318:
333:
463:
505:
476:
122:
Patten had patronage in the painting of presentation portraits, many of which appeared in the exhibitions of the Royal
Academy. Among these were portraits of
555:
52:, where he first exhibited a miniature of his father in 1819. In 1828 he again entered the schools of the academy, and took up oil painting in 1830.
550:
48:
between 1791 and 1844, and who died on 22 August 1843. He received his early training in art from his father, and in 1816 became a student in the
530:
86:, Middlesex. He died suddenly at Hill House, his residence there, on 11 March 1865, aged sixty-three, and was buried in the churchyard of
63:; and on his return to England he was elected an associate of the Royal Academy. Early in 1840 he went to Germany to paint a portrait of
540:
545:
481:
428:
385:
87:
535:
410:
338:
103:
317:
332:
399:
135:
131:
68:
495:
181:
99:
64:
44:
Patten was born in 1801 the son of
William Patten, a miniature-painter, whose works were exhibited at the
379:
49:
525:
520:
127:
279:
79:
111:
433:
107:
27:
123:
83:
514:
467:
323:
45:
20:
378:
145:
Patten painted also mythological, fancy, and scriptural subjects. Among them were:
445:
72:
437:
472:
374:
142:
the violinist, exhibited in 1833. He exhibited his own portrait in 1858.
139:
272:
The
Youthful Apollo preparing to engage in a musical contest with Paris
499:
56:
466: This article incorporates text from a publication now in the
78:
During the latter part of his life Patten lived at
Goodrich Cross,
60:
400:
The
Monumental Inscriptions of Middlesex Vol III - Cansick 1875.
36:(29 June 1801 – 11 March 1865) was a British portraitist.
67:
which was exhibited at the Royal
Academy, and engraved by
102:(born 1829), a genre painter, and Clara Maria, mother of
304:Bacchus consoling Ariadne for the Loss of Theseus
98:By his wife Lucy, Patten had children including
248:Love defending Beauty from the Assaults of Time
485:. Vol. 44. London: Smith, Elder & Co.
389:. Vol. 44. London: Smith, Elder & Co.
55:In 1837 Patten went to Italy, visiting Rome,
8:
506:Profile on Royal Academy of Arts Collections
432:(online ed.). Oxford University Press.
274:, the last of his exhibited works, in 1864.
26:For the Montana Supreme Court justice, see
198:Dante's Descent with Virgil to the Inferno
71:. He was later appointed portrait-painter
152:, exhibited at the Royal Academy in 1831;
242:Bacchus discovering the use of the Grape
429:Oxford Dictionary of National Biography
355:
313:
278:Several of these appeared also at the
232:The Destruction of Idolatry in England
82:, but before his death he returned to
496:26 artworks by or after George Patten
426:Morales, Patricia. "Patten, George".
413:Alfred Fowler Patten, 1829-after 1888
369:
367:
365:
363:
361:
359:
7:
292:Venus caressing her favourite Dove
14:
556:19th-century English male artists
188:Hymen burning the Arrows of Cupid
482:Dictionary of National Biography
461:
386:Dictionary of National Biography
331:
316:
551:Associates of the Royal Academy
1:
531:19th-century English painters
446:UK public library membership
88:All Saints' Church, Edmonton
16:English painter (1801–1865)
572:
222:Cupid taught by the Graces
180:, suggested by the ode by
25:
18:
541:English portrait painters
411:whistler.arts.gla.ac.uk,
546:English history painters
136:Baptist Wriothesley Noel
19:Not to be confused with
238:Susannah and the Elders
204:The Madness of Hercules
438:10.1093/ref:odnb/21570
380:"Patten, George"
536:English male painters
69:Charles Eden Wagstaff
50:Royal Academy Schools
210:The Mouse's Petition
128:Lord Francis Egerton
100:Alfred Fowler Patten
280:British Institution
166:Cymon and Iphigenia
80:Ross, Herefordshire
266:The Prophet Isaiah
260:The Bower of Bliss
226:Flora and Zephyrus
162:Maternal Affection
444:(Subscription or
254:Apollo and Clytie
150:A Nymph and Child
132:Hugh Boyd M'Neile
112:Constance Garnett
563:
486:
465:
464:
450:
449:
441:
423:
417:
408:
402:
397:
391:
390:
382:
371:
335:
320:
282:, together with
108:Clementina Black
28:George Y. Patten
571:
570:
566:
565:
564:
562:
561:
560:
511:
510:
492:
475:, ed. (1895). "
471:
462:
454:
453:
443:
425:
424:
420:
409:
405:
398:
394:
373:
372:
357:
352:
346:
342:
339:Thomas Horsfall
336:
327:
321:
312:
182:William Collins
172:Bacchus and Ino
120:
96:
75:to the Prince.
