
416:
399:
382:
372:
371:
362:
353:
349:
344:
286:Fatal Curiosity
281:
136:
120:
105:Fatal Curiosity
57:
44:
43:3 February 1691
26:
17:
12:
11:
5:
697:
695:
687:
686:
681:
676:
671:
666:
661:
651:
650:
647:
646:
641:
636:
629:
628:External links
626:
625:
624:
613:
610:
607:
606:
597:
577:
560:
543:
522:
505:
485:
465:
443:
429:
414:
380:
360:
346:
345:
343:
340:
280:
277:
251:Thomas Heywood
243:Jacobean stage
206:Sir John Eyles
193:Queen Caroline
135:
132:
119:
116:
75:
74:
67:
63:
62:
54:
50:
49:
41:
37:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
696:
685:
682:
680:
677:
675:
672:
670:
667:
665:
662:
660:
657:
656:
654:
645:
642:
640:
637:
635:
632:
631:
627:
621:
616:
615:
611:
601:
598:
593:
586:
584:
582:
578:
574:
570:
564:
561:
557:
553:
547:
544:
540:
539:What'sOnStage
536:
534:
526:
523:
519:
515:
509:
506:
503:
499:
495:
489:
486:
482:
478:
472:
470:
466:
462:
458:
452:
450:
448:
444:
438:
436:
434:
430:
426:
425:
418:
415:
411:
410:Archived site
407:
403:
397:
395:
393:
391:
389:
387:
385:
381:
376:
369:
367:
365:
361:
357:
351:
348:
341:
339:
337:
332:
330:
325:
323:
319:
318:
313:
311:
306:
302:
298:
294:
293:
288:
287:
278:
276:
274:
270:
269:
264:
259:
256:
252:
248:
247:Thomas Dekker
244:
240:
236:
231:
229:
228:Colley Cibber
225:
221:
217:
216:
211:
207:
202:
198:
194:
190:
186:
184:
175:
170:
166:
164:
163:Covent Garden
160:
156:
155:
150:
146:
145:
141:
133:
131:
129:
125:
117:
115:
113:
112:
107:
106:
101:
100:
95:
94:
89:
85:
81:
73:
72:
68:
66:Notable works
64:
60:
55:
51:
47:
42:
38:
34:
29:
22:
19:
619:
600:
591:
572:
568:
563:
558:, pp. 34–39.
555:
551:
546:
538:
532:
525:
517:
513:
508:
493:
488:
480:
476:
460:
456:
422:
417:
405:
374:
355:
350:
333:
328:
326:
315:
308:
300:
299:on the play
296:
290:
284:
282:
266:
262:
260:
254:
232:
220:Charles Lamb
213:
200:
181:
179:
173:
152:
142:
140:ballad opera
137:
121:
109:
103:
97:
91:
87:
80:George Lillo
79:
78:
69:
25:George Lillo
18:
664:1739 deaths
659:1691 births
336:Rotherhithe
322:Alice Arden
289:(1737) and
279:Later years
108:(1737) and
59:Rotherhithe
653:Categories
612:References
502:1847490042
338:, London.
273:Skanderbeg
124:Moorfields
84:playwright
46:Moorfields
481:Criticism
424:The Times
197:melodrama
189:George II
329:Merchant
301:Pericles
149:John Gay
128:Moorgate
114:(1738).
102:(1735),
61:, London
48:, London
210:Dickens
500:
297:Marina
292:Marina
176:, 1775
111:Marina
342:Notes
199:. In
126:, or
498:ISBN
354:The
249:and
237:(or
226:and
191:and
118:Life
53:Died
40:Born
554:",
459:".
303:by
253:),
151:'s
655::
580:^
537:,
468:^
446:^
432:^
404:,
383:^
363:^
324:.
275:.
531:"
412:)
312:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
