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George W. Jamieson

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His last professional appearance was made in Yonkers, where he resided for several years and was highly esteemed, and where he met an awful fate. The express train on the Hudson River Railroad that left New York on Saturday evening, October 3, 1868, bore with it his death. He had gone on an earlier
50:, and of other distinguished men — and where he became a favorite, both as a man and as an artist. His taste and desire, however, impelled him toward the Stage, and for that profession he studied and practised assiduously in several amateur dramatic societies. 105:
train and been carried beyond the Yonkers station and landed at Glenwood, where he walked back on the railway line, and was struck and instantly killed by the express train. On Tuesday afternoon, October 6, 1868, in the village of
38:, born in Varick Street, New York. His mother was an American of remarkable talents; his father was an Irishman. At an early age he was apprenticed to a lapidary, and in cutting gems he acquired facility, — his 19: 109:, friends of George W. Jamieson assembled in the church of St. John to perform funeral rites over his remains and to lay them in the grave. His grave is in a little cemetery near Yonkers. 69:." his success was good and he remained an actor all his days. He was engaged in the National Theatre (Church street, New York), in 1839; he appeared in 158: 143: 73:
for the first time on October 9, 1840; and he made a professional visit to England in 1861. At one time he played opposite parts to the elder
138: 97:: but he did not make a name as a Shakespearean actor. He was later accused of having an affair with Forrest's wife, 70: 98: 118: 153: 148: 24: 86: 74: 122: 106: 58: 43: 39: 54: 132: 78: 42:
being considered models of artistic beauty and truth. In early manhood he went to
47: 35: 101:, which led to the sensational Forrest Divorce Case in the early 1850s. 62: 18: 53:
His first regular professional appearance was made at the
46:, where he made excellent cameo portraits — of 8: 34:(1810-1868) was an American actor and 7: 93:well, and he was a superb reader of 57:, New York, under the management of 89:impersonation, although he played 14: 159:19th-century American male actors 144:Male actors from New York City 1: 23:George Jamieson as Brutus in 175: 139:American male stage actors 99:Catherine Norton Sinclair 61:, in 1835, in his own 28: 22: 123:The Wallet of Time 32:George W. Jamieson 29: 166: 125:(New York, 1913) 174: 173: 169: 168: 167: 165: 164: 163: 129: 128: 115: 17: 12: 11: 5: 172: 170: 162: 161: 156: 151: 146: 141: 131: 130: 127: 126: 114: 111: 55:Bowery Theatre 16:American actor 15: 13: 10: 9: 6: 4: 3: 2: 171: 160: 157: 155: 152: 150: 147: 145: 142: 140: 137: 136: 134: 124: 120: 117: 116: 112: 110: 108: 102: 100: 96: 92: 88: 87:Shakespearean 85:was his best 84: 80: 79:Edwin Forrest 76: 72: 68: 67:The Chameleon 64: 60: 56: 51: 49: 45: 41: 37: 33: 26: 25:Julius Caesar 21: 103: 94: 90: 82: 71:Philadelphia 66: 52: 31: 30: 154:1868 deaths 149:1810 births 133:Categories 113:References 48:Henry Clay 44:Washington 36:lapidary 107:Yonkers 91:Othello 81:. His 77:and to 59:Hamblin 119:Winter 95:Hamlet 40:cameos 27:, 1855 75:Booth 63:farce 83:Iago 65:, " 135:: 121:,

Index

Man standing in Roman clothing
Julius Caesar
lapidary
cameos
Washington
Henry Clay
Bowery Theatre
Hamblin
farce
Philadelphia
Booth
Edwin Forrest
Shakespearean
Catherine Norton Sinclair
Yonkers
Winter
The Wallet of Time
Categories
American male stage actors
Male actors from New York City
1810 births
1868 deaths
19th-century American male actors

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