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193:, led by Johnson. After having repulsed an attack against their camp, the British and their auxiliaries took over. Dieskau, wounded three times, had his life saved by Johnson, who protected him from the Mohawks wanting revenge for their killed kinsmen. He actually survived and was taken as a prisoner to
237:
By showing the
European Johnson restraining the aggressive actions of an indigenous auxiliary, the painting has been identified by some art historians as promoting European standards of honor and laws of war, in contrast to the traditional "warlike" values of indigenous warriors such as scalping and
151:. The painting has fine detail on the indigenous figure, whose plucked scalp and tattoos are shown in more detail than the Europeans' uniforms. West is known to have had a collection of North American artefacts which he used in his paintings.
166:
for the French and Indian War period. Whereas in the
Italian painting, accuracy and authenticity were intended to give a generic representation of the Indian life, the new one employed them to make a report of a recent historical event.
246:. Johnson's actions in the painting contrasts against Johnson's historical reputation which has included him being described as a "White Savage" for his positive outlook on indigenous traditions during times of conflict.
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West was an early
American painter. He claimed to have been first taught how to make paint by a Native American childhood friend who demonstrated how paint could be made by mixing clay with
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made
November 20, which advocated against the employment of Indian allies against the American Patriots on the grounds that they would target non-combatant colonists and
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killing prisoners of war. It has also been identified as referring to the concerns and debates that the employment of Indian allies aroused among
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Conlin, Jonathon (2004). "Benjamin West's
General Johnson and Representations of British Imperial Identity, 1759–1770. An Empire of Mercy?".
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365:""General Johnson saving a Wounded French Officer from the Tomahawk of a North American Indian" by Benjamin West, PRA"
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Although the subject matter and some "physical and symbolic details" could be found more closely corresponding to the
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Benjamin West's
General Johnson and Representations of British Imperial Identity, 1759–1770. An Empire of Mercy?
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Benjamin West probably began this painting soon after his arrival in London, in 1763, when West returned from
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The painting is important as it is a contemporary view showing all three major groups involved during the
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174:(1759), the painting is usually related to an incident that occurred during the campaign of 1755 around
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General
Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian
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Mémoires sur la dernière guerre de l'Amérique septentrionale entre la France et l'Angleterre
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General
Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian
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Pierre
Pouchot, Michael Cardy (translation) and Brian Leigh Dunnigan (edition and notes),
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them, was indicative of opposition to long-standing recruiting traditions in Europe.
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129.5 cm × 106.5 cm (51.0 in × 41.9 in)
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An
Heroics of Empire: Benjamin West and Anglophone History Painting 1764--1774
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Caffey, Stephen Mark; Art History, The University of Texas at Austin. (2008).
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An Heroics of Empire: Benjamin West and Anglophone History Painting 1764--1774
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Stephen Mark Caffey and Art History, The University of Texas at Austin -
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Reception of the American Loyalists by Great Britain in the Year 1783
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Memoirs on the Late War in North America Between France & England
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caused a scandal in Europe, where it accelerated the outbreak of the
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395:"Clash of Empires: The British, French and Indian War, 1754-1763"
100:, completed between 1764 and 1768. It depicts a scene during the
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in 1763, he was repatriated to France, where he died in 1767.
182:, with their Indian allies, were opposed by a mixed troop of
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Agrippina Landing at Brundisium with the Ashes of Germanicus
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is an oil painting on canvas by the British-American artist
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for treatment of a still unhealed wound. At the end of the
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Colonel Guy Johnson and Karonghyontye (Captain David Hill)
636:
White Savage: William Johnson and the Invention of America
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debated over the employment of Indian auxiliaries. The
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At the beginning of the French and Indian War, a young
684:"Chapter 1 - West's First Heroics of History Painting"
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881:Benjamin Franklin Drawing Electricity from the Sky
690:. University of Texas at Austin. pp. 33–42.
120:(which could be called more comprehensively "the
465:, Catherine Fuller, WGBH, retrieved 28 June 2014
1269:Miravan Breaking Open the Tomb of his Ancestors
610:. Vol. III (1741–1770) (online ed.).
438:, University of Oklahoma Press, 2005, 240 p. (
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638:. New York: Farrar, Straus and Giroux, 2005.
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515:. Univ of Oklahoma Pr. pp. 75–76, 240.
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1694:Collection of Derby Museum and Art Gallery
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512:American Indians in British art, 1700-1840
478:American Indians in British art, 1700-1840
435:American Indians in British Art, 1700-1840
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1176:Gen. Johnson Saving Officer from Tomahawk
481:. Univ of Oklahoma Pr. pp. 85, 198.
