95:, which was thought to be the first feature-length film produced in Havana by an American company. Five weeks of shooting for the film concluded in April 1947. Quigley used Havana's National Studio, finding that labor costs were about half of what they were in the United States. His report on the industry conditions in Havana was covered by
101:, and the U.S. consul planned to release a guidebook based on his experience. As of October that year, Century Productions planned to close a deal for the film, and planned to film a second movie in Havana. The film's release by
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includes coverage of two films he directed and other sources identify several more. Quigley was the producer and director for three films produced by
Century Productions during the period from mid 1946 to early 1948:
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225:
Cantor, M (2015). "Celluloid
Improvisations - "Oh What A Tangled Web We Weave": Three Black Cast Films from the 1940s"".
109:, indicating that it was "morally objectionable in part." It received some less than favorable reviews. A theater in
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471:. Ciudad de La Habana Centro de Investigación y Desarrollo de la Cultura Cubana Juan Marinello. 2005.
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207:"George Quigley at the National Museum of African American History and Culture"
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was a director and producer of films in the United States and Cuba. The
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https://archive.org/details/motionpicturedai66unse_0/page/n55/mode/2up
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https://archive.org/details/womenofcolorfilm0000osha/page/214/mode/2up
247:"U.S. Consul in Havana Preparing Handbook to Guide Yank Producers"
408:
Within Our Gates: Ethnicity in
American Feature Films, 1911-1960
105:
was announced in
October 1949. It was given a "B" rating by the
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El ámbito musical habanero de los 50 [Texto impreso]
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withdrew the film shortly after it was released, along with
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International
Association of Jazz Record Collectors Journal
249:. New York, NY: Variety Publishing Company. May 28, 1947
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National Museum of
African American History and Culture
119:, a film protested by the National League of Decency.
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86:produced by Consolidated National Films in 1944.
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279:"Cuban-made 'Sarumba' in Eagle-Lion Release"
442:Diccionario de directores del cine mexicano
369:"Protested, 'Devil' is Pulled after 1 Day"
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357:Sarumba review, Motion Picture Herald
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304:"Legion Reviews 11; Rates Three 'B'"
16:American film director and producer
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312:. February 23, 1950. p. 2.
267:Sarumba distribution note, 1947
548:Film directors from California
426:"Cuba, Canta Y Baila at ENDAC"
1:
406:Gevinson, Alan, ed. (1997).
82:. He was also involved with
138:(1941), the 30-minute film
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107:National Legion of Decency
283:The Brooklyn Daily Eagle
80:Bob Howard's House Party
51:Bob Howard's House Party
553:American film producers
285:. 1949-10-17. p. 6
412:America Film Institute
389:"HOWARD'S HOUSE PARTY"
344:"Variety (March 1950)"
116:The Devil in the Flesh
439:Ciuk, Perla (2000).
374:Motion Picture Daily
329:Motion Picture Daily
324:"Reviews: "Sarumba""
309:Motion Picture Daily
140:Howard's House Party
393:Library of Congress
377:. February 7, 1950.
142:was clipped from it
185:Cuba Canta y Baila
32:Director, Producer
496:George P. Quigley
332:. March 23, 1950.
147:Mistaken Identity
135:Murder with Music
76:Murder with Music
72:Mistaken Identity
63:George P. Quigley
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47:Murder with Music
43:Mistaken Identity
23:George P. Quigley
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38:Notable work
235:(2): 30–37.
155:Junction 88
123:Filmography
542:Categories
289:2021-11-06
253:2021-11-06
193:References
163:Producer
128:Director
346:. 1950.
170:Sarumba
98:Variety
92:Sarumba
55:Sarumba
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178:Writer
173:(1950)
158:(1947)
150:(1946)
500:IMDb
473:ISBN
447:ISBN
78:and
498:at
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215:^
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