42:
31:
24:
17:
12:
11:
5:
569:
567:
559:
558:
553:
548:
543:
538:
533:
528:
523:
513:
512:
509:
508:
503:
491:
490:External links
488:
477:Patten, George
459:
458:
452:
451:
418:
403:
392:
377:, ed. (1895).
354:
353:
351:
348:
344:
343:
337:
330:
328:
322:
315:
311:
308:
284:Returning Home
276:
275:
269:
263:
257:
251:
245:
235:
229:
219:
213:
207:
201:
195:
185:
175:
169:
159:
153:
124:Richard Cobden
119:
116:
95:
92:
84:Winchmore Hill
41:
38:
15:
13:
10:
9:
6:
4:
3:
2:
568:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
518:
516:
507:
504:
501:
497:
494:
493:
489:
487:
484:
483:
478:
474:
469:
468:public domain
456:
455:
447:
439:
435:
431:
430:
422:
419:
416:
414:
407:
404:
401:
396:
393:
388:
387:
381:
376:
370:
368:
366:
364:
362:
360:
356:
349:
347:
340:
334:
329:
325:
324:Benjamin Hick
319:
314:
309:
307:
305:
302:in 1840; and
301:
297:
293:
289:
285:
281:
273:
270:
267:
264:
261:
258:
255:
252:
249:
246:
243:
239:
236:
233:
230:
227:
223:
220:
217:
214:
211:
208:
205:
202:
199:
196:
193:
189:
186:
183:
179:
176:
173:
170:
167:
163:
160:
157:
154:
151:
148:
147:
146:
143:
141:
137:
133:
129:
125:
117:
115:
113:
109:
105:
101:
93:
91:
89:
85:
81:
76:
74:
70:
66:
65:Prince Albert
62:
58:
53:
51:
47:
46:Royal Academy
39:
37:
35:
34:George Patten
29:
22:
21:George Patton
498: at the
480:
460:
427:
421:
412:
406:
395:
384:
345:
303:
299:
295:
291:
287:
283:
277:
271:
268:in 1860; and
265:
259:
253:
247:
241:
237:
231:
225:
221:
215:
209:
203:
197:
191:
187:
178:The Passions
177:
171:
165:
161:
155:
149:
144:
121:
104:Arthur Black
97:
77:
54:
43:
33:
32:
526:1865 deaths
521:1801 births
473:Lee, Sidney
457:Attribution
375:Lee, Sidney
294:in 1836; a
288:A Bacchante
286:, in 1833;
156:A Bacchante
73:in ordinary
515:Categories
448:required.)
300:The Graces
296:Wood-Nymph
184:, in 1838;
326:, c.1840.
306:in 1841.
298:in 1838;
290:in 1834;
262:in 1858;
256:in 1857;
250:in 1851;
244:in 1850;
234:in 1849;
228:in 1848;
218:in 1846;
212:in 1845;
206:in 1844;
200:in 1843;
194:in 1842;
174:in 1836;
168:in 1834;
158:in 1833;
140:Paganini
470::
341:, 1853.
310:Gallery
216:Pandora
500:Art UK
442:
138:, and
94:Family
59:, and
57:Venice
350:Notes
118:Works
61:Parma
502:site
240:and
224:and
190:and
164:and
110:and
40:Life
479:".
434:doi
192:Eve
517::
383:.
358:^
134:,
130:,
126:,
114:.
106:,
90:.
440:.
436::
415:.
30:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
