134:, the object of which was the publication of previously unengraved historical portraits; through lack of support the society came to an end, after publishing a few prints, early in 1843. Harding carried on the work on his own account, and during the next five years issued a series of fifteen plates, engraved by Joseph Brown and William Greatbach, with biographical notices by Moule. The copperplates of these afterwards passed into the hands of
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Harding visited family seats of the nobility, royal palaces, and college halls. He produced highly finished copy portraits. He was elected a fellow of the
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in 1839, but withdrew in 1847. Towards the end of his life he had money troubles, and sold his collections of drawings.
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at intervals between 1802 and 1840; but, like his father, he mainly devoted himself to making
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Ancient Oil
Paintings and Sepulchral Brasses in the Abbey Church of St. Peter, Westminster
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22:(1781 – 23 December 1853) was an English portrait painter and copyist.
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In 1822–3 Harding published a series of eighteen portraits of the
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Memoirs of the Court of
England during the Reign of the Stuarts
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In 1840 Harding took a leading part in establishing the
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