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Gendèr

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704: 152: 43: 107: 698: 359: 246:. The gendèr barung plays a slower, but more complex melodic pattern that includes more separate right and left hand melodic lines that come together in kempyung (approximately a fifth) and gembyang (octave) intervals. The three sizes of gendèr are called jegogan (the largest), jublag, and penyacah. A pair of ten-bar gendèr are called giying. 345: 230:, important to most gamelan instruments, becomes more challenging, and the previously hit notes must be dampened by the same hand immediately after the new ones are hit. This is sometimes possible by playing with the mallet at an angle (to dampen one key and play the other), but may require a small pause. 186:
made of wooden disks (Bali) or a padded wooden disk (Java). Each key is a note of a different pitch, often extending a little more than two octaves. There are five notes per octave, so in the seven-note
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The gamelan plays in two different ensemble types: loud-playing ensemble and soft-playing ensemble. The gendèr is used in both styles. The soft-playing style includes voices and instruments like
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In some types of gamelan, two gendèrs are used, both spanning approximately two and a half octaves, the gendèr barung and the gendèr panerus, pitched an octave higher than the other. In
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Sumarsam (1975). "Gendèr Barung, Its Technique and Function in the Context of Javanese Gamelan".
291: 283: 279: 211: 841: 453: 313:. These are relatively fixed patterns, but can be varied in a number of ways to suit the style, 242:, the gendèr panerus plays a single line of melodic pattern, following a pattern similar to the 1300: 820: 805: 760: 521: 465: 239: 218:, which is pitched lower and has fewer notes. The melodies of the two hands sometimes move in 1624: 1416: 1406: 851: 795: 720: 687: 589: 513: 457: 424: 416: 364: 266:, gendèr panerus, and gendèr barung. The loud-playing styles only include instruments like 861: 815: 800: 750: 576: 492: 219: 168: 1357: 1274: 886: 770: 745: 740: 1680: 1619: 1606: 785: 775: 665: 387: 1264: 1249: 866: 350: 330: 223: 164: 131: 1151: 1146: 182:
bars suspended over a tuned resonator of bamboo or metal, which are tapped with a
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Kartomi, Margaret J.; Ornstein, Ruby; Montagu, Jeremy (2015-05-28).
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Both types of gendèr play semi-improvised patterns called
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Miller, Terry E.; Williams, Sean, eds. (2017-09-25).
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The Other Classical Musics: Fifteen Great Traditions
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It consists of 10 to 14 tuned 7: 250:Loud-playing and Soft-playing styles 1331:Traditional musical instruments of 570:Javanese Gendèr panerus, with audio 56:it lacks sufficient corresponding 25: 702: 696: 357: 343: 105: 41: 1697:Keyboard percussion instruments 882:List of U.S. gamelan ensembles 1: 1692:Plaque percussion idiophones 1661:List of gamelan instruments 206:is similar to the Balinese 1713: 29: 1666:List of gamelan varieties 1339: 1220: 694: 294:family, gendèr slenthem, 104: 811:Semar pegulingan gamelan 541:Church, Michael (2015). 30:Not to be confused with 323:elaborating instruments 71:more precise citations. 565:Javanese Gendèr barung 156: 155:A man playing a gendèr 1687:Panerusan instruments 1214:percussion idiophones 781:Joged bumbung gamelan 756:Gender wayang gamelan 518:10.4324/9781315086477 454:"Gender (instrument)" 154: 122:Percussion instrument 877:Gamelan Son of Lion 766:Gong kebyar gamelan 676:Gendhing structures 101: 1547:Kempyang and ketuk 1255:Kulintang a tiniok 872:Gamelan Sekar Jaya 837:K. P. H. 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Index

Gendér barung
Gender
references
inline citations
improve
introducing
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Classification
Percussion instrument
Idiophone
Metallophone
Indonesia

metallophone
Balinese
Javanese
gamelan
metal
mallet
pélog
pathet
sléndro
gangsa
saron
slenthem
parallel motion
contrapuntally
dampening
Gamelan Surakarta

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