317:; Mary Currier, Professor of Elocution at Wellesley; Dr. Canfield, President of Columbus University, Ohio; Professor Hayes, of Harvard; Frank Stuart Parker, Georgie Cayvan, Mrs. James Brown Potter, Mrs. Pierpont Morgan, Mrs. Benjamin Church, Mrs. Vincenzo Botta, Mrs. Post, Miss Vanderbilt, Mrs. John D. Rockefeller, Mrs. Alexander, Mrs. Richard McCurdy, and others; while classes were formed by the Seidl Society, the Musical Artists' Society, the Kindergarten Society, the Ethical Society and other clubs. Steele MacKaye wrote to her when she first launched forth as a teacher: "You are the only one of my pupils whom I can conscientiously recommend to teach what I teach myself"; while Regnier wrote: "You have the true artistic temperament, and I confidently prophesy for you the greatest success.ÂŁ Later F. Townsend Southwick (former teacher of oratory at the Academy of Dramatic Arts) joined forces with Stebbins in her school as the principal. She retired from the school in 1907.
293:. Its immediate success decided her to become a lecturer and teacher. She became a special instructor in twenty-one New York schools, and recited and lectured in the principal cities and colleges of the United States. Feeling the need of a gymnastic system for girls that should have the charm of the dance and the physical value of the gymnasium, she elaborated a few Delsarte ideas combined with Ling aesthetic gymnastics and creative work of her own into a complete system of Harmonic Gymnastics. To perfect these gymnastic ideas, she made two more trips abroad, and studied in the U.S. with Dr. George H. Taylor, author of a valuable system of medical gymnastics. Stebbins' studied in physical culture included training in Swedish educational gymnastics, and aesthetic dance going to
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262:), as MacKaye's representative, giving the system of Delsarte to pupils and teachers in exchange for private and class lessons in elocution from Prof. Lewis Baxter Monroe, Dean of that school. Nearly every well-known graduate of that school was under her instruction, and to her many of them were indebted for their entire knowledge of the Delsarte System.
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In 1893, she founded the New York School of
Expression in the Carnegie Music Hall, Mr. Astley (Stebbins' husband) being the Business Manager. Her 1893 school brochure listed prior pupils including Felix Adler, of the Ethical Society; Dr. and Mrs. S. S. Curry, of the Boston School of Expression;
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258:, who persuaded her to retire from the stage and study the Delsarte System with him for two years, promising her the leading part in a play which he was writing at the time. Stebbins spent six months of this two years at the Boston University School of Oratory (later known as
746:
Kelly Jean Mullan. "Somatics herstories: Tracing Elsa
Gindler's educational antecedents Hade Kallmeyer and Genevieve Stebbins". Journal of Dance & Somatic Practices, Volume 9, Number 2, 1 September 2017, pp. 159–178(20)
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Kelly Jean Lynch (2022): Aesthetic dance as woman's culture in
America at the turn of the twentieth century: Genevieve Stebbins and the New York school of expression, Feminist Modernist Studies, DOI: 10.1080/24692921.2022.2144176
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Stebbins was married to Joseph A. Thompson from 1888 until she divorced him in 1892. Stebbins was remarried to Norman Astley, a journalist, in April 1892. There is no record of
Stebbins having children from either marriage.
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Kelly Jean Mullan. (2020). Forgotten "New" Dancer of New York City's Gilded Age: Genevieve Lee
Stebbins and the Dance as Yet Undreamed. Dance Research Journal, 52(3), 97–117. doi:10.1017/S0149767720000327
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and expression, especially in the realm of dance. She provided the means, rationale, and model for what could be accepted as the appropriate practices for middle-class women. Her work in the
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system facilitated the new "modern dance" which would develop in the United States and Europe in the twentieth century. It may also have contributed to the 20th century development of
281:, President of the Conservatoire and Societaire of the Theatre Francois. On her return to the United States in 1882, Stebbins read in public and accepted other theatrical engagements.