208:West returned to the American war in his
1724:Cultural depictions of military officers
602:"Dieskau, Jean-Armand, baron de Dieskau"
272:The same questions persisted during the
158:, where he spent three years. Following
136:preventing an indigenous auxiliary from
549:. Schroth's New York Company. p. 2
544:"Uniforms of the 46th Regiment of Foot"
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242:, throughout the numerous conflicts in
657:Journal for Eighteenth-Century Studies
1709:Works about the French and Indian War
1248:A Philosopher Lecturing on the Orrery
253:is said to have allowed Indian chief
7:
1276:The Alchemist Discovering Phosphorus
367:. Derby City Council. Archived from
1719:Cultural depictions of Irish people
393:Joel Achenbach (16 December 2006).
669:10.1111/j.1754-0208.2004.tb00277.x
338:. warforempire.org. Archived from
14:
1428:Derby Racecourse Roman settlement
604:. In Halpenny, Francess G (ed.).
1262:Romeo and Juliet: the Tomb Scene
607:Dictionary of Canadian Biography
132:War"). It depicts Irish soldier
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178:, when the French commanded by
26:Saving a Wounded French Officer
1524:British Rail Research Division
793:Penn's Treaty with the Indians
276:. In 1777, both Houses of the
197:, then to London, and then to
1:
1241:Grotto in the Gulf of Salerno
857:Edward III Crossing the Somme
401:. p. C01. Archived from
1496:Whitehurst & Son sundial
963:Derby Museum and Art Gallery
849:Portrait of Dr Richard Price
274:American War of Independence
106:Derby Museum and Art Gallery
80:Derby Museum and Art Gallery
1529:Derby Philosophical Society
612:University of Toronto Press
600:Turnbull, James R. (1974).
336:The French & Indian War
259:Joseph Coulon de Jumonville
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1704:Paintings by Benjamin West
1519:Andrew Handyside & Co.
1443:Heath Wood barrow cemetery
1304:A Philosopher by Lamplight
1129:Bonnie Prince Charlie Room
785:The Death of General Wolfe
229:The Death of General Wolfe
211:The Death of General Wolfe
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1367:Chelsea porcelain factory
1203:William Richardson Linton
919:Portrait of Benjamin West
911:Portrait of Benjamin West
509:Pratt, Stephanie (2005).
475:Pratt, Stephanie (2005).
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16:Painting by Benjamin West
1423:Strutt's Park Roman fort
977:Francis Leggatt Chantrey
899:Benjamin West Birthplace
777:The Departure of Regulus
332:"Benjamin West Painting"
1665:Pickford's House Museum
1595:Sir George Harpur Crewe
1534:Derby Exhibition (1839)
1477:Science and engineering
865:Death on the Pale Horse
817:The Battle of the Boyne
1570:6th Duke of Devonshire
1226:paintings and drawings
1145:9th/12th Royal Lancers
1067:Joseph Wright of Derby
825:The Battle of La Hogue
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172:Battle of Fort Niagara
1290:The Blacksmith's Shop
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118:French and Indian War
102:French and Indian War
1413:Creswellian culture
1350:Vesuvius in Eruption
1208:William Hunt Painter
1083:Ashford Black Marble
992:Derby Sketching Club
809:Fidelia and Speranza
1392:William Billingsley
1160:Francis O. Grenfell
873:The Death of Nelson
405:on 12 November 2012
399:The Washington Post
371:on 23 December 2010
134:Sir William Johnson
1438:Great Heathen Army
1007:Count Holtzendorff
982:Ernest Ellis Clark
461:2014-08-10 at the
301:Jonathon Conlin -
278:British Parliament
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218:Historical context
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1600:Llewellynn Jewitt
1491:Benjamin Vulliamy
1382:Pinxton Porcelain
1377:Royal Crown Derby
1234:Richard Arkwright
1017:Alfred John Keene
1012:Richard Hurleston
929:
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844:(1783–1811; lost)
697:978-0-549-77858-5
522:978-0-8061-3657-8
488:978-0-8061-3657-8
432:Stephanie Pratt,
284:'s speech in the
263:Jumonville affair
251:George Washington
164:Light Infantrymen
160:The Indian Family
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1620:5th Earl Ferrers
1590:Alfred E. Goodey
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1297:The Earthstopper
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138:taking the scalp
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586:), p. 232 (
573:(in French)
290:cannibalise
188:New England
176:Lake George
149:bear grease
112:Description
1688:Categories
1605:John Lombe
1463:The Street
1343:Ann Borrow
1098:Matlockite
1088:John Farey
913:(Lawrence)
315:References
68:Dimensions
1418:Derventio
1360:Porcelain
1103:John Mawe
884:(c. 1816)
753:Paintings
617:18 August
553:18 August
528:18 August
494:18 August
409:14 August
375:18 August
346:14 August
240:Europeans
53:1764–1768
1332:Dovedale
921:(Stuart)
703:14 March
459:Archived
195:New York
76:Location
1550:Alkmund
1505:Related
1076:Geology
970:Artists
892:Related
226:West's
191:militia
122:British
1543:People
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547:(PDF)
156:Italy
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1341:and
705:2017
692:ISBN
640:ISBN
619:2011
588:note
580:ISBN
555:2011
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517:ISBN
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