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Georgia sings her new song, "I Can Call Down Rain;" Michael is in attendance and appears mesmerized by the performance. Herbert is concerned about the budding interracial relationship, but not hostile. Mrs. Anderson brings Bobo to
Georgia's dressing room, where she and Herbert are talking; a furious
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Georgia Martin, the most popular
American singer in Europe, embarks on a three-day journey to Stockholm in order to debut her newest song. Shortly after her arrival, she sits down for an interview during which she is asked questions about romance and issues involving race and American politics, much
334:
gave the film a mixed review, saying that
Angelou and the cast "cannot be faulted for lack of purpose and sincerity…ut their emotions are, sadly enough, too often projected in rhetoric and surface histrionics rather than drama." He praised Sands' "finely tuned performance" as Georgia and Björkman's
242:
Michael snaps his last photos of
Georgia and invites her to his apartment, and they decide to have sex. Word of their romance reaches Mrs. Anderson, who is incensed by what she perceives as a slight upon the black race. When Georgia tells Mrs. Anderson how good Michael makes her feel, she convinces
230:
After she and
Georgia return to the hotel, Mrs. Anderson delivers Bobo's intentions to Georgia and suggests him as a possible match for her. She resents being asked to shoulder the burden of uplifting so many other blacks in Sweden and finds a relationship with deserter detrimental to her already
226:
The next day, Herbert accompanies
Georgia to her photo shoot with Michael after Mrs. Anderson warns her not to let the white American photographer take advantage of her. Bobo repeatedly plagues Michael with requests to speak to Georgia, but he is turned away from the photo shoot and ends up
222:
Afterwards, Georgia's manager, Herbert
Thompson, chauffeurs her and her traveling companion and mother figure, Alberta Anderson, to their hotel. After Georgia retires to her suite, Bobo, a black man who, like Michael, deserted the United States Army after fighting in Vietnam, approaches the
231:
troubled life. Mrs. Anderson later calls
Georgia's stance an irresponsible abandonment of her duties as a black woman, prompting Herbert to ask why Georgia keeps her in her company. Georgia reveals that Mrs. Anderson reminds her of the southern upbringing that she has escaped.
227:
introducing himself to Mrs. Anderson. Bobo tells her of his plan to encourage
Georgia to advocate for black deserters in Sweden, but Mrs. Anderson says that Georgia will not consider it and implies that she is out of touch with her African-American heritage.
234:
During another round of shooting, Georgia grows fond of
Michael, even calling him a credit to the white race. At the same time, Bobo is taking a stroll with Mrs. Anderson, who tells him of how her husband was beaten to the point of sterility by a white mob.
31:
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receptionist, unsuccessfully requesting an audience with Georgia. The receptionist later has a sexual encounter with Herbert in the latter's suite.
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the singer to let her brush her hair. After strangling Georgia, Mrs. Anderson brushes her dead victim's hair while singing "
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direction, but criticizes Angelou's writing as "too often simplistic and only occasionally memorable."
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Brown, Avonie (4 January 1997). "Maya Angelou: The Phenomenal Woman Rises Again".
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Gillespie, Marcia Ann; Butler, Rosa Johnson; Long, Richard A. (2008).
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to her chagrin. Afterwards, she is introduced to Michael Winters, a
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who has agreed to take photographs of her for a Swedish magazine.
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Singin' and Swingin' and Gettin' Merry like Christmas
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701:Just Give Me a Cool Drink of Water 'fore I Diiie
757:Phenomenal Woman: Four Poems Celebrating Women
239:Georgia pushes Mrs. Anderson out of the room.
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750:The Complete Collected Poems of Maya Angelou
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771:Celebrations, Rituals of Peace and Prayer
429:"'Georgia, Georgia' Arrives at the Forum"
810:Wouldn't Take Nothing for My Journey Now
662:All God's Children Need Traveling Shoes
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200:23rd Berlin International Film Festival
947:Films with screenplays by Maya Angelou
708:Oh Pray My Wings Are Gonna Fit Me Well
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952:Cinerama Releasing Corporation films
470:Maya Angelou: A Glorious Celebration
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403:Gillespie, Butler & Long 2008
277:Roger Furman as Herbert Thompson
992:1970s LGBTQ-related drama films
942:Films directed by Stig Björkman
634:I Know Why the Caged Bird Sings
560:Swedish Film Institute Database
427:Weiler, A. H. (11 March 1972).
274:James Thomas Finley Jr. as Jack
937:English-language Swedish films
127:Cinerama Releasing Corporation
1:
842:Hallelujah! The Welcome Table
202:. Its screenplay, written by
997:English-language drama films
982:American LGBTQ-related films
957:1970s English-language films
817:Even the Stars Look Lonesome
987:Swedish LGBTQ-related films
778:Mother: A Cradle to Hold Me
764:A Brave and Startling Truth
722:Shaker, Why Don't You Sing?
190:is a 1972 Swedish-American
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641:Gather Together in My Name
198:. It was entered into the
669:A Song Flung Up to Heaven
310:Artie Sheppard as Scottie
245:This Little Light of Mine
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972:1972 LGBTQ-related films
849:Great Food, All Day Long
792:Life Doesn't Frighten Me
729:Now Sheba Sings the Song
392:: Amnews Corporation: 2.
283:as Mrs. Alberta Anderson
743:On the Pulse of Morning
385:New York Amsterdam News
141:10 March 1972
676:Mom & Me & Mom
506:Mom & Me & Mom
824:Letter to My Daughter
292:Randolph Henry as Gus
962:1970s American films
927:American drama films
736:I Shall Not Be Moved
655:The Heart of a Woman
295:Diana Kjær as Birgit
217:Vietnam war resister
967:1970s Swedish films
932:Swedish drama films
417:, pp. 168–178.
434:The New York Times
358:"Georgia, Georgia"
331:The New York Times
301:as Reception Clerk
299:Lars-Erik Berenett
259:as Michael Winters
117:Jorkel Productions
977:Gay-related films
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894:Down in the Delta
265:as Georgia Martin
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715:And Still I Rise
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859:Screenplays
517:. pp.
263:Diana Sands
73:Diana Sands
64:Jack Jordan
61:Produced by
41:Directed by
35:Film poster
917:1972 films
911:Categories
785:We Had Him
481:. p.
448:8 November
367:13 January
339:References
192:drama film
161:91 minutes
145:1972-03-10
108:Production
834:Cookbooks
443:119419040
344:Citations
321:Reception
316:as "Bobo"
166:Countries
110:companies
91:Edited by
16:1972 film
503:(2013).
439:ProQuest
307:as Guest
176:Language
99:Music by
69:Starring
558:at the
519:168–178
461:Sources
271:as Lars
179:English
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897:(1998)
878:(1982)
870:(1972)
802:Essays
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388:(88).
169:Sweden
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549:IMDb
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450:2021
369:2017
251:Cast
210:Plot
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