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in 1892 for that purpose. During her entire career she was interested in singing, and was the pupil of prominent masters, whose method she applied to training the speaking voice.
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340:(New York: E. S. Werner Publishing Company), with a second part consisting of lectures and added instruction, illustrated by thirty-two pictures of statues.
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Appendix to
Society gymnastics, containing 1. Eastern temple drill, 2. Energizing dramatic drill, 3. Minuet fan drill, 4. An æsthetic drill.
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197:(March 7, 1857 – September 21, 1934) was an American author, teacher of her system of Harmonic Gymnastics and performer of the
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Kelly Mullan (2016) "Harmonic
Gymnastics and Somatics: A Genealogy of Ideas". Currents: Journal of Body-Mind Centering.
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P. Edwards (1999). "Unstoried: Teaching
Literature in the Age of Performance Studies". Theatre Annual, 52, 1–147.
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Dynamic
Breathing and Harmonic Gymnastics: A Complete System of Psychical, Aesthetic and Physical Culture
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system of expression. She published four books and was the founder of the New York School of
Expression.
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Stebbins's work created more opportunities for late nineteenth-century American women to engage in
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The Quest of the Spirit. By a Pilgrim of the Way. Edited and arranged by G. Stebbins.
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In May, 1879, Stebbins made her re-entrance on the stage as the leading lady of the
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Society gymnastics and voice-culture Adapted from the Delsarte System. 6th ed.
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The Cultivation of Body and Mind in Nineteenth-Century American Delsartism
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from San Francisco to study for the stage, under a leading actress of
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This article incorporates text from this source, which is in the
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Genevieve Stebbins Astley died on September 21, 1934, in
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Stebbins embodied her method in several books including,
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Yoga body : the origins of modern posture practice
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Cauldwell, William (1902). William Cauldwell (ed.).
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1419:Manohar Aich
1412:Bodybuilding
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1320:Steve Reeves
1260:Jack LaLanne
1160:Alan Calvert
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522:. Retrieved
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63:(1934-09-21)
1612:1934 deaths
1607:1857 births
1464:Chandgi Ram
1434:B. C. Ghosh
1375:John Terpak
1345:Larry Scott
1330:Joe Rollino
1240:Bob Hoffman
1225:John Grimek
1200:Mark Forest
1062:Monte Saldo
1017:Joan Rhodes
982:Thomas Inch
927:Tony Emmott
907:Victor Dane
808:Antecedents
240:Rose Michel
205:Early years
91:Nationality
1601:Categories
1546:Gymnastics
1454:K. V. Iyer
1385:Al Treloar
1325:Leo Robert
1315:Bill Pearl
1305:Kid Parker
1275:Gilman Low
1155:Paul Bragg
1130:Joe Bonomo
1125:Mark Berry
992:Dan McLeod
902:Niels Bukh
460:References
215:California
75:Occupation
51:California
1370:Vic Tanny
1280:Dan Lurie
1093:New World
1052:Maxalding
987:John Lees
672:318191988
620:0277-3945
518:0149-7677
344:Influence
1585:Category
1007:Reg Park
875:European
758:Archived
644:(2010).
628:24753681
374:Monterey
354:Delsarte
248:Our Boys
199:Delsarte
94:American
83:Language
68:Monterey
1566:Pilates
1529:Related
1390:Turners
1205:Ed Fury
1069:Vulcana
867:Western
859:Systems
721::
226:Theatre
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107:Subject
86:English
35:In 1902
1507:Tiruka
1404:Indian
1057:Maxick
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448:, 1913
440:, 1913
434:, 1895
428:, 1895
422:, 1895
416:, 1893
408:, 1893
402:, 1888
396:, 1886
221:Career
137:Spouse
53:, U.S.
1479:Yogic
1037:Sokol
624:JSTOR
275:Paris
180:(
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156:(
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668:OCLC
658:ISBN
616:ISSN
540:link
526:2024
514:ISSN
162:div.
58:Died
41:Born
654:144
608:doi
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